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Color name
HEX #B3F297

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3F297 it is the complementary color #4C0D68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3F297. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3F297 shade: #B8F292, #C9FFA5, #DAFFB8, #EBFFCB and #FCFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3F297. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3F297 shade: #B3F297, #A2E084, #91CE71, #80BC5E and #6FAA4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3F297 shade: #B2F296, #CBF296, #E4F296, #F2E796 and #F2CE96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3F297 shade: #B2F296, #9AF296, #96F2AB, #96F2C4 and #96F2DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3F297 shade matches the following richer shades: #B2F296 and #AFFB8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3F297 shade: #B2F296, #B6E8A0, #BADFA9, #BDD5B3 and #C1CCBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3F297 shade: #E4F296, #CBF296, #B3F296, #9BF296 and #96F2AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3F297 shade: #7DE94D, #97ED71, #B2F296, #CDF6BB and #E8FBE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3F297 shade: #B3F297, #96F2E7 and #F296D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3F297 shade: #B3F297, #96B3F2 and #F296B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3F297 shade: #B3F297, #96F2E7, #D596F2 and #F296A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3F297 shade: #B3F297, #96E1F2, #D596F2 and #F2A796

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 38 / 5

HEX #B3F297

RGB 179 242 151

HSL 101.54, 0.78%, 0.77%

LAB 89.54, -35.94, 37.7

 

Complementary color

CMYK 27 / 88 / 0 / 59

HEX #4C0D68

RGB 76 13 104

HSL 281.54, 0.78%, 0.23%

LAB 19.32, 42.57, -38.44

 

CMYK 24 / 0 / 40 / 5

HEX #B8F292

RGB 184 242 146

HSL 96.25, 0.79%, 0.76%

LAB 89.75, -34.9, 40.5

 

CMYK 21 / 0 / 35 / 0

HEX #C9FFA5

RGB 201 255 165

HSL 96, 1%, 0.82%

LAB 94.59, -32.5, 37.61

 

CMYK 15 / 0 / 28 / 0

HEX #DAFFB8

RGB 218 255 184

HSL 91.27, 1%, 0.86%

LAB 95.95, -23.97, 30.12

 

CMYK 8 / 0 / 20 / 0

HEX #EBFFCB

RGB 235 255 203

HSL 83.08, 1%, 0.9%

LAB 97.43, -15.26, 22.72

 

CMYK 1 / 0 / 13 / 0

HEX #FCFFDE

RGB 252 255 222

HSL 65.45, 1%, 0.94%

LAB 99.02, -6.45, 15.45

 

CMYK 26 / 0 / 38 / 5

HEX #B3F297

RGB 179 242 151

HSL 101.54, 0.78%, 0.77%

LAB 89.54, -35.94, 37.7

 

CMYK 28 / 0 / 41 / 12

HEX #A2E084

RGB 162 224 132

HSL 100.43, 0.6%, 0.7%

LAB 83.26, -36.09, 38.85

 

CMYK 30 / 0 / 45 / 19

HEX #91CE71

RGB 145 206 113

HSL 99.35, 0.49%, 0.63%

LAB 76.89, -36.21, 40.02

 

CMYK 32 / 0 / 50 / 26

HEX #80BC5E

RGB 128 188 94

HSL 98.3, 0.41%, 0.55%

LAB 70.43, -36.3, 41.22

 

CMYK 35 / 0 / 56 / 33

HEX #6FAA4B

RGB 111 170 75

HSL 97.26, 0.39%, 0.48%

LAB 63.87, -36.33, 42.38

 

CMYK 26 / 0 / 38 / 5

HEX #B2F296

RGB 178 242 150

HSL 101.74, 0.78%, 0.77%

LAB 89.47, -36.42, 38.1

 

CMYK 16 / 0 / 38 / 5

HEX #CBF296

RGB 203 242 150

HSL 85.43, 0.78%, 0.77%

LAB 90.96, -27.68, 40.32

 

CMYK 6 / 0 / 38 / 5

HEX #E4F296

RGB 228 242 150

HSL 69.13, 0.78%, 0.77%

LAB 92.66, -18.46, 42.84

 

CMYK 0 / 5 / 38 / 5

HEX #F2E796

RGB 242 231 150

HSL 52.83, 0.78%, 0.77%

LAB 90.89, -7.68, 40.77

 

CMYK 0 / 15 / 38 / 5

HEX #F2CE96

RGB 242 206 150

HSL 36.52, 0.78%, 0.77%

LAB 84.6, 5.08, 32.56

 

CMYK 26 / 0 / 38 / 5

HEX #B2F296

RGB 178 242 150

HSL 101.74, 0.78%, 0.77%

LAB 89.47, -36.42, 38.1

 

CMYK 36 / 0 / 38 / 5

HEX #9AF296

RGB 154 242 150

HSL 117.39, 0.78%, 0.77%

LAB 88.25, -44.14, 36.26

 

CMYK 38 / 0 / 29 / 5

HEX #96F2AB

RGB 150 242 171

HSL 133.7, 0.78%, 0.77%

LAB 88.41, -41.96, 25.85

 

CMYK 38 / 0 / 19 / 5

HEX #96F2C4

RGB 150 242 196

HSL 150, 0.78%, 0.77%

LAB 88.91, -37.33, 13.66

 

CMYK 38 / 0 / 9 / 5

HEX #96F2DD

RGB 150 242 221

HSL 166.3, 0.78%, 0.77%

LAB 89.49, -32.12, 1.49

 

CMYK 26 / 0 / 38 / 5

HEX #B2F296

RGB 178 242 150

HSL 101.74, 0.78%, 0.77%

LAB 89.47, -36.42, 38.1

 

CMYK 30 / 0 / 44 / 2

HEX #AFFB8D

RGB 175 251 141

HSL 101.45, 0.93%, 0.77%

LAB 91.7, -42.61, 45.32

 

CMYK 26 / 0 / 38 / 5

HEX #B2F296

RGB 178 242 150

HSL 101.74, 0.78%, 0.77%

LAB 89.47, -36.42, 38.1

 

CMYK 22 / 0 / 31 / 9

HEX #B6E8A0

RGB 182 232 160

HSL 101.67, 0.61%, 0.77%

LAB 87.09, -28.99, 29.96

 

CMYK 17 / 0 / 24 / 13

HEX #BADFA9

RGB 186 223 169

HSL 101.11, 0.46%, 0.77%

LAB 85.04, -21.9, 22.56

 

CMYK 11 / 0 / 16 / 16

HEX #BDD5B3

RGB 189 213 179

HSL 102.35, 0.29%, 0.77%

LAB 82.73, -14.25, 14.14

 

CMYK 5 / 0 / 8 / 20

HEX #C1CCBC

RGB 193 204 188

HSL 101.25, 0.14%, 0.77%

LAB 80.82, -6.68, 6.67

 

CMYK 6 / 0 / 38 / 5

HEX #E4F296

RGB 228 242 150

HSL 69.13, 0.78%, 0.77%

LAB 92.66, -18.46, 42.84

 

CMYK 16 / 0 / 38 / 5

HEX #CBF296

RGB 203 242 150

HSL 85.43, 0.78%, 0.77%

LAB 90.96, -27.68, 40.32

 

CMYK 26 / 0 / 38 / 5

HEX #B3F296

RGB 179 242 150

HSL 101.09, 0.78%, 0.77%

LAB 89.53, -36.08, 38.18

 

CMYK 36 / 0 / 38 / 5

HEX #9BF296

RGB 155 242 150

HSL 116.74, 0.78%, 0.77%

LAB 88.29, -43.83, 36.33

 

CMYK 38 / 0 / 30 / 5

HEX #96F2AA

RGB 150 242 170

HSL 133.04, 0.78%, 0.77%

LAB 88.4, -42.13, 26.33

 

CMYK 46 / 0 / 67 / 9

HEX #7DE94D

RGB 125 233 77

HSL 101.54, 0.78%, 0.61%

LAB 83.53, -57.68, 63.57

 

CMYK 36 / 0 / 52 / 7

HEX #97ED71

RGB 151 237 113

HSL 101.61, 0.78%, 0.69%

LAB 86.18, -47.77, 51.47

 

CMYK 26 / 0 / 38 / 5

HEX #B2F296

RGB 178 242 150

HSL 101.74, 0.78%, 0.77%

LAB 89.47, -36.42, 38.1

 

CMYK 17 / 0 / 24 / 4

HEX #CDF6BB

RGB 205 246 187

HSL 101.69, 0.77%, 0.85%

LAB 92.79, -23.69, 24.14

 

CMYK 8 / 0 / 11 / 2

HEX #E8FBE0

RGB 232 251 224

HSL 102.22, 0.77%, 0.93%

LAB 96.63, -10.98, 10.83

 

CMYK 26 / 0 / 38 / 5

HEX #B3F297

RGB 179 242 151

HSL 101.54, 0.78%, 0.77%

LAB 89.54, -35.94, 37.7

 

CMYK 38 / 0 / 5 / 5

HEX #96F2E7

RGB 150 242 231

HSL 172.83, 0.78%, 0.77%

LAB 89.75, -29.88, -3.36

 

CMYK 0 / 38 / 11 / 5

HEX #F296D8

RGB 242 150 216

HSL 316.96, 0.78%, 0.77%

LAB 73.32, 43.74, -19.13

 

CMYK 26 / 0 / 38 / 5

HEX #B3F297

RGB 179 242 151

HSL 101.54, 0.78%, 0.77%

LAB 89.54, -35.94, 37.7

 

CMYK 38 / 26 / 0 / 5

HEX #96B3F2

RGB 150 179 242

HSL 221.09, 0.78%, 0.77%

LAB 72.98, 5.36, -34.53

 

CMYK 0 / 38 / 26 / 5

HEX #F296B3

RGB 242 150 179

HSL 341.09, 0.78%, 0.77%

LAB 72.19, 38.18, -0.37

 

CMYK 26 / 0 / 38 / 5

HEX #B3F297

RGB 179 242 151

HSL 101.54, 0.78%, 0.77%

LAB 89.54, -35.94, 37.7

 

CMYK 38 / 0 / 5 / 5

HEX #96F2E7

RGB 150 242 231

HSL 172.83, 0.78%, 0.77%

LAB 89.75, -29.88, -3.36

 

CMYK 12 / 38 / 0 / 5

HEX #D596F2

RGB 213 150 242

HSL 281.09, 0.78%, 0.77%

LAB 71.13, 39.53, -37.01

 

CMYK 0 / 38 / 33 / 5

HEX #F296A1

RGB 242 150 161

HSL 352.83, 0.78%, 0.77%

LAB 71.73, 35.85, 8.96

 

CMYK 26 / 0 / 38 / 5

HEX #B3F297

RGB 179 242 151

HSL 101.54, 0.78%, 0.77%

LAB 89.54, -35.94, 37.7

 

CMYK 38 / 7 / 0 / 5

HEX #96E1F2

RGB 150 225 242

HSL 191.09, 0.78%, 0.77%

LAB 85.38, -18.97, -15.63

 

CMYK 12 / 38 / 0 / 5

HEX #D596F2

RGB 213 150 242

HSL 281.09, 0.78%, 0.77%

LAB 71.13, 39.53, -37.01

 

CMYK 0 / 31 / 38 / 5

HEX #F2A796

RGB 242 167 150

HSL 11.09, 0.78%, 0.77%

LAB 75.27, 25.6, 19.96

 

Description

Color code: HEX #B3F297 | qconv.com Color code: HEX #B3F297 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 242 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 242 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 38 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 38% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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