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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B04711 it is the complementary color #4FB8EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B04711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B04711 shade: #B5470C, #C6591F, #D76B32, #E87D45 and #F98F58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B04711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B04711 shade: #B04711, #9F3500, #8E2300, #7D1100 and #6C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B04711 shade: #B04711, #B01C11 and #B01111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B04711 shade: #B04711, #B07211, #B09D11, #98B011 and #6DB011

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B04711 shade matches the following richer shades: #B04711 and #C04201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B04711 shade: #B04711, #A04C21, #915130, #815640 and #715B50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B04711 shade: #B01131, #B01C11, #B04611, #B07011 and #B09B11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B04711 shade: #65290A, #8A380D, #B04711, #D55615 and #E96B2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B04711 shade: #B04711, #5BB011 and #111CB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B04711 shade: #B04711, #11B046 and #4611B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B04711 shade: #B04711, #5BB011, #117BB0 and #6611B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B04711 shade: #B04711, #2BB011, #117BB0 and #9511B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 90 / 31

HEX #B04711

RGB 176 71 17

HSL 20.38, 0.82%, 0.38%

LAB 43.91, 40.43, 49.48

 

Complementary color

CMYK 67 / 23 / 0 / 7

HEX #4FB8EE

RGB 79 184 238

HSL 200.38, 0.82%, 0.62%

LAB 70.95, -13.7, -35.77

 

CMYK 0 / 61 / 93 / 29

HEX #B5470C

RGB 181 71 12

HSL 20.95, 0.88%, 0.38%

LAB 44.74, 42.25, 52.02

 

CMYK 0 / 55 / 84 / 22

HEX #C6591F

RGB 198 89 31

HSL 20.84, 0.73%, 0.45%

LAB 50.98, 40.43, 51.39

 

CMYK 0 / 50 / 77 / 16

HEX #D76B32

RGB 215 107 50

HSL 20.73, 0.67%, 0.52%

LAB 57.26, 38.65, 49.8

 

CMYK 0 / 46 / 70 / 9

HEX #E87D45

RGB 232 125 69

HSL 20.61, 0.78%, 0.59%

LAB 63.55, 37, 47.96

 

CMYK 0 / 43 / 65 / 2

HEX #F98F58

RGB 249 143 88

HSL 20.5, 0.93%, 0.66%

LAB 69.82, 35.47, 46.11

 

CMYK 0 / 60 / 90 / 31

HEX #B04711

RGB 176 71 17

HSL 20.38, 0.82%, 0.38%

LAB 43.91, 40.43, 49.48

 

CMYK 0 / 67 / 100 / 38

HEX #9F3500

RGB 159 53 0

HSL 20, 1%, 0.31%

LAB 37.69, 42.15, 49.42

 

CMYK 0 / 75 / 100 / 44

HEX #8E2300

RGB 142 35 0

HSL 14.79, 1%, 0.28%

LAB 31.7, 43.52, 44.32

 

CMYK 0 / 86 / 100 / 51

HEX #7D1100

RGB 125 17 0

HSL 8.16, 1%, 0.25%

LAB 26.04, 43.75, 38.28

 

CMYK 0 / 100 / 100 / 58

HEX #6C0000

RGB 108 0 0

HSL 0, 1%, 0.21%

LAB 20.78, 42.56, 31.69

 

CMYK 0 / 60 / 90 / 31

HEX #B04711

RGB 176 71 17

HSL 20.38, 0.82%, 0.38%

LAB 43.91, 40.43, 49.48

 

CMYK 0 / 84 / 90 / 31

HEX #B01C11

RGB 176 28 17

HSL 4.15, 0.82%, 0.38%

LAB 38.02, 56.49, 45.1

 

CMYK 0 / 90 / 90 / 31

HEX #B01111

RGB 176 17 17

HSL 0, 0.82%, 0.38%

LAB 37.25, 58.71, 44.53

 

CMYK 0 / 60 / 90 / 31

HEX #B04711

RGB 176 71 17

HSL 20.38, 0.82%, 0.38%

LAB 43.91, 40.43, 49.48

 

CMYK 0 / 35 / 90 / 31

HEX #B07211

RGB 176 114 17

HSL 36.6, 0.82%, 0.38%

LAB 53.28, 17.5, 56.62

 

CMYK 0 / 11 / 90 / 31

HEX #B09D11

RGB 176 157 17

HSL 52.83, 0.82%, 0.38%

LAB 64.47, -6.19, 65.31

 

CMYK 14 / 0 / 90 / 31

HEX #98B011

RGB 152 176 17

HSL 69.06, 0.82%, 0.38%

LAB 67.85, -26.46, 67.15

 

CMYK 38 / 0 / 90 / 31

HEX #6DB011

RGB 109 176 17

HSL 85.28, 0.82%, 0.38%

LAB 65.23, -43.46, 63.94

 

CMYK 0 / 60 / 90 / 31

HEX #B04711

RGB 176 71 17

HSL 20.38, 0.82%, 0.38%

LAB 43.91, 40.43, 49.48

 

CMYK 0 / 66 / 99 / 25

HEX #C04201

RGB 192 66 1

HSL 20.42, 0.99%, 0.38%

LAB 45.78, 48.39, 56.57

 

CMYK 0 / 60 / 90 / 31

HEX #B04711

RGB 176 71 17

HSL 20.38, 0.82%, 0.38%

LAB 43.91, 40.43, 49.48

 

CMYK 0 / 53 / 79 / 37

HEX #A04C21

RGB 160 76 33

HSL 20.31, 0.66%, 0.38%

LAB 42.39, 32, 40.36

 

CMYK 0 / 44 / 67 / 43

HEX #915130

RGB 145 81 48

HSL 20.41, 0.5%, 0.38%

LAB 41.4, 23.69, 30.67

 

CMYK 0 / 33 / 50 / 49

HEX #815640

RGB 129 86 64

HSL 20.31, 0.34%, 0.38%

LAB 40.72, 15.12, 20.01

 

CMYK 0 / 19 / 29 / 56

HEX #715B50

RGB 113 91 80

HSL 20, 0.17%, 0.38%

LAB 40.53, 7.17, 9.73

 

CMYK 0 / 90 / 72 / 31

HEX #B01131

RGB 176 17 49

HSL 347.92, 0.82%, 0.38%

LAB 37.58, 59.66, 26.88

 

CMYK 0 / 84 / 90 / 31

HEX #B01C11

RGB 176 28 17

HSL 4.15, 0.82%, 0.38%

LAB 38.02, 56.49, 45.1

 

CMYK 0 / 60 / 90 / 31

HEX #B04611

RGB 176 70 17

HSL 20, 0.82%, 0.38%

LAB 43.73, 40.91, 49.34

 

CMYK 0 / 36 / 90 / 31

HEX #B07011

RGB 176 112 17

HSL 35.85, 0.82%, 0.38%

LAB 52.79, 18.62, 56.24

 

CMYK 0 / 12 / 90 / 31

HEX #B09B11

RGB 176 155 17

HSL 52.08, 0.82%, 0.38%

LAB 63.93, -5.12, 64.88

 

CMYK 0 / 59 / 90 / 60

HEX #65290A

RGB 101 41 10

HSL 20.44, 0.82%, 0.22%

LAB 24.87, 25.26, 31.38

 

CMYK 0 / 59 / 91 / 46

HEX #8A380D

RGB 138 56 13

HSL 20.64, 0.83%, 0.3%

LAB 34.52, 32.85, 40.88

 

CMYK 0 / 60 / 90 / 31

HEX #B04711

RGB 176 71 17

HSL 20.38, 0.82%, 0.38%

LAB 43.91, 40.43, 49.48

 

CMYK 0 / 60 / 90 / 16

HEX #D55615

RGB 213 86 21

HSL 20.31, 0.82%, 0.46%

LAB 52.79, 47.3, 57.49

 

CMYK 0 / 54 / 82 / 9

HEX #E96B2A

RGB 233 107 42

HSL 20.42, 0.81%, 0.54%

LAB 59.89, 45.3, 56.8

 

CMYK 0 / 60 / 90 / 31

HEX #B04711

RGB 176 71 17

HSL 20.38, 0.82%, 0.38%

LAB 43.91, 40.43, 49.48

 

CMYK 48 / 0 / 90 / 31

HEX #5BB011

RGB 91 176 17

HSL 92.08, 0.82%, 0.38%

LAB 64.42, -49.52, 62.92

 

CMYK 90 / 84 / 0 / 31

HEX #111CB0

RGB 17 28 176

HSL 235.85, 0.82%, 0.38%

LAB 23.95, 51.26, -76.03

 

CMYK 0 / 60 / 90 / 31

HEX #B04711

RGB 176 71 17

HSL 20.38, 0.82%, 0.38%

LAB 43.91, 40.43, 49.48

 

CMYK 90 / 0 / 60 / 31

HEX #11B046

RGB 17 176 70

HSL 140, 0.82%, 0.38%

LAB 63.02, -59.66, 43.07

 

CMYK 60 / 90 / 0 / 31

HEX #4611B0

RGB 70 17 176

HSL 260, 0.82%, 0.38%

LAB 26.27, 58.2, -72.08

 

CMYK 0 / 60 / 90 / 31

HEX #B04711

RGB 176 71 17

HSL 20.38, 0.82%, 0.38%

LAB 43.91, 40.43, 49.48

 

CMYK 48 / 0 / 90 / 31

HEX #5BB011

RGB 91 176 17

HSL 92.08, 0.82%, 0.38%

LAB 64.42, -49.52, 62.92

 

CMYK 90 / 30 / 0 / 31

HEX #117BB0

RGB 17 123 176

HSL 200, 0.82%, 0.38%

LAB 48.78, -8.14, -35.76

 

CMYK 42 / 90 / 0 / 31

HEX #6611B0

RGB 102 17 176

HSL 272.08, 0.82%, 0.38%

LAB 30.3, 61.4, -65.28

 

CMYK 0 / 60 / 90 / 31

HEX #B04711

RGB 176 71 17

HSL 20.38, 0.82%, 0.38%

LAB 43.91, 40.43, 49.48

 

CMYK 76 / 0 / 90 / 31

HEX #2BB011

RGB 43 176 17

HSL 110.19, 0.82%, 0.38%

LAB 63.01, -60.97, 61.18

 

CMYK 90 / 30 / 0 / 31

HEX #117BB0

RGB 17 123 176

HSL 200, 0.82%, 0.38%

LAB 48.78, -8.14, -35.76

 

CMYK 15 / 90 / 0 / 31

HEX #9511B0

RGB 149 17 176

HSL 289.81, 0.82%, 0.38%

LAB 37.71, 68.02, -52.89

 

Description

Color code: HEX #B04711 | qconv.com Color code: HEX #B04711 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 71 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 71 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 90 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 90% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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