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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B07ED2 it is the complementary color #4F812D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B07ED2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B07ED2 shade: #B57ECD, #C690E0, #D7A2F3, #E8B4FF and #F9C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B07ED2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B07ED2 shade: #B07ED2, #9F6CBF, #8E5AAC, #7D4899 and #6C3686

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B07ED2 shade: #B07ED1, #C67ED1, #D17EC6, #D17EB0 and #D17E99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B07ED2 shade: #B07ED1, #997ED1, #837ED1 and #7E7ED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B07ED2 shade matches the following richer shades: #B07ED1, #B270DF, #B562ED and #B854FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B07ED2 shade: #B07ED1, #AD8CC3, #AA9AB5, #A8A8A7 and #A5B699

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B07ED2 shade: #827ED1, #997ED1, #AF7ED1, #C57ED1 and #D17EC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B07ED2 shade: #8A42BC, #9D60C7, #B07ED1, #C29DDC and #D5BBE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B07ED2 shade: #B07ED2, #D17E90 and #7ED18D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B07ED2 shade: #B07ED2, #D1AF7E and #7ED1AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B07ED2 shade: #B07ED2, #D17E90, #A1D17E and #7ED1BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B07ED2 shade: #B07ED2, #D1857E, #A1D17E and #7ECAD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 40 / 0 / 18

HEX #B07ED2

RGB 176 126 210

HSL 275.71, 0.48%, 0.66%

LAB 60.61, 34.87, -35.96

 

Complementary color

CMYK 39 / 0 / 65 / 49

HEX #4F812D

RGB 79 129 45

HSL 95.71, 0.48%, 0.34%

LAB 48.95, -32.3, 39.13

 

CMYK 12 / 39 / 0 / 20

HEX #B57ECD

RGB 181 126 205

HSL 281.77, 0.44%, 0.65%

LAB 60.92, 35.3, -32.62

 

CMYK 12 / 36 / 0 / 12

HEX #C690E0

RGB 198 144 224

HSL 280.5, 0.56%, 0.72%

LAB 67.53, 34.56, -32.83

 

CMYK 12 / 33 / 0 / 5

HEX #D7A2F3

RGB 215 162 243

HSL 279.26, 0.77%, 0.79%

LAB 74.04, 33.87, -33.02

 

CMYK 9 / 29 / 0 / 0

HEX #E8B4FF

RGB 232 180 255

HSL 281.6, 1%, 0.85%

LAB 80.19, 31.81, -29.88

 

CMYK 2 / 22 / 0 / 0

HEX #F9C6FF

RGB 249 198 255

HSL 293.68, 1%, 0.89%

LAB 85.88, 27.6, -21.06

 

CMYK 16 / 40 / 0 / 18

HEX #B07ED2

RGB 176 126 210

HSL 275.71, 0.48%, 0.66%

LAB 60.61, 34.87, -35.96

 

CMYK 17 / 43 / 0 / 25

HEX #9F6CBF

RGB 159 108 191

HSL 276.87, 0.39%, 0.59%

LAB 53.88, 35.67, -35.83

 

CMYK 17 / 48 / 0 / 33

HEX #8E5AAC

RGB 142 90 172

HSL 278.05, 0.33%, 0.51%

LAB 47.03, 36.51, -35.7

 

CMYK 18 / 53 / 0 / 40

HEX #7D4899

RGB 125 72 153

HSL 279.26, 0.36%, 0.44%

LAB 40.07, 37.37, -35.52

 

CMYK 19 / 60 / 0 / 47

HEX #6C3686

RGB 108 54 134

HSL 280.5, 0.43%, 0.37%

LAB 33.02, 38.17, -35.26

 

CMYK 16 / 40 / 0 / 18

HEX #B07ED1

RGB 176 126 209

HSL 276.14, 0.47%, 0.66%

LAB 60.57, 34.65, -35.46

 

CMYK 5 / 40 / 0 / 18

HEX #C67ED1

RGB 198 126 209

HSL 292.05, 0.47%, 0.66%

LAB 62.95, 41.3, -31.57

 

CMYK 0 / 40 / 5 / 18

HEX #D17EC6

RGB 209 126 198

HSL 307.95, 0.47%, 0.66%

LAB 63.8, 42.68, -23.98

 

CMYK 0 / 40 / 16 / 18

HEX #D17EB0

RGB 209 126 176

HSL 323.86, 0.47%, 0.66%

LAB 63.02, 38.99, -12.72

 

CMYK 0 / 40 / 27 / 18

HEX #D17E99

RGB 209 126 153

HSL 340.48, 0.47%, 0.66%

LAB 62.32, 35.56, -0.65

 

CMYK 16 / 40 / 0 / 18

HEX #B07ED1

RGB 176 126 209

HSL 276.14, 0.47%, 0.66%

LAB 60.57, 34.65, -35.46

 

CMYK 27 / 40 / 0 / 18

HEX #997ED1

RGB 153 126 209

HSL 259.52, 0.47%, 0.66%

LAB 58.32, 27.88, -39.14

 

CMYK 37 / 40 / 0 / 18

HEX #837ED1

RGB 131 126 209

HSL 243.61, 0.47%, 0.66%

LAB 56.44, 21.76, -42.23

 

CMYK 40 / 40 / 0 / 18

HEX #7E7ED1

RGB 126 126 209

HSL 240, 0.47%, 0.66%

LAB 56.05, 20.44, -42.87

 

CMYK 16 / 40 / 0 / 18

HEX #B07ED1

RGB 176 126 209

HSL 276.14, 0.47%, 0.66%

LAB 60.57, 34.65, -35.46

 

CMYK 20 / 50 / 0 / 13

HEX #B270DF

RGB 178 112 223

HSL 275.68, 0.63%, 0.66%

LAB 58.4, 45.96, -46.72

 

CMYK 24 / 59 / 0 / 7

HEX #B562ED

RGB 181 98 237

HSL 275.83, 0.79%, 0.66%

LAB 56.76, 57.02, -57.14

 

CMYK 27 / 67 / 0 / 1

HEX #B854FC

RGB 184 84 252

HSL 275.71, 0.97%, 0.66%

LAB 55.64, 67.47, -67.26

 

CMYK 16 / 40 / 0 / 18

HEX #B07ED1

RGB 176 126 209

HSL 276.14, 0.47%, 0.66%

LAB 60.57, 34.65, -35.46

 

CMYK 11 / 28 / 0 / 24

HEX #AD8CC3

RGB 173 140 195

HSL 276, 0.31%, 0.66%

LAB 62.99, 22.81, -23.86

 

CMYK 6 / 15 / 0 / 29

HEX #AA9AB5

RGB 170 154 181

HSL 275.56, 0.15%, 0.66%

LAB 65.74, 11, -11.85

 

CMYK 0 / 0 / 1 / 34

HEX #A8A8A7

RGB 168 168 167

HSL 60, 0.01%, 0.66%

LAB 68.84, -0.18, 0.51

 

CMYK 9 / 0 / 16 / 29

HEX #A5B699

RGB 165 182 153

HSL 95.17, 0.17%, 0.66%

LAB 72.06, -11.26, 12.8

 

CMYK 38 / 40 / 0 / 18

HEX #827ED1

RGB 130 126 209

HSL 242.89, 0.47%, 0.66%

LAB 56.36, 21.5, -42.36

 

CMYK 27 / 40 / 0 / 18

HEX #997ED1

RGB 153 126 209

HSL 259.52, 0.47%, 0.66%

LAB 58.32, 27.88, -39.14

 

CMYK 16 / 40 / 0 / 18

HEX #AF7ED1

RGB 175 126 209

HSL 275.42, 0.47%, 0.66%

LAB 60.46, 34.35, -35.63

 

CMYK 6 / 40 / 0 / 18

HEX #C57ED1

RGB 197 126 209

HSL 291.33, 0.47%, 0.66%

LAB 62.84, 41, -31.75

 

CMYK 0 / 40 / 4 / 18

HEX #D17EC8

RGB 209 126 200

HSL 306.51, 0.47%, 0.66%

LAB 63.87, 43.03, -24.98

 

CMYK 27 / 65 / 0 / 26

HEX #8A42BC

RGB 138 66 188

HSL 275.41, 0.48%, 0.5%

LAB 42.66, 51.84, -52.07

 

CMYK 21 / 52 / 0 / 22

HEX #9D60C7

RGB 157 96 199

HSL 275.53, 0.48%, 0.58%

LAB 51.45, 43.53, -44.27

 

CMYK 16 / 40 / 0 / 18

HEX #B07ED1

RGB 176 126 209

HSL 276.14, 0.47%, 0.66%

LAB 60.57, 34.65, -35.46

 

CMYK 12 / 29 / 0 / 14

HEX #C29DDC

RGB 194 157 220

HSL 275.24, 0.47%, 0.74%

LAB 70, 25.32, -26.84

 

CMYK 8 / 19 / 0 / 9

HEX #D5BBE7

RGB 213 187 231

HSL 275.45, 0.48%, 0.82%

LAB 79.3, 17.26, -18.5

 

CMYK 16 / 40 / 0 / 18

HEX #B07ED2

RGB 176 126 210

HSL 275.71, 0.48%, 0.66%

LAB 60.61, 34.87, -35.96

 

CMYK 0 / 40 / 31 / 18

HEX #D17E90

RGB 209 126 144

HSL 346.99, 0.47%, 0.66%

LAB 62.08, 34.34, 4.14

 

CMYK 40 / 0 / 33 / 18

HEX #7ED18D

RGB 126 209 141

HSL 130.84, 0.47%, 0.66%

LAB 77.26, -39.5, 26.01

 

CMYK 16 / 40 / 0 / 18

HEX #B07ED2

RGB 176 126 210

HSL 275.71, 0.48%, 0.66%

LAB 60.61, 34.87, -35.96

 

CMYK 0 / 16 / 40 / 18

HEX #D1AF7E

RGB 209 175 126

HSL 35.42, 0.47%, 0.66%

LAB 73.36, 5.63, 29.72

 

CMYK 40 / 0 / 16 / 18

HEX #7ED1AF

RGB 126 209 175

HSL 155.42, 0.47%, 0.66%

LAB 77.95, -32.97, 8.98

 

CMYK 16 / 40 / 0 / 18

HEX #B07ED2

RGB 176 126 210

HSL 275.71, 0.48%, 0.66%

LAB 60.61, 34.87, -35.96

 

CMYK 0 / 40 / 31 / 18

HEX #D17E90

RGB 209 126 144

HSL 346.99, 0.47%, 0.66%

LAB 62.08, 34.34, 4.14

 

CMYK 23 / 0 / 40 / 18

HEX #A1D17E

RGB 161 209 126

HSL 94.7, 0.47%, 0.66%

LAB 78.86, -30.27, 36.19

 

CMYK 40 / 0 / 9 / 18

HEX #7ED1BF

RGB 126 209 191

HSL 166.99, 0.47%, 0.66%

LAB 78.34, -29.45, 0.98

 

CMYK 16 / 40 / 0 / 18

HEX #B07ED2

RGB 176 126 210

HSL 275.71, 0.48%, 0.66%

LAB 60.61, 34.87, -35.96

 

CMYK 0 / 36 / 40 / 18

HEX #D1857E

RGB 209 133 126

HSL 5.06, 0.47%, 0.66%

LAB 63.21, 28.37, 15.99

 

CMYK 23 / 0 / 40 / 18

HEX #A1D17E

RGB 161 209 126

HSL 94.7, 0.47%, 0.66%

LAB 78.86, -30.27, 36.19

 

CMYK 40 / 3 / 0 / 18

HEX #7ECAD1

RGB 126 202 209

HSL 185.06, 0.47%, 0.66%

LAB 76.85, -21.7, -10.91

 

Description

Color code: HEX #B07ED2 | qconv.com Color code: HEX #B07ED2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 126 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 126 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 40 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 40% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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