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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFFAFD it is the complementary color #500502. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFFAFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFFAFD shade: #B4FAF8, #C5FFFF, #D6FFFF, #E7FFFF and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFFAFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFFAFD shade: #AFFAFD, #9EE8EA, #8DD6D7, #7CC4C4 and #6BB2B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFFAFD shade: #AFF9FC, #AFE5FC, #AFD0FC, #AFBBFC and #B8AFFC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFFAFD shade: #AFF9FC, #AFE5FC, #AFD0FC, #AFBBFC and #AFAFFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFFAFD shade matches the following richer shades: #AFF9FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFFAFD shade: #AFF9FC, #B6F3F6, #BCEDEF, #C3E7E9 and #C9E1E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFFAFD shade: #AFFCD6, #AFFCEA, #AFFAFC, #AFE5FC and #AFD1FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFFAFD shade: #5EF4FA, #87F7FB, #AFF9FC and #D7FCFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFFAFD shade: #AFFAFD, #C1AFFC and #FCE0AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFFAFD shade: #AFFAFD, #FCAFFA and #FAFCAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFFAFD shade: #AFFAFD, #C1AFFC, #FCB2AF and #EAFCAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFFAFD shade: #AFFAFD, #D8AFFC, #FCB2AF and #D3FCAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 1 / 0 / 1

HEX #AFFAFD

RGB 175 250 253

HSL 182.31, 0.95%, 0.84%

LAB 93.7, -22.19, -8.82

 

Complementary color

CMYK 0 / 94 / 98 / 69

HEX #500502

RGB 80 5 2

HSL 2.31, 0.95%, 0.16%

LAB 14.5, 32.84, 21.71

 

CMYK 28 / 0 / 1 / 2

HEX #B4FAF8

RGB 180 250 248

HSL 178.29, 0.88%, 0.84%

LAB 93.82, -21.93, -6.03

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 31 / 1 / 0 / 1

HEX #AFFAFD

RGB 175 250 253

HSL 182.31, 0.95%, 0.84%

LAB 93.7, -22.19, -8.82

 

CMYK 32 / 1 / 0 / 8

HEX #9EE8EA

RGB 158 232 234

HSL 181.58, 0.64%, 0.77%

LAB 87.45, -22.26, -8.28

 

CMYK 34 / 0 / 0 / 16

HEX #8DD6D7

RGB 141 214 215

HSL 180.81, 0.48%, 0.7%

LAB 81.11, -22.34, -7.72

 

CMYK 37 / 0 / 0 / 23

HEX #7CC4C4

RGB 124 196 196

HSL 180, 0.38%, 0.63%

LAB 74.67, -22.41, -7.13

 

CMYK 40 / 0 / 1 / 30

HEX #6BB2B1

RGB 107 178 177

HSL 179.15, 0.32%, 0.56%

LAB 68.12, -22.48, -6.51

 

CMYK 31 / 1 / 0 / 1

HEX #AFF9FC

RGB 175 249 252

HSL 182.34, 0.93%, 0.84%

LAB 93.4, -21.92, -8.74

 

CMYK 31 / 9 / 0 / 1

HEX #AFE5FC

RGB 175 229 252

HSL 197.92, 0.93%, 0.84%

LAB 88.06, -11.94, -16.73

 

CMYK 31 / 17 / 0 / 1

HEX #AFD0FC

RGB 175 208 252

HSL 214.29, 0.93%, 0.84%

LAB 82.52, -1.01, -25.12

 

CMYK 31 / 26 / 0 / 1

HEX #AFBBFC

RGB 175 187 252

HSL 230.65, 0.93%, 0.84%

LAB 77.09, 10.34, -33.43

 

CMYK 27 / 31 / 0 / 1

HEX #B8AFFC

RGB 184 175 252

HSL 247.01, 0.93%, 0.84%

LAB 74.75, 19.53, -37.01

 

CMYK 31 / 1 / 0 / 1

HEX #AFF9FC

RGB 175 249 252

HSL 182.34, 0.93%, 0.84%

LAB 93.4, -21.92, -8.74

 

CMYK 31 / 9 / 0 / 1

HEX #AFE5FC

RGB 175 229 252

HSL 197.92, 0.93%, 0.84%

LAB 88.06, -11.94, -16.73

 

CMYK 31 / 17 / 0 / 1

HEX #AFD0FC

RGB 175 208 252

HSL 214.29, 0.93%, 0.84%

LAB 82.52, -1.01, -25.12

 

CMYK 31 / 26 / 0 / 1

HEX #AFBBFC

RGB 175 187 252

HSL 230.65, 0.93%, 0.84%

LAB 77.09, 10.34, -33.43

 

CMYK 31 / 31 / 0 / 1

HEX #AFAFFC

RGB 175 175 252

HSL 240, 0.93%, 0.84%

LAB 74.06, 16.98, -38.12

 

CMYK 31 / 1 / 0 / 1

HEX #AFF9FC

RGB 175 249 252

HSL 182.34, 0.93%, 0.84%

LAB 93.4, -21.92, -8.74

 

CMYK 31 / 1 / 0 / 1

HEX #AFF9FC

RGB 175 249 252

HSL 182.34, 0.93%, 0.84%

LAB 93.4, -21.92, -8.74

 

CMYK 26 / 1 / 0 / 4

HEX #B6F3F6

RGB 182 243 246

HSL 182.81, 0.78%, 0.84%

LAB 92, -18.37, -7.67

 

CMYK 21 / 1 / 0 / 6

HEX #BCEDEF

RGB 188 237 239

HSL 182.35, 0.61%, 0.84%

LAB 90.55, -15.15, -6.13

 

CMYK 16 / 1 / 0 / 9

HEX #C3E7E9

RGB 195 231 233

HSL 183.16, 0.46%, 0.84%

LAB 89.22, -11.25, -4.9

 

CMYK 11 / 0 / 0 / 11

HEX #C9E1E2

RGB 201 225 226

HSL 182.4, 0.3%, 0.84%

LAB 87.85, -7.71, -3.19

 

CMYK 31 / 0 / 15 / 1

HEX #AFFCD6

RGB 175 252 214

HSL 150.39, 0.93%, 0.84%

LAB 93.27, -31.33, 10.72

 

CMYK 31 / 0 / 7 / 1

HEX #AFFCEA

RGB 175 252 234

HSL 165.97, 0.93%, 0.84%

LAB 93.74, -27.29, 1.07

 

CMYK 31 / 1 / 0 / 1

HEX #AFFAFC

RGB 175 250 252

HSL 181.56, 0.93%, 0.84%

LAB 93.67, -22.41, -8.34

 

CMYK 31 / 9 / 0 / 1

HEX #AFE5FC

RGB 175 229 252

HSL 197.92, 0.93%, 0.84%

LAB 88.06, -11.94, -16.73

 

CMYK 31 / 17 / 0 / 1

HEX #AFD1FC

RGB 175 209 252

HSL 213.51, 0.93%, 0.84%

LAB 82.78, -1.54, -24.72

 

CMYK 62 / 2 / 0 / 2

HEX #5EF4FA

RGB 94 244 250

HSL 182.31, 0.94%, 0.67%

LAB 88.91, -37.54, -14.72

 

CMYK 46 / 2 / 0 / 2

HEX #87F7FB

RGB 135 247 251

HSL 182.07, 0.94%, 0.76%

LAB 91.07, -31.01, -11.89

 

CMYK 31 / 1 / 0 / 1

HEX #AFF9FC

RGB 175 249 252

HSL 182.34, 0.93%, 0.84%

LAB 93.4, -21.92, -8.74

 

CMYK 15 / 0 / 0 / 1

HEX #D7FCFD

RGB 215 252 253

HSL 181.58, 0.9%, 0.92%

LAB 96.48, -11.62, -4.47

 

CMYK 31 / 1 / 0 / 1

HEX #AFFAFD

RGB 175 250 253

HSL 182.31, 0.95%, 0.84%

LAB 93.7, -22.19, -8.82

 

CMYK 23 / 31 / 0 / 1

HEX #C1AFFC

RGB 193 175 252

HSL 254.03, 0.93%, 0.84%

LAB 75.47, 22.13, -35.84

 

CMYK 0 / 11 / 31 / 1

HEX #FCE0AF

RGB 252 224 175

HSL 38.18, 0.93%, 0.84%

LAB 90.37, 2.6, 27.55

 

CMYK 31 / 1 / 0 / 1

HEX #AFFAFD

RGB 175 250 253

HSL 182.31, 0.95%, 0.84%

LAB 93.7, -22.19, -8.82

 

CMYK 0 / 31 / 1 / 1

HEX #FCAFFA

RGB 252 175 250

HSL 301.56, 0.93%, 0.84%

LAB 80.88, 39.74, -25.97

 

CMYK 1 / 0 / 31 / 1

HEX #FAFCAF

RGB 250 252 175

HSL 61.56, 0.93%, 0.84%

LAB 97.24, -12.19, 36.75

 

CMYK 31 / 1 / 0 / 1

HEX #AFFAFD

RGB 175 250 253

HSL 182.31, 0.95%, 0.84%

LAB 93.7, -22.19, -8.82

 

CMYK 23 / 31 / 0 / 1

HEX #C1AFFC

RGB 193 175 252

HSL 254.03, 0.93%, 0.84%

LAB 75.47, 22.13, -35.84

 

CMYK 0 / 29 / 31 / 1

HEX #FCB2AF

RGB 252 178 175

HSL 2.34, 0.93%, 0.84%

LAB 79.4, 26.57, 12.35

 

CMYK 7 / 0 / 31 / 1

HEX #EAFCAF

RGB 234 252 175

HSL 74.03, 0.93%, 0.84%

LAB 96.08, -18.06, 35

 

CMYK 31 / 1 / 0 / 1

HEX #AFFAFD

RGB 175 250 253

HSL 182.31, 0.95%, 0.84%

LAB 93.7, -22.19, -8.82

 

CMYK 14 / 31 / 0 / 1

HEX #D8AFFC

RGB 216 175 252

HSL 271.95, 0.93%, 0.84%

LAB 77.45, 28.99, -32.61

 

CMYK 0 / 29 / 31 / 1

HEX #FCB2AF

RGB 252 178 175

HSL 2.34, 0.93%, 0.84%

LAB 79.4, 26.57, 12.35

 

CMYK 16 / 0 / 31 / 1

HEX #D3FCAF

RGB 211 252 175

HSL 91.95, 0.93%, 0.84%

LAB 94.55, -26.26, 32.68

 

Description

Color code: HEX #AFFAFD | qconv.com Color code: HEX #AFFAFD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 250 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 250 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 1 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 1% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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