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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B01B57 it is the complementary color #4FE4A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B01B57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B01B57 shade: #B51B52, #C62D65, #D73F78, #E8518B and #F9639E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B01B57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B01B57 shade: #B01B57, #9F0944, #8E0031, #7D001E and #6C000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B01B57 shade: #B01B57, #B01B2F and #B01B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B01B57 shade: #B01B57, #B01B7F, #B01BA7, #901BB0 and #681BB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B01B57 shade matches the following richer shades: #B01B57 and #C00B54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B01B57 shade: #B01B57, #9F2C5A, #8F3C5D, #7E4D61 and #6E5D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B01B57 shade: #B01BA9, #B01B81, #B01B59, #B01B31 and #B02C1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B01B57 shade: #691034, #8C1545, #B01B57, #D42169 and #E03D7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B01B57 shade: #B01B57, #B0901B and #1B95B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B01B57 shade: #B01B57, #59B01B and #1B59B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B01B57 shade: #B01B57, #B0901B, #1BB072 and #1B3BB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B01B57 shade: #B01B57, #A4B01B, #1BB072 and #271BB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 51 / 31

HEX #B01B57

RGB 176 27 87

HSL 335.84, 0.73%, 0.4%

LAB 39.07, 60.09, 4.64

 

Complementary color

CMYK 65 / 0 / 26 / 11

HEX #4FE4A8

RGB 79 228 168

HSL 155.84, 0.73%, 0.6%

LAB 81.83, -53.2, 17.92

 

CMYK 0 / 85 / 55 / 29

HEX #B51B52

RGB 181 27 82

HSL 338.57, 0.74%, 0.41%

LAB 39.94, 61, 9.2

 

CMYK 0 / 77 / 49 / 22

HEX #C62D65

RGB 198 45 101

HSL 338.04, 0.63%, 0.48%

LAB 45.39, 62.34, 5.45

 

CMYK 0 / 71 / 44 / 16

HEX #D73F78

RGB 215 63 120

HSL 337.5, 0.66%, 0.55%

LAB 51.1, 62.86, 2.47

 

CMYK 0 / 65 / 40 / 9

HEX #E8518B

RGB 232 81 139

HSL 336.95, 0.77%, 0.61%

LAB 56.98, 62.85, 0.06

 

CMYK 0 / 60 / 37 / 2

HEX #F9639E

RGB 249 99 158

HSL 336.4, 0.93%, 0.68%

LAB 62.95, 62.5, -1.93

 

CMYK 0 / 85 / 51 / 31

HEX #B01B57

RGB 176 27 87

HSL 335.84, 0.73%, 0.4%

LAB 39.07, 60.09, 4.64

 

CMYK 0 / 94 / 57 / 38

HEX #9F0944

RGB 159 9 68

HSL 336.4, 0.89%, 0.33%

LAB 33.95, 57.52, 9.19

 

CMYK 0 / 100 / 65 / 44

HEX #8E0031

RGB 142 0 49

HSL 339.3, 1%, 0.28%

LAB 29.34, 53.35, 14.94

 

CMYK 0 / 100 / 76 / 51

HEX #7D001E

RGB 125 0 30

HSL 345.6, 1%, 0.25%

LAB 25.12, 48.03, 21.6

 

CMYK 0 / 100 / 90 / 58

HEX #6C000B

RGB 108 0 11

HSL 353.89, 1%, 0.21%

LAB 20.87, 42.81, 27.3

 

CMYK 0 / 85 / 51 / 31

HEX #B01B57

RGB 176 27 87

HSL 335.84, 0.73%, 0.4%

LAB 39.07, 60.09, 4.64

 

CMYK 0 / 85 / 73 / 31

HEX #B01B2F

RGB 176 27 47

HSL 351.95, 0.73%, 0.4%

LAB 38.23, 57.61, 28.9

 

CMYK 0 / 85 / 85 / 31

HEX #B01B1B

RGB 176 27 27

HSL 0, 0.73%, 0.4%

LAB 38.01, 56.94, 40.26

 

CMYK 0 / 85 / 51 / 31

HEX #B01B57

RGB 176 27 87

HSL 335.84, 0.73%, 0.4%

LAB 39.07, 60.09, 4.64

 

CMYK 0 / 85 / 28 / 31

HEX #B01B7F

RGB 176 27 127

HSL 319.73, 0.73%, 0.4%

LAB 40.49, 64.11, -18.42

 

CMYK 0 / 85 / 5 / 31

HEX #B01BA7

RGB 176 27 167

HSL 303.62, 0.73%, 0.4%

LAB 42.47, 69.5, -39.63

 

CMYK 18 / 85 / 0 / 31

HEX #901BB0

RGB 144 27 176

HSL 287.11, 0.73%, 0.4%

LAB 37.57, 65.16, -53.16

 

CMYK 41 / 85 / 0 / 31

HEX #681BB0

RGB 104 27 176

HSL 271.01, 0.73%, 0.4%

LAB 31.49, 58.97, -63.32

 

CMYK 0 / 85 / 51 / 31

HEX #B01B57

RGB 176 27 87

HSL 335.84, 0.73%, 0.4%

LAB 39.07, 60.09, 4.64

 

CMYK 0 / 94 / 56 / 25

HEX #C00B54

RGB 192 11 84

HSL 335.8, 0.89%, 0.4%

LAB 41.35, 66.42, 10.23

 

CMYK 0 / 85 / 51 / 31

HEX #B01B57

RGB 176 27 87

HSL 335.84, 0.73%, 0.4%

LAB 39.07, 60.09, 4.64

 

CMYK 0 / 72 / 43 / 38

HEX #9F2C5A

RGB 159 44 90

HSL 336, 0.57%, 0.4%

LAB 37.68, 50.57, 0.3

 

CMYK 0 / 58 / 35 / 44

HEX #8F3C5D

RGB 143 60 93

HSL 336.14, 0.41%, 0.4%

LAB 37.59, 38.71, -2.06

 

CMYK 0 / 39 / 23 / 51

HEX #7E4D61

RGB 126 77 97

HSL 335.51, 0.24%, 0.4%

LAB 38.91, 23.65, -2.92

 

CMYK 0 / 15 / 9 / 57

HEX #6E5D64

RGB 110 93 100

HSL 335.29, 0.08%, 0.4%

LAB 41.32, 8.19, -1.44

 

CMYK 0 / 85 / 4 / 31

HEX #B01BA9

RGB 176 27 169

HSL 302.82, 0.73%, 0.4%

LAB 42.58, 69.8, -40.65

 

CMYK 0 / 85 / 27 / 31

HEX #B01B81

RGB 176 27 129

HSL 318.93, 0.73%, 0.4%

LAB 40.57, 64.35, -19.53

 

CMYK 0 / 85 / 49 / 31

HEX #B01B59

RGB 176 27 89

HSL 335.03, 0.73%, 0.4%

LAB 39.13, 60.25, 3.44

 

CMYK 0 / 85 / 72 / 31

HEX #B01B31

RGB 176 27 49

HSL 351.14, 0.73%, 0.4%

LAB 38.26, 57.7, 27.7

 

CMYK 0 / 75 / 85 / 31

HEX #B02C1B

RGB 176 44 27

HSL 6.85, 0.73%, 0.4%

LAB 39.77, 52, 41.84

 

CMYK 0 / 85 / 50 / 59

HEX #691034

RGB 105 16 52

HSL 335.73, 0.74%, 0.24%

LAB 22.38, 40.4, 1.99

 

CMYK 0 / 85 / 51 / 45

HEX #8C1545

RGB 140 21 69

HSL 335.8, 0.74%, 0.32%

LAB 30.74, 50.46, 3.43

 

CMYK 0 / 85 / 51 / 31

HEX #B01B57

RGB 176 27 87

HSL 335.84, 0.73%, 0.4%

LAB 39.07, 60.09, 4.64

 

CMYK 0 / 84 / 50 / 17

HEX #D42169

RGB 212 33 105

HSL 335.87, 0.73%, 0.48%

LAB 47.11, 69.32, 5.8

 

CMYK 0 / 73 / 43 / 12

HEX #E03D7F

RGB 224 61 127

HSL 335.71, 0.72%, 0.56%

LAB 52.64, 66.71, 0.69

 

CMYK 0 / 85 / 51 / 31

HEX #B01B57

RGB 176 27 87

HSL 335.84, 0.73%, 0.4%

LAB 39.07, 60.09, 4.64

 

CMYK 0 / 18 / 85 / 31

HEX #B0901B

RGB 176 144 27

HSL 47.11, 0.73%, 0.4%

LAB 61.01, 1.07, 60.19

 

CMYK 85 / 15 / 0 / 31

HEX #1B95B0

RGB 27 149 176

HSL 190.87, 0.73%, 0.4%

LAB 56.94, -21.86, -23.07

 

CMYK 0 / 85 / 51 / 31

HEX #B01B57

RGB 176 27 87

HSL 335.84, 0.73%, 0.4%

LAB 39.07, 60.09, 4.64

 

CMYK 49 / 0 / 85 / 31

HEX #59B01B

RGB 89 176 27

HSL 95.03, 0.73%, 0.4%

LAB 64.37, -49.79, 60.76

 

CMYK 85 / 49 / 0 / 31

HEX #1B59B0

RGB 27 89 176

HSL 215.03, 0.73%, 0.4%

LAB 38.75, 13.88, -51.75

 

CMYK 0 / 85 / 51 / 31

HEX #B01B57

RGB 176 27 87

HSL 335.84, 0.73%, 0.4%

LAB 39.07, 60.09, 4.64

 

CMYK 0 / 18 / 85 / 31

HEX #B0901B

RGB 176 144 27

HSL 47.11, 0.73%, 0.4%

LAB 61.01, 1.07, 60.19

 

CMYK 85 / 0 / 35 / 31

HEX #1BB072

RGB 27 176 114

HSL 155.03, 0.73%, 0.4%

LAB 63.75, -51.33, 21.6

 

CMYK 85 / 66 / 0 / 31

HEX #1B3BB0

RGB 27 59 176

HSL 227.11, 0.73%, 0.4%

LAB 30.63, 33.89, -64.97

 

CMYK 0 / 85 / 51 / 31

HEX #B01B57

RGB 176 27 87

HSL 335.84, 0.73%, 0.4%

LAB 39.07, 60.09, 4.64

 

CMYK 7 / 0 / 85 / 31

HEX #A4B01B

RGB 164 176 27

HSL 64.83, 0.73%, 0.4%

LAB 68.77, -21.08, 66.29

 

CMYK 85 / 0 / 35 / 31

HEX #1BB072

RGB 27 176 114

HSL 155.03, 0.73%, 0.4%

LAB 63.75, -51.33, 21.6

 

CMYK 78 / 85 / 0 / 31

HEX #271BB0

RGB 39 27 176

HSL 244.83, 0.73%, 0.4%

LAB 24.8, 52.6, -74.6

 

Description

Color code: HEX #B01B57 | qconv.com Color code: HEX #B01B57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 27 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 27 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 51 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 51% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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