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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3B495 it is the complementary color #4C4B6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3B495. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3B495 shade: #B8B490, #C9C6A3, #DAD8B6, #EBEAC9 and #FCFCDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3B495. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3B495 shade: #B3B495, #A2A282, #91906F, #807E5C and #6F6C49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3B495 shade: #B3B496, #B4AD96, #B4A596, #B49D96 and #B49696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3B495 shade: #B3B496, #ABB496, #A3B496, #9BB496 and #96B499

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3B495 shade matches the following richer shades: #B3B496, #C1C388, #CED179, #DCE06B and #E9EE5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3B495 shade: #B3B496, #A6A6A5, #9898B3, #8B89C1 and #7D7BD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3B495 shade: #B4A596, #B4AD96, #B4B496, #ACB496 and #A4B496

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3B495 shade: #909167, #A2A37E, #B3B496, #C5C6AE and #D6D7C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3B495 shade: #B3B495, #96B49D and #A996B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3B495 shade: #B3B495, #96B4B4 and #B496B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3B495 shade: #B3B495, #96B49D, #9796B4 and #B496AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3B495 shade: #B3B495, #96B4A6, #9796B4 and #B496A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 17 / 29

HEX #B3B495

RGB 179 180 149

HSL 61.94, 0.17%, 0.65%

LAB 72.49, -5.69, 15.73

 

Complementary color

CMYK 28 / 29 / 0 / 58

HEX #4C4B6A

RGB 76 75 106

HSL 241.94, 0.17%, 0.35%

LAB 33.16, 8.14, -17.8

 

CMYK 0 / 2 / 22 / 28

HEX #B8B490

RGB 184 180 144

HSL 54, 0.22%, 0.64%

LAB 72.79, -4.55, 18.92

 

CMYK 0 / 1 / 19 / 21

HEX #C9C6A3

RGB 201 198 163

HSL 55.26, 0.26%, 0.71%

LAB 79.3, -4.76, 17.95

 

CMYK 0 / 1 / 17 / 15

HEX #DAD8B6

RGB 218 216 182

HSL 56.67, 0.33%, 0.78%

LAB 85.7, -4.95, 17.04

 

CMYK 0 / 0 / 14 / 8

HEX #EBEAC9

RGB 235 234 201

HSL 58.24, 0.46%, 0.85%

LAB 92.01, -5.11, 16.17

 

CMYK 0 / 0 / 13 / 1

HEX #FCFCDC

RGB 252 252 220

HSL 60, 0.84%, 0.93%

LAB 98.23, -5.27, 15.34

 

CMYK 1 / 0 / 17 / 29

HEX #B3B495

RGB 179 180 149

HSL 61.94, 0.17%, 0.65%

LAB 72.49, -5.69, 15.73

 

CMYK 0 / 0 / 20 / 36

HEX #A2A282

RGB 162 162 130

HSL 60, 0.15%, 0.57%

LAB 65.85, -5.52, 16.69

 

CMYK 0 / 1 / 23 / 43

HEX #91906F

RGB 145 144 111

HSL 58.24, 0.13%, 0.5%

LAB 59.08, -5.33, 17.72

 

CMYK 0 / 2 / 28 / 50

HEX #807E5C

RGB 128 126 92

HSL 56.67, 0.16%, 0.43%

LAB 52.16, -5.09, 18.84

 

CMYK 0 / 3 / 34 / 56

HEX #6F6C49

RGB 111 108 73

HSL 55.26, 0.21%, 0.36%

LAB 45.06, -4.79, 20.05

 

CMYK 1 / 0 / 17 / 29

HEX #B3B496

RGB 179 180 150

HSL 62, 0.17%, 0.65%

LAB 72.51, -5.53, 15.22

 

CMYK 0 / 4 / 17 / 29

HEX #B4AD96

RGB 180 173 150

HSL 46, 0.17%, 0.65%

LAB 70.73, -1.42, 12.72

 

CMYK 0 / 8 / 17 / 29

HEX #B4A596

RGB 180 165 150

HSL 30, 0.17%, 0.65%

LAB 68.62, 2.91, 9.74

 

CMYK 0 / 13 / 17 / 29

HEX #B49D96

RGB 180 157 150

HSL 14, 0.17%, 0.65%

LAB 66.53, 7.29, 6.76

 

CMYK 0 / 17 / 17 / 29

HEX #B49696

RGB 180 150 150

HSL 0, 0.17%, 0.65%

LAB 64.74, 11.17, 4.18

 

CMYK 1 / 0 / 17 / 29

HEX #B3B496

RGB 179 180 150

HSL 62, 0.17%, 0.65%

LAB 72.51, -5.53, 15.22

 

CMYK 5 / 0 / 17 / 29

HEX #ABB496

RGB 171 180 150

HSL 78, 0.17%, 0.65%

LAB 71.89, -8.52, 14.26

 

CMYK 9 / 0 / 17 / 29

HEX #A3B496

RGB 163 180 150

HSL 94, 0.17%, 0.65%

LAB 71.3, -11.46, 13.34

 

CMYK 14 / 0 / 17 / 29

HEX #9BB496

RGB 155 180 150

HSL 110, 0.17%, 0.65%

LAB 70.74, -14.34, 12.47

 

CMYK 17 / 0 / 15 / 29

HEX #96B499

RGB 150 180 153

HSL 126, 0.17%, 0.65%

LAB 70.47, -15.55, 10.4

 

CMYK 1 / 0 / 17 / 29

HEX #B3B496

RGB 179 180 150

HSL 62, 0.17%, 0.65%

LAB 72.51, -5.53, 15.22

 

CMYK 1 / 0 / 30 / 24

HEX #C1C388

RGB 193 195 136

HSL 62.03, 0.33%, 0.65%

LAB 77.37, -10.02, 29.5

 

CMYK 1 / 0 / 42 / 18

HEX #CED179

RGB 206 209 121

HSL 62.05, 0.49%, 0.65%

LAB 81.89, -13.79, 43.19

 

CMYK 2 / 0 / 52 / 12

HEX #DCE06B

RGB 220 224 107

HSL 62.05, 0.65%, 0.65%

LAB 86.79, -16.98, 56.02

 

CMYK 2 / 0 / 61 / 7

HEX #E9EE5C

RGB 233 238 92

HSL 62.05, 0.81%, 0.65%

LAB 91.35, -19.68, 67.83

 

CMYK 1 / 0 / 17 / 29

HEX #B3B496

RGB 179 180 150

HSL 62, 0.17%, 0.65%

LAB 72.51, -5.53, 15.22

 

CMYK 0 / 0 / 1 / 35

HEX #A6A6A5

RGB 166 166 165

HSL 60, 0.01%, 0.65%

LAB 68.09, -0.19, 0.51

 

CMYK 15 / 15 / 0 / 30

HEX #9898B3

RGB 152 152 179

HSL 240, 0.15%, 0.65%

LAB 63.66, 5.6, -14.01

 

CMYK 28 / 29 / 0 / 24

HEX #8B89C1

RGB 139 137 193

HSL 242.14, 0.31%, 0.65%

LAB 59.19, 13.37, -28.84

 

CMYK 40 / 41 / 0 / 18

HEX #7D7BD0

RGB 125 123 208

HSL 241.41, 0.47%, 0.65%

LAB 55.15, 21.68, -43.72

 

CMYK 0 / 8 / 17 / 29

HEX #B4A596

RGB 180 165 150

HSL 30, 0.17%, 0.65%

LAB 68.62, 2.91, 9.74

 

CMYK 0 / 4 / 17 / 29

HEX #B4AD96

RGB 180 173 150

HSL 46, 0.17%, 0.65%

LAB 70.73, -1.42, 12.72

 

CMYK 0 / 0 / 17 / 29

HEX #B4B496

RGB 180 180 150

HSL 60, 0.17%, 0.65%

LAB 72.59, -5.16, 15.34

 

CMYK 4 / 0 / 17 / 29

HEX #ACB496

RGB 172 180 150

HSL 76, 0.17%, 0.65%

LAB 71.97, -8.15, 14.38

 

CMYK 9 / 0 / 17 / 29

HEX #A4B496

RGB 164 180 150

HSL 92, 0.17%, 0.65%

LAB 71.38, -11.09, 13.45

 

CMYK 1 / 0 / 29 / 43

HEX #909167

RGB 144 145 103

HSL 61.43, 0.17%, 0.49%

LAB 59.12, -7.44, 22.24

 

CMYK 1 / 0 / 23 / 36

HEX #A2A37E

RGB 162 163 126

HSL 61.62, 0.17%, 0.57%

LAB 66.05, -6.67, 19.16

 

CMYK 1 / 0 / 17 / 29

HEX #B3B496

RGB 179 180 150

HSL 62, 0.17%, 0.65%

LAB 72.51, -5.53, 15.22

 

CMYK 1 / 0 / 12 / 22

HEX #C5C6AE

RGB 197 198 174

HSL 62.5, 0.17%, 0.73%

LAB 79.22, -4.51, 11.92

 

CMYK 0 / 0 / 8 / 16

HEX #D6D7C6

RGB 214 215 198

HSL 63.53, 0.18%, 0.81%

LAB 85.49, -3.31, 8.26

 

CMYK 1 / 0 / 17 / 29

HEX #B3B495

RGB 179 180 149

HSL 61.94, 0.17%, 0.65%

LAB 72.49, -5.69, 15.73

 

CMYK 17 / 0 / 13 / 29

HEX #96B49D

RGB 150 180 157

HSL 134, 0.17%, 0.65%

LAB 70.57, -14.8, 8.35

 

CMYK 6 / 17 / 0 / 29

HEX #A996B4

RGB 169 150 180

HSL 278, 0.17%, 0.65%

LAB 64.6, 12.7, -13.02

 

CMYK 1 / 0 / 17 / 29

HEX #B3B495

RGB 179 180 149

HSL 61.94, 0.17%, 0.65%

LAB 72.49, -5.69, 15.73

 

CMYK 17 / 0 / 0 / 29

HEX #96B4B4

RGB 150 180 180

HSL 180, 0.17%, 0.65%

LAB 71.16, -10.16, -3.41

 

CMYK 0 / 17 / 0 / 29

HEX #B496B4

RGB 180 150 180

HSL 300, 0.17%, 0.65%

LAB 65.6, 16.51, -11.41

 

CMYK 1 / 0 / 17 / 29

HEX #B3B495

RGB 179 180 149

HSL 61.94, 0.17%, 0.65%

LAB 72.49, -5.69, 15.73

 

CMYK 17 / 0 / 13 / 29

HEX #96B49D

RGB 150 180 157

HSL 134, 0.17%, 0.65%

LAB 70.57, -14.8, 8.35

 

CMYK 16 / 17 / 0 / 29

HEX #9796B4

RGB 151 150 180

HSL 242, 0.17%, 0.65%

LAB 63.08, 6.62, -15.46

 

CMYK 0 / 17 / 3 / 29

HEX #B496AE

RGB 180 150 174

HSL 312, 0.17%, 0.65%

LAB 65.41, 15.37, -8.33

 

CMYK 1 / 0 / 17 / 29

HEX #B3B495

RGB 179 180 149

HSL 61.94, 0.17%, 0.65%

LAB 72.49, -5.69, 15.73

 

CMYK 17 / 0 / 8 / 29

HEX #96B4A6

RGB 150 180 166

HSL 152, 0.17%, 0.65%

LAB 70.79, -13.05, 3.73

 

CMYK 16 / 17 / 0 / 29

HEX #9796B4

RGB 151 150 180

HSL 242, 0.17%, 0.65%

LAB 63.08, 6.62, -15.46

 

CMYK 0 / 17 / 8 / 29

HEX #B496A5

RGB 180 150 165

HSL 330, 0.17%, 0.65%

LAB 65.15, 13.73, -3.66

 

Description

Color code: HEX #B3B495 | qconv.com Color code: HEX #B3B495 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 180 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 180 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 17 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 17% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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