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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B04FFB it is the complementary color #4FB004. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B04FFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B04FFB shade: #B54FF6, #C661FF, #D773FF, #E885FF and #F997FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B04FFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B04FFB shade: #B04FFB, #9F3DE8, #8E2BD5, #7D19C2 and #6C07AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B04FFB shade: #B050FB, #DE50FB, #FB50E9, #FB50BB and #FB508D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B04FFB shade: #B050FB, #8250FB, #5450FB and #5050FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B04FFB shade matches the following richer shades: #B050FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B04FFB shade: #B050FB, #AE5EEC, #AD6CDE, #AB7BD0 and #A989C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B04FFB shade: #5250FB, #8050FB, #AE50FB, #DC50FB and #FB50ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B04FFB shade: #8B04F4, #9E27FA, #B050FB, #C278FC and #D4A0FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B04FFB shade: #B04FFB, #FB507A and #50FB69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B04FFB shade: #B04FFB, #FBAE50 and #50FBAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B04FFB shade: #B04FFB, #FB507A, #9DFB50 and #50FBD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B04FFB shade: #B04FFB, #FB5850, #9DFB50 and #50F2FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 69 / 0 / 2

HEX #B04FFB

RGB 176 79 251

HSL 273.84, 0.96%, 0.65%

LAB 53.8, 67.84, -69.73

 

Complementary color

CMYK 55 / 0 / 98 / 31

HEX #4FB004

RGB 79 176 4

HSL 93.84, 0.96%, 0.35%

LAB 63.93, -53.37, 64.15

 

CMYK 26 / 68 / 0 / 4

HEX #B54FF6

RGB 181 79 246

HSL 276.65, 0.9%, 0.64%

LAB 54.1, 67.75, -66.43

 

CMYK 22 / 62 / 0 / 0

HEX #C661FF

RGB 198 97 255

HSL 278.35, 1%, 0.69%

LAB 59.69, 65.23, -62.32

 

CMYK 16 / 55 / 0 / 0

HEX #D773FF

RGB 215 115 255

HSL 282.86, 1%, 0.73%

LAB 64.91, 60.74, -53.87

 

CMYK 9 / 48 / 0 / 0

HEX #E885FF

RGB 232 133 255

HSL 288.69, 1%, 0.76%

LAB 70.28, 56.34, -45.26

 

CMYK 2 / 41 / 0 / 0

HEX #F997FF

RGB 249 151 255

HSL 296.54, 1%, 0.8%

LAB 75.76, 52.09, -36.57

 

CMYK 30 / 69 / 0 / 2

HEX #B04FFB

RGB 176 79 251

HSL 273.84, 0.96%, 0.65%

LAB 53.8, 67.84, -69.73

 

CMYK 31 / 74 / 0 / 9

HEX #9F3DE8

RGB 159 61 232

HSL 274.39, 0.79%, 0.57%

LAB 47.67, 68, -69.12

 

CMYK 33 / 80 / 0 / 16

HEX #8E2BD5

RGB 142 43 213

HSL 274.94, 0.67%, 0.5%

LAB 41.66, 67.62, -68.17

 

CMYK 36 / 87 / 0 / 24

HEX #7D19C2

RGB 125 25 194

HSL 275.5, 0.77%, 0.43%

LAB 35.89, 66.33, -66.66

 

CMYK 38 / 96 / 0 / 31

HEX #6C07AF

RGB 108 7 175

HSL 276.07, 0.92%, 0.36%

LAB 30.49, 63.68, -64.35

 

CMYK 30 / 68 / 0 / 2

HEX #B050FB

RGB 176 80 251

HSL 273.68, 0.96%, 0.65%

LAB 53.96, 67.41, -69.48

 

CMYK 12 / 68 / 0 / 2

HEX #DE50FB

RGB 222 80 251

HSL 289.82, 0.96%, 0.65%

LAB 60.1, 76.71, -59.27

 

CMYK 0 / 68 / 7 / 2

HEX #FB50E9

RGB 251 80 233

HSL 306.32, 0.96%, 0.65%

LAB 63.45, 80.08, -43.69

 

CMYK 0 / 68 / 25 / 2

HEX #FB50BB

RGB 251 80 187

HSL 322.46, 0.96%, 0.65%

LAB 61.51, 73.85, -20.71

 

CMYK 0 / 68 / 44 / 2

HEX #FB508D

RGB 251 80 141

HSL 338.6, 0.96%, 0.65%

LAB 60.04, 68.91, 3.72

 

CMYK 30 / 68 / 0 / 2

HEX #B050FB

RGB 176 80 251

HSL 273.68, 0.96%, 0.65%

LAB 53.96, 67.41, -69.48

 

CMYK 48 / 68 / 0 / 2

HEX #8250FB

RGB 130 80 251

HSL 257.54, 0.96%, 0.65%

LAB 48.82, 59.09, -78.06

 

CMYK 67 / 68 / 0 / 2

HEX #5450FB

RGB 84 80 251

HSL 241.4, 0.96%, 0.65%

LAB 45.06, 52.55, -84.36

 

CMYK 68 / 68 / 0 / 2

HEX #5050FB

RGB 80 80 251

HSL 240, 0.96%, 0.65%

LAB 44.81, 52.1, -84.78

 

CMYK 30 / 68 / 0 / 2

HEX #B050FB

RGB 176 80 251

HSL 273.68, 0.96%, 0.65%

LAB 53.96, 67.41, -69.48

 

CMYK 30 / 68 / 0 / 2

HEX #B050FB

RGB 176 80 251

HSL 273.68, 0.96%, 0.65%

LAB 53.96, 67.41, -69.48

 

CMYK 26 / 60 / 0 / 7

HEX #AE5EEC

RGB 174 94 236

HSL 273.8, 0.79%, 0.65%

LAB 55.13, 57.14, -59.23

 

CMYK 22 / 51 / 0 / 13

HEX #AD6CDE

RGB 173 108 222

HSL 274.21, 0.63%, 0.65%

LAB 56.96, 46.54, -48.47

 

CMYK 18 / 41 / 0 / 18

HEX #AB7BD0

RGB 171 123 208

HSL 273.88, 0.47%, 0.65%

LAB 59.32, 34.61, -36.88

 

CMYK 12 / 29 / 0 / 24

HEX #A989C1

RGB 169 137 193

HSL 274.29, 0.31%, 0.65%

LAB 61.81, 22.78, -24.59

 

CMYK 67 / 68 / 0 / 2

HEX #5250FB

RGB 82 80 251

HSL 240.7, 0.96%, 0.65%

LAB 44.94, 52.32, -84.57

 

CMYK 49 / 68 / 0 / 2

HEX #8050FB

RGB 128 80 251

HSL 256.84, 0.96%, 0.65%

LAB 48.63, 58.76, -78.38

 

CMYK 31 / 68 / 0 / 2

HEX #AE50FB

RGB 174 80 251

HSL 272.98, 0.96%, 0.65%

LAB 53.71, 67.02, -69.89

 

CMYK 12 / 68 / 0 / 2

HEX #DC50FB

RGB 220 80 251

HSL 289.12, 0.96%, 0.65%

LAB 59.81, 76.29, -59.74

 

CMYK 0 / 68 / 6 / 2

HEX #FB50ED

RGB 251 80 237

HSL 304.91, 0.96%, 0.65%

LAB 63.64, 80.67, -45.62

 

CMYK 43 / 98 / 0 / 4

HEX #8B04F4

RGB 139 4 244

HSL 273.75, 0.97%, 0.49%

LAB 41.39, 81.41, -86.29

 

CMYK 37 / 84 / 0 / 2

HEX #9E27FA

RGB 158 39 250

HSL 273.84, 0.95%, 0.57%

LAB 46.47, 78.84, -81.2

 

CMYK 30 / 68 / 0 / 2

HEX #B050FB

RGB 176 80 251

HSL 273.68, 0.96%, 0.65%

LAB 53.96, 67.41, -69.48

 

CMYK 23 / 52 / 0 / 1

HEX #C278FC

RGB 194 120 252

HSL 273.64, 0.96%, 0.73%

LAB 63.29, 52.33, -54.95

 

CMYK 16 / 37 / 0 / 1

HEX #D4A0FD

RGB 212 160 253

HSL 273.55, 0.96%, 0.81%

LAB 73.69, 36.14, -38.99

 

CMYK 30 / 69 / 0 / 2

HEX #B04FFB

RGB 176 79 251

HSL 273.84, 0.96%, 0.65%

LAB 53.8, 67.84, -69.73

 

CMYK 0 / 68 / 51 / 2

HEX #FB507A

RGB 251 80 122

HSL 345.26, 0.96%, 0.65%

LAB 59.57, 67.29, 14.17

 

CMYK 68 / 0 / 58 / 2

HEX #50FB69

RGB 80 251 105

HSL 128.77, 0.96%, 0.65%

LAB 87.83, -71.76, 56.42

 

CMYK 30 / 69 / 0 / 2

HEX #B04FFB

RGB 176 79 251

HSL 273.84, 0.96%, 0.65%

LAB 53.8, 67.84, -69.73

 

CMYK 0 / 31 / 68 / 2

HEX #FBAE50

RGB 251 174 80

HSL 32.98, 0.96%, 0.65%

LAB 76.9, 19.66, 57.96

 

CMYK 68 / 0 / 31 / 2

HEX #50FBAE

RGB 80 251 174

HSL 152.98, 0.96%, 0.65%

LAB 88.81, -60.77, 24.49

 

CMYK 30 / 69 / 0 / 2

HEX #B04FFB

RGB 176 79 251

HSL 273.84, 0.96%, 0.65%

LAB 53.8, 67.84, -69.73

 

CMYK 0 / 68 / 51 / 2

HEX #FB507A

RGB 251 80 122

HSL 345.26, 0.96%, 0.65%

LAB 59.57, 67.29, 14.17

 

CMYK 37 / 0 / 68 / 2

HEX #9DFB50

RGB 157 251 80

HSL 92.98, 0.96%, 0.65%

LAB 90.2, -54.55, 69.85

 

CMYK 68 / 0 / 17 / 2

HEX #50FBD0

RGB 80 251 208

HSL 164.91, 0.96%, 0.65%

LAB 89.51, -53.35, 7.99

 

CMYK 30 / 69 / 0 / 2

HEX #B04FFB

RGB 176 79 251

HSL 273.84, 0.96%, 0.65%

LAB 53.8, 67.84, -69.73

 

CMYK 0 / 65 / 68 / 2

HEX #FB5850

RGB 251 88 80

HSL 2.81, 0.96%, 0.65%

LAB 59.95, 61.52, 38.8

 

CMYK 37 / 0 / 68 / 2

HEX #9DFB50

RGB 157 251 80

HSL 92.98, 0.96%, 0.65%

LAB 90.2, -54.55, 69.85

 

CMYK 68 / 4 / 0 / 2

HEX #50F2FB

RGB 80 242 251

HSL 183.16, 0.96%, 0.65%

LAB 88.05, -38.33, -16.57

 

Description

Color code: HEX #B04FFB | qconv.com Color code: HEX #B04FFB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 79 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 79 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 69 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 69% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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