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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B06F54 it is the complementary color #4F90AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B06F54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B06F54 shade: #B56F4F, #C68162, #D79375, #E8A588 and #F9B79B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B06F54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B06F54 shade: #B06F54, #9F5D41, #8E4B2E, #7D391B and #6C2708

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B06F54 shade: #B06E53, #B05653 and #B05353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B06F54 shade: #B06E53, #B08753, #B0A053, #A6B053 and #8DB053

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B06F54 shade matches the following richer shades: #B06E53, #C4663F, #D85E2B and #EC5517

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B06F54 shade: #B06E53, #9C7768, #877F7C, #738890 and #5F90A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B06F54 shade: #B0536A, #B05553, #B06E53, #B08653 and #B09F53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B06F54 shade: #794B37, #955C44, #B06E53, #BD8670 and #CA9E8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B06F54 shade: #B06F54, #83B053 and #535EB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B06F54 shade: #B06F54, #53B06E and #6E53B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B06F54 shade: #B06F54, #83B053, #5396B0 and #8053B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B06F54 shade: #B06F54, #67B053, #5396B0 and #9C53B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 52 / 31

HEX #B06F54

RGB 176 111 84

HSL 17.61, 0.37%, 0.51%

LAB 53.21, 22.85, 25.73

 

Complementary color

CMYK 54 / 16 / 0 / 33

HEX #4F90AB

RGB 79 144 171

HSL 197.61, 0.37%, 0.49%

LAB 56.63, -12.99, -20.57

 

CMYK 0 / 39 / 56 / 29

HEX #B56F4F

RGB 181 111 79

HSL 18.82, 0.41%, 0.51%

LAB 53.77, 24.48, 29.4

 

CMYK 0 / 35 / 51 / 22

HEX #C68162

RGB 198 129 98

HSL 18.6, 0.47%, 0.58%

LAB 60.42, 23.26, 27.74

 

CMYK 0 / 32 / 46 / 16

HEX #D79375

RGB 215 147 117

HSL 18.37, 0.55%, 0.65%

LAB 66.97, 22.18, 26.24

 

CMYK 0 / 29 / 41 / 9

HEX #E8A588

RGB 232 165 136

HSL 18.13, 0.68%, 0.72%

LAB 73.44, 21.24, 24.88

 

CMYK 0 / 27 / 38 / 2

HEX #F9B79B

RGB 249 183 155

HSL 17.87, 0.89%, 0.79%

LAB 79.83, 20.4, 23.63

 

CMYK 0 / 37 / 52 / 31

HEX #B06F54

RGB 176 111 84

HSL 17.61, 0.37%, 0.51%

LAB 53.21, 22.85, 25.73

 

CMYK 0 / 42 / 59 / 38

HEX #9F5D41

RGB 159 93 65

HSL 17.87, 0.42%, 0.44%

LAB 46.42, 24.15, 27.51

 

CMYK 0 / 47 / 68 / 44

HEX #8E4B2E

RGB 142 75 46

HSL 18.13, 0.51%, 0.37%

LAB 39.55, 25.66, 29.52

 

CMYK 0 / 54 / 78 / 51

HEX #7D391B

RGB 125 57 27

HSL 18.37, 0.64%, 0.3%

LAB 32.62, 27.38, 31.73

 

CMYK 0 / 64 / 93 / 58

HEX #6C2708

RGB 108 39 8

HSL 18.6, 0.86%, 0.23%

LAB 25.73, 29.23, 33.47

 

CMYK 0 / 38 / 53 / 31

HEX #B06E53

RGB 176 110 83

HSL 17.42, 0.37%, 0.51%

LAB 52.96, 23.31, 25.97

 

CMYK 0 / 51 / 53 / 31

HEX #B05653

RGB 176 86 83

HSL 1.94, 0.37%, 0.51%

LAB 47.64, 36.35, 18.98

 

CMYK 0 / 53 / 53 / 31

HEX #B05353

RGB 176 83 83

HSL 0, 0.37%, 0.51%

LAB 47.03, 37.9, 18.16

 

CMYK 0 / 38 / 53 / 31

HEX #B06E53

RGB 176 110 83

HSL 17.42, 0.37%, 0.51%

LAB 52.96, 23.31, 25.97

 

CMYK 0 / 23 / 53 / 31

HEX #B08753

RGB 176 135 83

HSL 33.55, 0.37%, 0.51%

LAB 59.14, 9.31, 33.81

 

CMYK 0 / 9 / 53 / 31

HEX #B0A053

RGB 176 160 83

HSL 49.68, 0.37%, 0.51%

LAB 65.75, -4.38, 41.83

 

CMYK 6 / 0 / 53 / 31

HEX #A6B053

RGB 166 176 83

HSL 66.45, 0.37%, 0.51%

LAB 69.31, -16.98, 45.83

 

CMYK 20 / 0 / 53 / 31

HEX #8DB053

RGB 141 176 83

HSL 82.58, 0.37%, 0.51%

LAB 67.53, -27.07, 43.29

 

CMYK 0 / 38 / 53 / 31

HEX #B06E53

RGB 176 110 83

HSL 17.42, 0.37%, 0.51%

LAB 52.96, 23.31, 25.97

 

CMYK 0 / 48 / 68 / 23

HEX #C4663F

RGB 196 102 63

HSL 17.59, 0.53%, 0.51%

LAB 53.6, 34.33, 38.47

 

CMYK 0 / 56 / 80 / 15

HEX #D85E2B

RGB 216 94 43

HSL 17.69, 0.69%, 0.51%

LAB 54.84, 45.2, 50.74

 

CMYK 0 / 64 / 90 / 7

HEX #EC5517

RGB 236 85 23

HSL 17.46, 0.85%, 0.51%

LAB 56.48, 55.92, 61.27

 

CMYK 0 / 38 / 53 / 31

HEX #B06E53

RGB 176 110 83

HSL 17.42, 0.37%, 0.51%

LAB 52.96, 23.31, 25.97

 

CMYK 0 / 24 / 33 / 39

HEX #9C7768

RGB 156 119 104

HSL 17.31, 0.21%, 0.51%

LAB 53.23, 12.28, 13.83

 

CMYK 0 / 6 / 8 / 47

HEX #877F7C

RGB 135 127 124

HSL 16.36, 0.04%, 0.51%

LAB 53.8, 2.47, 2.71

 

CMYK 20 / 6 / 0 / 44

HEX #738890

RGB 115 136 144

HSL 196.55, 0.12%, 0.51%

LAB 55.35, -5.69, -6.8

 

CMYK 42 / 12 / 0 / 36

HEX #5F90A4

RGB 95 144 164

HSL 197.39, 0.27%, 0.51%

LAB 57.13, -11.08, -15.74

 

CMYK 0 / 53 / 40 / 31

HEX #B0536A

RGB 176 83 106

HSL 345.16, 0.37%, 0.51%

LAB 47.57, 40.26, 5.02

 

CMYK 0 / 52 / 53 / 31

HEX #B05553

RGB 176 85 83

HSL 1.29, 0.37%, 0.51%

LAB 47.43, 36.87, 18.7

 

CMYK 0 / 38 / 53 / 31

HEX #B06E53

RGB 176 110 83

HSL 17.42, 0.37%, 0.51%

LAB 52.96, 23.31, 25.97

 

CMYK 0 / 24 / 53 / 31

HEX #B08653

RGB 176 134 83

HSL 32.9, 0.37%, 0.51%

LAB 58.89, 9.87, 33.49

 

CMYK 0 / 10 / 53 / 31

HEX #B09F53

RGB 176 159 83

HSL 49.03, 0.37%, 0.51%

LAB 65.48, -3.85, 41.51

 

CMYK 0 / 38 / 55 / 53

HEX #794B37

RGB 121 75 55

HSL 18.18, 0.38%, 0.35%

LAB 36.69, 17.21, 20.01

 

CMYK 0 / 38 / 54 / 42

HEX #955C44

RGB 149 92 68

HSL 17.78, 0.37%, 0.43%

LAB 44.89, 20.72, 23.54

 

CMYK 0 / 38 / 53 / 31

HEX #B06E53

RGB 176 110 83

HSL 17.42, 0.37%, 0.51%

LAB 52.96, 23.31, 25.97

 

CMYK 0 / 29 / 41 / 26

HEX #BD8670

RGB 189 134 112

HSL 17.14, 0.37%, 0.59%

LAB 60.82, 18.31, 20.24

 

CMYK 0 / 22 / 31 / 21

HEX #CA9E8C

RGB 202 158 140

HSL 17.42, 0.37%, 0.67%

LAB 68.68, 13.76, 15.66

 

CMYK 0 / 37 / 52 / 31

HEX #B06F54

RGB 176 111 84

HSL 17.61, 0.37%, 0.51%

LAB 53.21, 22.85, 25.73

 

CMYK 26 / 0 / 53 / 31

HEX #83B053

RGB 131 176 83

HSL 89.03, 0.37%, 0.51%

LAB 66.9, -30.91, 42.38

 

CMYK 53 / 47 / 0 / 31

HEX #535EB0

RGB 83 94 176

HSL 232.9, 0.37%, 0.51%

LAB 42.73, 19.47, -45.21

 

CMYK 0 / 37 / 52 / 31

HEX #B06F54

RGB 176 111 84

HSL 17.61, 0.37%, 0.51%

LAB 53.21, 22.85, 25.73

 

CMYK 53 / 0 / 38 / 31

HEX #53B06E

RGB 83 176 110

HSL 137.42, 0.37%, 0.51%

LAB 64.97, -42.47, 25.61

 

CMYK 38 / 53 / 0 / 31

HEX #6E53B0

RGB 110 83 176

HSL 257.42, 0.37%, 0.51%

LAB 42.21, 32.78, -45.91

 

CMYK 0 / 37 / 52 / 31

HEX #B06F54

RGB 176 111 84

HSL 17.61, 0.37%, 0.51%

LAB 53.21, 22.85, 25.73

 

CMYK 26 / 0 / 53 / 31

HEX #83B053

RGB 131 176 83

HSL 89.03, 0.37%, 0.51%

LAB 66.9, -30.91, 42.38

 

CMYK 53 / 15 / 0 / 31

HEX #5396B0

RGB 83 150 176

HSL 196.77, 0.37%, 0.51%

LAB 58.78, -13.88, -20.13

 

CMYK 27 / 53 / 0 / 31

HEX #8053B0

RGB 128 83 176

HSL 269.03, 0.37%, 0.51%

LAB 44.1, 37.49, -42.78

 

CMYK 0 / 37 / 52 / 31

HEX #B06F54

RGB 176 111 84

HSL 17.61, 0.37%, 0.51%

LAB 53.21, 22.85, 25.73

 

CMYK 41 / 0 / 53 / 31

HEX #67B053

RGB 103 176 83

HSL 107.1, 0.37%, 0.51%

LAB 65.4, -40.75, 40.23

 

CMYK 53 / 15 / 0 / 31

HEX #5396B0

RGB 83 150 176

HSL 196.77, 0.37%, 0.51%

LAB 58.78, -13.88, -20.13

 

CMYK 11 / 53 / 0 / 31

HEX #9C53B0

RGB 156 83 176

HSL 287.1, 0.37%, 0.51%

LAB 47.48, 45.19, -37.22

 

Description

Color code: HEX #B06F54 | qconv.com Color code: HEX #B06F54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 111 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 111 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 52 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 52% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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