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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0872A it is the complementary color #4F78D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0872A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0872A shade: #B58725, #C69938, #D7AB4B, #E8BD5E and #F9CF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0872A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0872A shade: #B0872A, #9F7517, #8E6304, #7D5100 and #6C3F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0872A shade: #B0872A, #B0632A, #B03F2A and #B02A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0872A shade: #B0872A, #B0AB2A, #91B02A, #6DB02A and #49B02A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0872A shade matches the following richer shades: #B0872A, #C28E19 and #D49507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0872A shade: #B0872A, #9E803C, #8D794E, #7B725F and #696C71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0872A shade: #B03E2A, #B0622A, #B0862A, #B0A92A and #93B02A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0872A shade: #6E541A, #8F6E22, #B0872A, #CE9F36 and #D6AF57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0872A shade: #B0872A, #3AB02A and #502AB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0872A shade: #B0872A, #2AB086 and #862AB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0872A shade: #B0872A, #3AB02A, #2A55B0 and #A02AB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0872A shade: #B0872A, #2AB043, #2A55B0 and #B02A98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 76 / 31

HEX #B0872A

RGB 176 135 42

HSL 41.64, 0.61%, 0.43%

LAB 58.72, 6.56, 53.03

 

Complementary color

CMYK 63 / 44 / 0 / 16

HEX #4F78D5

RGB 79 120 213

HSL 221.64, 0.61%, 0.57%

LAB 51.72, 14.86, -52.18

 

CMYK 0 / 25 / 80 / 29

HEX #B58725

RGB 181 135 37

HSL 40.83, 0.66%, 0.43%

LAB 59.24, 8.61, 55.62

 

CMYK 0 / 23 / 72 / 22

HEX #C69938

RGB 198 153 56

HSL 40.99, 0.56%, 0.5%

LAB 65.81, 7.11, 55.08

 

CMYK 0 / 20 / 65 / 16

HEX #D7AB4B

RGB 215 171 75

HSL 41.14, 0.64%, 0.57%

LAB 72.28, 5.84, 54.1

 

CMYK 0 / 19 / 59 / 9

HEX #E8BD5E

RGB 232 189 94

HSL 41.3, 0.75%, 0.64%

LAB 78.67, 4.76, 52.93

 

CMYK 0 / 17 / 55 / 2

HEX #F9CF71

RGB 249 207 113

HSL 41.47, 0.92%, 0.71%

LAB 84.97, 3.83, 51.69

 

CMYK 0 / 23 / 76 / 31

HEX #B0872A

RGB 176 135 42

HSL 41.64, 0.61%, 0.43%

LAB 58.72, 6.56, 53.03

 

CMYK 0 / 26 / 86 / 38

HEX #9F7517

RGB 159 117 23

HSL 41.47, 0.75%, 0.36%

LAB 52.01, 8.22, 53.05

 

CMYK 0 / 30 / 97 / 44

HEX #8E6304

RGB 142 99 4

HSL 41.3, 0.95%, 0.29%

LAB 45.2, 10.2, 51.67

 

CMYK 0 / 35 / 100 / 51

HEX #7D5100

RGB 125 81 0

HSL 38.88, 1%, 0.25%

LAB 38.28, 12.62, 46.99

 

CMYK 0 / 42 / 100 / 58

HEX #6C3F00

RGB 108 63 0

HSL 35, 1%, 0.21%

LAB 31.21, 15.26, 41.2

 

CMYK 0 / 23 / 76 / 31

HEX #B0872A

RGB 176 135 42

HSL 41.64, 0.61%, 0.43%

LAB 58.72, 6.56, 53.03

 

CMYK 0 / 44 / 76 / 31

HEX #B0632A

RGB 176 99 42

HSL 25.52, 0.61%, 0.43%

LAB 49.88, 26.62, 44.31

 

CMYK 0 / 64 / 76 / 31

HEX #B03F2A

RGB 176 63 42

HSL 9.4, 0.61%, 0.43%

LAB 42.69, 44.91, 36.82

 

CMYK 0 / 76 / 76 / 31

HEX #B02A2A

RGB 176 42 42

HSL 0, 0.61%, 0.43%

LAB 39.67, 53.17, 33.53

 

CMYK 0 / 23 / 76 / 31

HEX #B0872A

RGB 176 135 42

HSL 41.64, 0.61%, 0.43%

LAB 58.72, 6.56, 53.03

 

CMYK 0 / 3 / 76 / 31

HEX #B0AB2A

RGB 176 171 42

HSL 57.76, 0.61%, 0.43%

LAB 68.4, -12.8, 62.13

 

CMYK 18 / 0 / 76 / 31

HEX #91B02A

RGB 145 176 42

HSL 73.88, 0.61%, 0.43%

LAB 67.45, -28.54, 60.39

 

CMYK 38 / 0 / 76 / 31

HEX #6DB02A

RGB 109 176 42

HSL 90, 0.61%, 0.43%

LAB 65.33, -42.42, 57.63

 

CMYK 59 / 0 / 76 / 31

HEX #49B02A

RGB 73 176 42

HSL 106.12, 0.61%, 0.43%

LAB 63.86, -53.48, 55.7

 

CMYK 0 / 23 / 76 / 31

HEX #B0872A

RGB 176 135 42

HSL 41.64, 0.61%, 0.43%

LAB 58.72, 6.56, 53.03

 

CMYK 0 / 27 / 87 / 24

HEX #C28E19

RGB 194 142 25

HSL 41.54, 0.77%, 0.43%

LAB 62.41, 10.21, 62.68

 

CMYK 0 / 30 / 97 / 17

HEX #D49507

RGB 212 149 7

HSL 41.56, 0.94%, 0.43%

LAB 66.14, 14.08, 69.74

 

CMYK 0 / 23 / 76 / 31

HEX #B0872A

RGB 176 135 42

HSL 41.64, 0.61%, 0.43%

LAB 58.72, 6.56, 53.03

 

CMYK 0 / 19 / 62 / 38

HEX #9E803C

RGB 158 128 60

HSL 41.63, 0.45%, 0.43%

LAB 55.11, 3.43, 40.51

 

CMYK 0 / 14 / 45 / 45

HEX #8D794E

RGB 141 121 78

HSL 40.95, 0.29%, 0.43%

LAB 51.71, 1.51, 26.4

 

CMYK 0 / 7 / 23 / 52

HEX #7B725F

RGB 123 114 95

HSL 40.71, 0.13%, 0.43%

LAB 48.35, 0.14, 11.8

 

CMYK 7 / 4 / 0 / 56

HEX #696C71

RGB 105 108 113

HSL 217.5, 0.04%, 0.43%

LAB 45.53, -0.08, -3.19

 

CMYK 0 / 65 / 76 / 31

HEX #B03E2A

RGB 176 62 42

HSL 8.96, 0.61%, 0.43%

LAB 42.53, 45.36, 36.64

 

CMYK 0 / 44 / 76 / 31

HEX #B0622A

RGB 176 98 42

HSL 25.07, 0.61%, 0.43%

LAB 49.66, 27.17, 44.08

 

CMYK 0 / 24 / 76 / 31

HEX #B0862A

RGB 176 134 42

HSL 41.19, 0.61%, 0.43%

LAB 58.46, 7.12, 52.78

 

CMYK 0 / 4 / 76 / 31

HEX #B0A92A

RGB 176 169 42

HSL 56.87, 0.61%, 0.43%

LAB 67.85, -11.76, 61.63

 

CMYK 16 / 0 / 76 / 31

HEX #93B02A

RGB 147 176 42

HSL 72.99, 0.61%, 0.43%

LAB 67.59, -27.71, 60.57

 

CMYK 0 / 24 / 76 / 57

HEX #6E541A

RGB 110 84 26

HSL 41.43, 0.62%, 0.27%

LAB 37.35, 4.38, 36.39

 

CMYK 0 / 23 / 76 / 44

HEX #8F6E22

RGB 143 110 34

HSL 41.83, 0.62%, 0.35%

LAB 48.39, 5.21, 45.05

 

CMYK 0 / 23 / 76 / 31

HEX #B0872A

RGB 176 135 42

HSL 41.64, 0.61%, 0.43%

LAB 58.72, 6.56, 53.03

 

CMYK 0 / 23 / 74 / 19

HEX #CE9F36

RGB 206 159 54

HSL 41.45, 0.61%, 0.51%

LAB 68.16, 7.26, 58.53

 

CMYK 0 / 18 / 59 / 16

HEX #D6AF57

RGB 214 175 87

HSL 41.57, 0.61%, 0.59%

LAB 73.31, 4.09, 49.64

 

CMYK 0 / 23 / 76 / 31

HEX #B0872A

RGB 176 135 42

HSL 41.64, 0.61%, 0.43%

LAB 58.72, 6.56, 53.03

 

CMYK 67 / 0 / 76 / 31

HEX #3AB02A

RGB 58 176 42

HSL 112.84, 0.61%, 0.43%

LAB 63.44, -56.95, 55.14

 

CMYK 55 / 76 / 0 / 31

HEX #502AB0

RGB 80 42 176

HSL 257.01, 0.61%, 0.43%

LAB 30.63, 49.65, -64.84

 

CMYK 0 / 23 / 76 / 31

HEX #B0872A

RGB 176 135 42

HSL 41.64, 0.61%, 0.43%

LAB 58.72, 6.56, 53.03

 

CMYK 76 / 0 / 24 / 31

HEX #2AB086

RGB 42 176 134

HSL 161.19, 0.61%, 0.43%

LAB 64.37, -45.21, 11.58

 

CMYK 24 / 76 / 0 / 31

HEX #862AB0

RGB 134 42 176

HSL 281.19, 0.61%, 0.43%

LAB 37.59, 58.76, -53.2

 

CMYK 0 / 23 / 76 / 31

HEX #B0872A

RGB 176 135 42

HSL 41.64, 0.61%, 0.43%

LAB 58.72, 6.56, 53.03

 

CMYK 67 / 0 / 76 / 31

HEX #3AB02A

RGB 58 176 42

HSL 112.84, 0.61%, 0.43%

LAB 63.44, -56.95, 55.14

 

CMYK 76 / 52 / 0 / 31

HEX #2A55B0

RGB 42 85 176

HSL 220.75, 0.61%, 0.43%

LAB 38.06, 18.08, -52.83

 

CMYK 9 / 76 / 0 / 31

HEX #A02AB0

RGB 160 42 176

HSL 292.84, 0.61%, 0.43%

LAB 41.63, 63.89, -46.48

 

CMYK 0 / 23 / 76 / 31

HEX #B0872A

RGB 176 135 42

HSL 41.64, 0.61%, 0.43%

LAB 58.72, 6.56, 53.03

 

CMYK 76 / 0 / 62 / 31

HEX #2AB043

RGB 42 176 67

HSL 131.19, 0.61%, 0.43%

LAB 63.3, -57.4, 44.85

 

CMYK 76 / 52 / 0 / 31

HEX #2A55B0

RGB 42 85 176

HSL 220.75, 0.61%, 0.43%

LAB 38.06, 18.08, -52.83

 

CMYK 0 / 76 / 14 / 31

HEX #B02A98

RGB 176 42 152

HSL 310.75, 0.61%, 0.43%

LAB 42.99, 63.5, -29.8

 

Description

Color code: HEX #B0872A | qconv.com Color code: HEX #B0872A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 135 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 135 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 76 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 76% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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