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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B05EDD it is the complementary color #4FA122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B05EDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B05EDD shade: #B55ED8, #C670EB, #D782FE, #E894FF and #F9A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B05EDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B05EDD shade: #B05EDD, #9F4CCA, #8E3AB7, #7D28A4 and #6C1691

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B05EDD shade: #B05FDD, #D25FDD, #DD5FC5, #DD5FA3 and #DD5F81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B05EDD shade: #B05FDD, #8E5FDD, #6C5FDD and #5F5FDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B05EDD shade matches the following richer shades: #B05FDD, #B54FEC and #B93FFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B05EDD shade: #B05FDD, #AB6ECD, #A77EBD, #A28EAE and #9E9D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B05EDD shade: #6B5FDD, #8D5FDD, #AE5FDD, #D05FDD and #DD5FC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B05EDD shade: #8A28C0, #9F3DD5, #B05FDD, #C181E4 and #D1A3EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B05EDD shade: #B05EDD, #DD5F74 and #5FDD7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B05EDD shade: #B05EDD, #DDAE5F and #5FDDAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B05EDD shade: #B05EDD, #DD5F74, #8DDD5F and #5FDDC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B05EDD shade: #B05EDD, #DD6F5F, #8DDD5F and #5FCCDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 57 / 0 / 13

HEX #B05EDD

RGB 176 94 221

HSL 278.74, 0.65%, 0.62%

LAB 54.51, 54.33, -51.78

 

Complementary color

CMYK 51 / 0 / 79 / 37

HEX #4FA122

RGB 79 161 34

HSL 98.74, 0.65%, 0.38%

LAB 59.22, -46.68, 53.93

 

CMYK 16 / 56 / 0 / 15

HEX #B55ED8

RGB 181 94 216

HSL 282.79, 0.61%, 0.61%

LAB 54.85, 54.53, -48.37

 

CMYK 16 / 52 / 0 / 8

HEX #C670EB

RGB 198 112 235

HSL 281.95, 0.75%, 0.68%

LAB 61.3, 53.83, -48.67

 

CMYK 15 / 49 / 0 / 0

HEX #D782FE

RGB 215 130 254

HSL 281.13, 0.98%, 0.75%

LAB 67.7, 53.07, -48.91

 

CMYK 9 / 42 / 0 / 0

HEX #E894FF

RGB 232 148 255

HSL 287.1, 1%, 0.79%

LAB 73.26, 48.72, -40.61

 

CMYK 2 / 35 / 0 / 0

HEX #F9A6FF

RGB 249 166 255

HSL 295.96, 1%, 0.83%

LAB 78.83, 44.4, -31.83

 

CMYK 20 / 57 / 0 / 13

HEX #B05EDD

RGB 176 94 221

HSL 278.74, 0.65%, 0.62%

LAB 54.51, 54.33, -51.78

 

CMYK 21 / 62 / 0 / 21

HEX #9F4CCA

RGB 159 76 202

HSL 279.52, 0.54%, 0.55%

LAB 48.01, 54.96, -51.45

 

CMYK 22 / 68 / 0 / 28

HEX #8E3AB7

RGB 142 58 183

HSL 280.32, 0.52%, 0.47%

LAB 41.53, 55.35, -50.93

 

CMYK 24 / 76 / 0 / 36

HEX #7D28A4

RGB 125 40 164

HSL 281.13, 0.61%, 0.4%

LAB 35.12, 55.26, -50.08

 

CMYK 26 / 85 / 0 / 43

HEX #6C1691

RGB 108 22 145

HSL 281.95, 0.74%, 0.33%

LAB 28.92, 54.27, -48.67

 

CMYK 20 / 57 / 0 / 13

HEX #B05FDD

RGB 176 95 221

HSL 278.57, 0.65%, 0.62%

LAB 54.69, 53.83, -51.49

 

CMYK 5 / 57 / 0 / 13

HEX #D25FDD

RGB 210 95 221

HSL 294.76, 0.65%, 0.62%

LAB 59.07, 62.38, -44.27

 

CMYK 0 / 57 / 11 / 13

HEX #DD5FC5

RGB 221 95 197

HSL 311.43, 0.65%, 0.62%

LAB 59.51, 61.26, -29.88

 

CMYK 0 / 57 / 26 / 13

HEX #DD5FA3

RGB 221 95 163

HSL 327.62, 0.65%, 0.62%

LAB 58.23, 56.37, -12.3

 

CMYK 0 / 57 / 42 / 13

HEX #DD5F81

RGB 221 95 129

HSL 343.81, 0.65%, 0.62%

LAB 57.21, 52.36, 6.05

 

CMYK 20 / 57 / 0 / 13

HEX #B05FDD

RGB 176 95 221

HSL 278.57, 0.65%, 0.62%

LAB 54.69, 53.83, -51.49

 

CMYK 36 / 57 / 0 / 13

HEX #8E5FDD

RGB 142 95 221

HSL 262.38, 0.65%, 0.62%

LAB 50.87, 45.64, -57.82

 

CMYK 51 / 57 / 0 / 13

HEX #6C5FDD

RGB 108 95 221

HSL 246.19, 0.65%, 0.62%

LAB 47.74, 38.3, -63.02

 

CMYK 57 / 57 / 0 / 13

HEX #5F5FDD

RGB 95 95 221

HSL 240, 0.65%, 0.62%

LAB 46.76, 35.83, -64.66

 

CMYK 20 / 57 / 0 / 13

HEX #B05FDD

RGB 176 95 221

HSL 278.57, 0.65%, 0.62%

LAB 54.69, 53.83, -51.49

 

CMYK 23 / 67 / 0 / 7

HEX #B54FEC

RGB 181 79 236

HSL 278.98, 0.81%, 0.62%

LAB 53.46, 65.65, -61.87

 

CMYK 27 / 75 / 0 / 1

HEX #B93FFC

RGB 185 63 252

HSL 278.73, 0.97%, 0.62%

LAB 52.84, 75.96, -71.79

 

CMYK 20 / 57 / 0 / 13

HEX #B05FDD

RGB 176 95 221

HSL 278.57, 0.65%, 0.62%

LAB 54.69, 53.83, -51.49

 

CMYK 17 / 46 / 0 / 20

HEX #AB6ECD

RGB 171 110 205

HSL 278.53, 0.49%, 0.62%

LAB 56.3, 41.14, -39.91

 

CMYK 12 / 33 / 0 / 26

HEX #A77EBD

RGB 167 126 189

HSL 279.05, 0.32%, 0.62%

LAB 58.8, 27.52, -26.97

 

CMYK 7 / 18 / 0 / 32

HEX #A28EAE

RGB 162 142 174

HSL 277.5, 0.16%, 0.62%

LAB 61.73, 13.58, -14.02

 

CMYK 0 / 1 / 0 / 38

HEX #9E9D9E

RGB 158 157 158

HSL 300, 0.01%, 0.62%

LAB 64.84, 0.56, -0.4

 

CMYK 52 / 57 / 0 / 13

HEX #6B5FDD

RGB 107 95 221

HSL 245.71, 0.65%, 0.62%

LAB 47.66, 38.1, -63.16

 

CMYK 36 / 57 / 0 / 13

HEX #8D5FDD

RGB 141 95 221

HSL 261.9, 0.65%, 0.62%

LAB 50.77, 45.41, -58

 

CMYK 21 / 57 / 0 / 13

HEX #AE5FDD

RGB 174 95 221

HSL 277.62, 0.65%, 0.62%

LAB 54.45, 53.33, -51.89

 

CMYK 6 / 57 / 0 / 13

HEX #D05FDD

RGB 208 95 221

HSL 293.81, 0.65%, 0.62%

LAB 58.8, 61.88, -44.71

 

CMYK 0 / 57 / 10 / 13

HEX #DD5FC8

RGB 221 95 200

HSL 310, 0.65%, 0.62%

LAB 59.64, 61.73, -31.39

 

CMYK 28 / 79 / 0 / 25

HEX #8A28C0

RGB 138 40 192

HSL 278.68, 0.66%, 0.45%

LAB 39.12, 63.52, -60.14

 

CMYK 25 / 71 / 0 / 16

HEX #9F3DD5

RGB 159 61 213

HSL 278.68, 0.64%, 0.54%

LAB 46.33, 63.95, -60.48

 

CMYK 20 / 57 / 0 / 13

HEX #B05FDD

RGB 176 95 221

HSL 278.57, 0.65%, 0.62%

LAB 54.69, 53.83, -51.49

 

CMYK 15 / 43 / 0 / 11

HEX #C181E4

RGB 193 129 228

HSL 278.79, 0.65%, 0.7%

LAB 63.87, 42.08, -40.78

 

CMYK 11 / 31 / 0 / 8

HEX #D1A3EB

RGB 209 163 235

HSL 278.33, 0.64%, 0.78%

LAB 73.38, 29.84, -29.73

 

CMYK 20 / 57 / 0 / 13

HEX #B05EDD

RGB 176 94 221

HSL 278.74, 0.65%, 0.62%

LAB 54.51, 54.33, -51.78

 

CMYK 0 / 57 / 48 / 13

HEX #DD5F74

RGB 221 95 116

HSL 350, 0.65%, 0.62%

LAB 56.9, 51.08, 13.22

 

CMYK 57 / 0 / 44 / 13

HEX #5FDD7C

RGB 95 221 124

HSL 133.81, 0.65%, 0.62%

LAB 79.39, -55.47, 37.28

 

CMYK 20 / 57 / 0 / 13

HEX #B05EDD

RGB 176 94 221

HSL 278.74, 0.65%, 0.62%

LAB 54.51, 54.33, -51.78

 

CMYK 0 / 21 / 57 / 13

HEX #DDAE5F

RGB 221 174 95

HSL 37.62, 0.65%, 0.62%

LAB 73.85, 8.16, 46.55

 

CMYK 57 / 0 / 21 / 13

HEX #5FDDAE

RGB 95 221 174

HSL 157.62, 0.65%, 0.62%

LAB 80.29, -46.02, 12.68

 

CMYK 20 / 57 / 0 / 13

HEX #B05EDD

RGB 176 94 221

HSL 278.74, 0.65%, 0.62%

LAB 54.51, 54.33, -51.78

 

CMYK 0 / 57 / 48 / 13

HEX #DD5F74

RGB 221 95 116

HSL 350, 0.65%, 0.62%

LAB 56.9, 51.08, 13.22

 

CMYK 36 / 0 / 57 / 13

HEX #8DDD5F

RGB 141 221 95

HSL 98.1, 0.65%, 0.62%

LAB 80.85, -46.21, 53.28

 

CMYK 57 / 0 / 10 / 13

HEX #5FDDC8

RGB 95 221 200

HSL 170, 0.65%, 0.62%

LAB 80.91, -39.94, -0.21

 

CMYK 20 / 57 / 0 / 13

HEX #B05EDD

RGB 176 94 221

HSL 278.74, 0.65%, 0.62%

LAB 54.51, 54.33, -51.78

 

CMYK 0 / 50 / 57 / 13

HEX #DD6F5F

RGB 221 111 95

HSL 7.62, 0.65%, 0.62%

LAB 59.5, 41.53, 28.82

 

CMYK 36 / 0 / 57 / 13

HEX #8DDD5F

RGB 141 221 95

HSL 98.1, 0.65%, 0.62%

LAB 80.85, -46.21, 53.28

 

CMYK 57 / 8 / 0 / 13

HEX #5FCCDD

RGB 95 204 221

HSL 188.1, 0.65%, 0.62%

LAB 76.58, -26.36, -17.9

 

Description

Color code: HEX #B05EDD | qconv.com Color code: HEX #B05EDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 94 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 94 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 57 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 57% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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