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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B046E7 it is the complementary color #4FB918. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B046E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B046E7 shade: #B546E2, #C658F5, #D76AFF, #E87CFF and #F98EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B046E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B046E7 shade: #B046E7, #9F34D4, #8E22C1, #7D10AE and #6C009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B046E7 shade: #AF45E6, #DB45E6, #E645C7, #E6459B and #E64570

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B046E7 shade: #AF45E6, #8445E6, #5945E6 and #4545E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B046E7 shade matches the following richer shades: #AF45E6 and #B535F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B046E7 shade: #AF45E6, #AA56D6, #A567C5, #9F78B4 and #9A89A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B046E7 shade: #5845E6, #8345E6, #AE45E6, #D945E6 and #E645C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B046E7 shade: #8719C1, #A021E2, #AF45E6, #BF6AEB and #CF8EF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B046E7 shade: #B046E7, #E6455E and #45E66E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B046E7 shade: #B046E7, #E6AE45 and #45E6AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B046E7 shade: #B046E7, #E6455E, #7EE645 and #45E6CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B046E7 shade: #B046E7, #E65E45, #7EE645 and #45CEE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 70 / 0 / 9

HEX #B046E7

RGB 176 70 231

HSL 279.5, 0.77%, 0.59%

LAB 51.13, 67.38, -62.85

 

Complementary color

CMYK 57 / 0 / 87 / 27

HEX #4FB918

RGB 79 185 24

HSL 99.5, 0.77%, 0.41%

LAB 66.84, -56.08, 63.48

 

CMYK 20 / 69 / 0 / 11

HEX #B546E2

RGB 181 70 226

HSL 282.69, 0.73%, 0.58%

LAB 51.49, 67.38, -59.41

 

CMYK 19 / 64 / 0 / 4

HEX #C658F5

RGB 198 88 245

HSL 282.04, 0.89%, 0.65%

LAB 57.63, 67.22, -60.07

 

CMYK 16 / 58 / 0 / 0

HEX #D76AFF

RGB 215 106 255

HSL 283.89, 1%, 0.71%

LAB 63.32, 65, -56.39

 

CMYK 9 / 51 / 0 / 0

HEX #E87CFF

RGB 232 124 255

HSL 289.47, 1%, 0.74%

LAB 68.6, 60.75, -47.9

 

CMYK 2 / 44 / 0 / 0

HEX #F98EFF

RGB 249 142 255

HSL 296.81, 1%, 0.78%

LAB 74, 56.59, -39.3

 

CMYK 24 / 70 / 0 / 9

HEX #B046E7

RGB 176 70 231

HSL 279.5, 0.77%, 0.59%

LAB 51.13, 67.38, -62.85

 

CMYK 25 / 75 / 0 / 17

HEX #9F34D4

RGB 159 52 212

HSL 280.13, 0.65%, 0.52%

LAB 45.05, 67.17, -61.97

 

CMYK 26 / 82 / 0 / 24

HEX #8E22C1

RGB 142 34 193

HSL 280.75, 0.7%, 0.45%

LAB 39.15, 66.25, -60.65

 

CMYK 28 / 91 / 0 / 32

HEX #7D10AE

RGB 125 16 174

HSL 281.39, 0.83%, 0.37%

LAB 33.53, 64.18, -58.65

 

CMYK 30 / 100 / 0 / 39

HEX #6C009B

RGB 108 0 155

HSL 281.81, 1%, 0.3%

LAB 28.26, 60.76, -55.89

 

CMYK 24 / 70 / 0 / 10

HEX #AF45E6

RGB 175 69 230

HSL 279.5, 0.76%, 0.59%

LAB 50.78, 67.39, -62.85

 

CMYK 5 / 70 / 0 / 10

HEX #DB45E6

RGB 219 69 230

HSL 295.9, 0.76%, 0.59%

LAB 57.1, 76.39, -52.37

 

CMYK 0 / 70 / 13 / 10

HEX #E645C7

RGB 230 69 199

HSL 311.55, 0.76%, 0.59%

LAB 57.27, 74.07, -34.41

 

CMYK 0 / 70 / 33 / 10

HEX #E6459B

RGB 230 69 155

HSL 327.95, 0.76%, 0.59%

LAB 55.53, 68.49, -11.55

 

CMYK 0 / 70 / 51 / 10

HEX #E64570

RGB 230 69 112

HSL 343.98, 0.76%, 0.59%

LAB 54.29, 64.35, 12.17

 

CMYK 24 / 70 / 0 / 10

HEX #AF45E6

RGB 175 69 230

HSL 279.5, 0.76%, 0.59%

LAB 50.78, 67.39, -62.85

 

CMYK 43 / 70 / 0 / 10

HEX #8445E6

RGB 132 69 230

HSL 263.48, 0.76%, 0.59%

LAB 45.46, 59.35, -71.73

 

CMYK 61 / 70 / 0 / 10

HEX #5945E6

RGB 89 69 230

HSL 247.45, 0.76%, 0.59%

LAB 41.36, 52.75, -78.6

 

CMYK 70 / 70 / 0 / 10

HEX #4545E6

RGB 69 69 230

HSL 240, 0.76%, 0.59%

LAB 39.97, 50.4, -80.94

 

CMYK 24 / 70 / 0 / 10

HEX #AF45E6

RGB 175 69 230

HSL 279.5, 0.76%, 0.59%

LAB 50.78, 67.39, -62.85

 

CMYK 27 / 79 / 0 / 3

HEX #B535F7

RGB 181 53 247

HSL 279.59, 0.92%, 0.59%

LAB 50.79, 77.59, -72.35

 

CMYK 24 / 70 / 0 / 10

HEX #AF45E6

RGB 175 69 230

HSL 279.5, 0.76%, 0.59%

LAB 50.78, 67.39, -62.85

 

CMYK 21 / 60 / 0 / 16

HEX #AA56D6

RGB 170 86 214

HSL 279.38, 0.61%, 0.59%

LAB 51.9, 55.31, -52.02

 

CMYK 16 / 48 / 0 / 23

HEX #A567C5

RGB 165 103 197

HSL 279.57, 0.45%, 0.59%

LAB 53.74, 41.5, -39.44

 

CMYK 12 / 33 / 0 / 29

HEX #9F78B4

RGB 159 120 180

HSL 279, 0.29%, 0.59%

LAB 56.19, 26.43, -25.92

 

CMYK 6 / 16 / 0 / 36

HEX #9A89A3

RGB 154 137 163

HSL 279.23, 0.12%, 0.59%

LAB 59.35, 11.38, -11.42

 

CMYK 62 / 70 / 0 / 10

HEX #5845E6

RGB 88 69 230

HSL 247.08, 0.76%, 0.59%

LAB 41.29, 52.62, -78.73

 

CMYK 43 / 70 / 0 / 10

HEX #8345E6

RGB 131 69 230

HSL 263.11, 0.76%, 0.59%

LAB 45.35, 59.17, -71.91

 

CMYK 24 / 70 / 0 / 10

HEX #AE45E6

RGB 174 69 230

HSL 279.13, 0.76%, 0.59%

LAB 50.65, 67.19, -63.07

 

CMYK 6 / 70 / 0 / 10

HEX #D945E6

RGB 217 69 230

HSL 295.16, 0.76%, 0.59%

LAB 56.8, 75.97, -52.87

 

CMYK 0 / 70 / 13 / 10

HEX #E645C9

RGB 230 69 201

HSL 310.81, 0.76%, 0.59%

LAB 57.36, 74.35, -35.41

 

CMYK 30 / 87 / 0 / 24

HEX #8719C1

RGB 135 25 193

HSL 279.29, 0.77%, 0.43%

LAB 37.29, 67.51, -63.71

 

CMYK 29 / 85 / 0 / 11

HEX #A021E2

RGB 160 33 226

HSL 279.48, 0.77%, 0.51%

LAB 44.31, 75.76, -71.18

 

CMYK 24 / 70 / 0 / 10

HEX #AF45E6

RGB 175 69 230

HSL 279.5, 0.76%, 0.59%

LAB 50.78, 67.39, -62.85

 

CMYK 19 / 55 / 0 / 8

HEX #BF6AEB

RGB 191 106 235

HSL 279.53, 0.76%, 0.67%

LAB 59.33, 55.05, -51.86

 

CMYK 14 / 41 / 0 / 6

HEX #CF8EF0

RGB 207 142 240

HSL 279.8, 0.77%, 0.75%

LAB 68.68, 41.65, -39.77

 

CMYK 24 / 70 / 0 / 9

HEX #B046E7

RGB 176 70 231

HSL 279.5, 0.77%, 0.59%

LAB 51.13, 67.38, -62.85

 

CMYK 0 / 70 / 59 / 10

HEX #E6455E

RGB 230 69 94

HSL 350.68, 0.76%, 0.59%

LAB 53.91, 63.04, 22.36

 

CMYK 70 / 0 / 52 / 10

HEX #45E66E

RGB 69 230 110

HSL 135.28, 0.76%, 0.59%

LAB 81.28, -65.91, 46.3

 

CMYK 24 / 70 / 0 / 9

HEX #B046E7

RGB 176 70 231

HSL 279.5, 0.77%, 0.59%

LAB 51.13, 67.38, -62.85

 

CMYK 0 / 24 / 70 / 10

HEX #E6AE45

RGB 230 174 69

HSL 39.13, 0.76%, 0.59%

LAB 74.52, 10.3, 59.58

 

CMYK 70 / 0 / 24 / 10

HEX #45E6AE

RGB 69 230 174

HSL 159.13, 0.76%, 0.59%

LAB 82.33, -54.25, 15.47

 

CMYK 24 / 70 / 0 / 9

HEX #B046E7

RGB 176 70 231

HSL 279.5, 0.77%, 0.59%

LAB 51.13, 67.38, -62.85

 

CMYK 0 / 70 / 59 / 10

HEX #E6455E

RGB 230 69 94

HSL 350.68, 0.76%, 0.59%

LAB 53.91, 63.04, 22.36

 

CMYK 45 / 0 / 70 / 10

HEX #7EE645

RGB 126 230 69

HSL 98.76, 0.76%, 0.59%

LAB 82.62, -56.84, 65.63

 

CMYK 70 / 0 / 10 / 10

HEX #45E6CE

RGB 69 230 206

HSL 171.06, 0.76%, 0.59%

LAB 83.08, -46.56, -0.3

 

CMYK 24 / 70 / 0 / 9

HEX #B046E7

RGB 176 70 231

HSL 279.5, 0.77%, 0.59%

LAB 51.13, 67.38, -62.85

 

CMYK 0 / 59 / 70 / 10

HEX #E65E45

RGB 230 94 69

HSL 9.32, 0.76%, 0.59%

LAB 57.33, 51.34, 40.89

 

CMYK 45 / 0 / 70 / 10

HEX #7EE645

RGB 126 230 69

HSL 98.76, 0.76%, 0.59%

LAB 82.62, -56.84, 65.63

 

CMYK 70 / 10 / 0 / 10

HEX #45CEE6

RGB 69 206 230

HSL 188.94, 0.76%, 0.59%

LAB 76.75, -28.86, -22.55

 

Description

Color code: HEX #B046E7 | qconv.com Color code: HEX #B046E7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 70 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 70 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 70 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 70% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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