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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3F768 it is the complementary color #4C0897. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3F768. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3F768 shade: #B8F763, #C9FF76, #DAFF89, #EBFF9C and #FCFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3F768. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3F768 shade: #B3F768, #A2E555, #91D342, #80C12F and #6FAF1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3F768 shade: #B3F768, #D9F768, #F7EE68, #F7C768 and #F7A168

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3F768 shade: #B3F768, #8DF768, #68F76A, #68F791 and #68F7B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3F768 shade matches the following richer shades: #B3F768

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3F768 shade: #B3F768, #B2EA75, #B2DD82, #B1D08F and #B0C39B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3F768 shade: #F7ED68, #DAF768, #B4F768, #8EF768 and #68F768

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3F768 shade: #8BF21A, #9FF541, #B3F768, #C7F990 and #DAFBB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3F768 shade: #B3F768, #68F7C7 and #F768ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3F768 shade: #B3F768, #68B4F7 and #F768B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3F768 shade: #B3F768, #68F7C7, #AB68F7 and #F76898

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3F768 shade: #B3F768, #68F7F2, #AB68F7 and #F7686D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 58 / 3

HEX #B3F768

RGB 179 247 104

HSL 88.53, 0.9%, 0.69%

LAB 90.37, -43.48, 60.74

 

Complementary color

CMYK 50 / 95 / 0 / 41

HEX #4C0897

RGB 76 8 151

HSL 268.53, 0.9%, 0.31%

LAB 23.49, 54.73, -61.46

 

CMYK 26 / 0 / 60 / 3

HEX #B8F763

RGB 184 247 99

HSL 85.54, 0.9%, 0.68%

LAB 90.6, -42.13, 63.2

 

CMYK 21 / 0 / 54 / 0

HEX #C9FF76

RGB 201 255 118

HSL 83.65, 1%, 0.73%

LAB 93.99, -37.87, 59.11

 

CMYK 15 / 0 / 46 / 0

HEX #DAFF89

RGB 218 255 137

HSL 78.81, 1%, 0.77%

LAB 95.26, -29.78, 52.2

 

CMYK 8 / 0 / 39 / 0

HEX #EBFF9C

RGB 235 255 156

HSL 72.12, 1%, 0.81%

LAB 96.65, -21.43, 45.11

 

CMYK 1 / 0 / 31 / 0

HEX #FCFFAF

RGB 252 255 175

HSL 62.25, 1%, 0.84%

LAB 98.16, -12.91, 37.98

 

CMYK 28 / 0 / 58 / 3

HEX #B3F768

RGB 179 247 104

HSL 88.53, 0.9%, 0.69%

LAB 90.37, -43.48, 60.74

 

CMYK 29 / 0 / 63 / 10

HEX #A2E555

RGB 162 229 85

HSL 87.92, 0.73%, 0.62%

LAB 84.16, -43.31, 61.58

 

CMYK 31 / 0 / 69 / 17

HEX #91D342

RGB 145 211 66

HSL 87.31, 0.62%, 0.54%

LAB 77.88, -43.03, 62.15

 

CMYK 34 / 0 / 76 / 24

HEX #80C12F

RGB 128 193 47

HSL 86.71, 0.61%, 0.47%

LAB 71.51, -42.6, 62.25

 

CMYK 37 / 0 / 84 / 31

HEX #6FAF1C

RGB 111 175 28

HSL 86.12, 0.72%, 0.4%

LAB 65.06, -41.96, 61.51

 

CMYK 28 / 0 / 58 / 3

HEX #B3F768

RGB 179 247 104

HSL 88.53, 0.9%, 0.69%

LAB 90.37, -43.48, 60.74

 

CMYK 12 / 0 / 58 / 3

HEX #D9F768

RGB 217 247 104

HSL 72.59, 0.9%, 0.69%

LAB 92.7, -29.41, 63.99

 

CMYK 0 / 4 / 58 / 3

HEX #F7EE68

RGB 247 238 104

HSL 56.22, 0.9%, 0.69%

LAB 92.54, -13.26, 64.44

 

CMYK 0 / 19 / 58 / 3

HEX #F7C768

RGB 247 199 104

HSL 39.86, 0.9%, 0.69%

LAB 82.71, 6.47, 53.26

 

CMYK 0 / 35 / 58 / 3

HEX #F7A168

RGB 247 161 104

HSL 23.92, 0.9%, 0.69%

LAB 73.72, 26.39, 42.53

 

CMYK 28 / 0 / 58 / 3

HEX #B3F768

RGB 179 247 104

HSL 88.53, 0.9%, 0.69%

LAB 90.37, -43.48, 60.74

 

CMYK 43 / 0 / 58 / 3

HEX #8DF768

RGB 141 247 104

HSL 104.48, 0.9%, 0.69%

LAB 88.54, -55.91, 58.16

 

CMYK 58 / 0 / 57 / 3

HEX #68F76A

RGB 104 247 106

HSL 120.84, 0.9%, 0.69%

LAB 87.24, -65.48, 55.45

 

CMYK 58 / 0 / 41 / 3

HEX #68F791

RGB 104 247 145

HSL 137.2, 0.9%, 0.69%

LAB 87.73, -60.09, 37.71

 

CMYK 58 / 0 / 26 / 3

HEX #68F7B7

RGB 104 247 183

HSL 153.15, 0.9%, 0.69%

LAB 88.39, -53.13, 19.4

 

CMYK 28 / 0 / 58 / 3

HEX #B3F768

RGB 179 247 104

HSL 88.53, 0.9%, 0.69%

LAB 90.37, -43.48, 60.74

 

CMYK 28 / 0 / 58 / 3

HEX #B3F768

RGB 179 247 104

HSL 88.53, 0.9%, 0.69%

LAB 90.37, -43.48, 60.74

 

CMYK 24 / 0 / 50 / 8

HEX #B2EA75

RGB 178 234 117

HSL 88.72, 0.74%, 0.69%

LAB 86.8, -36.81, 50.7

 

CMYK 19 / 0 / 41 / 13

HEX #B2DD82

RGB 178 221 130

HSL 88.35, 0.57%, 0.69%

LAB 83.33, -29.3, 40.12

 

CMYK 15 / 0 / 31 / 18

HEX #B1D08F

RGB 177 208 143

HSL 88.62, 0.41%, 0.69%

LAB 79.86, -21.66, 28.97

 

CMYK 10 / 0 / 21 / 24

HEX #B0C39B

RGB 176 195 155

HSL 88.5, 0.25%, 0.69%

LAB 76.45, -13.67, 17.98

 

CMYK 0 / 4 / 58 / 3

HEX #F7ED68

RGB 247 237 104

HSL 55.8, 0.9%, 0.69%

LAB 92.28, -12.77, 64.15

 

CMYK 12 / 0 / 58 / 3

HEX #DAF768

RGB 218 247 104

HSL 72.17, 0.9%, 0.69%

LAB 92.76, -29.03, 64.09

 

CMYK 27 / 0 / 58 / 3

HEX #B4F768

RGB 180 247 104

HSL 88.11, 0.9%, 0.69%

LAB 90.42, -43.13, 60.82

 

CMYK 43 / 0 / 58 / 3

HEX #8EF768

RGB 142 247 104

HSL 104.06, 0.9%, 0.69%

LAB 88.58, -55.62, 58.22

 

CMYK 58 / 0 / 58 / 3

HEX #68F768

RGB 104 247 104

HSL 120, 0.9%, 0.69%

LAB 87.22, -65.71, 56.31

 

CMYK 43 / 0 / 89 / 5

HEX #8BF21A

RGB 139 242 26

HSL 88.61, 0.89%, 0.53%

LAB 86.54, -59.37, 80.73

 

CMYK 35 / 0 / 73 / 4

HEX #9FF541

RGB 159 245 65

HSL 88.67, 0.9%, 0.61%

LAB 88.48, -52.42, 73.33

 

CMYK 28 / 0 / 58 / 3

HEX #B3F768

RGB 179 247 104

HSL 88.53, 0.9%, 0.69%

LAB 90.37, -43.48, 60.74

 

CMYK 20 / 0 / 42 / 2

HEX #C7F990

RGB 199 249 144

HSL 88.57, 0.9%, 0.77%

LAB 92.53, -33.11, 45.21

 

CMYK 13 / 0 / 27 / 2

HEX #DAFBB7

RGB 218 251 183

HSL 89.12, 0.89%, 0.85%

LAB 94.87, -22.2, 29.16

 

CMYK 28 / 0 / 58 / 3

HEX #B3F768

RGB 179 247 104

HSL 88.53, 0.9%, 0.69%

LAB 90.37, -43.48, 60.74

 

CMYK 58 / 0 / 19 / 3

HEX #68F7C7

RGB 104 247 199

HSL 159.86, 0.9%, 0.69%

LAB 88.73, -49.74, 11.61

 

CMYK 0 / 58 / 4 / 3

HEX #F768ED

RGB 247 104 237

HSL 304.2, 0.9%, 0.69%

LAB 66.36, 70.55, -41.39

 

CMYK 28 / 0 / 58 / 3

HEX #B3F768

RGB 179 247 104

HSL 88.53, 0.9%, 0.69%

LAB 90.37, -43.48, 60.74

 

CMYK 58 / 27 / 0 / 3

HEX #68B4F7

RGB 104 180 247

HSL 208.11, 0.9%, 0.69%

LAB 71.08, -4.37, -40.38

 

CMYK 0 / 58 / 27 / 3

HEX #F768B4

RGB 247 104 180

HSL 328.11, 0.9%, 0.69%

LAB 64.14, 62.33, -12.8

 

CMYK 28 / 0 / 58 / 3

HEX #B3F768

RGB 179 247 104

HSL 88.53, 0.9%, 0.69%

LAB 90.37, -43.48, 60.74

 

CMYK 58 / 0 / 19 / 3

HEX #68F7C7

RGB 104 247 199

HSL 159.86, 0.9%, 0.69%

LAB 88.73, -49.74, 11.61

 

CMYK 31 / 58 / 0 / 3

HEX #AB68F7

RGB 171 104 247

HSL 268.11, 0.9%, 0.69%

LAB 57.34, 53.93, -61.83

 

CMYK 0 / 58 / 38 / 3

HEX #F76898

RGB 247 104 152

HSL 339.86, 0.9%, 0.69%

LAB 63.29, 59.06, 1.98

 

CMYK 28 / 0 / 58 / 3

HEX #B3F768

RGB 179 247 104

HSL 88.53, 0.9%, 0.69%

LAB 90.37, -43.48, 60.74

 

CMYK 58 / 0 / 2 / 3

HEX #68F7F2

RGB 104 247 242

HSL 177.9, 0.9%, 0.69%

LAB 89.8, -39.39, -9.2

 

CMYK 31 / 58 / 0 / 3

HEX #AB68F7

RGB 171 104 247

HSL 268.11, 0.9%, 0.69%

LAB 57.34, 53.93, -61.83

 

CMYK 0 / 58 / 56 / 3

HEX #F7686D

RGB 247 104 109

HSL 357.9, 0.9%, 0.69%

LAB 62.32, 55.17, 25.31

 

Description

Color code: HEX #B3F768 | qconv.com Color code: HEX #B3F768 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 247 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 247 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 58 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 58% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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