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Color name
HEX #B3F222

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3F222 it is the complementary color #4C0DDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3F222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3F222 shade: #B8F21D, #C9FF30, #DAFF43, #EBFF56 and #FCFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3F222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3F222 shade: #B3F222, #A2E00F, #91CE00, #80BC00 and #6FAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3F222 shade: #B2F221, #EBF221, #F2C021, #F28821 and #F25021

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3F222 shade: #B2F221, #7AF221, #42F221, #21F238 and #21F270

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3F222 shade matches the following richer shades: #B2F221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3F222 shade: #B2F221, #ABDF34, #A3CC47, #9CB95A and #94A66D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3F222 shade: #F2C121, #EBF221, #B3F221, #7BF221 and #44F221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3F222 shade: #82B60A, #9EDD0C, #B2F221, #C0F448 and #CDF66F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3F222 shade: #B3F222, #21F289 and #DD21F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3F222 shade: #B3F222, #21B3F2 and #F221B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3F222 shade: #B3F222, #21F289, #5F21F2 and #F22189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3F222 shade: #B3F222, #21F2C8, #5F21F2 and #F2214B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 86 / 5

HEX #B3F222

RGB 179 242 34

HSL 78.17, 0.89%, 0.54%

LAB 88.54, -45.3, 81.83

 

Complementary color

CMYK 66 / 94 / 0 / 13

HEX #4C0DDD

RGB 76 13 221

HSL 258.17, 0.89%, 0.46%

LAB 31.91, 70.58, -89.12

 

CMYK 24 / 0 / 88 / 5

HEX #B8F21D

RGB 184 242 29

HSL 76.34, 0.89%, 0.53%

LAB 88.82, -43.55, 83.06

 

CMYK 21 / 0 / 81 / 0

HEX #C9FF30

RGB 201 255 48

HSL 75.65, 1%, 0.59%

LAB 93.52, -42.23, 83.6

 

CMYK 15 / 0 / 74 / 0

HEX #DAFF43

RGB 218 255 67

HSL 71.81, 1%, 0.63%

LAB 94.67, -34.95, 79.82

 

CMYK 8 / 0 / 66 / 0

HEX #EBFF56

RGB 235 255 86

HSL 67.1, 1%, 0.67%

LAB 95.94, -27.32, 74.98

 

CMYK 1 / 0 / 59 / 0

HEX #FCFF69

RGB 252 255 105

HSL 61.2, 1%, 0.71%

LAB 97.32, -19.44, 69.38

 

CMYK 26 / 0 / 86 / 5

HEX #B3F222

RGB 179 242 34

HSL 78.17, 0.89%, 0.54%

LAB 88.54, -45.3, 81.83

 

CMYK 28 / 0 / 93 / 12

HEX #A2E00F

RGB 162 224 15

HSL 77.8, 0.87%, 0.47%

LAB 82.39, -44.36, 79.3

 

CMYK 30 / 0 / 100 / 19

HEX #91CE00

RGB 145 206 0

HSL 77.77, 1%, 0.4%

LAB 76.17, -43.22, 75.48

 

CMYK 32 / 0 / 100 / 26

HEX #80BC00

RGB 128 188 0

HSL 79.15, 1%, 0.37%

LAB 69.86, -41.88, 70.23

 

CMYK 35 / 0 / 100 / 33

HEX #6FAA00

RGB 111 170 0

HSL 80.82, 1%, 0.33%

LAB 63.45, -40.52, 64.9

 

CMYK 26 / 0 / 86 / 5

HEX #B2F221

RGB 178 242 33

HSL 78.37, 0.89%, 0.54%

LAB 88.49, -45.7, 81.95

 

CMYK 3 / 0 / 86 / 5

HEX #EBF221

RGB 235 242 33

HSL 62.01, 0.89%, 0.54%

LAB 92.25, -23.21, 86.59

 

CMYK 0 / 21 / 86 / 5

HEX #F2C021

RGB 242 192 33

HSL 45.65, 0.89%, 0.54%

LAB 80, 4.72, 77

 

CMYK 0 / 44 / 86 / 5

HEX #F28821

RGB 242 136 33

HSL 29.57, 0.89%, 0.54%

LAB 66.97, 34.06, 66.55

 

CMYK 0 / 67 / 86 / 5

HEX #F25021

RGB 242 80 33

HSL 13.49, 0.89%, 0.54%

LAB 56.81, 60.13, 58.41

 

CMYK 26 / 0 / 86 / 5

HEX #B2F221

RGB 178 242 33

HSL 78.37, 0.89%, 0.54%

LAB 88.49, -45.7, 81.95

 

CMYK 50 / 0 / 86 / 5

HEX #7AF221

RGB 122 242 33

HSL 94.45, 0.89%, 0.54%

LAB 85.88, -64.29, 78.7

 

CMYK 73 / 0 / 86 / 5

HEX #42F221

RGB 66 242 33

HSL 110.53, 0.89%, 0.54%

LAB 84.37, -76.73, 76.8

 

CMYK 86 / 0 / 77 / 5

HEX #21F238

RGB 33 242 56

HSL 126.6, 0.89%, 0.54%

LAB 84.02, -79.39, 70.62

 

CMYK 86 / 0 / 54 / 5

HEX #21F270

RGB 33 242 112

HSL 142.68, 0.89%, 0.54%

LAB 84.48, -73.7, 49.14

 

CMYK 26 / 0 / 86 / 5

HEX #B2F221

RGB 178 242 33

HSL 78.37, 0.89%, 0.54%

LAB 88.49, -45.7, 81.95

 

CMYK 26 / 0 / 86 / 5

HEX #B2F221

RGB 178 242 33

HSL 78.37, 0.89%, 0.54%

LAB 88.49, -45.7, 81.95

 

CMYK 23 / 0 / 77 / 13

HEX #ABDF34

RGB 171 223 52

HSL 78.25, 0.73%, 0.54%

LAB 82.74, -39.41, 72.16

 

CMYK 20 / 0 / 65 / 20

HEX #A3CC47

RGB 163 204 71

HSL 78.5, 0.57%, 0.54%

LAB 76.94, -32.78, 59.55

 

CMYK 16 / 0 / 51 / 27

HEX #9CB95A

RGB 156 185 90

HSL 78.32, 0.4%, 0.54%

LAB 71.22, -24.85, 44.52

 

CMYK 11 / 0 / 34 / 35

HEX #94A66D

RGB 148 166 109

HSL 78.95, 0.24%, 0.54%

LAB 65.49, -16.17, 27.48

 

CMYK 0 / 20 / 86 / 5

HEX #F2C121

RGB 242 193 33

HSL 45.93, 0.89%, 0.54%

LAB 80.25, 4.2, 77.19

 

CMYK 3 / 0 / 86 / 5

HEX #EBF221

RGB 235 242 33

HSL 62.01, 0.89%, 0.54%

LAB 92.25, -23.21, 86.59

 

CMYK 26 / 0 / 86 / 5

HEX #B3F221

RGB 179 242 33

HSL 78.09, 0.89%, 0.54%

LAB 88.54, -45.33, 82.02

 

CMYK 49 / 0 / 86 / 5

HEX #7BF221

RGB 123 242 33

HSL 94.16, 0.89%, 0.54%

LAB 85.92, -64, 78.75

 

CMYK 72 / 0 / 86 / 5

HEX #44F221

RGB 68 242 33

HSL 109.95, 0.89%, 0.54%

LAB 84.4, -76.41, 76.84

 

CMYK 29 / 0 / 95 / 29

HEX #82B60A

RGB 130 182 10

HSL 78.14, 0.9%, 0.38%

LAB 68.19, -38.34, 67.81

 

CMYK 29 / 0 / 95 / 13

HEX #9EDD0C

RGB 158 221 12

HSL 78.09, 0.9%, 0.46%

LAB 81.3, -44.61, 78.65

 

CMYK 26 / 0 / 86 / 5

HEX #B2F221

RGB 178 242 33

HSL 78.37, 0.89%, 0.54%

LAB 88.49, -45.7, 81.95

 

CMYK 21 / 0 / 70 / 4

HEX #C0F448

RGB 192 244 72

HSL 78.14, 0.89%, 0.62%

LAB 90.03, -39.73, 73.13

 

CMYK 17 / 0 / 55 / 4

HEX #CDF66F

RGB 205 246 111

HSL 78.22, 0.88%, 0.7%

LAB 91.7, -32.94, 59.62

 

CMYK 26 / 0 / 86 / 5

HEX #B3F222

RGB 179 242 34

HSL 78.17, 0.89%, 0.54%

LAB 88.54, -45.3, 81.83

 

CMYK 86 / 0 / 43 / 5

HEX #21F289

RGB 33 242 137

HSL 149.86, 0.89%, 0.54%

LAB 84.81, -69.79, 37.6

 

CMYK 9 / 86 / 0 / 5

HEX #DD21F2

RGB 221 33 242

HSL 293.97, 0.89%, 0.54%

LAB 54.94, 87.9, -62.55

 

CMYK 26 / 0 / 86 / 5

HEX #B3F222

RGB 179 242 34

HSL 78.17, 0.89%, 0.54%

LAB 88.54, -45.3, 81.83

 

CMYK 86 / 26 / 0 / 5

HEX #21B3F2

RGB 33 179 242

HSL 198.09, 0.89%, 0.54%

LAB 68.73, -14.61, -41.47

 

CMYK 0 / 86 / 26 / 5

HEX #F221B3

RGB 242 33 179

HSL 318.09, 0.89%, 0.54%

LAB 55.3, 83.24, -25.76

 

CMYK 26 / 0 / 86 / 5

HEX #B3F222

RGB 179 242 34

HSL 78.17, 0.89%, 0.54%

LAB 88.54, -45.3, 81.83

 

CMYK 86 / 0 / 43 / 5

HEX #21F289

RGB 33 242 137

HSL 149.86, 0.89%, 0.54%

LAB 84.81, -69.79, 37.6

 

CMYK 61 / 86 / 0 / 5

HEX #5F21F2

RGB 95 33 242

HSL 257.8, 0.89%, 0.54%

LAB 37.72, 72.11, -91.39

 

CMYK 0 / 86 / 43 / 5

HEX #F22189

RGB 242 33 137

HSL 330.14, 0.89%, 0.54%

LAB 53.78, 79.07, -3.24

 

CMYK 26 / 0 / 86 / 5

HEX #B3F222

RGB 179 242 34

HSL 78.17, 0.89%, 0.54%

LAB 88.54, -45.3, 81.83

 

CMYK 86 / 0 / 17 / 5

HEX #21F2C8

RGB 33 242 200

HSL 167.94, 0.89%, 0.54%

LAB 86.01, -56.42, 7.03

 

CMYK 61 / 86 / 0 / 5

HEX #5F21F2

RGB 95 33 242

HSL 257.8, 0.89%, 0.54%

LAB 37.72, 72.11, -91.39

 

CMYK 0 / 86 / 69 / 5

HEX #F2214B

RGB 242 33 75

HSL 347.94, 0.89%, 0.54%

LAB 52.37, 75.04, 32.12

 

Description

Color code: HEX #B3F222 | qconv.com Color code: HEX #B3F222 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 242 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 242 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 86 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 86% 5% C M Y K

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Provide designers and agencies with accurate color values.

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