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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0490B it is the complementary color #4FB6F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0490B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0490B shade: #B54906, #C65B19, #D76D2C, #E87F3F and #F99152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0490B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0490B shade: #B0490B, #9F3700, #8E2500, #7D1300 and #6C0100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0490B shade: #B1490B, #B11C0B and #B10B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0490B shade: #B1490B, #B1760B, #B1A30B, #92B10B and #65B10B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0490B shade matches the following richer shades: #B1490B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0490B shade: #B1490B, #A24D1A, #925129, #835539 and #745848

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0490B shade: #B10B26, #B11B0B, #B1480B, #B1740B and #B1A00B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0490B shade: #632906, #8A3908, #B1490B, #D8590D and #F06D1E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0490B shade: #B0490B, #53B10B and #0B10B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0490B shade: #B0490B, #0BB148 and #480BB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0490B shade: #B0490B, #53B10B, #0B74B1 and #690BB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0490B shade: #B0490B, #21B10B, #0B74B1 and #9B0BB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 94 / 31

HEX #B0490B

RGB 176 73 11

HSL 22.55, 0.88%, 0.37%

LAB 44.26, 39.36, 51.57

 

Complementary color

CMYK 68 / 25 / 0 / 4

HEX #4FB6F4

RGB 79 182 244

HSL 202.55, 0.88%, 0.63%

LAB 70.63, -10.7, -39.52

 

CMYK 0 / 60 / 97 / 29

HEX #B54906

RGB 181 73 6

HSL 22.97, 0.94%, 0.37%

LAB 45.08, 41.22, 53.82

 

CMYK 0 / 54 / 87 / 22

HEX #C65B19

RGB 198 91 25

HSL 22.89, 0.78%, 0.44%

LAB 51.33, 39.28, 53.98

 

CMYK 0 / 49 / 80 / 16

HEX #D76D2C

RGB 215 109 44

HSL 22.81, 0.68%, 0.51%

LAB 57.62, 37.41, 52.88

 

CMYK 0 / 45 / 73 / 9

HEX #E87F3F

RGB 232 127 63

HSL 22.72, 0.79%, 0.58%

LAB 63.91, 35.68, 51.27

 

CMYK 0 / 42 / 67 / 2

HEX #F99152

RGB 249 145 82

HSL 22.63, 0.93%, 0.65%

LAB 70.18, 34.1, 49.54

 

CMYK 0 / 59 / 94 / 31

HEX #B0490B

RGB 176 73 11

HSL 22.55, 0.88%, 0.37%

LAB 44.26, 39.36, 51.57

 

CMYK 0 / 65 / 100 / 38

HEX #9F3700

RGB 159 55 0

HSL 20.75, 1%, 0.31%

LAB 38.03, 41.26, 49.6

 

CMYK 0 / 74 / 100 / 44

HEX #8E2500

RGB 142 37 0

HSL 15.63, 1%, 0.28%

LAB 31.97, 42.76, 44.51

 

CMYK 0 / 85 / 100 / 51

HEX #7D1300

RGB 125 19 0

HSL 9.12, 1%, 0.25%

LAB 26.23, 43.22, 38.46

 

CMYK 0 / 99 / 100 / 58

HEX #6C0100

RGB 108 1 0

HSL 0.56, 1%, 0.21%

LAB 20.87, 42.32, 31.78

 

CMYK 0 / 59 / 94 / 31

HEX #B1490B

RGB 177 73 11

HSL 22.41, 0.88%, 0.37%

LAB 44.43, 39.75, 51.76

 

CMYK 0 / 84 / 94 / 31

HEX #B11C0B

RGB 177 28 11

HSL 6.14, 0.88%, 0.37%

LAB 38.2, 56.69, 47.68

 

CMYK 0 / 94 / 94 / 31

HEX #B10B0B

RGB 177 11 11

HSL 0, 0.88%, 0.37%

LAB 37.13, 59.75, 47.02

 

CMYK 0 / 59 / 94 / 31

HEX #B1490B

RGB 177 73 11

HSL 22.41, 0.88%, 0.37%

LAB 44.43, 39.75, 51.76

 

CMYK 0 / 33 / 94 / 31

HEX #B1760B

RGB 177 118 11

HSL 38.67, 0.88%, 0.37%

LAB 54.37, 15.61, 58.81

 

CMYK 0 / 8 / 94 / 31

HEX #B1A30B

RGB 177 163 11

HSL 54.94, 0.88%, 0.37%

LAB 66.19, -9.01, 67.62

 

CMYK 18 / 0 / 94 / 31

HEX #92B10B

RGB 146 177 11

HSL 71.2, 0.88%, 0.37%

LAB 67.71, -29.57, 67.74

 

CMYK 43 / 0 / 94 / 31

HEX #65B10B

RGB 101 177 11

HSL 87.47, 0.88%, 0.37%

LAB 65.15, -46.79, 64.62

 

CMYK 0 / 59 / 94 / 31

HEX #B1490B

RGB 177 73 11

HSL 22.41, 0.88%, 0.37%

LAB 44.43, 39.75, 51.76

 

CMYK 0 / 59 / 94 / 31

HEX #B1490B

RGB 177 73 11

HSL 22.41, 0.88%, 0.37%

LAB 44.43, 39.75, 51.76

 

CMYK 0 / 52 / 84 / 36

HEX #A24D1A

RGB 162 77 26

HSL 22.5, 0.72%, 0.37%

LAB 42.86, 32.04, 44.16

 

CMYK 0 / 45 / 72 / 43

HEX #925129

RGB 146 81 41

HSL 22.86, 0.56%, 0.37%

LAB 41.46, 23.69, 34.63

 

CMYK 0 / 35 / 56 / 49

HEX #835539

RGB 131 85 57

HSL 22.7, 0.39%, 0.37%

LAB 40.6, 15.91, 24.06

 

CMYK 0 / 24 / 38 / 55

HEX #745848

RGB 116 88 72

HSL 21.82, 0.23%, 0.37%

LAB 39.85, 9.14, 13.73

 

CMYK 0 / 94 / 79 / 31

HEX #B10B26

RGB 177 11 38

HSL 350.24, 0.88%, 0.37%

LAB 37.35, 60.35, 33.44

 

CMYK 0 / 85 / 94 / 31

HEX #B11B0B

RGB 177 27 11

HSL 5.78, 0.88%, 0.37%

LAB 38.12, 56.93, 47.63

 

CMYK 0 / 59 / 94 / 31

HEX #B1480B

RGB 177 72 11

HSL 22.05, 0.88%, 0.37%

LAB 44.24, 40.24, 51.64

 

CMYK 0 / 34 / 94 / 31

HEX #B1740B

RGB 177 116 11

HSL 37.95, 0.88%, 0.37%

LAB 53.88, 16.73, 58.45

 

CMYK 0 / 10 / 94 / 31

HEX #B1A00B

RGB 177 160 11

HSL 53.86, 0.88%, 0.37%

LAB 65.37, -7.43, 67

 

CMYK 0 / 59 / 94 / 61

HEX #632906

RGB 99 41 6

HSL 22.58, 0.89%, 0.21%

LAB 24.49, 24.26, 32.52

 

CMYK 0 / 59 / 94 / 46

HEX #8A3908

RGB 138 57 8

HSL 22.62, 0.89%, 0.29%

LAB 34.7, 32.24, 42.79

 

CMYK 0 / 59 / 94 / 31

HEX #B1490B

RGB 177 73 11

HSL 22.41, 0.88%, 0.37%

LAB 44.43, 39.75, 51.76

 

CMYK 0 / 59 / 94 / 15

HEX #D8590D

RGB 216 89 13

HSL 22.46, 0.89%, 0.45%

LAB 53.79, 46.91, 60.6

 

CMYK 0 / 55 / 88 / 6

HEX #F06D1E

RGB 240 109 30

HSL 22.57, 0.88%, 0.53%

LAB 61.27, 46.68, 62.87

 

CMYK 0 / 59 / 94 / 31

HEX #B0490B

RGB 176 73 11

HSL 22.55, 0.88%, 0.37%

LAB 44.26, 39.36, 51.57

 

CMYK 53 / 0 / 94 / 31

HEX #53B10B

RGB 83 177 11

HSL 93.98, 0.88%, 0.37%

LAB 64.41, -52.45, 63.71

 

CMYK 94 / 91 / 0 / 31

HEX #0B10B1

RGB 11 16 177

HSL 238.19, 0.88%, 0.37%

LAB 22.36, 56.12, -79.29

 

CMYK 0 / 59 / 94 / 31

HEX #B0490B

RGB 176 73 11

HSL 22.55, 0.88%, 0.37%

LAB 44.26, 39.36, 51.57

 

CMYK 94 / 0 / 59 / 31

HEX #0BB148

RGB 11 177 72

HSL 142.05, 0.88%, 0.37%

LAB 63.33, -60.06, 42.49

 

CMYK 59 / 94 / 0 / 31

HEX #480BB1

RGB 72 11 177

HSL 262.05, 0.88%, 0.37%

LAB 26.13, 60.03, -72.89

 

CMYK 0 / 59 / 94 / 31

HEX #B0490B

RGB 176 73 11

HSL 22.55, 0.88%, 0.37%

LAB 44.26, 39.36, 51.57

 

CMYK 53 / 0 / 94 / 31

HEX #53B10B

RGB 83 177 11

HSL 93.98, 0.88%, 0.37%

LAB 64.41, -52.45, 63.71

 

CMYK 94 / 34 / 0 / 31

HEX #0B74B1

RGB 11 116 177

HSL 202.05, 0.88%, 0.37%

LAB 46.63, -3.89, -39.75

 

CMYK 41 / 94 / 0 / 31

HEX #690BB1

RGB 105 11 177

HSL 273.98, 0.88%, 0.37%

LAB 30.44, 63.13, -65.64

 

CMYK 0 / 59 / 94 / 31

HEX #B0490B

RGB 176 73 11

HSL 22.55, 0.88%, 0.37%

LAB 44.26, 39.36, 51.57

 

CMYK 81 / 0 / 94 / 31

HEX #21B10B

RGB 33 177 11

HSL 112.05, 0.88%, 0.37%

LAB 63.17, -62.84, 62.18

 

CMYK 94 / 34 / 0 / 31

HEX #0B74B1

RGB 11 116 177

HSL 202.05, 0.88%, 0.37%

LAB 46.63, -3.89, -39.75

 

CMYK 12 / 94 / 0 / 31

HEX #9B0BB1

RGB 155 11 177

HSL 292.05, 0.88%, 0.37%

LAB 38.52, 70, -52.12

 

Description

Color code: HEX #B0490B | qconv.com Color code: HEX #B0490B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 73 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 73 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 94 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 94% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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