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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3C5EC it is the complementary color #4C3A13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3C5EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3C5EC shade: #B8C5E7, #C9D7FA, #DAE9FF, #EBFBFF and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3C5EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3C5EC shade: #B3C5EC, #A2B3D9, #91A1C6, #808FB3 and #6F7DA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3C5EC shade: #B1C3EB, #B1B4EB, #BEB1EB, #CEB1EB and #DDB1EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3C5EC shade: #B1C3EB, #B1B4EB and #B1B1EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3C5EC shade matches the following richer shades: #B1C3EB, #A9C0F3 and #A1BEFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3C5EC shade: #B1C3EB, #B9C6E3, #C1C9DB, #C8CCD4 and #D0CFCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3C5EC shade: #B1E2EB, #B1D3EB, #B1C3EB, #B1B4EB and #BEB1EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3C5EC shade: #6F91DB, #90AAE3, #B1C3EB, #D2DDF3 and #F3F6FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3C5EC shade: #B3C5EC, #E4B1EB and #DBEBB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3C5EC shade: #B3C5EC, #EBB1C3 and #C3EBB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3C5EC shade: #B3C5EC, #E4B1EB, #EBD9B1 and #B8EBB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3C5EC shade: #B3C5EC, #EBB1E0, #EBD9B1 and #B1EBBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 17 / 0 / 7

HEX #B3C5EC

RGB 179 197 236

HSL 221.05, 0.6%, 0.81%

LAB 79.37, 2.26, -21.34

 

Complementary color

CMYK 0 / 24 / 75 / 70

HEX #4C3A13

RGB 76 58 19

HSL 41.05, 0.6%, 0.19%

LAB 25.59, 3.08, 26.44

 

CMYK 20 / 15 / 0 / 9

HEX #B8C5E7

RGB 184 197 231

HSL 223.4, 0.49%, 0.81%

LAB 79.55, 2.65, -18.35

 

CMYK 20 / 14 / 0 / 2

HEX #C9D7FA

RGB 201 215 250

HSL 222.86, 0.83%, 0.88%

LAB 85.97, 2.45, -18.66

 

CMYK 15 / 9 / 0 / 0

HEX #DAE9FF

RGB 218 233 255

HSL 215.68, 1%, 0.93%

LAB 91.87, -0.65, -12.32

 

CMYK 8 / 2 / 0 / 0

HEX #EBFBFF

RGB 235 251 255

HSL 192, 1%, 0.96%

LAB 97.58, -4.46, -3.72

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 24 / 17 / 0 / 7

HEX #B3C5EC

RGB 179 197 236

HSL 221.05, 0.6%, 0.81%

LAB 79.37, 2.26, -21.34

 

CMYK 25 / 18 / 0 / 15

HEX #A2B3D9

RGB 162 179 217

HSL 221.45, 0.42%, 0.74%

LAB 72.85, 2.49, -21.08

 

CMYK 27 / 19 / 0 / 22

HEX #91A1C6

RGB 145 161 198

HSL 221.89, 0.32%, 0.67%

LAB 66.2, 2.74, -20.83

 

CMYK 28 / 20 / 0 / 30

HEX #808FB3

RGB 128 143 179

HSL 222.35, 0.25%, 0.6%

LAB 59.42, 3.02, -20.61

 

CMYK 31 / 22 / 0 / 37

HEX #6F7DA0

RGB 111 125 160

HSL 222.86, 0.21%, 0.53%

LAB 52.49, 3.33, -20.42

 

CMYK 25 / 17 / 0 / 8

HEX #B1C3EB

RGB 177 195 235

HSL 221.38, 0.59%, 0.81%

LAB 78.68, 2.51, -21.86

 

CMYK 25 / 23 / 0 / 8

HEX #B1B4EB

RGB 177 180 235

HSL 236.9, 0.59%, 0.81%

LAB 74.82, 10.68, -27.76

 

CMYK 19 / 25 / 0 / 8

HEX #BEB1EB

RGB 190 177 235

HSL 253.45, 0.59%, 0.81%

LAB 75.07, 16.27, -27.28

 

CMYK 12 / 25 / 0 / 8

HEX #CEB1EB

RGB 206 177 235

HSL 270, 0.59%, 0.81%

LAB 76.41, 21.26, -25.11

 

CMYK 6 / 25 / 0 / 8

HEX #DDB1EB

RGB 221 177 235

HSL 285.52, 0.59%, 0.81%

LAB 77.77, 26.03, -22.92

 

CMYK 25 / 17 / 0 / 8

HEX #B1C3EB

RGB 177 195 235

HSL 221.38, 0.59%, 0.81%

LAB 78.68, 2.51, -21.86

 

CMYK 25 / 23 / 0 / 8

HEX #B1B4EB

RGB 177 180 235

HSL 236.9, 0.59%, 0.81%

LAB 74.82, 10.68, -27.76

 

CMYK 25 / 25 / 0 / 8

HEX #B1B1EB

RGB 177 177 235

HSL 240, 0.59%, 0.81%

LAB 74.05, 12.34, -28.93

 

CMYK 25 / 17 / 0 / 8

HEX #B1C3EB

RGB 177 195 235

HSL 221.38, 0.59%, 0.81%

LAB 78.68, 2.51, -21.86

 

CMYK 30 / 21 / 0 / 5

HEX #A9C0F3

RGB 169 192 243

HSL 221.35, 0.76%, 0.81%

LAB 77.64, 3.71, -27.79

 

CMYK 36 / 24 / 0 / 2

HEX #A1BEFB

RGB 161 190 251

HSL 220.67, 0.92%, 0.81%

LAB 76.9, 4.59, -33.27

 

CMYK 25 / 17 / 0 / 8

HEX #B1C3EB

RGB 177 195 235

HSL 221.38, 0.59%, 0.81%

LAB 78.68, 2.51, -21.86

 

CMYK 19 / 13 / 0 / 11

HEX #B9C6E3

RGB 185 198 227

HSL 221.43, 0.43%, 0.81%

LAB 79.76, 1.55, -15.89

 

CMYK 12 / 8 / 0 / 14

HEX #C1C9DB

RGB 193 201 219

HSL 221.54, 0.27%, 0.81%

LAB 80.86, 0.81, -9.88

 

CMYK 6 / 4 / 0 / 17

HEX #C8CCD4

RGB 200 204 212

HSL 220, 0.12%, 0.81%

LAB 81.96, 0.15, -4.45

 

CMYK 0 / 0 / 2 / 18

HEX #D0CFCC

RGB 208 207 204

HSL 45, 0.04%, 0.81%

LAB 83.12, -0.19, 1.6

 

CMYK 25 / 4 / 0 / 8

HEX #B1E2EB

RGB 177 226 235

HSL 189.31, 0.59%, 0.81%

LAB 86.87, -13.71, -9.56

 

CMYK 25 / 10 / 0 / 8

HEX #B1D3EB

RGB 177 211 235

HSL 204.83, 0.59%, 0.81%

LAB 82.88, -5.98, -15.52

 

CMYK 25 / 17 / 0 / 8

HEX #B1C3EB

RGB 177 195 235

HSL 221.38, 0.59%, 0.81%

LAB 78.68, 2.51, -21.86

 

CMYK 25 / 23 / 0 / 8

HEX #B1B4EB

RGB 177 180 235

HSL 236.9, 0.59%, 0.81%

LAB 74.82, 10.68, -27.76

 

CMYK 19 / 25 / 0 / 8

HEX #BEB1EB

RGB 190 177 235

HSL 253.45, 0.59%, 0.81%

LAB 75.07, 16.27, -27.28

 

CMYK 49 / 34 / 0 / 14

HEX #6F91DB

RGB 111 145 219

HSL 221.11, 0.6%, 0.65%

LAB 60.56, 8.42, -41.45

 

CMYK 37 / 25 / 0 / 11

HEX #90AAE3

RGB 144 170 227

HSL 221.2, 0.6%, 0.73%

LAB 69.63, 4.79, -31.58

 

CMYK 25 / 17 / 0 / 8

HEX #B1C3EB

RGB 177 195 235

HSL 221.38, 0.59%, 0.81%

LAB 78.68, 2.51, -21.86

 

CMYK 14 / 9 / 0 / 5

HEX #D2DDF3

RGB 210 221 243

HSL 220, 0.58%, 0.89%

LAB 87.91, 0.63, -11.98

 

CMYK 4 / 2 / 0 / 1

HEX #F3F6FC

RGB 243 246 252

HSL 220, 0.6%, 0.97%

LAB 96.82, 0.09, -3.23

 

CMYK 24 / 17 / 0 / 7

HEX #B3C5EC

RGB 179 197 236

HSL 221.05, 0.6%, 0.81%

LAB 79.37, 2.26, -21.34

 

CMYK 3 / 25 / 0 / 8

HEX #E4B1EB

RGB 228 177 235

HSL 292.76, 0.59%, 0.81%

LAB 78.42, 28.28, -21.86

 

CMYK 7 / 0 / 25 / 8

HEX #DBEBB1

RGB 219 235 177

HSL 76.55, 0.59%, 0.81%

LAB 90.62, -14.9, 26.44

 

CMYK 24 / 17 / 0 / 7

HEX #B3C5EC

RGB 179 197 236

HSL 221.05, 0.6%, 0.81%

LAB 79.37, 2.26, -21.34

 

CMYK 0 / 25 / 17 / 8

HEX #EBB1C3

RGB 235 177 195

HSL 341.38, 0.59%, 0.81%

LAB 77.9, 23.77, -0.89

 

CMYK 17 / 0 / 25 / 8

HEX #C3EBB1

RGB 195 235 177

HSL 101.38, 0.59%, 0.81%

LAB 89.01, -23.37, 23.98

 

CMYK 24 / 17 / 0 / 7

HEX #B3C5EC

RGB 179 197 236

HSL 221.05, 0.6%, 0.81%

LAB 79.37, 2.26, -21.34

 

CMYK 3 / 25 / 0 / 8

HEX #E4B1EB

RGB 228 177 235

HSL 292.76, 0.59%, 0.81%

LAB 78.42, 28.28, -21.86

 

CMYK 0 / 8 / 25 / 8

HEX #EBD9B1

RGB 235 217 177

HSL 41.38, 0.59%, 0.81%

LAB 87.22, 0.08, 21.98

 

CMYK 22 / 0 / 25 / 8

HEX #B8EBB1

RGB 184 235 177

HSL 112.76, 0.59%, 0.81%

LAB 88.34, -27.1, 22.96

 

CMYK 24 / 17 / 0 / 7

HEX #B3C5EC

RGB 179 197 236

HSL 221.05, 0.6%, 0.81%

LAB 79.37, 2.26, -21.34

 

CMYK 0 / 25 / 5 / 8

HEX #EBB1E0

RGB 235 177 224

HSL 311.38, 0.59%, 0.81%

LAB 78.75, 28.57, -15.37

 

CMYK 0 / 8 / 25 / 8

HEX #EBD9B1

RGB 235 217 177

HSL 41.38, 0.59%, 0.81%

LAB 87.22, 0.08, 21.98

 

CMYK 25 / 0 / 20 / 8

HEX #B1EBBC

RGB 177 235 188

HSL 131.38, 0.59%, 0.81%

LAB 88.16, -27.52, 16.95

 

Description

Color code: HEX #B3C5EC | qconv.com Color code: HEX #B3C5EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 197 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 197 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 17 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 17% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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