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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3B042 it is the complementary color #4C4FBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3B042. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3B042 shade: #B8B03D, #C9C250, #DAD463, #EBE676 and #FCF889

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3B042. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3B042 shade: #B3B042, #A29E2F, #918C1C, #807A09 and #6F6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3B042 shade: #B2AF42, #B29142, #B27242, #B25442 and #B24242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3B042 shade: #B2AF42, #97B242, #78B242, #5AB242 and #42B247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3B042 shade matches the following richer shades: #B2AF42, #C6C22E, #DAD51A and #EEE706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3B042 shade: #B2AF42, #9E9C55, #8B8A69, #77777D and #636491

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3B042 shade: #B27242, #B29042, #B2AE42, #98B242 and #7AB242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3B042 shade: #76742B, #949236, #B2AF42, #C2BF5B and #CDCB79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3B042 shade: #B3B042, #42B254 and #8142B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3B042 shade: #B3B042, #42B2AE and #AE42B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3B042 shade: #B3B042, #42B254, #4245B2 and #B2429F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3B042 shade: #B3B042, #42B276, #4245B2 and #B2427E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 63 / 30

HEX #B3B042

RGB 179 176 66

HSL 58.41, 0.46%, 0.48%

LAB 70.2, -12.81, 54.84

 

Complementary color

CMYK 60 / 58 / 0 / 26

HEX #4C4FBD

RGB 76 79 189

HSL 238.41, 0.46%, 0.52%

LAB 39.25, 31.84, -58.47

 

CMYK 0 / 4 / 67 / 28

HEX #B8B03D

RGB 184 176 61

HSL 56.1, 0.5%, 0.48%

LAB 70.58, -10.97, 57.46

 

CMYK 0 / 3 / 60 / 21

HEX #C9C250

RGB 201 194 80

HSL 56.53, 0.53%, 0.55%

LAB 77.03, -11.79, 56.68

 

CMYK 0 / 3 / 55 / 15

HEX #DAD463

RGB 218 212 99

HSL 56.97, 0.62%, 0.62%

LAB 83.39, -12.47, 55.69

 

CMYK 0 / 2 / 50 / 8

HEX #EBE676

RGB 235 230 118

HSL 57.44, 0.75%, 0.69%

LAB 89.66, -13.04, 54.6

 

CMYK 0 / 2 / 46 / 1

HEX #FCF889

RGB 252 248 137

HSL 57.91, 0.95%, 0.76%

LAB 95.85, -13.52, 53.47

 

CMYK 0 / 2 / 63 / 30

HEX #B3B042

RGB 179 176 66

HSL 58.41, 0.46%, 0.48%

LAB 70.2, -12.81, 54.84

 

CMYK 0 / 2 / 71 / 36

HEX #A29E2F

RGB 162 158 47

HSL 57.91, 0.55%, 0.41%

LAB 63.62, -11.94, 55.39

 

CMYK 0 / 3 / 81 / 43

HEX #918C1C

RGB 145 140 28

HSL 57.44, 0.68%, 0.34%

LAB 56.94, -10.85, 55.22

 

CMYK 0 / 5 / 93 / 50

HEX #807A09

RGB 128 122 9

HSL 56.97, 0.87%, 0.27%

LAB 50.13, -9.48, 53.64

 

CMYK 0 / 6 / 100 / 56

HEX #6F6800

RGB 111 104 0

HSL 56.22, 1%, 0.22%

LAB 43.18, -7.75, 49.65

 

CMYK 0 / 2 / 63 / 30

HEX #B2AF42

RGB 178 175 66

HSL 58.39, 0.46%, 0.48%

LAB 69.84, -12.72, 54.43

 

CMYK 0 / 19 / 63 / 30

HEX #B29142

RGB 178 145 66

HSL 42.32, 0.46%, 0.48%

LAB 61.75, 3.29, 45.62

 

CMYK 0 / 36 / 63 / 30

HEX #B27242

RGB 178 114 66

HSL 25.71, 0.46%, 0.48%

LAB 53.91, 20.54, 36.62

 

CMYK 0 / 53 / 63 / 30

HEX #B25442

RGB 178 84 66

HSL 9.64, 0.46%, 0.48%

LAB 47.23, 36.8, 28.55

 

CMYK 0 / 63 / 63 / 30

HEX #B24242

RGB 178 66 66

HSL 0, 0.46%, 0.48%

LAB 43.88, 45.56, 24.33

 

CMYK 0 / 2 / 63 / 30

HEX #B2AF42

RGB 178 175 66

HSL 58.39, 0.46%, 0.48%

LAB 69.84, -12.72, 54.43

 

CMYK 15 / 0 / 63 / 30

HEX #97B242

RGB 151 178 66

HSL 74.46, 0.46%, 0.48%

LAB 68.62, -25.56, 52.51

 

CMYK 33 / 0 / 63 / 30

HEX #78B242

RGB 120 178 66

HSL 91.07, 0.46%, 0.48%

LAB 66.69, -37.58, 49.86

 

CMYK 49 / 0 / 63 / 30

HEX #5AB242

RGB 90 178 66

HSL 107.14, 0.46%, 0.48%

LAB 65.28, -47.52, 47.9

 

CMYK 63 / 0 / 60 / 30

HEX #42B247

RGB 66 178 71

HSL 122.68, 0.46%, 0.48%

LAB 64.53, -53.19, 44.57

 

CMYK 0 / 2 / 63 / 30

HEX #B2AF42

RGB 178 175 66

HSL 58.39, 0.46%, 0.48%

LAB 69.84, -12.72, 54.43

 

CMYK 0 / 2 / 77 / 22

HEX #C6C22E

RGB 198 194 46

HSL 58.42, 0.62%, 0.48%

LAB 76.55, -14.86, 68.98

 

CMYK 0 / 2 / 88 / 15

HEX #DAD51A

RGB 218 213 26

HSL 58.44, 0.79%, 0.48%

LAB 83.21, -16.38, 80.03

 

CMYK 0 / 3 / 97 / 7

HEX #EEE706

RGB 238 231 6

HSL 58.19, 0.95%, 0.48%

LAB 89.55, -17.02, 87.87

 

CMYK 0 / 2 / 63 / 30

HEX #B2AF42

RGB 178 175 66

HSL 58.39, 0.46%, 0.48%

LAB 69.84, -12.72, 54.43

 

CMYK 0 / 1 / 46 / 38

HEX #9E9C55

RGB 158 156 85

HSL 58.36, 0.3%, 0.48%

LAB 63.1, -9.71, 37.24

 

CMYK 0 / 1 / 24 / 45

HEX #8B8A69

RGB 139 138 105

HSL 58.24, 0.14%, 0.48%

LAB 56.77, -5.34, 17.86

 

CMYK 5 / 5 / 0 / 51

HEX #77777D

RGB 119 119 125

HSL 240, 0.02%, 0.48%

LAB 50.21, 1.24, -3.29

 

CMYK 32 / 31 / 0 / 43

HEX #636491

RGB 99 100 145

HSL 238.7, 0.19%, 0.48%

LAB 43.96, 10.62, -24.81

 

CMYK 0 / 36 / 63 / 30

HEX #B27242

RGB 178 114 66

HSL 25.71, 0.46%, 0.48%

LAB 53.91, 20.54, 36.62

 

CMYK 0 / 19 / 63 / 30

HEX #B29042

RGB 178 144 66

HSL 41.79, 0.46%, 0.48%

LAB 61.49, 3.84, 45.32

 

CMYK 0 / 2 / 63 / 30

HEX #B2AE42

RGB 178 174 66

HSL 57.86, 0.46%, 0.48%

LAB 69.56, -12.21, 54.14

 

CMYK 15 / 0 / 63 / 30

HEX #98B242

RGB 152 178 66

HSL 73.93, 0.46%, 0.48%

LAB 68.69, -25.15, 52.61

 

CMYK 31 / 0 / 63 / 30

HEX #7AB242

RGB 122 178 66

HSL 90, 0.46%, 0.48%

LAB 66.8, -36.85, 50.01

 

CMYK 0 / 2 / 64 / 54

HEX #76742B

RGB 118 116 43

HSL 58.4, 0.47%, 0.32%

LAB 47.65, -9.32, 39.44

 

CMYK 0 / 1 / 64 / 42

HEX #949236

RGB 148 146 54

HSL 58.72, 0.47%, 0.4%

LAB 59.09, -11.36, 47.46

 

CMYK 0 / 2 / 63 / 30

HEX #B2AF42

RGB 178 175 66

HSL 58.39, 0.46%, 0.48%

LAB 69.84, -12.72, 54.43

 

CMYK 0 / 2 / 53 / 24

HEX #C2BF5B

RGB 194 191 91

HSL 58.25, 0.46%, 0.56%

LAB 75.75, -12.34, 50.09

 

CMYK 0 / 1 / 41 / 20

HEX #CDCB79

RGB 205 203 121

HSL 58.57, 0.46%, 0.64%

LAB 80.22, -11.16, 41.07

 

CMYK 0 / 2 / 63 / 30

HEX #B3B042

RGB 179 176 66

HSL 58.41, 0.46%, 0.48%

LAB 70.2, -12.81, 54.84

 

CMYK 63 / 0 / 53 / 30

HEX #42B254

RGB 66 178 84

HSL 129.64, 0.46%, 0.48%

LAB 64.68, -51.5, 38.54

 

CMYK 28 / 63 / 0 / 30

HEX #8142B2

RGB 129 66 178

HSL 273.75, 0.46%, 0.48%

LAB 40.86, 47.45, -49.14

 

CMYK 0 / 2 / 63 / 30

HEX #B3B042

RGB 179 176 66

HSL 58.41, 0.46%, 0.48%

LAB 70.2, -12.81, 54.84

 

CMYK 63 / 0 / 2 / 30

HEX #42B2AE

RGB 66 178 174

HSL 177.86, 0.46%, 0.48%

LAB 66.56, -32.1, -7.33

 

CMYK 2 / 63 / 0 / 30

HEX #AE42B2

RGB 174 66 178

HSL 297.86, 0.46%, 0.48%

LAB 47.12, 58.4, -38.8

 

CMYK 0 / 2 / 63 / 30

HEX #B3B042

RGB 179 176 66

HSL 58.41, 0.46%, 0.48%

LAB 70.2, -12.81, 54.84

 

CMYK 63 / 0 / 53 / 30

HEX #42B254

RGB 66 178 84

HSL 129.64, 0.46%, 0.48%

LAB 64.68, -51.5, 38.54

 

CMYK 63 / 61 / 0 / 30

HEX #4245B2

RGB 66 69 178

HSL 238.39, 0.46%, 0.48%

LAB 35.26, 32.72, -58.5

 

CMYK 0 / 63 / 11 / 30

HEX #B2429F

RGB 178 66 159

HSL 310.18, 0.46%, 0.48%

LAB 46.8, 56.24, -28.03

 

CMYK 0 / 2 / 63 / 30

HEX #B3B042

RGB 179 176 66

HSL 58.41, 0.46%, 0.48%

LAB 70.2, -12.81, 54.84

 

CMYK 63 / 0 / 34 / 30

HEX #42B276

RGB 66 178 118

HSL 147.86, 0.46%, 0.48%

LAB 65.21, -45.67, 21.54

 

CMYK 63 / 61 / 0 / 30

HEX #4245B2

RGB 66 69 178

HSL 238.39, 0.46%, 0.48%

LAB 35.26, 32.72, -58.5

 

CMYK 0 / 63 / 29 / 30

HEX #B2427E

RGB 178 66 126

HSL 327.86, 0.46%, 0.48%

LAB 45.45, 51.47, -10.22

 

Description

Color code: HEX #B3B042 | qconv.com Color code: HEX #B3B042 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 176 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 176 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 63 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 63% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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