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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3D3F3 it is the complementary color #4C2C0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3D3F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3D3F3 shade: #B8D3EE, #C9E5FF, #DAF7FF, #EBFFFF and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3D3F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3D3F3 shade: #B3D3F3, #A2C1E0, #91AFCD, #809DBA and #6F8BA7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3D3F3 shade: #B4D3F3, #B4C2F3, #B6B4F3, #C7B4F3 and #D8B4F3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3D3F3 shade: #B4D3F3, #B4C2F3 and #B4B4F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3D3F3 shade matches the following richer shades: #B4D3F3 and #ACD3FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3D3F3 shade: #B4D3F3, #BBD3EC, #C2D3E5, #C9D3DE and #D0D3D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3D3F3 shade: #B4F3F1, #B4E4F3, #B4D3F3, #B4C2F3 and #B6B4F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3D3F3 shade: #6CAAE8, #90BFED, #B4D3F3, #D7E8F8 and #FBFCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3D3F3 shade: #B3D3F3, #E0B4F3 and #ECF3B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3D3F3 shade: #B3D3F3, #F3B4D3 and #D3F3B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3D3F3 shade: #B3D3F3, #E0B4F3, #F3D3B4 and #C6F3B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3D3F3 shade: #B3D3F3, #F3B4F3, #F3D3B4 and #B4F3B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 13 / 0 / 5

HEX #B3D3F3

RGB 179 211 243

HSL 210, 0.73%, 0.83%

LAB 83.25, -3.57, -19.19

 

Complementary color

CMYK 0 / 42 / 84 / 70

HEX #4C2C0C

RGB 76 44 12

HSL 30, 0.73%, 0.17%

LAB 21.45, 11.74, 25.69

 

CMYK 23 / 11 / 0 / 7

HEX #B8D3EE

RGB 184 211 238

HSL 210, 0.61%, 0.83%

LAB 83.42, -3.22, -16.26

 

CMYK 21 / 10 / 0 / 0

HEX #C9E5FF

RGB 201 229 255

HSL 208.89, 1%, 0.89%

LAB 89.71, -3.77, -15.66

 

CMYK 15 / 3 / 0 / 0

HEX #DAF7FF

RGB 218 247 255

HSL 192.97, 1%, 0.93%

LAB 95.43, -7.79, -7.02

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 26 / 13 / 0 / 5

HEX #B3D3F3

RGB 179 211 243

HSL 210, 0.73%, 0.83%

LAB 83.25, -3.57, -19.19

 

CMYK 28 / 14 / 0 / 12

HEX #A2C1E0

RGB 162 193 224

HSL 210, 0.5%, 0.76%

LAB 76.8, -3.43, -18.88

 

CMYK 29 / 15 / 0 / 20

HEX #91AFCD

RGB 145 175 205

HSL 210, 0.38%, 0.69%

LAB 70.24, -3.28, -18.57

 

CMYK 31 / 16 / 0 / 27

HEX #809DBA

RGB 128 157 186

HSL 210, 0.3%, 0.62%

LAB 63.55, -3.12, -18.28

 

CMYK 34 / 17 / 0 / 35

HEX #6F8BA7

RGB 111 139 167

HSL 210, 0.24%, 0.55%

LAB 56.72, -2.93, -18

 

CMYK 26 / 13 / 0 / 5

HEX #B4D3F3

RGB 180 211 243

HSL 210.48, 0.72%, 0.83%

LAB 83.32, -3.28, -19.09

 

CMYK 26 / 20 / 0 / 5

HEX #B4C2F3

RGB 180 194 243

HSL 226.67, 0.72%, 0.83%

LAB 78.9, 5.8, -25.8

 

CMYK 25 / 26 / 0 / 5

HEX #B6B4F3

RGB 182 180 243

HSL 241.9, 0.72%, 0.83%

LAB 75.49, 14.04, -31.02

 

CMYK 18 / 26 / 0 / 5

HEX #C7B4F3

RGB 199 180 243

HSL 258.1, 0.72%, 0.83%

LAB 76.83, 19.15, -28.84

 

CMYK 11 / 26 / 0 / 5

HEX #D8B4F3

RGB 216 180 243

HSL 274.29, 0.72%, 0.83%

LAB 78.29, 24.42, -26.47

 

CMYK 26 / 13 / 0 / 5

HEX #B4D3F3

RGB 180 211 243

HSL 210.48, 0.72%, 0.83%

LAB 83.32, -3.28, -19.09

 

CMYK 26 / 20 / 0 / 5

HEX #B4C2F3

RGB 180 194 243

HSL 226.67, 0.72%, 0.83%

LAB 78.9, 5.8, -25.8

 

CMYK 26 / 26 / 0 / 5

HEX #B4B4F3

RGB 180 180 243

HSL 240, 0.72%, 0.83%

LAB 75.34, 13.46, -31.26

 

CMYK 26 / 13 / 0 / 5

HEX #B4D3F3

RGB 180 211 243

HSL 210.48, 0.72%, 0.83%

LAB 83.32, -3.28, -19.09

 

CMYK 31 / 16 / 0 / 2

HEX #ACD3FA

RGB 172 211 250

HSL 210, 0.89%, 0.83%

LAB 83.05, -3.92, -23.25

 

CMYK 26 / 13 / 0 / 5

HEX #B4D3F3

RGB 180 211 243

HSL 210.48, 0.72%, 0.83%

LAB 83.32, -3.28, -19.09

 

CMYK 21 / 11 / 0 / 7

HEX #BBD3EC

RGB 187 211 236

HSL 210.61, 0.56%, 0.83%

LAB 83.55, -2.76, -14.97

 

CMYK 15 / 8 / 0 / 10

HEX #C2D3E5

RGB 194 211 229

HSL 210.86, 0.4%, 0.83%

LAB 83.82, -2.08, -10.81

 

CMYK 9 / 5 / 0 / 13

HEX #C9D3DE

RGB 201 211 222

HSL 211.43, 0.24%, 0.83%

LAB 84.11, -1.25, -6.59

 

CMYK 3 / 2 / 0 / 16

HEX #D0D3D7

RGB 208 211 215

HSL 214.29, 0.08%, 0.83%

LAB 84.43, -0.28, -2.34

 

CMYK 26 / 0 / 1 / 5

HEX #B4F3F1

RGB 180 243 241

HSL 178.1, 0.72%, 0.83%

LAB 91.75, -20.02, -5.44

 

CMYK 26 / 6 / 0 / 5

HEX #B4E4F3

RGB 180 228 243

HSL 194.29, 0.72%, 0.83%

LAB 87.81, -12.08, -12.35

 

CMYK 26 / 13 / 0 / 5

HEX #B4D3F3

RGB 180 211 243

HSL 210.48, 0.72%, 0.83%

LAB 83.32, -3.28, -19.09

 

CMYK 26 / 20 / 0 / 5

HEX #B4C2F3

RGB 180 194 243

HSL 226.67, 0.72%, 0.83%

LAB 78.9, 5.8, -25.8

 

CMYK 25 / 26 / 0 / 5

HEX #B6B4F3

RGB 182 180 243

HSL 241.9, 0.72%, 0.83%

LAB 75.49, 14.04, -31.02

 

CMYK 53 / 27 / 0 / 9

HEX #6CAAE8

RGB 108 170 232

HSL 210, 0.73%, 0.67%

LAB 67.85, -2.6, -37.24

 

CMYK 39 / 19 / 0 / 7

HEX #90BFED

RGB 144 191 237

HSL 209.68, 0.72%, 0.75%

LAB 75.64, -4.1, -27.76

 

CMYK 26 / 13 / 0 / 5

HEX #B4D3F3

RGB 180 211 243

HSL 210.48, 0.72%, 0.83%

LAB 83.32, -3.28, -19.09

 

CMYK 13 / 6 / 0 / 3

HEX #D7E8F8

RGB 215 232 248

HSL 209.09, 0.7%, 0.91%

LAB 91.21, -2.48, -9.67

 

CMYK 1 / 1 / 0 / 0

HEX #FBFCFE

RGB 251 252 254

HSL 220, 0.6%, 0.99%

LAB 98.94, 0.03, -1.08

 

CMYK 26 / 13 / 0 / 5

HEX #B3D3F3

RGB 179 211 243

HSL 210, 0.73%, 0.83%

LAB 83.25, -3.57, -19.19

 

CMYK 8 / 26 / 0 / 5

HEX #E0B4F3

RGB 224 180 243

HSL 281.9, 0.72%, 0.83%

LAB 79.02, 26.94, -25.3

 

CMYK 3 / 0 / 26 / 5

HEX #ECF3B4

RGB 236 243 180

HSL 66.67, 0.72%, 0.83%

LAB 93.98, -12.27, 29.68

 

CMYK 26 / 13 / 0 / 5

HEX #B3D3F3

RGB 179 211 243

HSL 210, 0.73%, 0.83%

LAB 83.25, -3.57, -19.19

 

CMYK 0 / 26 / 13 / 5

HEX #F3B4D3

RGB 243 180 211

HSL 330.48, 0.72%, 0.83%

LAB 79.84, 27.5, -6.62

 

CMYK 13 / 0 / 26 / 5

HEX #D3F3B4

RGB 211 243 180

HSL 90.48, 0.72%, 0.83%

LAB 92.24, -21.23, 27.03

 

CMYK 26 / 13 / 0 / 5

HEX #B3D3F3

RGB 179 211 243

HSL 210, 0.73%, 0.83%

LAB 83.25, -3.57, -19.19

 

CMYK 8 / 26 / 0 / 5

HEX #E0B4F3

RGB 224 180 243

HSL 281.9, 0.72%, 0.83%

LAB 79.02, 26.94, -25.3

 

CMYK 0 / 13 / 26 / 5

HEX #F3D3B4

RGB 243 211 180

HSL 29.52, 0.72%, 0.83%

LAB 86.47, 6.58, 19.47

 

CMYK 19 / 0 / 26 / 5

HEX #C6F3B4

RGB 198 243 180

HSL 102.86, 0.72%, 0.83%

LAB 91.42, -25.72, 25.77

 

CMYK 26 / 13 / 0 / 5

HEX #B3D3F3

RGB 179 211 243

HSL 210, 0.73%, 0.83%

LAB 83.25, -3.57, -19.19

 

CMYK 0 / 26 / 0 / 5

HEX #F3B4F3

RGB 243 180 243

HSL 300, 0.72%, 0.83%

LAB 80.83, 32.99, -22.37

 

CMYK 0 / 13 / 26 / 5

HEX #F3D3B4

RGB 243 211 180

HSL 29.52, 0.72%, 0.83%

LAB 86.47, 6.58, 19.47

 

CMYK 26 / 0 / 26 / 5

HEX #B4F3B4

RGB 180 243 180

HSL 120, 0.72%, 0.83%

LAB 90.37, -31.69, 24.16

 

Description

Color code: HEX #B3D3F3 | qconv.com Color code: HEX #B3D3F3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 211 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 211 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 13 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 13% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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