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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B09810 it is the complementary color #4F67EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B09810. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B09810 shade: #B5980B, #C6AA1E, #D7BC31, #E8CE44 and #F9E057

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B09810. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B09810 shade: #B09810, #9F8600, #8E7400, #7D6200 and #6C5000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B09810 shade: #B19910, #B16D10, #B14210, #B11710 and #B11010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B09810 shade: #B19910, #9EB110, #72B110, #47B110 and #1BB110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B09810 shade matches the following richer shades: #B19910 and #C1A400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B09810 shade: #B19910, #A18E20, #91832F, #82783F and #726D4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B09810 shade: #B14310, #B16E10, #B19910, #9EB110 and #73B110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B09810 shade: #655709, #8B780C, #B19910, #D7B913 and #EBCE29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B09810 shade: #B09810, #10B118 and #5810B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B09810 shade: #B09810, #10B199 and #9910B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B09810 shade: #B09810, #10B118, #1028B1 and #B110A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B09810 shade: #B09810, #10B148, #1028B1 and #B11079

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 91 / 31

HEX #B09810

RGB 176 152 16

HSL 51, 0.83%, 0.38%

LAB 63.11, -3.53, 64.44

 

Complementary color

CMYK 67 / 57 / 0 / 6

HEX #4F67EF

RGB 79 103 239

HSL 231, 0.83%, 0.62%

LAB 49, 34.33, -71.22

 

CMYK 0 / 16 / 94 / 29

HEX #B5980B

RGB 181 152 11

HSL 49.76, 0.89%, 0.38%

LAB 63.59, -1.34, 65.84

 

CMYK 0 / 14 / 85 / 22

HEX #C6AA1E

RGB 198 170 30

HSL 50, 0.74%, 0.45%

LAB 70.07, -2.98, 67.84

 

CMYK 0 / 13 / 77 / 16

HEX #D7BC31

RGB 215 188 49

HSL 50.24, 0.67%, 0.52%

LAB 76.46, -4.37, 68.5

 

CMYK 0 / 11 / 71 / 9

HEX #E8CE44

RGB 232 206 68

HSL 50.49, 0.78%, 0.59%

LAB 82.76, -5.55, 68.36

 

CMYK 0 / 10 / 65 / 2

HEX #F9E057

RGB 249 224 87

HSL 50.74, 0.93%, 0.66%

LAB 88.99, -6.57, 67.76

 

CMYK 0 / 14 / 91 / 31

HEX #B09810

RGB 176 152 16

HSL 51, 0.83%, 0.38%

LAB 63.11, -3.53, 64.44

 

CMYK 0 / 16 / 100 / 38

HEX #9F8600

RGB 159 134 0

HSL 50.57, 1%, 0.31%

LAB 56.51, -1.75, 61.35

 

CMYK 0 / 18 / 100 / 44

HEX #8E7400

RGB 142 116 0

HSL 49.01, 1%, 0.28%

LAB 49.79, 0.34, 55.81

 

CMYK 0 / 22 / 100 / 51

HEX #7D6200

RGB 125 98 0

HSL 47.04, 1%, 0.25%

LAB 42.91, 2.55, 50.13

 

CMYK 0 / 26 / 100 / 58

HEX #6C5000

RGB 108 80 0

HSL 44.44, 1%, 0.21%

LAB 35.84, 4.89, 44.31

 

CMYK 0 / 14 / 91 / 31

HEX #B19910

RGB 177 153 16

HSL 51.06, 0.83%, 0.38%

LAB 63.48, -3.61, 64.76

 

CMYK 0 / 38 / 91 / 31

HEX #B16D10

RGB 177 109 16

HSL 34.66, 0.83%, 0.38%

LAB 52.2, 20.72, 56.1

 

CMYK 0 / 63 / 91 / 31

HEX #B14210

RGB 177 66 16

HSL 18.63, 0.83%, 0.38%

LAB 43.18, 43.15, 49.35

 

CMYK 0 / 87 / 91 / 31

HEX #B11710

RGB 177 23 16

HSL 2.61, 0.83%, 0.38%

LAB 37.84, 57.87, 45.49

 

CMYK 0 / 91 / 91 / 31

HEX #B11010

RGB 177 16 16

HSL 0, 0.83%, 0.38%

LAB 37.4, 59.13, 45.18

 

CMYK 0 / 14 / 91 / 31

HEX #B19910

RGB 177 153 16

HSL 51.06, 0.83%, 0.38%

LAB 63.48, -3.61, 64.76

 

CMYK 11 / 0 / 91 / 31

HEX #9EB110

RGB 158 177 16

HSL 67.08, 0.83%, 0.38%

LAB 68.57, -24.41, 68.08

 

CMYK 36 / 0 / 91 / 31

HEX #72B110

RGB 114 177 16

HSL 83.48, 0.83%, 0.38%

LAB 65.79, -42.1, 64.67

 

CMYK 60 / 0 / 91 / 31

HEX #47B110

RGB 71 177 16

HSL 99.5, 0.83%, 0.38%

LAB 64.02, -55.58, 62.47

 

CMYK 85 / 0 / 91 / 31

HEX #1BB110

RGB 27 177 16

HSL 115.9, 0.83%, 0.38%

LAB 63.11, -63.37, 61.34

 

CMYK 0 / 14 / 91 / 31

HEX #B19910

RGB 177 153 16

HSL 51.06, 0.83%, 0.38%

LAB 63.48, -3.61, 64.76

 

CMYK 0 / 15 / 100 / 24

HEX #C1A400

RGB 193 164 0

HSL 50.98, 1%, 0.38%

LAB 67.94, -2.51, 70.99

 

CMYK 0 / 14 / 91 / 31

HEX #B19910

RGB 177 153 16

HSL 51.06, 0.83%, 0.38%

LAB 63.48, -3.61, 64.76

 

CMYK 0 / 12 / 80 / 37

HEX #A18E20

RGB 161 142 32

HSL 51.16, 0.67%, 0.38%

LAB 59, -4.5, 56.35

 

CMYK 0 / 10 / 68 / 43

HEX #91832F

RGB 145 131 47

HSL 51.43, 0.51%, 0.38%

LAB 54.51, -5.01, 45.66

 

CMYK 0 / 8 / 52 / 49

HEX #82783F

RGB 130 120 63

HSL 51.04, 0.35%, 0.38%

LAB 50.14, -4.38, 32.44

 

CMYK 0 / 4 / 31 / 55

HEX #726D4F

RGB 114 109 79

HSL 51.43, 0.18%, 0.38%

LAB 45.74, -3.21, 17.5

 

CMYK 0 / 62 / 91 / 31

HEX #B14310

RGB 177 67 16

HSL 19.01, 0.83%, 0.38%

LAB 43.36, 42.69, 49.48

 

CMYK 0 / 38 / 91 / 31

HEX #B16E10

RGB 177 110 16

HSL 35.03, 0.83%, 0.38%

LAB 52.44, 20.16, 56.28

 

CMYK 0 / 14 / 91 / 31

HEX #B19910

RGB 177 153 16

HSL 51.06, 0.83%, 0.38%

LAB 63.48, -3.61, 64.76

 

CMYK 11 / 0 / 91 / 31

HEX #9EB110

RGB 158 177 16

HSL 67.08, 0.83%, 0.38%

LAB 68.57, -24.41, 68.08

 

CMYK 35 / 0 / 91 / 31

HEX #73B110

RGB 115 177 16

HSL 83.11, 0.83%, 0.38%

LAB 65.85, -41.73, 64.74

 

CMYK 0 / 14 / 91 / 60

HEX #655709

RGB 101 87 9

HSL 50.87, 0.84%, 0.22%

LAB 37.12, -2.56, 42.12

 

CMYK 0 / 14 / 91 / 45

HEX #8B780C

RGB 139 120 12

HSL 51.02, 0.84%, 0.3%

LAB 50.63, -3.11, 53.89

 

CMYK 0 / 14 / 91 / 31

HEX #B19910

RGB 177 153 16

HSL 51.06, 0.83%, 0.38%

LAB 63.48, -3.61, 64.76

 

CMYK 0 / 14 / 91 / 16

HEX #D7B913

RGB 215 185 19

HSL 50.82, 0.84%, 0.46%

LAB 75.57, -3.59, 75.13

 

CMYK 0 / 12 / 83 / 8

HEX #EBCE29

RGB 235 206 41

HSL 51.03, 0.83%, 0.54%

LAB 82.89, -5.28, 77.17

 

CMYK 0 / 14 / 91 / 31

HEX #B09810

RGB 176 152 16

HSL 51, 0.83%, 0.38%

LAB 63.11, -3.53, 64.44

 

CMYK 91 / 0 / 86 / 31

HEX #10B118

RGB 16 177 24

HSL 122.98, 0.83%, 0.38%

LAB 63.03, -63.98, 59.65

 

CMYK 50 / 91 / 0 / 31

HEX #5810B1

RGB 88 16 177

HSL 266.83, 0.83%, 0.38%

LAB 28.43, 60.33, -69.03

 

CMYK 0 / 14 / 91 / 31

HEX #B09810

RGB 176 152 16

HSL 51, 0.83%, 0.38%

LAB 63.11, -3.53, 64.44

 

CMYK 91 / 0 / 14 / 31

HEX #10B199

RGB 16 177 153

HSL 171.06, 0.83%, 0.38%

LAB 64.85, -42.95, 1.7

 

CMYK 14 / 91 / 0 / 31

HEX #9910B1

RGB 153 16 177

HSL 291.06, 0.83%, 0.38%

LAB 38.41, 69, -52.32

 

CMYK 0 / 14 / 91 / 31

HEX #B09810

RGB 176 152 16

HSL 51, 0.83%, 0.38%

LAB 63.11, -3.53, 64.44

 

CMYK 91 / 0 / 86 / 31

HEX #10B118

RGB 16 177 24

HSL 122.98, 0.83%, 0.38%

LAB 63.03, -63.98, 59.65

 

CMYK 91 / 77 / 0 / 31

HEX #1028B1

RGB 16 40 177

HSL 231.06, 0.83%, 0.38%

LAB 26.16, 45.38, -72.95

 

CMYK 0 / 91 / 5 / 31

HEX #B110A9

RGB 177 16 169

HSL 302.98, 0.83%, 0.38%

LAB 42.13, 71.84, -41.36

 

CMYK 0 / 14 / 91 / 31

HEX #B09810

RGB 176 152 16

HSL 51, 0.83%, 0.38%

LAB 63.11, -3.53, 64.44

 

CMYK 91 / 0 / 59 / 31

HEX #10B148

RGB 16 177 72

HSL 140.87, 0.83%, 0.38%

LAB 63.36, -59.78, 42.54

 

CMYK 91 / 77 / 0 / 31

HEX #1028B1

RGB 16 40 177

HSL 231.06, 0.83%, 0.38%

LAB 26.16, 45.38, -72.95

 

CMYK 0 / 91 / 32 / 31

HEX #B11079

RGB 177 16 121

HSL 320.87, 0.83%, 0.38%

LAB 39.75, 65.63, -15.81

 

Description

Color code: HEX #B09810 | qconv.com Color code: HEX #B09810 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 152 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 152 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 91 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 91% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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