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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0523B it is the complementary color #4FADC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0523B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0523B shade: #B55236, #C66449, #D7765C, #E8886F and #F99A82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0523B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0523B shade: #B0523B, #9F4028, #8E2E15, #7D1C02 and #6C0A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0523B shade: #AF513A and #AF3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0523B shade: #AF513A, #AF713A, #AF903A, #AFAF3A and #8FAF3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0523B shade matches the following richer shades: #AF513A, #C24627, #D53A14 and #E82F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0523B shade: #AF513A, #9C5D4D, #896860, #777473 and #647F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0523B shade: #AF3A63, #AF3A44, #AF503A, #AF6F3A and #AF8E3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0523B shade: #723426, #914330, #AF513A, #C4664F and #CE816E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0523B shade: #B0523B, #82AF3A and #3A54AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0523B shade: #B0523B, #3AAF50 and #503AAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0523B shade: #B0523B, #82AF3A, #3A9AAF and #673AAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0523B shade: #B0523B, #5FAF3A, #3A9AAF and #8A3AAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 66 / 31

HEX #B0523B

RGB 176 82 59

HSL 11.79, 0.5%, 0.46%

LAB 46.42, 36.6, 31.51

 

Complementary color

CMYK 60 / 12 / 0 / 23

HEX #4FADC4

RGB 79 173 196

HSL 191.79, 0.5%, 0.54%

LAB 66.16, -20.94, -20.09

 

CMYK 0 / 55 / 70 / 29

HEX #B55236

RGB 181 82 54

HSL 13.23, 0.54%, 0.46%

LAB 47.14, 38.25, 35.36

 

CMYK 0 / 49 / 63 / 22

HEX #C66449

RGB 198 100 73

HSL 12.96, 0.52%, 0.53%

LAB 53.6, 36.79, 33.07

 

CMYK 0 / 45 / 57 / 16

HEX #D7765C

RGB 215 118 92

HSL 12.68, 0.61%, 0.6%

LAB 60.05, 35.42, 31.04

 

CMYK 0 / 41 / 52 / 9

HEX #E8886F

RGB 232 136 111

HSL 12.4, 0.72%, 0.67%

LAB 66.45, 34.16, 29.23

 

CMYK 0 / 38 / 48 / 2

HEX #F99A82

RGB 249 154 130

HSL 12.1, 0.91%, 0.74%

LAB 72.8, 33.01, 27.61

 

CMYK 0 / 53 / 66 / 31

HEX #B0523B

RGB 176 82 59

HSL 11.79, 0.5%, 0.46%

LAB 46.42, 36.6, 31.51

 

CMYK 0 / 60 / 75 / 38

HEX #9F4028

RGB 159 64 40

HSL 12.1, 0.6%, 0.39%

LAB 39.9, 38.06, 34.04

 

CMYK 0 / 68 / 85 / 44

HEX #8E2E15

RGB 142 46 21

HSL 12.4, 0.74%, 0.32%

LAB 33.48, 39.43, 36.72

 

CMYK 0 / 78 / 98 / 51

HEX #7D1C02

RGB 125 28 2

HSL 12.68, 0.97%, 0.25%

LAB 27.28, 40.35, 38.57

 

CMYK 0 / 91 / 100 / 58

HEX #6C0A00

RGB 108 10 0

HSL 5.56, 1%, 0.21%

LAB 21.6, 40.21, 32.58

 

CMYK 0 / 54 / 67 / 31

HEX #AF513A

RGB 175 81 58

HSL 11.79, 0.5%, 0.46%

LAB 46.05, 36.66, 31.6

 

CMYK 0 / 67 / 67 / 31

HEX #AF3A3A

RGB 175 58 58

HSL 0, 0.5%, 0.46%

LAB 41.92, 47.54, 26.59

 

CMYK 0 / 54 / 67 / 31

HEX #AF513A

RGB 175 81 58

HSL 11.79, 0.5%, 0.46%

LAB 46.05, 36.66, 31.6

 

CMYK 0 / 35 / 67 / 31

HEX #AF713A

RGB 175 113 58

HSL 28.21, 0.5%, 0.46%

LAB 53.2, 19.27, 39.89

 

CMYK 0 / 18 / 67 / 31

HEX #AF903A

RGB 175 144 58

HSL 44.1, 0.5%, 0.46%

LAB 61.1, 1.99, 48.57

 

CMYK 0 / 0 / 67 / 31

HEX #AFAF3A

RGB 175 175 58

HSL 60, 0.5%, 0.46%

LAB 69.53, -14.5, 57.35

 

CMYK 18 / 0 / 67 / 31

HEX #8FAF3A

RGB 143 175 58

HSL 76.41, 0.5%, 0.46%

LAB 67.13, -27.94, 54.12

 

CMYK 0 / 54 / 67 / 31

HEX #AF513A

RGB 175 81 58

HSL 11.79, 0.5%, 0.46%

LAB 46.05, 36.66, 31.6

 

CMYK 0 / 64 / 80 / 24

HEX #C24627

RGB 194 70 39

HSL 12, 0.67%, 0.46%

LAB 46.97, 48.1, 43.79

 

CMYK 0 / 73 / 91 / 16

HEX #D53A14

RGB 213 58 20

HSL 11.81, 0.83%, 0.46%

LAB 48.54, 58.73, 54.79

 

CMYK 0 / 80 / 100 / 9

HEX #E82F01

RGB 232 47 1

HSL 11.95, 0.99%, 0.46%

LAB 50.91, 67.57, 63.26

 

CMYK 0 / 54 / 67 / 31

HEX #AF513A

RGB 175 81 58

HSL 11.79, 0.5%, 0.46%

LAB 46.05, 36.66, 31.6

 

CMYK 0 / 40 / 51 / 39

HEX #9C5D4D

RGB 156 93 77

HSL 12.15, 0.34%, 0.46%

LAB 46.22, 23.98, 20.15

 

CMYK 0 / 24 / 30 / 46

HEX #896860

RGB 137 104 96

HSL 11.71, 0.18%, 0.46%

LAB 47.06, 11.99, 9.61

 

CMYK 0 / 3 / 3 / 53

HEX #777473

RGB 119 116 115

HSL 15, 0.02%, 0.46%

LAB 49.07, 0.95, 0.95

 

CMYK 25 / 5 / 0 / 47

HEX #647F86

RGB 100 127 134

HSL 192.35, 0.15%, 0.46%

LAB 51.39, -7.96, -6.98

 

CMYK 0 / 67 / 43 / 31

HEX #AF3A63

RGB 175 58 99

HSL 338.97, 0.5%, 0.46%

LAB 42.82, 50.83, 2.46

 

CMYK 0 / 67 / 61 / 31

HEX #AF3A44

RGB 175 58 68

HSL 354.87, 0.5%, 0.46%

LAB 42.09, 48.18, 20.7

 

CMYK 0 / 54 / 67 / 31

HEX #AF503A

RGB 175 80 58

HSL 11.28, 0.5%, 0.46%

LAB 45.85, 37.17, 31.36

 

CMYK 0 / 37 / 67 / 31

HEX #AF6F3A

RGB 175 111 58

HSL 27.18, 0.5%, 0.46%

LAB 52.72, 20.39, 39.35

 

CMYK 0 / 19 / 67 / 31

HEX #AF8E3A

RGB 175 142 58

HSL 43.08, 0.5%, 0.46%

LAB 60.57, 3.09, 48

 

CMYK 0 / 54 / 67 / 55

HEX #723426

RGB 114 52 38

HSL 11.05, 0.5%, 0.3%

LAB 29.85, 26.14, 21.63

 

CMYK 0 / 54 / 67 / 43

HEX #914330

RGB 145 67 48

HSL 11.75, 0.5%, 0.38%

LAB 38.28, 31.44, 26.97

 

CMYK 0 / 54 / 67 / 31

HEX #AF513A

RGB 175 81 58

HSL 11.79, 0.5%, 0.46%

LAB 46.05, 36.66, 31.6

 

CMYK 0 / 48 / 60 / 23

HEX #C4664F

RGB 196 102 79

HSL 11.79, 0.5%, 0.54%

LAB 53.82, 35.39, 29.9

 

CMYK 0 / 37 / 47 / 19

HEX #CE816E

RGB 206 129 110

HSL 11.88, 0.49%, 0.62%

LAB 61.61, 27.64, 22.78

 

CMYK 0 / 53 / 66 / 31

HEX #B0523B

RGB 176 82 59

HSL 11.79, 0.5%, 0.46%

LAB 46.42, 36.6, 31.51

 

CMYK 26 / 0 / 67 / 31

HEX #82AF3A

RGB 130 175 58

HSL 83.08, 0.5%, 0.46%

LAB 66.3, -33.1, 52.99

 

CMYK 67 / 52 / 0 / 31

HEX #3A54AF

RGB 58 84 175

HSL 226.67, 0.5%, 0.46%

LAB 38.44, 20.66, -51.6

 

CMYK 0 / 53 / 66 / 31

HEX #B0523B

RGB 176 82 59

HSL 11.79, 0.5%, 0.46%

LAB 46.42, 36.6, 31.51

 

CMYK 67 / 0 / 54 / 31

HEX #3AAF50

RGB 58 175 80

HSL 131.28, 0.5%, 0.46%

LAB 63.46, -52.6, 38.98

 

CMYK 54 / 67 / 0 / 31

HEX #503AAF

RGB 80 58 175

HSL 251.28, 0.5%, 0.46%

LAB 33.62, 40.79, -59.35

 

CMYK 0 / 53 / 66 / 31

HEX #B0523B

RGB 176 82 59

HSL 11.79, 0.5%, 0.46%

LAB 46.42, 36.6, 31.51

 

CMYK 26 / 0 / 67 / 31

HEX #82AF3A

RGB 130 175 58

HSL 83.08, 0.5%, 0.46%

LAB 66.3, -33.1, 52.99

 

CMYK 67 / 12 / 0 / 31

HEX #3A9AAF

RGB 58 154 175

HSL 190.77, 0.5%, 0.46%

LAB 59.07, -21.13, -19.19

 

CMYK 41 / 67 / 0 / 31

HEX #673AAF

RGB 103 58 175

HSL 263.08, 0.5%, 0.46%

LAB 35.99, 45.15, -55.38

 

CMYK 0 / 53 / 66 / 31

HEX #B0523B

RGB 176 82 59

HSL 11.79, 0.5%, 0.46%

LAB 46.42, 36.6, 31.51

 

CMYK 46 / 0 / 67 / 31

HEX #5FAF3A

RGB 95 175 58

HSL 101.03, 0.5%, 0.46%

LAB 64.48, -45.53, 50.52

 

CMYK 67 / 12 / 0 / 31

HEX #3A9AAF

RGB 58 154 175

HSL 190.77, 0.5%, 0.46%

LAB 59.07, -21.13, -19.19

 

CMYK 21 / 67 / 0 / 31

HEX #8A3AAF

RGB 138 58 175

HSL 281.03, 0.5%, 0.46%

LAB 40.45, 52.74, -47.96

 

Description

Color code: HEX #B0523B | qconv.com Color code: HEX #B0523B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 82 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 82 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 66 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 66% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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