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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3DD51 it is the complementary color #4C22AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3DD51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3DD51 shade: #B8DD4C, #C9EF5F, #DAFF72, #EBFF85 and #FCFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3DD51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3DD51 shade: #B3DD51, #A2CB3E, #91B92B, #80A718 and #6F9505

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3DD51 shade: #B2DC50, #D8DC50, #DCBA50, #DC9550 and #DC6F50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3DD51 shade: #B2DC50, #8CDC50, #66DC50, #50DC5F and #50DC85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3DD51 shade matches the following richer shades: #B2DC50, #B9ED3F and #C0FE2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3DD51 shade: #B2DC50, #ABCB61, #A4BA72, #9EA983 and #979894

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3DD51 shade: #DCBB50, #D7DC50, #B2DC50, #8DDC50 and #67DC50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3DD51 shade: #8AB624, #A3D52D, #B2DC50, #C1E372 and #D0EA95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3DD51 shade: #B3DD51, #50DC96 and #CE50DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3DD51 shade: #B3DD51, #50B2DC and #DC50B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3DD51 shade: #B3DD51, #50DC96, #7A50DC and #DC5096

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3DD51 shade: #B3DD51, #50DCC0, #7A50DC and #DC506C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 63 / 13

HEX #B3DD51

RGB 179 221 81

HSL 78, 0.67%, 0.59%

LAB 82.86, -33.73, 62.1

 

Complementary color

CMYK 56 / 80 / 0 / 32

HEX #4C22AE

RGB 76 34 174

HSL 258, 0.67%, 0.41%

LAB 28.74, 52.24, -66.77

 

CMYK 17 / 0 / 66 / 13

HEX #B8DD4C

RGB 184 221 76

HSL 75.31, 0.68%, 0.58%

LAB 83.14, -32.14, 64.49

 

CMYK 16 / 0 / 60 / 6

HEX #C9EF5F

RGB 201 239 95

HSL 75.83, 0.82%, 0.65%

LAB 89.38, -32.54, 63.81

 

CMYK 15 / 0 / 55 / 0

HEX #DAFF72

RGB 218 255 114

HSL 75.74, 1%, 0.72%

LAB 95.01, -31.93, 62.32

 

CMYK 8 / 0 / 48 / 0

HEX #EBFF85

RGB 235 255 133

HSL 69.84, 1%, 0.76%

LAB 96.36, -23.8, 55.66

 

CMYK 1 / 0 / 40 / 0

HEX #FCFF98

RGB 252 255 152

HSL 61.75, 1%, 0.8%

LAB 97.83, -15.47, 48.79

 

CMYK 19 / 0 / 63 / 13

HEX #B3DD51

RGB 179 221 81

HSL 78, 0.67%, 0.59%

LAB 82.86, -33.73, 62.1

 

CMYK 20 / 0 / 69 / 20

HEX #A2CB3E

RGB 162 203 62

HSL 77.45, 0.58%, 0.52%

LAB 76.52, -33.31, 62.59

 

CMYK 22 / 0 / 77 / 27

HEX #91B92B

RGB 145 185 43

HSL 76.9, 0.62%, 0.45%

LAB 70.1, -32.74, 62.55

 

CMYK 23 / 0 / 86 / 35

HEX #80A718

RGB 128 167 24

HSL 76.36, 0.75%, 0.37%

LAB 63.58, -31.97, 61.57

 

CMYK 26 / 0 / 97 / 42

HEX #6F9505

RGB 111 149 5

HSL 75.83, 0.94%, 0.3%

LAB 56.96, -30.97, 59.13

 

CMYK 19 / 0 / 64 / 14

HEX #B2DC50

RGB 178 220 80

HSL 78, 0.67%, 0.59%

LAB 82.5, -33.73, 62.11

 

CMYK 2 / 0 / 64 / 14

HEX #D8DC50

RGB 216 220 80

HSL 61.71, 0.67%, 0.59%

LAB 85.18, -18.57, 65.75

 

CMYK 0 / 15 / 64 / 14

HEX #DCBA50

RGB 220 186 80

HSL 45.43, 0.67%, 0.59%

LAB 76.63, 0.36, 56.73

 

CMYK 0 / 32 / 64 / 14

HEX #DC9550

RGB 220 149 80

HSL 29.57, 0.67%, 0.59%

LAB 67.49, 20.07, 46.52

 

CMYK 0 / 50 / 64 / 14

HEX #DC6F50

RGB 220 111 80

HSL 13.29, 0.67%, 0.59%

LAB 59.13, 40.1, 36.66

 

CMYK 19 / 0 / 64 / 14

HEX #B2DC50

RGB 178 220 80

HSL 78, 0.67%, 0.59%

LAB 82.5, -33.73, 62.11

 

CMYK 36 / 0 / 64 / 14

HEX #8CDC50

RGB 140 220 80

HSL 94.29, 0.67%, 0.59%

LAB 80.37, -47.51, 59.18

 

CMYK 54 / 0 / 64 / 14

HEX #66DC50

RGB 102 220 80

HSL 110.57, 0.67%, 0.59%

LAB 78.8, -58.93, 57.02

 

CMYK 64 / 0 / 57 / 14

HEX #50DC5F

RGB 80 220 95

HSL 126.43, 0.67%, 0.59%

LAB 78.3, -62.4, 49.73

 

CMYK 64 / 0 / 40 / 14

HEX #50DC85

RGB 80 220 133

HSL 142.71, 0.67%, 0.59%

LAB 78.8, -56.73, 31.91

 

CMYK 19 / 0 / 64 / 14

HEX #B2DC50

RGB 178 220 80

HSL 78, 0.67%, 0.59%

LAB 82.5, -33.73, 62.11

 

CMYK 22 / 0 / 73 / 7

HEX #B9ED3F

RGB 185 237 63

HSL 77.93, 0.83%, 0.59%

LAB 87.6, -39.76, 73.62

 

CMYK 24 / 0 / 82 / 0

HEX #C0FE2E

RGB 192 254 46

HSL 77.88, 0.99%, 0.59%

LAB 92.7, -45.24, 83.15

 

CMYK 19 / 0 / 64 / 14

HEX #B2DC50

RGB 178 220 80

HSL 78, 0.67%, 0.59%

LAB 82.5, -33.73, 62.11

 

CMYK 16 / 0 / 52 / 20

HEX #ABCB61

RGB 171 203 97

HSL 78.11, 0.5%, 0.59%

LAB 77.42, -27.02, 48.79

 

CMYK 12 / 0 / 39 / 27

HEX #A4BA72

RGB 164 186 114

HSL 78.33, 0.34%, 0.59%

LAB 72.38, -19.49, 34.02

 

CMYK 7 / 0 / 22 / 34

HEX #9EA983

RGB 158 169 131

HSL 77.37, 0.18%, 0.59%

LAB 67.49, -10.64, 18.36

 

CMYK 1 / 0 / 3 / 40

HEX #979894

RGB 151 152 148

HSL 75, 0.02%, 0.59%

LAB 62.65, -1.12, 1.97

 

CMYK 0 / 15 / 64 / 14

HEX #DCBB50

RGB 220 187 80

HSL 45.86, 0.67%, 0.59%

LAB 76.88, -0.16, 57.01

 

CMYK 2 / 0 / 64 / 14

HEX #D7DC50

RGB 215 220 80

HSL 62.14, 0.67%, 0.59%

LAB 85.1, -18.97, 65.65

 

CMYK 19 / 0 / 64 / 14

HEX #B2DC50

RGB 178 220 80

HSL 78, 0.67%, 0.59%

LAB 82.5, -33.73, 62.11

 

CMYK 36 / 0 / 64 / 14

HEX #8DDC50

RGB 141 220 80

HSL 93.86, 0.67%, 0.59%

LAB 80.42, -47.18, 59.25

 

CMYK 53 / 0 / 64 / 14

HEX #67DC50

RGB 103 220 80

HSL 110.14, 0.67%, 0.59%

LAB 78.84, -58.67, 57.06

 

CMYK 24 / 0 / 80 / 29

HEX #8AB624

RGB 138 182 36

HSL 78.08, 0.67%, 0.43%

LAB 68.74, -34.45, 63.24

 

CMYK 23 / 0 / 79 / 16

HEX #A3D52D

RGB 163 213 45

HSL 77.86, 0.67%, 0.51%

LAB 79.37, -38.33, 70.9

 

CMYK 19 / 0 / 64 / 14

HEX #B2DC50

RGB 178 220 80

HSL 78, 0.67%, 0.59%

LAB 82.5, -33.73, 62.11

 

CMYK 15 / 0 / 50 / 11

HEX #C1E372

RGB 193 227 114

HSL 78.05, 0.67%, 0.67%

LAB 85.75, -28.34, 51.07

 

CMYK 11 / 0 / 36 / 8

HEX #D0EA95

RGB 208 234 149

HSL 78.35, 0.67%, 0.75%

LAB 89.12, -22.16, 38.5

 

CMYK 19 / 0 / 63 / 13

HEX #B3DD51

RGB 179 221 81

HSL 78, 0.67%, 0.59%

LAB 82.86, -33.73, 62.1

 

CMYK 64 / 0 / 32 / 14

HEX #50DC96

RGB 80 220 150

HSL 150, 0.67%, 0.59%

LAB 79.1, -53.55, 23.55

 

CMYK 6 / 64 / 0 / 14

HEX #CE50DC

RGB 206 80 220

HSL 294, 0.67%, 0.59%

LAB 56.11, 67.69, -48.42

 

CMYK 19 / 0 / 63 / 13

HEX #B3DD51

RGB 179 221 81

HSL 78, 0.67%, 0.59%

LAB 82.86, -33.73, 62.1

 

CMYK 64 / 19 / 0 / 14

HEX #50B2DC

RGB 80 178 220

HSL 198, 0.67%, 0.59%

LAB 68.54, -16.04, -29.67

 

CMYK 0 / 64 / 19 / 14

HEX #DC50B2

RGB 220 80 178

HSL 318, 0.67%, 0.59%

LAB 56.25, 64.56, -24.01

 

CMYK 19 / 0 / 63 / 13

HEX #B3DD51

RGB 179 221 81

HSL 78, 0.67%, 0.59%

LAB 82.86, -33.73, 62.1

 

CMYK 64 / 0 / 32 / 14

HEX #50DC96

RGB 80 220 150

HSL 150, 0.67%, 0.59%

LAB 79.1, -53.55, 23.55

 

CMYK 45 / 64 / 0 / 14

HEX #7A50DC

RGB 122 80 220

HSL 258, 0.67%, 0.59%

LAB 45.69, 49.29, -65.72

 

CMYK 0 / 64 / 32 / 14

HEX #DC5096

RGB 220 80 150

HSL 330, 0.67%, 0.59%

LAB 55.23, 60.95, -9.22

 

CMYK 19 / 0 / 63 / 13

HEX #B3DD51

RGB 179 221 81

HSL 78, 0.67%, 0.59%

LAB 82.86, -33.73, 62.1

 

CMYK 64 / 0 / 13 / 14

HEX #50DCC0

RGB 80 220 192

HSL 168, 0.67%, 0.59%

LAB 80.01, -44.15, 2.68

 

CMYK 45 / 64 / 0 / 14

HEX #7A50DC

RGB 122 80 220

HSL 258, 0.67%, 0.59%

LAB 45.69, 49.29, -65.72

 

CMYK 0 / 64 / 51 / 14

HEX #DC506C

RGB 220 80 108

HSL 348, 0.67%, 0.59%

LAB 54.06, 56.69, 13.98

 

Description

Color code: HEX #B3DD51 | qconv.com Color code: HEX #B3DD51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 221 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 221 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 63 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 63% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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