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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0987C it is the complementary color #4F6783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0987C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0987C shade: #B59877, #C6AA8A, #D7BC9D, #E8CEB0 and #F9E0C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0987C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0987C shade: #B0987C, #9F8669, #8E7456, #7D6243 and #6C5030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0987C shade: #B0987C, #B08A7C and #B07C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0987C shade: #B0987C, #B0A67C, #ACB07C, #9EB07C and #90B07C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0987C shade matches the following richer shades: #B0987C, #C1996B, #D29B5A, #E39C49 and #F49D38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0987C shade: #B0987C, #9F978D, #8E959E, #7D94AF and #6C93BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0987C shade: #B07C7C, #B08A7C, #B0987C, #B0A67C and #ADB07C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0987C shade: #886F51, #A18462, #B0987C, #C0AC96 and #CFC0AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0987C shade: #B0987C, #8AB07C and #837CB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0987C shade: #B0987C, #7CB098 and #987CB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0987C shade: #B0987C, #8AB07C, #7C94B0 and #A27CB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0987C shade: #B0987C, #7CB07E, #7C94B0 and #B07CAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 30 / 31

HEX #B0987C

RGB 176 152 124

HSL 32.31, 0.25%, 0.59%

LAB 64.28, 4.59, 18.03

 

Complementary color

CMYK 40 / 21 / 0 / 49

HEX #4F6783

RGB 79 103 131

HSL 212.31, 0.25%, 0.41%

LAB 42.77, -1.28, -18.38

 

CMYK 0 / 16 / 34 / 29

HEX #B59877

RGB 181 152 119

HSL 31.94, 0.3%, 0.59%

LAB 64.65, 5.94, 21.4

 

CMYK 0 / 14 / 30 / 22

HEX #C6AA8A

RGB 198 170 138

HSL 32, 0.34%, 0.66%

LAB 71.28, 5.41, 20.28

 

CMYK 0 / 13 / 27 / 16

HEX #D7BC9D

RGB 215 188 157

HSL 32.07, 0.42%, 0.73%

LAB 77.79, 4.94, 19.23

 

CMYK 0 / 11 / 24 / 9

HEX #E8CEB0

RGB 232 206 176

HSL 32.14, 0.55%, 0.8%

LAB 84.19, 4.52, 18.26

 

CMYK 0 / 10 / 22 / 2

HEX #F9E0C3

RGB 249 224 195

HSL 32.22, 0.82%, 0.87%

LAB 90.5, 4.15, 17.33

 

CMYK 0 / 14 / 30 / 31

HEX #B0987C

RGB 176 152 124

HSL 32.31, 0.25%, 0.59%

LAB 64.28, 4.59, 18.03

 

CMYK 0 / 16 / 34 / 38

HEX #9F8669

RGB 159 134 105

HSL 32.22, 0.22%, 0.52%

LAB 57.5, 5.12, 19.17

 

CMYK 0 / 18 / 39 / 44

HEX #8E7456

RGB 142 116 86

HSL 32.14, 0.25%, 0.45%

LAB 50.59, 5.76, 20.4

 

CMYK 0 / 22 / 46 / 51

HEX #7D6243

RGB 125 98 67

HSL 32.07, 0.3%, 0.38%

LAB 43.51, 6.54, 21.77

 

CMYK 0 / 26 / 56 / 58

HEX #6C5030

RGB 108 80 48

HSL 32, 0.38%, 0.31%

LAB 36.25, 7.53, 23.3

 

CMYK 0 / 14 / 30 / 31

HEX #B0987C

RGB 176 152 124

HSL 32.31, 0.25%, 0.59%

LAB 64.28, 4.59, 18.03

 

CMYK 0 / 22 / 30 / 31

HEX #B08A7C

RGB 176 138 124

HSL 16.15, 0.25%, 0.59%

LAB 60.66, 12.37, 13.02

 

CMYK 0 / 30 / 30 / 31

HEX #B07C7C

RGB 176 124 124

HSL 0, 0.25%, 0.59%

LAB 57.17, 20.24, 8.1

 

CMYK 0 / 14 / 30 / 31

HEX #B0987C

RGB 176 152 124

HSL 32.31, 0.25%, 0.59%

LAB 64.28, 4.59, 18.03

 

CMYK 0 / 6 / 30 / 31

HEX #B0A67C

RGB 176 166 124

HSL 48.46, 0.25%, 0.59%

LAB 67.99, -3.03, 23.1

 

CMYK 2 / 0 / 30 / 31

HEX #ACB07C

RGB 172 176 124

HSL 64.62, 0.25%, 0.59%

LAB 70.37, -9.93, 26.23

 

CMYK 10 / 0 / 30 / 31

HEX #9EB07C

RGB 158 176 124

HSL 80.77, 0.25%, 0.59%

LAB 69.31, -15.35, 24.63

 

CMYK 18 / 0 / 30 / 31

HEX #90B07C

RGB 144 176 124

HSL 96.92, 0.25%, 0.59%

LAB 68.34, -20.61, 23.16

 

CMYK 0 / 14 / 30 / 31

HEX #B0987C

RGB 176 152 124

HSL 32.31, 0.25%, 0.59%

LAB 64.28, 4.59, 18.03

 

CMYK 0 / 21 / 45 / 24

HEX #C1996B

RGB 193 153 107

HSL 32.09, 0.41%, 0.59%

LAB 65.89, 8.92, 29.82

 

CMYK 0 / 26 / 57 / 18

HEX #D29B5A

RGB 210 155 90

HSL 32.5, 0.57%, 0.59%

LAB 67.93, 13.36, 41.72

 

CMYK 0 / 31 / 68 / 11

HEX #E39C49

RGB 227 156 73

HSL 32.34, 0.73%, 0.59%

LAB 69.89, 18.83, 52.79

 

CMYK 0 / 36 / 77 / 4

HEX #F49D38

RGB 244 157 56

HSL 32.23, 0.9%, 0.59%

LAB 71.98, 24.61, 62.91

 

CMYK 0 / 14 / 30 / 31

HEX #B0987C

RGB 176 152 124

HSL 32.31, 0.25%, 0.59%

LAB 64.28, 4.59, 18.03

 

CMYK 0 / 5 / 11 / 38

HEX #9F978D

RGB 159 151 141

HSL 33.33, 0.09%, 0.59%

LAB 62.87, 1.14, 6.31

 

CMYK 10 / 6 / 0 / 38

HEX #8E959E

RGB 142 149 158

HSL 213.75, 0.08%, 0.59%

LAB 61.41, -0.66, -5.6

 

CMYK 29 / 15 / 0 / 31

HEX #7D94AF

RGB 125 148 175

HSL 212.4, 0.24%, 0.59%

LAB 60.46, -1.75, -16.79

 

CMYK 43 / 23 / 0 / 25

HEX #6C93BF

RGB 108 147 191

HSL 211.81, 0.39%, 0.59%

LAB 59.72, -1.73, -27.05

 

CMYK 0 / 30 / 30 / 31

HEX #B07C7C

RGB 176 124 124

HSL 0, 0.25%, 0.59%

LAB 57.17, 20.24, 8.1

 

CMYK 0 / 22 / 30 / 31

HEX #B08A7C

RGB 176 138 124

HSL 16.15, 0.25%, 0.59%

LAB 60.66, 12.37, 13.02

 

CMYK 0 / 14 / 30 / 31

HEX #B0987C

RGB 176 152 124

HSL 32.31, 0.25%, 0.59%

LAB 64.28, 4.59, 18.03

 

CMYK 0 / 6 / 30 / 31

HEX #B0A67C

RGB 176 166 124

HSL 48.46, 0.25%, 0.59%

LAB 67.99, -3.03, 23.1

 

CMYK 2 / 0 / 30 / 31

HEX #ADB07C

RGB 173 176 124

HSL 63.46, 0.25%, 0.59%

LAB 70.45, -9.53, 26.35

 

CMYK 0 / 18 / 40 / 47

HEX #886F51

RGB 136 111 81

HSL 32.73, 0.25%, 0.43%

LAB 48.51, 5.44, 20.41

 

CMYK 0 / 18 / 39 / 37

HEX #A18462

RGB 161 132 98

HSL 32.38, 0.25%, 0.51%

LAB 57.04, 6.2, 22.52

 

CMYK 0 / 14 / 30 / 31

HEX #B0987C

RGB 176 152 124

HSL 32.31, 0.25%, 0.59%

LAB 64.28, 4.59, 18.03

 

CMYK 0 / 10 / 22 / 25

HEX #C0AC96

RGB 192 172 150

HSL 31.43, 0.25%, 0.67%

LAB 71.5, 3.69, 13.95

 

CMYK 0 / 7 / 15 / 19

HEX #CFC0AF

RGB 207 192 175

HSL 31.88, 0.25%, 0.75%

LAB 78.5, 2.46, 10.46

 

CMYK 0 / 14 / 30 / 31

HEX #B0987C

RGB 176 152 124

HSL 32.31, 0.25%, 0.59%

LAB 64.28, 4.59, 18.03

 

CMYK 22 / 0 / 30 / 31

HEX #8AB07C

RGB 138 176 124

HSL 103.85, 0.25%, 0.59%

LAB 67.95, -22.79, 22.57

 

CMYK 26 / 30 / 0 / 31

HEX #837CB0

RGB 131 124 176

HSL 248.08, 0.25%, 0.59%

LAB 54.42, 14.25, -26.56

 

CMYK 0 / 14 / 30 / 31

HEX #B0987C

RGB 176 152 124

HSL 32.31, 0.25%, 0.59%

LAB 64.28, 4.59, 18.03

 

CMYK 30 / 0 / 14 / 31

HEX #7CB098

RGB 124 176 152

HSL 152.31, 0.25%, 0.59%

LAB 67.73, -22.34, 6.82

 

CMYK 14 / 30 / 0 / 31

HEX #987CB0

RGB 152 124 176

HSL 272.31, 0.25%, 0.59%

LAB 56.31, 20.97, -23.49

 

CMYK 0 / 14 / 30 / 31

HEX #B0987C

RGB 176 152 124

HSL 32.31, 0.25%, 0.59%

LAB 64.28, 4.59, 18.03

 

CMYK 22 / 0 / 30 / 31

HEX #8AB07C

RGB 138 176 124

HSL 103.85, 0.25%, 0.59%

LAB 67.95, -22.79, 22.57

 

CMYK 30 / 16 / 0 / 31

HEX #7C94B0

RGB 124 148 176

HSL 212.31, 0.25%, 0.59%

LAB 60.43, -1.81, -17.41

 

CMYK 8 / 30 / 0 / 31

HEX #A27CB0

RGB 162 124 176

HSL 283.85, 0.25%, 0.59%

LAB 57.3, 24.27, -21.89

 

CMYK 0 / 14 / 30 / 31

HEX #B0987C

RGB 176 152 124

HSL 32.31, 0.25%, 0.59%

LAB 64.28, 4.59, 18.03

 

CMYK 30 / 0 / 28 / 31

HEX #7CB07E

RGB 124 176 126

HSL 122.31, 0.25%, 0.59%

LAB 67.16, -27.33, 20.27

 

CMYK 30 / 16 / 0 / 31

HEX #7C94B0

RGB 124 148 176

HSL 212.31, 0.25%, 0.59%

LAB 60.43, -1.81, -17.41

 

CMYK 0 / 30 / 1 / 31

HEX #B07CAE

RGB 176 124 174

HSL 302.31, 0.25%, 0.59%

LAB 58.7, 28.57, -18.48

 

Description

Color code: HEX #B0987C | qconv.com Color code: HEX #B0987C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 152 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 152 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 30 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 30% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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