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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3EB79 it is the complementary color #4C1486. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3EB79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3EB79 shade: #B8EB74, #C9FD87, #DAFF9A, #EBFFAD and #FCFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3EB79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3EB79 shade: #B3EB79, #A2D966, #91C753, #80B540 and #6FA32D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3EB79 shade: #B3EB79, #D2EB79, #EBE579, #EBC779 and #EBA879

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3EB79 shade: #B3EB79, #94EB79, #79EB7D, #79EB9B and #79EBBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3EB79 shade matches the following richer shades: #B3EB79 and #B3F76D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3EB79 shade: #B3EB79, #B3DE86, #B3D292, #B2C59F and #B2B9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3EB79 shade: #EBE579, #D2EB79, #B4EB79, #96EB79 and #79EB7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3EB79 shade: #8AE032, #9FE555, #B3EB79, #C7F09D and #DCF5C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3EB79 shade: #B3EB79, #79EBC7 and #EB79E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3EB79 shade: #B3EB79, #79B4EB and #EB79B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3EB79 shade: #B3EB79, #79EBC7, #B079EB and #EB799D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3EB79 shade: #B3EB79, #79EBE9, #B079EB and #EB797B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 49 / 8

HEX #B3EB79

RGB 179 235 121

HSL 89.47, 0.74%, 0.7%

LAB 87.18, -36.47, 49.3

 

Complementary color

CMYK 43 / 85 / 0 / 47

HEX #4C1486

RGB 76 20 134

HSL 269.47, 0.74%, 0.3%

LAB 22.85, 47.3, -51.92

 

CMYK 22 / 0 / 51 / 8

HEX #B8EB74

RGB 184 235 116

HSL 85.71, 0.75%, 0.69%

LAB 87.42, -35.2, 52

 

CMYK 21 / 0 / 47 / 1

HEX #C9FD87

RGB 201 253 135

HSL 86.44, 0.97%, 0.76%

LAB 93.63, -35.25, 50.9

 

CMYK 15 / 0 / 40 / 0

HEX #DAFF9A

RGB 218 255 154

HSL 81.98, 1%, 0.8%

LAB 95.48, -27.9, 44.36

 

CMYK 8 / 0 / 32 / 0

HEX #EBFFAD

RGB 235 255 173

HSL 74.63, 1%, 0.84%

LAB 96.9, -19.4, 37.09

 

CMYK 1 / 0 / 25 / 0

HEX #FCFFC0

RGB 252 255 192

HSL 62.86, 1%, 0.88%

LAB 98.44, -10.77, 29.86

 

CMYK 24 / 0 / 49 / 8

HEX #B3EB79

RGB 179 235 121

HSL 89.47, 0.74%, 0.7%

LAB 87.18, -36.47, 49.3

 

CMYK 25 / 0 / 53 / 15

HEX #A2D966

RGB 162 217 102

HSL 88.7, 0.6%, 0.63%

LAB 80.89, -36.44, 50.41

 

CMYK 27 / 0 / 58 / 22

HEX #91C753

RGB 145 199 83

HSL 87.93, 0.51%, 0.55%

LAB 74.5, -36.34, 51.44

 

CMYK 29 / 0 / 65 / 29

HEX #80B540

RGB 128 181 64

HSL 87.18, 0.48%, 0.48%

LAB 68.03, -36.15, 52.3

 

CMYK 32 / 0 / 72 / 36

HEX #6FA32D

RGB 111 163 45

HSL 86.44, 0.57%, 0.41%

LAB 61.45, -35.81, 52.78

 

CMYK 24 / 0 / 49 / 8

HEX #B3EB79

RGB 179 235 121

HSL 89.47, 0.74%, 0.7%

LAB 87.18, -36.47, 49.3

 

CMYK 11 / 0 / 49 / 8

HEX #D2EB79

RGB 210 235 121

HSL 73.16, 0.74%, 0.7%

LAB 89.16, -24.97, 52.15

 

CMYK 0 / 3 / 49 / 8

HEX #EBE579

RGB 235 229 121

HSL 56.84, 0.74%, 0.7%

LAB 89.43, -12.28, 52.93

 

CMYK 0 / 15 / 49 / 8

HEX #EBC779

RGB 235 199 121

HSL 41.05, 0.74%, 0.7%

LAB 81.78, 2.97, 43.58

 

CMYK 0 / 29 / 49 / 8

HEX #EBA879

RGB 235 168 121

HSL 24.74, 0.74%, 0.7%

LAB 74.22, 19.31, 34

 

CMYK 24 / 0 / 49 / 8

HEX #B3EB79

RGB 179 235 121

HSL 89.47, 0.74%, 0.7%

LAB 87.18, -36.47, 49.3

 

CMYK 37 / 0 / 49 / 8

HEX #94EB79

RGB 148 235 121

HSL 105.79, 0.74%, 0.7%

LAB 85.55, -46.95, 46.93

 

CMYK 49 / 0 / 47 / 8

HEX #79EB7D

RGB 121 235 125

HSL 122.11, 0.74%, 0.7%

LAB 84.46, -54.34, 43.41

 

CMYK 49 / 0 / 34 / 8

HEX #79EB9B

RGB 121 235 155

HSL 137.89, 0.74%, 0.7%

LAB 84.92, -49.65, 29.07

 

CMYK 49 / 0 / 21 / 8

HEX #79EBBA

RGB 121 235 186

HSL 154.21, 0.74%, 0.7%

LAB 85.52, -43.72, 13.89

 

CMYK 24 / 0 / 49 / 8

HEX #B3EB79

RGB 179 235 121

HSL 89.47, 0.74%, 0.7%

LAB 87.18, -36.47, 49.3

 

CMYK 28 / 0 / 56 / 3

HEX #B3F76D

RGB 179 247 109

HSL 89.57, 0.9%, 0.7%

LAB 90.42, -43.02, 58.62

 

CMYK 24 / 0 / 49 / 8

HEX #B3EB79

RGB 179 235 121

HSL 89.47, 0.74%, 0.7%

LAB 87.18, -36.47, 49.3

 

CMYK 19 / 0 / 40 / 13

HEX #B3DE86

RGB 179 222 134

HSL 89.32, 0.57%, 0.7%

LAB 83.73, -28.91, 38.65

 

CMYK 15 / 0 / 30 / 18

HEX #B3D292

RGB 179 210 146

HSL 89.06, 0.42%, 0.7%

LAB 80.6, -21.49, 28.42

 

CMYK 10 / 0 / 19 / 23

HEX #B2C59F

RGB 178 197 159

HSL 90, 0.25%, 0.7%

LAB 77.22, -13.32, 16.93

 

CMYK 4 / 0 / 8 / 27

HEX #B2B9AB

RGB 178 185 171

HSL 90, 0.09%, 0.7%

LAB 74.26, -5.02, 6.25

 

CMYK 0 / 3 / 49 / 8

HEX #EBE579

RGB 235 229 121

HSL 56.84, 0.74%, 0.7%

LAB 89.43, -12.28, 52.93

 

CMYK 11 / 0 / 49 / 8

HEX #D2EB79

RGB 210 235 121

HSL 73.16, 0.74%, 0.7%

LAB 89.16, -24.97, 52.15

 

CMYK 23 / 0 / 49 / 8

HEX #B4EB79

RGB 180 235 121

HSL 88.95, 0.74%, 0.7%

LAB 87.24, -36.12, 49.39

 

CMYK 36 / 0 / 49 / 8

HEX #96EB79

RGB 150 235 121

HSL 104.74, 0.74%, 0.7%

LAB 85.65, -46.31, 47.07

 

CMYK 49 / 0 / 48 / 8

HEX #79EB7B

RGB 121 235 123

HSL 121.05, 0.74%, 0.7%

LAB 84.44, -54.61, 44.34

 

CMYK 38 / 0 / 78 / 12

HEX #8AE032

RGB 138 224 50

HSL 89.66, 0.74%, 0.54%

LAB 81.26, -51.82, 70.73

 

CMYK 31 / 0 / 63 / 10

HEX #9FE555

RGB 159 229 85

HSL 89.17, 0.73%, 0.62%

LAB 84, -44.37, 61.35

 

CMYK 24 / 0 / 49 / 8

HEX #B3EB79

RGB 179 235 121

HSL 89.47, 0.74%, 0.7%

LAB 87.18, -36.47, 49.3

 

CMYK 17 / 0 / 35 / 6

HEX #C7F09D

RGB 199 240 157

HSL 89.64, 0.73%, 0.78%

LAB 90.27, -27.26, 35.89

 

CMYK 10 / 0 / 21 / 4

HEX #DCF5C1

RGB 220 245 193

HSL 88.85, 0.72%, 0.86%

LAB 93.61, -17.11, 22.37

 

CMYK 24 / 0 / 49 / 8

HEX #B3EB79

RGB 179 235 121

HSL 89.47, 0.74%, 0.7%

LAB 87.18, -36.47, 49.3

 

CMYK 49 / 0 / 15 / 8

HEX #79EBC7

RGB 121 235 199

HSL 161.05, 0.74%, 0.7%

LAB 85.81, -40.93, 7.51

 

CMYK 0 / 49 / 4 / 8

HEX #EB79E1

RGB 235 121 225

HSL 305.26, 0.74%, 0.7%

LAB 67.11, 57.65, -33.69

 

CMYK 24 / 0 / 49 / 8

HEX #B3EB79

RGB 179 235 121

HSL 89.47, 0.74%, 0.7%

LAB 87.18, -36.47, 49.3

 

CMYK 49 / 23 / 0 / 8

HEX #79B4EB

RGB 121 180 235

HSL 208.95, 0.74%, 0.7%

LAB 71.35, -4.34, -33.38

 

CMYK 0 / 49 / 23 / 8

HEX #EB79B4

RGB 235 121 180

HSL 328.95, 0.74%, 0.7%

LAB 65.46, 50.71, -10.98

 

CMYK 24 / 0 / 49 / 8

HEX #B3EB79

RGB 179 235 121

HSL 89.47, 0.74%, 0.7%

LAB 87.18, -36.47, 49.3

 

CMYK 49 / 0 / 15 / 8

HEX #79EBC7

RGB 121 235 199

HSL 161.05, 0.74%, 0.7%

LAB 85.81, -40.93, 7.51

 

CMYK 25 / 49 / 0 / 8

HEX #B079EB

RGB 176 121 235

HSL 268.95, 0.74%, 0.7%

LAB 60.7, 43.29, -49.79

 

CMYK 0 / 49 / 33 / 8

HEX #EB799D

RGB 235 121 157

HSL 341.05, 0.74%, 0.7%

LAB 64.78, 47.71, 1.07

 

CMYK 24 / 0 / 49 / 8

HEX #B3EB79

RGB 179 235 121

HSL 89.47, 0.74%, 0.7%

LAB 87.18, -36.47, 49.3

 

CMYK 49 / 0 / 1 / 8

HEX #79EBE9

RGB 121 235 233

HSL 178.95, 0.74%, 0.7%

LAB 86.68, -32.88, -9.06

 

CMYK 25 / 49 / 0 / 8

HEX #B079EB

RGB 176 121 235

HSL 268.95, 0.74%, 0.7%

LAB 60.7, 43.29, -49.79

 

CMYK 0 / 49 / 48 / 8

HEX #EB797B

RGB 235 121 123

HSL 358.95, 0.74%, 0.7%

LAB 63.97, 44.05, 19.28

 

Description

Color code: HEX #B3EB79 | qconv.com Color code: HEX #B3EB79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 235 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 235 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 49 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 49% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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