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Color name
HEX #B06D16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B06D16 it is the complementary color #4F92E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B06D16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B06D16 shade: #B56D11, #C67F24, #D79137, #E8A34A and #F9B55D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B06D16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B06D16 shade: #B06D16, #9F5B03, #8E4900, #7D3700 and #6C2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B06D16 shade: #B16D15, #B14315, #B11915 and #B11515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B06D16 shade: #B16D15, #B19715, #A0B115, #76B115 and #4DB115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B06D16 shade matches the following richer shades: #B16D15 and #C16F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B06D16 shade: #B16D15, #A06B25, #906936, #806746 and #706556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B06D16 shade: #B11815, #B14115, #B16B15, #B19415 and #A4B115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B06D16 shade: #67400C, #8C5611, #B16D15, #D5841A and #E59833

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B06D16 shade: #B06D16, #3CB115 and #2D15B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B06D16 shade: #B06D16, #15B16B and #6B15B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B06D16 shade: #B06D16, #3CB115, #155BB1 and #8A15B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B06D16 shade: #B06D16, #15B11D, #155BB1 and #B115A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 88 / 31

HEX #B06D16

RGB 176 109 22

HSL 33.9, 0.78%, 0.39%

LAB 52.09, 20.4, 54.27

 

Complementary color

CMYK 66 / 37 / 0 / 9

HEX #4F92E9

RGB 79 146 233

HSL 213.9, 0.78%, 0.61%

LAB 59.98, 6.02, -50.24

 

CMYK 0 / 40 / 91 / 29

HEX #B56D11

RGB 181 109 17

HSL 33.66, 0.83%, 0.39%

LAB 52.73, 22.5, 56.48

 

CMYK 0 / 36 / 82 / 22

HEX #C67F24

RGB 198 127 36

HSL 33.7, 0.69%, 0.46%

LAB 59.26, 20.49, 56.75

 

CMYK 0 / 33 / 74 / 16

HEX #D79137

RGB 215 145 55

HSL 33.75, 0.67%, 0.53%

LAB 65.73, 18.76, 56.05

 

CMYK 0 / 30 / 68 / 9

HEX #E8A34A

RGB 232 163 74

HSL 33.8, 0.77%, 0.6%

LAB 72.12, 17.25, 54.91

 

CMYK 0 / 27 / 63 / 2

HEX #F9B55D

RGB 249 181 93

HSL 33.85, 0.93%, 0.67%

LAB 78.45, 15.93, 53.61

 

CMYK 0 / 38 / 88 / 31

HEX #B06D16

RGB 176 109 22

HSL 33.9, 0.78%, 0.39%

LAB 52.09, 20.4, 54.27

 

CMYK 0 / 43 / 98 / 38

HEX #9F5B03

RGB 159 91 3

HSL 33.85, 0.96%, 0.32%

LAB 45.44, 22.59, 53.14

 

CMYK 0 / 49 / 100 / 44

HEX #8E4900

RGB 142 73 0

HSL 30.85, 1%, 0.28%

LAB 38.75, 25.12, 48.5

 

CMYK 0 / 56 / 100 / 51

HEX #7D3700

RGB 125 55 0

HSL 26.4, 1%, 0.25%

LAB 32.02, 27.68, 43.03

 

CMYK 0 / 66 / 100 / 58

HEX #6C2500

RGB 108 37 0

HSL 20.56, 1%, 0.21%

LAB 25.29, 30.04, 36.32

 

CMYK 0 / 38 / 88 / 31

HEX #B16D15

RGB 177 109 21

HSL 33.85, 0.79%, 0.39%

LAB 52.22, 20.82, 54.73

 

CMYK 0 / 62 / 88 / 31

HEX #B14315

RGB 177 67 21

HSL 17.69, 0.79%, 0.39%

LAB 43.38, 42.79, 47.66

 

CMYK 0 / 86 / 88 / 31

HEX #B11915

RGB 177 25 21

HSL 1.54, 0.79%, 0.39%

LAB 38.02, 57.54, 43.37

 

CMYK 0 / 88 / 88 / 31

HEX #B11515

RGB 177 21 21

HSL 0, 0.79%, 0.39%

LAB 37.73, 58.35, 43.14

 

CMYK 0 / 38 / 88 / 31

HEX #B16D15

RGB 177 109 21

HSL 33.85, 0.79%, 0.39%

LAB 52.22, 20.82, 54.73

 

CMYK 0 / 15 / 88 / 31

HEX #B19715

RGB 177 151 21

HSL 50, 0.79%, 0.39%

LAB 62.96, -2.44, 63.34

 

CMYK 10 / 0 / 88 / 31

HEX #A0B115

RGB 160 177 21

HSL 66.54, 0.79%, 0.39%

LAB 68.73, -23.45, 67.4

 

CMYK 33 / 0 / 88 / 31

HEX #76B115

RGB 118 177 21

HSL 82.69, 0.79%, 0.39%

LAB 66.02, -40.48, 64.05

 

CMYK 56 / 0 / 88 / 31

HEX #4DB115

RGB 77 177 21

HSL 98.46, 0.79%, 0.39%

LAB 64.22, -53.85, 61.8

 

CMYK 0 / 38 / 88 / 31

HEX #B16D15

RGB 177 109 21

HSL 33.85, 0.79%, 0.39%

LAB 52.22, 20.82, 54.73

 

CMYK 0 / 42 / 97 / 24

HEX #C16F05

RGB 193 111 5

HSL 33.83, 0.95%, 0.39%

LAB 54.78, 26.43, 61.17

 

CMYK 0 / 38 / 88 / 31

HEX #B16D15

RGB 177 109 21

HSL 33.85, 0.79%, 0.39%

LAB 52.22, 20.82, 54.73

 

CMYK 0 / 33 / 77 / 37

HEX #A06B25

RGB 160 107 37

HSL 34.15, 0.62%, 0.39%

LAB 49.64, 14.88, 45.66

 

CMYK 0 / 27 / 63 / 44

HEX #906936

RGB 144 105 54

HSL 34, 0.45%, 0.39%

LAB 47.36, 9.8, 34.31

 

CMYK 0 / 20 / 45 / 50

HEX #806746

RGB 128 103 70

HSL 34.14, 0.29%, 0.39%

LAB 45.26, 5.27, 22.37

 

CMYK 0 / 10 / 23 / 56

HEX #706556

RGB 112 101 86

HSL 34.62, 0.13%, 0.39%

LAB 43.4, 1.7, 10.09

 

CMYK 0 / 86 / 88 / 31

HEX #B11815

RGB 177 24 21

HSL 1.15, 0.79%, 0.39%

LAB 37.94, 57.75, 43.31

 

CMYK 0 / 63 / 88 / 31

HEX #B14115

RGB 177 65 21

HSL 16.92, 0.79%, 0.39%

LAB 43.04, 43.71, 47.38

 

CMYK 0 / 40 / 88 / 31

HEX #B16B15

RGB 177 107 21

HSL 33.08, 0.79%, 0.39%

LAB 51.74, 21.93, 54.35

 

CMYK 0 / 16 / 88 / 31

HEX #B19415

RGB 177 148 21

HSL 48.85, 0.79%, 0.39%

LAB 62.15, -0.81, 62.69

 

CMYK 7 / 0 / 88 / 31

HEX #A4B115

RGB 164 177 21

HSL 65, 0.79%, 0.39%

LAB 69.03, -21.73, 67.77

 

CMYK 0 / 38 / 88 / 60

HEX #67400C

RGB 103 64 12

HSL 34.29, 0.79%, 0.23%

LAB 30.82, 12.57, 35.95

 

CMYK 0 / 39 / 88 / 45

HEX #8C5611

RGB 140 86 17

HSL 33.66, 0.78%, 0.31%

LAB 41.64, 17.12, 45.34

 

CMYK 0 / 38 / 88 / 31

HEX #B16D15

RGB 177 109 21

HSL 33.85, 0.79%, 0.39%

LAB 52.22, 20.82, 54.73

 

CMYK 0 / 38 / 88 / 16

HEX #D5841A

RGB 213 132 26

HSL 34.01, 0.78%, 0.47%

LAB 62.27, 23.97, 63.26

 

CMYK 0 / 34 / 78 / 10

HEX #E59833

RGB 229 152 51

HSL 34.04, 0.77%, 0.55%

LAB 69.01, 20.79, 61.42

 

CMYK 0 / 38 / 88 / 31

HEX #B06D16

RGB 176 109 22

HSL 33.9, 0.78%, 0.39%

LAB 52.09, 20.4, 54.27

 

CMYK 66 / 0 / 88 / 31

HEX #3CB115

RGB 60 177 21

HSL 105, 0.79%, 0.39%

LAB 63.72, -57.98, 61.17

 

CMYK 75 / 88 / 0 / 31

HEX #2D15B1

RGB 45 21 177

HSL 249.23, 0.79%, 0.39%

LAB 24.54, 55.55, -75.61

 

CMYK 0 / 38 / 88 / 31

HEX #B06D16

RGB 176 109 22

HSL 33.9, 0.78%, 0.39%

LAB 52.09, 20.4, 54.27

 

CMYK 88 / 0 / 40 / 31

HEX #15B16B

RGB 21 177 107

HSL 153.08, 0.79%, 0.39%

LAB 63.89, -53.62, 25.53

 

CMYK 40 / 88 / 0 / 31

HEX #6B15B1

RGB 107 21 177

HSL 273.08, 0.79%, 0.39%

LAB 31.43, 61.28, -64

 

CMYK 0 / 38 / 88 / 31

HEX #B06D16

RGB 176 109 22

HSL 33.9, 0.78%, 0.39%

LAB 52.09, 20.4, 54.27

 

CMYK 66 / 0 / 88 / 31

HEX #3CB115

RGB 60 177 21

HSL 105, 0.79%, 0.39%

LAB 63.72, -57.98, 61.17

 

CMYK 88 / 49 / 0 / 31

HEX #155BB1

RGB 21 91 177

HSL 213.08, 0.79%, 0.39%

LAB 39.27, 12.51, -51.5

 

CMYK 22 / 88 / 0 / 31

HEX #8A15B1

RGB 138 21 177

HSL 285, 0.79%, 0.39%

LAB 36.2, 65.72, -56.01

 

CMYK 0 / 38 / 88 / 31

HEX #B06D16

RGB 176 109 22

HSL 33.9, 0.78%, 0.39%

LAB 52.09, 20.4, 54.27

 

CMYK 88 / 0 / 84 / 31

HEX #15B11D

RGB 21 177 29

HSL 123.08, 0.79%, 0.39%

LAB 63.09, -63.37, 58.5

 

CMYK 88 / 49 / 0 / 31

HEX #155BB1

RGB 21 91 177

HSL 213.08, 0.79%, 0.39%

LAB 39.27, 12.51, -51.5

 

CMYK 0 / 88 / 5 / 31

HEX #B115A9

RGB 177 21 169

HSL 303.08, 0.79%, 0.39%

LAB 42.38, 71.1, -40.95

 

Description

Color code: HEX #B06D16 | qconv.com Color code: HEX #B06D16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 109 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 109 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 88 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 88% 31% C M Y K

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Provide designers and agencies with accurate color values.

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