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Color name
HEX #B3A213

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3A213 it is the complementary color #4C5DEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3A213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3A213 shade: #B8A20E, #C9B421, #DAC634, #EBD847 and #FCEA5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3A213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3A213 shade: #B3A213, #A29000, #917E00, #806C00 and #6F5A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3A213 shade: #B4A212, #B47712, #B44C12, #B42012 and #B41212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3A213 shade: #B4A212, #99B412, #6EB412, #42B412 and #17B412

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3A213 shade matches the following richer shades: #B4A212 and #C4AF02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3A213 shade: #B4A212, #A39622, #938933, #837C43 and #737053

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3A213 shade: #B44B12, #B47612, #B4A112, #9BB412 and #70B412

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3A213 shade: #695F0B, #8E810E, #B4A212, #D9C416 and #E9D530

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3A213 shade: #B3A213, #12B420 and #6012B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3A213 shade: #B3A213, #12B4A1 and #A112B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3A213 shade: #B3A213, #12B420, #1225B4 and #B412A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3A213 shade: #B3A213, #12B450, #1225B4 and #B41276

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 89 / 30

HEX #B3A213

RGB 179 162 19

HSL 53.63, 0.81%, 0.39%

LAB 66.11, -7.46, 66.34

 

Complementary color

CMYK 68 / 61 / 0 / 7

HEX #4C5DEC

RGB 76 93 236

HSL 233.63, 0.81%, 0.61%

LAB 46.21, 39.03, -74.1

 

CMYK 0 / 12 / 92 / 28

HEX #B8A20E

RGB 184 162 14

HSL 52.24, 0.86%, 0.39%

LAB 66.57, -5.3, 67.76

 

CMYK 0 / 10 / 84 / 21

HEX #C9B421

RGB 201 180 33

HSL 52.5, 0.72%, 0.46%

LAB 73, -6.82, 69.64

 

CMYK 0 / 9 / 76 / 15

HEX #DAC634

RGB 218 198 52

HSL 52.77, 0.69%, 0.53%

LAB 79.35, -8.11, 70.28

 

CMYK 0 / 8 / 70 / 8

HEX #EBD847

RGB 235 216 71

HSL 53.05, 0.8%, 0.6%

LAB 85.62, -9.21, 70.16

 

CMYK 0 / 7 / 64 / 1

HEX #FCEA5A

RGB 252 234 90

HSL 53.33, 0.96%, 0.67%

LAB 91.81, -10.15, 69.59

 

CMYK 0 / 9 / 89 / 30

HEX #B3A213

RGB 179 162 19

HSL 53.63, 0.81%, 0.39%

LAB 66.11, -7.46, 66.34

 

CMYK 0 / 11 / 100 / 36

HEX #A29000

RGB 162 144 0

HSL 53.33, 1%, 0.32%

LAB 59.55, -5.83, 63.65

 

CMYK 0 / 13 / 100 / 43

HEX #917E00

RGB 145 126 0

HSL 52.14, 1%, 0.28%

LAB 52.89, -3.86, 58.14

 

CMYK 0 / 16 / 100 / 50

HEX #806C00

RGB 128 108 0

HSL 50.63, 1%, 0.25%

LAB 46.06, -1.8, 52.5

 

CMYK 0 / 19 / 100 / 56

HEX #6F5A00

RGB 111 90 0

HSL 48.65, 1%, 0.22%

LAB 39.06, 0.38, 46.71

 

CMYK 0 / 10 / 90 / 29

HEX #B4A212

RGB 180 162 18

HSL 53.33, 0.82%, 0.39%

LAB 66.2, -7.03, 66.64

 

CMYK 0 / 34 / 90 / 29

HEX #B47712

RGB 180 119 18

HSL 37.41, 0.82%, 0.39%

LAB 55.01, 16.52, 57.92

 

CMYK 0 / 58 / 90 / 29

HEX #B44C12

RGB 180 76 18

HSL 21.48, 0.82%, 0.39%

LAB 45.52, 39.56, 50.64

 

CMYK 0 / 82 / 90 / 29

HEX #B42012

RGB 180 32 18

HSL 5.19, 0.82%, 0.39%

LAB 39.21, 56.67, 45.91

 

CMYK 0 / 90 / 90 / 29

HEX #B41212

RGB 180 18 18

HSL 0, 0.82%, 0.39%

LAB 38.16, 59.65, 45.14

 

CMYK 0 / 10 / 90 / 29

HEX #B4A212

RGB 180 162 18

HSL 53.33, 0.82%, 0.39%

LAB 66.2, -7.03, 66.64

 

CMYK 15 / 0 / 90 / 29

HEX #99B412

RGB 153 180 18

HSL 70, 0.82%, 0.39%

LAB 69.08, -27.95, 68.01

 

CMYK 39 / 0 / 90 / 29

HEX #6EB412

RGB 110 180 18

HSL 85.93, 0.82%, 0.39%

LAB 66.52, -44.75, 64.86

 

CMYK 63 / 0 / 90 / 29

HEX #42B412

RGB 66 180 18

HSL 102.22, 0.82%, 0.39%

LAB 64.84, -57.76, 62.76

 

CMYK 87 / 0 / 90 / 29

HEX #17B412

RGB 23 180 18

HSL 118.15, 0.82%, 0.39%

LAB 64.05, -64.55, 61.78

 

CMYK 0 / 10 / 90 / 29

HEX #B4A212

RGB 180 162 18

HSL 53.33, 0.82%, 0.39%

LAB 66.2, -7.03, 66.64

 

CMYK 0 / 11 / 99 / 23

HEX #C4AF02

RGB 196 175 2

HSL 53.51, 0.98%, 0.39%

LAB 71.15, -6.94, 73.17

 

CMYK 0 / 10 / 90 / 29

HEX #B4A212

RGB 180 162 18

HSL 53.33, 0.82%, 0.39%

LAB 66.2, -7.03, 66.64

 

CMYK 0 / 8 / 79 / 36

HEX #A39622

RGB 163 150 34

HSL 53.95, 0.65%, 0.39%

LAB 61.41, -7.84, 57.94

 

CMYK 0 / 7 / 65 / 42

HEX #938933

RGB 147 137 51

HSL 53.75, 0.48%, 0.39%

LAB 56.42, -7.15, 45.94

 

CMYK 0 / 5 / 49 / 49

HEX #837C43

RGB 131 124 67

HSL 53.44, 0.32%, 0.39%

LAB 51.43, -5.78, 31.89

 

CMYK 0 / 3 / 28 / 55

HEX #737053

RGB 115 112 83

HSL 54.38, 0.16%, 0.39%

LAB 46.79, -3.93, 16.59

 

CMYK 0 / 58 / 90 / 29

HEX #B44B12

RGB 180 75 18

HSL 21.11, 0.82%, 0.39%

LAB 45.33, 40.05, 50.5

 

CMYK 0 / 34 / 90 / 29

HEX #B47612

RGB 180 118 18

HSL 37.04, 0.82%, 0.39%

LAB 54.77, 17.08, 57.73

 

CMYK 0 / 11 / 90 / 29

HEX #B4A112

RGB 180 161 18

HSL 52.96, 0.82%, 0.39%

LAB 65.93, -6.5, 66.43

 

CMYK 14 / 0 / 90 / 29

HEX #9BB412

RGB 155 180 18

HSL 69.26, 0.82%, 0.39%

LAB 69.22, -27.1, 68.18

 

CMYK 38 / 0 / 90 / 29

HEX #70B412

RGB 112 180 18

HSL 85.19, 0.82%, 0.39%

LAB 66.62, -44.03, 64.98

 

CMYK 0 / 10 / 90 / 59

HEX #695F0B

RGB 105 95 11

HSL 53.62, 0.81%, 0.23%

LAB 39.93, -5.23, 44.07

 

CMYK 0 / 9 / 90 / 44

HEX #8E810E

RGB 142 129 14

HSL 53.91, 0.82%, 0.31%

LAB 53.47, -6.67, 55.85

 

CMYK 0 / 10 / 90 / 29

HEX #B4A212

RGB 180 162 18

HSL 53.33, 0.82%, 0.39%

LAB 66.2, -7.03, 66.64

 

CMYK 0 / 10 / 90 / 15

HEX #D9C416

RGB 217 196 22

HSL 53.54, 0.82%, 0.47%

LAB 78.63, -8.34, 77.07

 

CMYK 0 / 9 / 79 / 9

HEX #E9D530

RGB 233 213 48

HSL 53.51, 0.81%, 0.55%

LAB 84.55, -9.47, 76.64

 

CMYK 0 / 9 / 89 / 30

HEX #B3A213

RGB 179 162 19

HSL 53.63, 0.81%, 0.39%

LAB 66.11, -7.46, 66.34

 

CMYK 90 / 0 / 82 / 29

HEX #12B420

RGB 18 180 32

HSL 125.19, 0.82%, 0.39%

LAB 64.06, -64.31, 58.59

 

CMYK 47 / 90 / 0 / 29

HEX #6012B4

RGB 96 18 180

HSL 268.89, 0.82%, 0.39%

LAB 29.95, 61.39, -68.28

 

CMYK 0 / 9 / 89 / 30

HEX #B3A213

RGB 179 162 19

HSL 53.63, 0.81%, 0.39%

LAB 66.11, -7.46, 66.34

 

CMYK 90 / 0 / 11 / 29

HEX #12B4A1

RGB 18 180 161

HSL 172.96, 0.82%, 0.39%

LAB 66.02, -41.92, -1.03

 

CMYK 11 / 90 / 0 / 29

HEX #A112B4

RGB 161 18 180

HSL 292.96, 0.82%, 0.39%

LAB 40.09, 70.5, -51.32

 

CMYK 0 / 9 / 89 / 30

HEX #B3A213

RGB 179 162 19

HSL 53.63, 0.81%, 0.39%

LAB 66.11, -7.46, 66.34

 

CMYK 90 / 0 / 82 / 29

HEX #12B420

RGB 18 180 32

HSL 125.19, 0.82%, 0.39%

LAB 64.06, -64.31, 58.59

 

CMYK 90 / 79 / 0 / 29

HEX #1225B4

RGB 18 37 180

HSL 232.96, 0.82%, 0.39%

LAB 26, 48.11, -75.01

 

CMYK 0 / 90 / 8 / 29

HEX #B412A6

RGB 180 18 166

HSL 305.19, 0.82%, 0.39%

LAB 42.6, 71.68, -38.79

 

CMYK 0 / 9 / 89 / 30

HEX #B3A213

RGB 179 162 19

HSL 53.63, 0.81%, 0.39%

LAB 66.11, -7.46, 66.34

 

CMYK 90 / 0 / 56 / 29

HEX #12B450

RGB 18 180 80

HSL 142.96, 0.82%, 0.39%

LAB 64.44, -59.51, 40.02

 

CMYK 90 / 79 / 0 / 29

HEX #1225B4

RGB 18 37 180

HSL 232.96, 0.82%, 0.39%

LAB 26, 48.11, -75.01

 

CMYK 0 / 90 / 34 / 29

HEX #B41276

RGB 180 18 118

HSL 322.96, 0.82%, 0.39%

LAB 40.32, 65.67, -13.02

 

Description

Color code: HEX #B3A213 | qconv.com Color code: HEX #B3A213 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 162 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 162 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 89 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 89% 30% C M Y K

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Provide designers and agencies with accurate color values.

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