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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B007D8 it is the complementary color #4FF827. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B007D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B007D8 shade: #B507D3, #C619E6, #D72BF9, #E83DFF and #F94FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B007D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B007D8 shade: #B007D8, #9F00C5, #8E00B2, #7D009F and #6C008C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B007D8 shade: #B106D9, #D906C9, #D90690, #D90657 and #D9061E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B007D8 shade: #B106D9, #7806D9, #3F06D9 and #0606D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B007D8 shade matches the following richer shades: #B106D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B007D8 shade: #B106D9, #A618C7, #9A2BB5, #8F3DA3 and #844F91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B007D8 shade: #3E06D9, #7706D9, #AF06D9, #D906CB and #D90693

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B007D8 shade: #700489, #9005B1, #B106D9, #CB11F7 and #D43AF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B007D8 shade: #B007D8, #D90606 and #06D95B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B007D8 shade: #B007D8, #D9AF06 and #06D9AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B007D8 shade: #B007D8, #D90606, #30D906 and #06D9D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B007D8 shade: #B007D8, #D94606, #30D906 and #069AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 97 / 0 / 15

HEX #B007D8

RGB 176 7 216

HSL 288.52, 0.94%, 0.44%

LAB 44.72, 80.14, -64.69

 

Complementary color

CMYK 68 / 0 / 84 / 3

HEX #4FF827

RGB 79 248 39

HSL 108.52, 0.94%, 0.56%

LAB 86.48, -76.11, 77.53

 

CMYK 14 / 97 / 0 / 17

HEX #B507D3

RGB 181 7 211

HSL 291.18, 0.94%, 0.43%

LAB 45.19, 80.01, -61.01

 

CMYK 14 / 89 / 0 / 10

HEX #C619E6

RGB 198 25 230

HSL 290.63, 0.8%, 0.5%

LAB 49.99, 83.62, -63.95

 

CMYK 14 / 83 / 0 / 2

HEX #D72BF9

RGB 215 43 249

HSL 290.1, 0.94%, 0.57%

LAB 55.09, 86.12, -66.27

 

CMYK 9 / 76 / 0 / 0

HEX #E83DFF

RGB 232 61 255

HSL 292.89, 1%, 0.62%

LAB 59.63, 85.55, -62.16

 

CMYK 2 / 69 / 0 / 0

HEX #F94FFF

RGB 249 79 255

HSL 297.95, 1%, 0.65%

LAB 64.12, 83.36, -54.84

 

CMYK 19 / 97 / 0 / 15

HEX #B007D8

RGB 176 7 216

HSL 288.52, 0.94%, 0.44%

LAB 44.72, 80.14, -64.69

 

CMYK 19 / 100 / 0 / 23

HEX #9F00C5

RGB 159 0 197

HSL 288.43, 1%, 0.39%

LAB 40.25, 75.22, -61.07

 

CMYK 20 / 100 / 0 / 30

HEX #8E00B2

RGB 142 0 178

HSL 287.87, 1%, 0.35%

LAB 35.92, 69.55, -57.04

 

CMYK 21 / 100 / 0 / 38

HEX #7D009F

RGB 125 0 159

HSL 287.17, 1%, 0.31%

LAB 31.49, 63.77, -52.93

 

CMYK 23 / 100 / 0 / 45

HEX #6C008C

RGB 108 0 140

HSL 286.29, 1%, 0.27%

LAB 26.97, 57.86, -48.74

 

CMYK 18 / 97 / 0 / 15

HEX #B106D9

RGB 177 6 217

HSL 288.63, 0.95%, 0.44%

LAB 44.92, 80.54, -64.92

 

CMYK 0 / 97 / 7 / 15

HEX #D906C9

RGB 217 6 201

HSL 304.55, 0.95%, 0.44%

LAB 50.8, 84.31, -45.9

 

CMYK 0 / 97 / 34 / 15

HEX #D90690

RGB 217 6 144

HSL 320.76, 0.95%, 0.44%

LAB 48.13, 77.52, -16.42

 

CMYK 0 / 97 / 60 / 15

HEX #D90657

RGB 217 6 87

HSL 336.97, 0.95%, 0.44%

LAB 46.41, 72.95, 16.11

 

CMYK 0 / 97 / 86 / 15

HEX #D9061E

RGB 217 6 30

HSL 353.18, 0.95%, 0.44%

LAB 45.6, 70.76, 48.65

 

CMYK 18 / 97 / 0 / 15

HEX #B106D9

RGB 177 6 217

HSL 288.63, 0.95%, 0.44%

LAB 44.92, 80.54, -64.92

 

CMYK 45 / 97 / 0 / 15

HEX #7806D9

RGB 120 6 217

HSL 272.42, 0.95%, 0.44%

LAB 36.24, 73.88, -79.48

 

CMYK 71 / 97 / 0 / 15

HEX #3F06D9

RGB 63 6 217

HSL 256.21, 0.95%, 0.44%

LAB 29.9, 70.16, -90.18

 

CMYK 97 / 97 / 0 / 15

HEX #0606D9

RGB 6 6 217

HSL 240, 0.95%, 0.44%

LAB 27.24, 69.01, -94.69

 

CMYK 18 / 97 / 0 / 15

HEX #B106D9

RGB 177 6 217

HSL 288.63, 0.95%, 0.44%

LAB 44.92, 80.54, -64.92

 

CMYK 18 / 97 / 0 / 15

HEX #B106D9

RGB 177 6 217

HSL 288.63, 0.95%, 0.44%

LAB 44.92, 80.54, -64.92

 

CMYK 17 / 88 / 0 / 22

HEX #A618C7

RGB 166 24 199

HSL 288.69, 0.78%, 0.44%

LAB 42.59, 73.54, -58.39

 

CMYK 15 / 76 / 0 / 29

HEX #9A2BB5

RGB 154 43 181

HSL 288.26, 0.62%, 0.44%

LAB 41.11, 63.28, -50.32

 

CMYK 12 / 63 / 0 / 36

HEX #8F3DA3

RGB 143 61 163

HSL 288.24, 0.46%, 0.44%

LAB 40.93, 50.04, -40.01

 

CMYK 9 / 46 / 0 / 43

HEX #844F91

RGB 132 79 145

HSL 288.18, 0.29%, 0.44%

LAB 42.06, 33.75, -27.51

 

CMYK 71 / 97 / 0 / 15

HEX #3E06D9

RGB 62 6 217

HSL 255.92, 0.95%, 0.44%

LAB 29.82, 70.12, -90.31

 

CMYK 45 / 97 / 0 / 15

HEX #7706D9

RGB 119 6 217

HSL 272.13, 0.95%, 0.44%

LAB 36.1, 73.79, -79.71

 

CMYK 19 / 97 / 0 / 15

HEX #AF06D9

RGB 175 6 217

HSL 288.06, 0.95%, 0.44%

LAB 44.59, 80.26, -65.47

 

CMYK 0 / 97 / 6 / 15

HEX #D906CB

RGB 217 6 203

HSL 303.98, 0.95%, 0.44%

LAB 50.91, 84.58, -46.87

 

CMYK 0 / 97 / 32 / 15

HEX #D90693

RGB 217 6 147

HSL 319.91, 0.95%, 0.44%

LAB 48.25, 77.83, -18.05

 

CMYK 18 / 97 / 0 / 46

HEX #700489

RGB 112 4 137

HSL 288.72, 0.94%, 0.28%

LAB 27.68, 57.17, -45.68

 

CMYK 19 / 97 / 0 / 31

HEX #9005B1

RGB 144 5 177

HSL 288.49, 0.95%, 0.36%

LAB 36.39, 69.04, -55.66

 

CMYK 18 / 97 / 0 / 15

HEX #B106D9

RGB 177 6 217

HSL 288.63, 0.95%, 0.44%

LAB 44.92, 80.54, -64.92

 

CMYK 18 / 93 / 0 / 3

HEX #CB11F7

RGB 203 17 247

HSL 288.52, 0.93%, 0.52%

LAB 51.62, 88.19, -70.84

 

CMYK 15 / 77 / 0 / 3

HEX #D43AF8

RGB 212 58 248

HSL 288.63, 0.93%, 0.6%

LAB 55.89, 81.58, -64.44

 

CMYK 19 / 97 / 0 / 15

HEX #B007D8

RGB 176 7 216

HSL 288.52, 0.94%, 0.44%

LAB 44.72, 80.14, -64.69

 

CMYK 0 / 97 / 97 / 15

HEX #D90606

RGB 217 6 6

HSL 0, 0.95%, 0.44%

LAB 45.49, 70.45, 57.71

 

CMYK 97 / 0 / 58 / 15

HEX #06D95B

RGB 6 217 91

HSL 144.17, 0.95%, 0.44%

LAB 76.33, -70.18, 48.98

 

CMYK 19 / 97 / 0 / 15

HEX #B007D8

RGB 176 7 216

HSL 288.52, 0.94%, 0.44%

LAB 44.72, 80.14, -64.69

 

CMYK 0 / 19 / 97 / 15

HEX #D9AF06

RGB 217 175 6

HSL 48.06, 0.95%, 0.44%

LAB 73.17, 2.37, 75.09

 

CMYK 97 / 0 / 19 / 15

HEX #06D9AF

RGB 6 217 175

HSL 168.06, 0.95%, 0.44%

LAB 77.73, -53.93, 8.32

 

CMYK 19 / 97 / 0 / 15

HEX #B007D8

RGB 176 7 216

HSL 288.52, 0.94%, 0.44%

LAB 44.72, 80.14, -64.69

 

CMYK 0 / 97 / 97 / 15

HEX #D90606

RGB 217 6 6

HSL 0, 0.95%, 0.44%

LAB 45.49, 70.45, 57.71

 

CMYK 78 / 0 / 97 / 15

HEX #30D906

RGB 48 217 6

HSL 108.06, 0.95%, 0.44%

LAB 76.23, -72.71, 73.54

 

CMYK 97 / 0 / 0 / 15

HEX #06D9D9

RGB 6 217 217

HSL 180, 0.95%, 0.44%

LAB 78.85, -42.42, -12.48

 

CMYK 19 / 97 / 0 / 15

HEX #B007D8

RGB 176 7 216

HSL 288.52, 0.94%, 0.44%

LAB 44.72, 80.14, -64.69

 

CMYK 0 / 68 / 97 / 15

HEX #D94606

RGB 217 70 6

HSL 18.2, 0.95%, 0.44%

LAB 50.86, 55.4, 60.45

 

CMYK 78 / 0 / 97 / 15

HEX #30D906

RGB 48 217 6

HSL 108.06, 0.95%, 0.44%

LAB 76.23, -72.71, 73.54

 

CMYK 97 / 29 / 0 / 15

HEX #069AD9

RGB 6 154 217

HSL 197.91, 0.95%, 0.44%

LAB 60.03, -11.02, -41.37

 

Description

Color code: HEX #B007D8 | qconv.com Color code: HEX #B007D8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 7 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 7 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 97 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 97% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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