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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B07C39 it is the complementary color #4F83C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B07C39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B07C39 shade: #B57C34, #C68E47, #D7A05A, #E8B26D and #F9C480

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B07C39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B07C39 shade: #B07C39, #9F6A26, #8E5813, #7D4600 and #6C3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B07C39 shade: #B17C39, #B15C39, #B13C39 and #B13939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B07C39 shade: #B17C39, #B19D39, #A4B139, #84B139 and #64B139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B07C39 shade matches the following richer shades: #B17C39, #C47F26, #D78113 and #EA8400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B07C39 shade: #B17C39, #9E7A4C, #8B785F, #787572 and #657385

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B07C39 shade: #B13B39, #B15B39, #B17B39, #B19B39 and #A7B139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B07C39 shade: #725025, #91662F, #B17C39, #C5914E and #CFA46D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B07C39 shade: #B07C39, #57B139 and #4B39B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B07C39 shade: #B07C39, #39B17B and #7B39B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B07C39 shade: #B07C39, #57B139, #396FB1 and #9339B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B07C39 shade: #B07C39, #39B13F, #396FB1 and #B139AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 68 / 31

HEX #B07C39

RGB 176 124 57

HSL 33.78, 0.51%, 0.46%

LAB 56.03, 13.48, 43.58

 

Complementary color

CMYK 60 / 34 / 0 / 22

HEX #4F83C6

RGB 79 131 198

HSL 213.78, 0.51%, 0.54%

LAB 54, 3.1, -40.06

 

CMYK 0 / 31 / 71 / 29

HEX #B57C34

RGB 181 124 52

HSL 33.49, 0.55%, 0.46%

LAB 56.57, 15.4, 46.73

 

CMYK 0 / 28 / 64 / 22

HEX #C68E47

RGB 198 142 71

HSL 33.54, 0.53%, 0.53%

LAB 63.18, 13.98, 45.38

 

CMYK 0 / 26 / 58 / 16

HEX #D7A05A

RGB 215 160 90

HSL 33.6, 0.61%, 0.6%

LAB 69.7, 12.76, 43.97

 

CMYK 0 / 23 / 53 / 9

HEX #E8B26D

RGB 232 178 109

HSL 33.66, 0.73%, 0.67%

LAB 76.13, 11.72, 42.56

 

CMYK 0 / 21 / 49 / 2

HEX #F9C480

RGB 249 196 128

HSL 33.72, 0.91%, 0.74%

LAB 82.47, 10.81, 41.21

 

CMYK 0 / 30 / 68 / 31

HEX #B07C39

RGB 176 124 57

HSL 33.78, 0.51%, 0.46%

LAB 56.03, 13.48, 43.58

 

CMYK 0 / 33 / 76 / 38

HEX #9F6A26

RGB 159 106 38

HSL 33.72, 0.61%, 0.39%

LAB 49.28, 15.05, 44.81

 

CMYK 0 / 38 / 87 / 44

HEX #8E5813

RGB 142 88 19

HSL 33.66, 0.76%, 0.32%

LAB 42.43, 16.93, 45.41

 

CMYK 0 / 44 / 100 / 51

HEX #7D4600

RGB 125 70 0

HSL 33.6, 1%, 0.25%

LAB 35.48, 19.14, 45.19

 

CMYK 0 / 52 / 100 / 58

HEX #6C3400

RGB 108 52 0

HSL 28.89, 1%, 0.21%

LAB 28.5, 21.83, 39.14

 

CMYK 0 / 30 / 68 / 31

HEX #B17C39

RGB 177 124 57

HSL 33.5, 0.51%, 0.46%

LAB 56.15, 13.93, 43.74

 

CMYK 0 / 48 / 68 / 31

HEX #B15C39

RGB 177 92 57

HSL 17.5, 0.51%, 0.46%

LAB 48.63, 31.62, 35.27

 

CMYK 0 / 66 / 68 / 31

HEX #B13C39

RGB 177 60 57

HSL 1.5, 0.51%, 0.46%

LAB 42.57, 47.31, 28.07

 

CMYK 0 / 68 / 68 / 31

HEX #B13939

RGB 177 57 57

HSL 0, 0.51%, 0.46%

LAB 42.11, 48.58, 27.5

 

CMYK 0 / 30 / 68 / 31

HEX #B17C39

RGB 177 124 57

HSL 33.5, 0.51%, 0.46%

LAB 56.15, 13.93, 43.74

 

CMYK 0 / 11 / 68 / 31

HEX #B19D39

RGB 177 157 57

HSL 50, 0.51%, 0.46%

LAB 64.77, -4.24, 52.93

 

CMYK 7 / 0 / 68 / 31

HEX #A4B139

RGB 164 177 57

HSL 66.5, 0.51%, 0.46%

LAB 69.21, -20.27, 57.14

 

CMYK 25 / 0 / 68 / 31

HEX #84B139

RGB 132 177 57

HSL 82.5, 0.51%, 0.46%

LAB 67.01, -33.33, 54.18

 

CMYK 44 / 0 / 68 / 31

HEX #64B139

RGB 100 177 57

HSL 98.5, 0.51%, 0.46%

LAB 65.32, -44.84, 51.89

 

CMYK 0 / 30 / 68 / 31

HEX #B17C39

RGB 177 124 57

HSL 33.5, 0.51%, 0.46%

LAB 56.15, 13.93, 43.74

 

CMYK 0 / 35 / 81 / 23

HEX #C47F26

RGB 196 127 38

HSL 33.8, 0.68%, 0.46%

LAB 59.02, 19.69, 55.7

 

CMYK 0 / 40 / 91 / 16

HEX #D78113

RGB 215 129 19

HSL 33.67, 0.84%, 0.46%

LAB 61.82, 26.3, 64.79

 

CMYK 0 / 44 / 100 / 8

HEX #EA8400

RGB 234 132 0

HSL 33.85, 1%, 0.46%

LAB 64.96, 32.43, 71.27

 

CMYK 0 / 30 / 68 / 31

HEX #B17C39

RGB 177 124 57

HSL 33.5, 0.51%, 0.46%

LAB 56.15, 13.93, 43.74

 

CMYK 0 / 23 / 52 / 38

HEX #9E7A4C

RGB 158 122 76

HSL 33.66, 0.35%, 0.46%

LAB 53.72, 8.17, 30.42

 

CMYK 0 / 14 / 32 / 45

HEX #8B785F

RGB 139 120 95

HSL 34.09, 0.19%, 0.46%

LAB 51.55, 3.37, 16.46

 

CMYK 0 / 3 / 5 / 53

HEX #787572

RGB 120 117 114

HSL 30, 0.03%, 0.46%

LAB 49.41, 0.56, 2.05

 

CMYK 24 / 14 / 0 / 48

HEX #657385

RGB 101 115 133

HSL 213.75, 0.14%, 0.46%

LAB 47.91, -0.94, -11.61

 

CMYK 0 / 67 / 68 / 31

HEX #B13B39

RGB 177 59 57

HSL 1, 0.51%, 0.46%

LAB 42.42, 47.74, 27.88

 

CMYK 0 / 49 / 68 / 31

HEX #B15B39

RGB 177 91 57

HSL 17, 0.51%, 0.46%

LAB 48.42, 32.15, 35.02

 

CMYK 0 / 31 / 68 / 31

HEX #B17B39

RGB 177 123 57

HSL 33, 0.51%, 0.46%

LAB 55.9, 14.48, 43.46

 

CMYK 0 / 12 / 68 / 31

HEX #B19B39

RGB 177 155 57

HSL 49, 0.51%, 0.46%

LAB 64.23, -3.16, 52.37

 

CMYK 6 / 0 / 68 / 31

HEX #A7B139

RGB 167 177 57

HSL 65, 0.51%, 0.46%

LAB 69.44, -19, 57.45

 

CMYK 0 / 30 / 68 / 55

HEX #725025

RGB 114 80 37

HSL 33.51, 0.51%, 0.3%

LAB 36.83, 9.42, 30.42

 

CMYK 0 / 30 / 68 / 43

HEX #91662F

RGB 145 102 47

HSL 33.67, 0.51%, 0.38%

LAB 46.62, 11.5, 37.15

 

CMYK 0 / 30 / 68 / 31

HEX #B17C39

RGB 177 124 57

HSL 33.5, 0.51%, 0.46%

LAB 56.15, 13.93, 43.74

 

CMYK 0 / 26 / 60 / 23

HEX #C5914E

RGB 197 145 78

HSL 33.78, 0.51%, 0.54%

LAB 63.89, 12.39, 42.68

 

CMYK 0 / 21 / 47 / 19

HEX #CFA46D

RGB 207 164 109

HSL 33.67, 0.51%, 0.62%

LAB 70.12, 8.93, 34.48

 

CMYK 0 / 30 / 68 / 31

HEX #B07C39

RGB 176 124 57

HSL 33.78, 0.51%, 0.46%

LAB 56.03, 13.48, 43.58

 

CMYK 51 / 0 / 68 / 31

HEX #57B139

RGB 87 177 57

HSL 105, 0.51%, 0.46%

LAB 64.78, -48.85, 51.15

 

CMYK 58 / 68 / 0 / 31

HEX #4B39B1

RGB 75 57 177

HSL 249, 0.51%, 0.46%

LAB 33.13, 41.15, -61.36

 

CMYK 0 / 30 / 68 / 31

HEX #B07C39

RGB 176 124 57

HSL 33.78, 0.51%, 0.46%

LAB 56.03, 13.48, 43.58

 

CMYK 68 / 0 / 31 / 31

HEX #39B17B

RGB 57 177 123

HSL 153, 0.51%, 0.46%

LAB 64.76, -45.9, 18.18

 

CMYK 31 / 68 / 0 / 31

HEX #7B39B1

RGB 123 57 177

HSL 273, 0.51%, 0.46%

LAB 38.4, 50.35, -52.56

 

CMYK 0 / 30 / 68 / 31

HEX #B07C39

RGB 176 124 57

HSL 33.78, 0.51%, 0.46%

LAB 56.03, 13.48, 43.58

 

CMYK 51 / 0 / 68 / 31

HEX #57B139

RGB 87 177 57

HSL 105, 0.51%, 0.46%

LAB 64.78, -48.85, 51.15

 

CMYK 68 / 37 / 0 / 31

HEX #396FB1

RGB 57 111 177

HSL 213, 0.51%, 0.46%

LAB 46.19, 3.95, -40.37

 

CMYK 17 / 68 / 0 / 31

HEX #9339B1

RGB 147 57 177

HSL 285, 0.51%, 0.46%

LAB 41.69, 55.64, -47.08

 

CMYK 0 / 30 / 68 / 31

HEX #B07C39

RGB 176 124 57

HSL 33.78, 0.51%, 0.46%

LAB 56.03, 13.48, 43.58

 

CMYK 68 / 0 / 64 / 31

HEX #39B13F

RGB 57 177 63

HSL 123, 0.51%, 0.46%

LAB 63.9, -55.62, 47.38

 

CMYK 68 / 37 / 0 / 31

HEX #396FB1

RGB 57 111 177

HSL 213, 0.51%, 0.46%

LAB 46.19, 3.95, -40.37

 

CMYK 0 / 68 / 3 / 31

HEX #B139AB

RGB 177 57 171

HSL 303, 0.51%, 0.46%

LAB 45.93, 61.54, -36.52

 

Description

Color code: HEX #B07C39 | qconv.com Color code: HEX #B07C39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 124 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 124 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 68 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 68% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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