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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0694E it is the complementary color #4F96B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0694E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0694E shade: #B56949, #C67B5C, #D78D6F, #E89F82 and #F9B195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0694E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0694E shade: #B0694E, #9F573B, #8E4528, #7D3315 and #6C2102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0694E shade: #B1694D, #B14E4D and #B14D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0694E shade: #B1694D, #B1834D, #B19E4D, #A8B14D and #8EB14D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0694E shade matches the following richer shades: #B1694D, #C55F39, #DA5624 and #EF4D0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0694E shade: #B1694D, #9C7262, #877B77, #73848B and #5E8EA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0694E shade: #B14D68, #B14D4D, #B1684D, #B1824D and #B19D4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0694E shade: #774734, #945841, #B1694D, #BD816A and #CA9987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0694E shade: #B0694E, #82B14D and #4D5BB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0694E shade: #B0694E, #4DB168 and #684DB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0694E shade: #B0694E, #82B14D, #4D96B1 and #7C4DB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0694E shade: #B0694E, #64B14D, #4D96B1 and #9A4DB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 56 / 31

HEX #B0694E

RGB 176 105 78

HSL 16.53, 0.39%, 0.5%

LAB 51.71, 25.64, 27.22

 

Complementary color

CMYK 55 / 15 / 0 / 31

HEX #4F96B1

RGB 79 150 177

HSL 196.53, 0.39%, 0.5%

LAB 58.65, -14.46, -20.9

 

CMYK 0 / 42 / 60 / 29

HEX #B56949

RGB 181 105 73

HSL 17.78, 0.43%, 0.5%

LAB 52.3, 27.3, 30.93

 

CMYK 0 / 38 / 54 / 22

HEX #C67B5C

RGB 198 123 92

HSL 17.55, 0.48%, 0.57%

LAB 58.92, 25.99, 29.15

 

CMYK 0 / 34 / 48 / 16

HEX #D78D6F

RGB 215 141 111

HSL 17.31, 0.57%, 0.64%

LAB 65.47, 24.83, 27.55

 

CMYK 0 / 31 / 44 / 9

HEX #E89F82

RGB 232 159 130

HSL 17.06, 0.69%, 0.71%

LAB 71.94, 23.8, 26.11

 

CMYK 0 / 29 / 40 / 2

HEX #F9B195

RGB 249 177 149

HSL 16.8, 0.89%, 0.78%

LAB 78.32, 22.88, 24.79

 

CMYK 0 / 40 / 56 / 31

HEX #B0694E

RGB 176 105 78

HSL 16.53, 0.39%, 0.5%

LAB 51.71, 25.64, 27.22

 

CMYK 0 / 45 / 63 / 38

HEX #9F573B

RGB 159 87 59

HSL 16.8, 0.46%, 0.43%

LAB 44.95, 27.05, 29.13

 

CMYK 0 / 51 / 72 / 44

HEX #8E4528

RGB 142 69 40

HSL 17.06, 0.56%, 0.36%

LAB 38.13, 28.63, 31.3

 

CMYK 0 / 59 / 83 / 51

HEX #7D3315

RGB 125 51 21

HSL 17.31, 0.71%, 0.29%

LAB 31.3, 30.37, 33.58

 

CMYK 0 / 69 / 98 / 58

HEX #6C2102

RGB 108 33 2

HSL 17.55, 0.96%, 0.22%

LAB 24.58, 32.05, 34.82

 

CMYK 0 / 41 / 56 / 31

HEX #B1694D

RGB 177 105 77

HSL 16.8, 0.39%, 0.5%

LAB 51.82, 25.97, 27.96

 

CMYK 0 / 56 / 56 / 31

HEX #B14E4D

RGB 177 78 77

HSL 0.6, 0.39%, 0.5%

LAB 46.09, 40.29, 20.54

 

CMYK 0 / 56 / 56 / 31

HEX #B14D4D

RGB 177 77 77

HSL 0, 0.39%, 0.5%

LAB 45.89, 40.79, 20.29

 

CMYK 0 / 41 / 56 / 31

HEX #B1694D

RGB 177 105 77

HSL 16.8, 0.39%, 0.5%

LAB 51.82, 25.97, 27.96

 

CMYK 0 / 26 / 56 / 31

HEX #B1834D

RGB 177 131 77

HSL 32.4, 0.39%, 0.5%

LAB 58.15, 11.45, 35.81

 

CMYK 0 / 11 / 56 / 31

HEX #B19E4D

RGB 177 158 77

HSL 48.6, 0.39%, 0.5%

LAB 65.23, -3.39, 44.22

 

CMYK 5 / 0 / 56 / 31

HEX #A8B14D

RGB 168 177 77

HSL 65.4, 0.39%, 0.5%

LAB 69.69, -17.17, 49.13

 

CMYK 20 / 0 / 56 / 31

HEX #8EB14D

RGB 142 177 77

HSL 81, 0.39%, 0.5%

LAB 67.82, -27.75, 46.5

 

CMYK 0 / 41 / 56 / 31

HEX #B1694D

RGB 177 105 77

HSL 16.8, 0.39%, 0.5%

LAB 51.82, 25.97, 27.96

 

CMYK 0 / 52 / 71 / 23

HEX #C55F39

RGB 197 95 57

HSL 16.29, 0.55%, 0.5%

LAB 52.23, 38.03, 40.16

 

CMYK 0 / 61 / 83 / 15

HEX #DA5624

RGB 218 86 36

HSL 16.48, 0.72%, 0.5%

LAB 53.69, 49.44, 52.91

 

CMYK 0 / 68 / 94 / 6

HEX #EF4D0F

RGB 239 77 15

HSL 16.61, 0.88%, 0.5%

LAB 55.78, 60.03, 63.32

 

CMYK 0 / 41 / 56 / 31

HEX #B1694D

RGB 177 105 77

HSL 16.8, 0.39%, 0.5%

LAB 51.82, 25.97, 27.96

 

CMYK 0 / 27 / 37 / 39

HEX #9C7262

RGB 156 114 98

HSL 16.55, 0.23%, 0.5%

LAB 51.82, 14.35, 15.37

 

CMYK 0 / 9 / 12 / 47

HEX #877B77

RGB 135 123 119

HSL 15, 0.06%, 0.5%

LAB 52.56, 3.86, 3.84

 

CMYK 17 / 5 / 0 / 45

HEX #73848B

RGB 115 132 139

HSL 197.5, 0.09%, 0.5%

LAB 54.04, -4.59, -5.85

 

CMYK 41 / 11 / 0 / 37

HEX #5E8EA0

RGB 94 142 160

HSL 196.36, 0.26%, 0.5%

LAB 56.35, -11.35, -14.64

 

CMYK 0 / 56 / 41 / 31

HEX #B14D68

RGB 177 77 104

HSL 343.8, 0.39%, 0.5%

LAB 46.52, 43.38, 4.75

 

CMYK 0 / 56 / 56 / 31

HEX #B14D4D

RGB 177 77 77

HSL 0, 0.39%, 0.5%

LAB 45.89, 40.79, 20.29

 

CMYK 0 / 41 / 56 / 31

HEX #B1684D

RGB 177 104 77

HSL 16.2, 0.39%, 0.5%

LAB 51.59, 26.52, 27.67

 

CMYK 0 / 27 / 56 / 31

HEX #B1824D

RGB 177 130 77

HSL 31.8, 0.39%, 0.5%

LAB 57.89, 12.01, 35.5

 

CMYK 0 / 11 / 56 / 31

HEX #B19D4D

RGB 177 157 77

HSL 48, 0.39%, 0.5%

LAB 64.96, -2.85, 43.91

 

CMYK 0 / 40 / 56 / 53

HEX #774734

RGB 119 71 52

HSL 17.01, 0.39%, 0.34%

LAB 35.35, 18.42, 20.06

 

CMYK 0 / 41 / 56 / 42

HEX #945841

RGB 148 88 65

HSL 16.63, 0.39%, 0.42%

LAB 43.74, 22.32, 23.8

 

CMYK 0 / 41 / 56 / 31

HEX #B1694D

RGB 177 105 77

HSL 16.8, 0.39%, 0.5%

LAB 51.82, 25.97, 27.96

 

CMYK 0 / 32 / 44 / 26

HEX #BD816A

RGB 189 129 106

HSL 16.63, 0.39%, 0.58%

LAB 59.49, 20.4, 21.83

 

CMYK 0 / 24 / 33 / 21

HEX #CA9987

RGB 202 153 135

HSL 16.12, 0.39%, 0.66%

LAB 67.34, 15.84, 16.56

 

CMYK 0 / 40 / 56 / 31

HEX #B0694E

RGB 176 105 78

HSL 16.53, 0.39%, 0.5%

LAB 51.71, 25.64, 27.22

 

CMYK 27 / 0 / 56 / 31

HEX #82B14D

RGB 130 177 77

HSL 88.2, 0.39%, 0.5%

LAB 67.07, -32.38, 45.44

 

CMYK 56 / 49 / 0 / 31

HEX #4D5BB1

RGB 77 91 177

HSL 231.6, 0.39%, 0.5%

LAB 41.59, 20.4, -47.65

 

CMYK 0 / 40 / 56 / 31

HEX #B0694E

RGB 176 105 78

HSL 16.53, 0.39%, 0.5%

LAB 51.71, 25.64, 27.22

 

CMYK 56 / 0 / 41 / 31

HEX #4DB168

RGB 77 177 104

HSL 136.2, 0.39%, 0.5%

LAB 64.98, -45.43, 28.76

 

CMYK 41 / 56 / 0 / 31

HEX #684DB1

RGB 104 77 177

HSL 256.2, 0.39%, 0.5%

LAB 40.29, 35.17, -49.62

 

CMYK 0 / 40 / 56 / 31

HEX #B0694E

RGB 176 105 78

HSL 16.53, 0.39%, 0.5%

LAB 51.71, 25.64, 27.22

 

CMYK 27 / 0 / 56 / 31

HEX #82B14D

RGB 130 177 77

HSL 88.2, 0.39%, 0.5%

LAB 67.07, -32.38, 45.44

 

CMYK 56 / 15 / 0 / 31

HEX #4D96B1

RGB 77 150 177

HSL 196.2, 0.39%, 0.5%

LAB 58.57, -14.88, -21.03

 

CMYK 30 / 56 / 0 / 31

HEX #7C4DB1

RGB 124 77 177

HSL 268.2, 0.39%, 0.5%

LAB 42.41, 40.08, -46.1

 

CMYK 0 / 40 / 56 / 31

HEX #B0694E

RGB 176 105 78

HSL 16.53, 0.39%, 0.5%

LAB 51.71, 25.64, 27.22

 

CMYK 44 / 0 / 56 / 31

HEX #64B14D

RGB 100 177 77

HSL 106.2, 0.39%, 0.5%

LAB 65.51, -42.86, 43.22

 

CMYK 56 / 15 / 0 / 31

HEX #4D96B1

RGB 77 150 177

HSL 196.2, 0.39%, 0.5%

LAB 58.57, -14.88, -21.03

 

CMYK 13 / 56 / 0 / 31

HEX #9A4DB1

RGB 154 77 177

HSL 286.2, 0.39%, 0.5%

LAB 46.11, 47.93, -39.98

 

Description

Color code: HEX #B0694E | qconv.com Color code: HEX #B0694E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 105 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 105 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 56 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 56% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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