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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B05910 it is the complementary color #4FA6EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B05910. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B05910 shade: #B5590B, #C66B1E, #D77D31, #E88F44 and #F9A157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B05910. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B05910 shade: #B05910, #9F4700, #8E3500, #7D2300 and #6C1100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B05910 shade: #B15910, #B12E10 and #B11010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B05910 shade: #B15910, #B18510, #B1B010, #86B110 and #5BB110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B05910 shade matches the following richer shades: #B15910 and #C15800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B05910 shade: #B15910, #A15B20, #915C2F, #825D3F and #725F4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B05910 shade: #B1101D, #B12D10, #B15810, #B18310 and #B1AE10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B05910 shade: #653309, #8B460C, #B15910, #D76D13 and #EB8129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B05910 shade: #B05910, #48B110 and #1810B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B05910 shade: #B05910, #10B158 and #5810B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B05910 shade: #B05910, #48B110, #1068B1 and #7910B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B05910 shade: #B05910, #18B110, #1068B1 and #A910B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 91 / 31

HEX #B05910

RGB 176 89 16

HSL 27.38, 0.83%, 0.38%

LAB 47.51, 31.23, 52.5

 

Complementary color

CMYK 67 / 31 / 0 / 6

HEX #4FA6EF

RGB 79 166 239

HSL 207.38, 0.83%, 0.62%

LAB 65.88, -3.5, -44.23

 

CMYK 0 / 51 / 94 / 29

HEX #B5590B

RGB 181 89 11

HSL 27.53, 0.89%, 0.38%

LAB 48.25, 33.22, 54.7

 

CMYK 0 / 46 / 85 / 22

HEX #C66B1E

RGB 198 107 30

HSL 27.5, 0.74%, 0.45%

LAB 54.67, 31.13, 54.94

 

CMYK 0 / 42 / 77 / 16

HEX #D77D31

RGB 215 125 49

HSL 27.47, 0.67%, 0.52%

LAB 61.08, 29.24, 54.03

 

CMYK 0 / 38 / 71 / 9

HEX #E88F44

RGB 232 143 68

HSL 27.44, 0.78%, 0.59%

LAB 67.44, 27.56, 52.66

 

CMYK 0 / 35 / 65 / 2

HEX #F9A157

RGB 249 161 87

HSL 27.41, 0.93%, 0.66%

LAB 73.75, 26.06, 51.14

 

CMYK 0 / 49 / 91 / 31

HEX #B05910

RGB 176 89 16

HSL 27.38, 0.83%, 0.38%

LAB 47.51, 31.23, 52.5

 

CMYK 0 / 55 / 100 / 38

HEX #9F4700

RGB 159 71 0

HSL 26.79, 1%, 0.31%

LAB 41.02, 33.43, 51.23

 

CMYK 0 / 63 / 100 / 44

HEX #8E3500

RGB 142 53 0

HSL 22.39, 1%, 0.28%

LAB 34.59, 35.71, 46.11

 

CMYK 0 / 72 / 100 / 51

HEX #7D2300

RGB 125 35 0

HSL 16.8, 1%, 0.25%

LAB 28.28, 37.53, 40.23

 

CMYK 0 / 84 / 100 / 58

HEX #6C1100

RGB 108 17 0

HSL 9.44, 1%, 0.21%

LAB 22.26, 38.33, 33.29

 

CMYK 0 / 50 / 91 / 31

HEX #B15910

RGB 177 89 16

HSL 27.2, 0.83%, 0.38%

LAB 47.66, 31.65, 52.68

 

CMYK 0 / 74 / 91 / 31

HEX #B12E10

RGB 177 46 16

HSL 11.18, 0.83%, 0.38%

LAB 40.14, 51.38, 47.14

 

CMYK 0 / 91 / 91 / 31

HEX #B11010

RGB 177 16 16

HSL 0, 0.83%, 0.38%

LAB 37.4, 59.13, 45.18

 

CMYK 0 / 50 / 91 / 31

HEX #B15910

RGB 177 89 16

HSL 27.2, 0.83%, 0.38%

LAB 47.66, 31.65, 52.68

 

CMYK 0 / 25 / 91 / 31

HEX #B18510

RGB 177 133 16

HSL 43.6, 0.83%, 0.38%

LAB 58.19, 7.33, 60.67

 

CMYK 0 / 1 / 91 / 31

HEX #B1B010

RGB 177 176 16

HSL 59.63, 0.83%, 0.38%

LAB 69.78, -15.67, 69.66

 

CMYK 24 / 0 / 91 / 31

HEX #86B110

RGB 134 177 16

HSL 76.02, 0.83%, 0.38%

LAB 66.94, -34.39, 66.08

 

CMYK 49 / 0 / 91 / 31

HEX #5BB110

RGB 91 177 16

HSL 92.05, 0.83%, 0.38%

LAB 64.73, -49.93, 63.35

 

CMYK 0 / 50 / 91 / 31

HEX #B15910

RGB 177 89 16

HSL 27.2, 0.83%, 0.38%

LAB 47.66, 31.65, 52.68

 

CMYK 0 / 54 / 100 / 24

HEX #C15800

RGB 193 88 0

HSL 27.36, 1%, 0.38%

LAB 49.88, 38.45, 59.17

 

CMYK 0 / 50 / 91 / 31

HEX #B15910

RGB 177 89 16

HSL 27.2, 0.83%, 0.38%

LAB 47.66, 31.65, 52.68

 

CMYK 0 / 43 / 80 / 37

HEX #A15B20

RGB 161 91 32

HSL 27.44, 0.67%, 0.38%

LAB 45.86, 24.18, 44.25

 

CMYK 0 / 37 / 68 / 43

HEX #915C2F

RGB 145 92 47

HSL 27.55, 0.51%, 0.38%

LAB 44.06, 17.3, 34.28

 

CMYK 0 / 28 / 52 / 49

HEX #825D3F

RGB 130 93 63

HSL 26.87, 0.35%, 0.38%

LAB 42.66, 11.31, 23.14

 

CMYK 0 / 17 / 31 / 55

HEX #725F4F

RGB 114 95 79

HSL 27.43, 0.18%, 0.38%

LAB 41.73, 5.04, 12.03

 

CMYK 0 / 91 / 84 / 31

HEX #B1101D

RGB 177 16 29

HSL 355.16, 0.83%, 0.38%

LAB 37.49, 59.4, 38.78

 

CMYK 0 / 75 / 91 / 31

HEX #B12D10

RGB 177 45 16

HSL 10.81, 0.83%, 0.38%

LAB 40.02, 51.74, 47.05

 

CMYK 0 / 50 / 91 / 31

HEX #B15810

RGB 177 88 16

HSL 26.83, 0.83%, 0.38%

LAB 47.45, 32.18, 52.52

 

CMYK 0 / 26 / 91 / 31

HEX #B18310

RGB 177 131 16

HSL 42.86, 0.83%, 0.38%

LAB 57.67, 8.44, 60.28

 

CMYK 0 / 2 / 91 / 31

HEX #B1AE10

RGB 177 174 16

HSL 58.88, 0.83%, 0.38%

LAB 69.22, -14.65, 69.23

 

CMYK 0 / 50 / 91 / 60

HEX #653309

RGB 101 51 9

HSL 27.39, 0.84%, 0.22%

LAB 27.17, 19.44, 33.89

 

CMYK 0 / 50 / 91 / 45

HEX #8B460C

RGB 139 70 12

HSL 27.4, 0.84%, 0.3%

LAB 37.65, 25.71, 43.75

 

CMYK 0 / 50 / 91 / 31

HEX #B15910

RGB 177 89 16

HSL 27.2, 0.83%, 0.38%

LAB 47.66, 31.65, 52.68

 

CMYK 0 / 49 / 91 / 16

HEX #D76D13

RGB 215 109 19

HSL 27.55, 0.84%, 0.46%

LAB 57.49, 36.79, 61.62

 

CMYK 0 / 45 / 83 / 8

HEX #EB8129

RGB 235 129 41

HSL 27.22, 0.83%, 0.54%

LAB 64.58, 35.04, 61.47

 

CMYK 0 / 49 / 91 / 31

HEX #B05910

RGB 176 89 16

HSL 27.38, 0.83%, 0.38%

LAB 47.51, 31.23, 52.5

 

CMYK 59 / 0 / 91 / 31

HEX #48B110

RGB 72 177 16

HSL 99.13, 0.83%, 0.38%

LAB 64.05, -55.33, 62.51

 

CMYK 86 / 91 / 0 / 31

HEX #1810B1

RGB 24 16 177

HSL 242.98, 0.83%, 0.38%

LAB 22.79, 56.38, -78.56

 

CMYK 0 / 49 / 91 / 31

HEX #B05910

RGB 176 89 16

HSL 27.38, 0.83%, 0.38%

LAB 47.51, 31.23, 52.5

 

CMYK 91 / 0 / 50 / 31

HEX #10B158

RGB 16 177 88

HSL 146.83, 0.83%, 0.38%

LAB 63.56, -57.4, 34.97

 

CMYK 50 / 91 / 0 / 31

HEX #5810B1

RGB 88 16 177

HSL 266.83, 0.83%, 0.38%

LAB 28.43, 60.33, -69.03

 

CMYK 0 / 49 / 91 / 31

HEX #B05910

RGB 176 89 16

HSL 27.38, 0.83%, 0.38%

LAB 47.51, 31.23, 52.5

 

CMYK 59 / 0 / 91 / 31

HEX #48B110

RGB 72 177 16

HSL 99.13, 0.83%, 0.38%

LAB 64.05, -55.33, 62.51

 

CMYK 91 / 41 / 0 / 31

HEX #1068B1

RGB 16 104 177

HSL 207.2, 0.83%, 0.38%

LAB 43.04, 3.79, -45.45

 

CMYK 32 / 91 / 0 / 31

HEX #7910B1

RGB 121 16 177

HSL 279.13, 0.83%, 0.38%

LAB 33.16, 64.23, -61.09

 

CMYK 0 / 49 / 91 / 31

HEX #B05910

RGB 176 89 16

HSL 27.38, 0.83%, 0.38%

LAB 47.51, 31.23, 52.5

 

CMYK 86 / 0 / 91 / 31

HEX #18B110

RGB 24 177 16

HSL 117.02, 0.83%, 0.38%

LAB 63.07, -63.66, 61.3

 

CMYK 91 / 41 / 0 / 31

HEX #1068B1

RGB 16 104 177

HSL 207.2, 0.83%, 0.38%

LAB 43.04, 3.79, -45.45

 

CMYK 5 / 91 / 0 / 31

HEX #A910B1

RGB 169 16 177

HSL 297.02, 0.83%, 0.38%

LAB 41.18, 71.65, -47.7

 

Description

Color code: HEX #B05910 | qconv.com Color code: HEX #B05910 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 89 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 89 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 91 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 91% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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