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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFF3D6 it is the complementary color #500C29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFF3D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFF3D6 shade: #B4F3D1, #C5FFE4, #D6FFF7, #E7FFFF and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFF3D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFF3D6 shade: #AFF3D6, #9EE1C3, #8DCFB0, #7CBD9D and #6BAB8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFF3D6 shade: #AFF3D6, #AFF3C3, #AFF3B1, #BFF3AF and #D1F3AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFF3D6 shade: #AFF3D6, #AFF3E8, #AFEBF3, #AFD9F3 and #AFC6F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFF3D6 shade matches the following richer shades: #AFF3D6 and #A7FAD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFF3D6 shade: #AFF3D6, #B6EBD5, #BDE4D3, #C5DCD2 and #CCD5D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFF3D6 shade: #AFF3B1, #AFF3C3, #AFF3D5, #AFF3E7 and #AFECF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFF3D6 shade: #67E8B1, #8BEDC3, #AFF3D6, #D3F8E8 and #F6FDFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFF3D6 shade: #AFF3D6, #AFBEF3 and #F3BAAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFF3D6 shade: #AFF3D6, #D5AFF3 and #F3D5AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFF3D6 shade: #AFF3D6, #AFBEF3, #F3AFCC and #F3E3AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFF3D6 shade: #AFF3D6, #B3AFF3, #F3AFCC and #EEF3AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 12 / 5

HEX #AFF3D6

RGB 175 243 214

HSL 154.41, 0.74%, 0.82%

LAB 90.81, -27.07, 7.19

 

Complementary color

CMYK 0 / 85 / 49 / 69

HEX #500C29

RGB 80 12 41

HSL 334.41, 0.74%, 0.18%

LAB 16.15, 33, 0.09

 

CMYK 26 / 0 / 14 / 5

HEX #B4F3D1

RGB 180 243 209

HSL 147.62, 0.72%, 0.83%

LAB 90.97, -26.54, 10.05

 

CMYK 23 / 0 / 11 / 0

HEX #C5FFE4

RGB 197 255 228

HSL 152.07, 1%, 0.89%

LAB 95.58, -23.48, 6.97

 

CMYK 16 / 0 / 3 / 0

HEX #D6FFF7

RGB 214 255 247

HSL 168.29, 1%, 0.92%

LAB 97.04, -14.59, -0.56

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 28 / 0 / 12 / 5

HEX #AFF3D6

RGB 175 243 214

HSL 154.41, 0.74%, 0.82%

LAB 90.81, -27.07, 7.19

 

CMYK 30 / 0 / 13 / 12

HEX #9EE1C3

RGB 158 225 195

HSL 153.13, 0.53%, 0.75%

LAB 84.51, -27.28, 7.97

 

CMYK 32 / 0 / 15 / 19

HEX #8DCFB0

RGB 141 207 176

HSL 151.82, 0.41%, 0.68%

LAB 78.12, -27.51, 8.79

 

CMYK 34 / 0 / 17 / 26

HEX #7CBD9D

RGB 124 189 157

HSL 150.46, 0.33%, 0.61%

LAB 71.63, -27.75, 9.66

 

CMYK 37 / 0 / 19 / 33

HEX #6BAB8A

RGB 107 171 138

HSL 149.06, 0.28%, 0.55%

LAB 65.03, -28, 10.59

 

CMYK 28 / 0 / 12 / 5

HEX #AFF3D6

RGB 175 243 214

HSL 154.41, 0.74%, 0.82%

LAB 90.81, -27.07, 7.19

 

CMYK 28 / 0 / 20 / 5

HEX #AFF3C3

RGB 175 243 195

HSL 137.65, 0.74%, 0.82%

LAB 90.39, -30.68, 16.44

 

CMYK 28 / 0 / 27 / 5

HEX #AFF3B1

RGB 175 243 177

HSL 121.76, 0.74%, 0.82%

LAB 90.04, -33.79, 25.2

 

CMYK 21 / 0 / 28 / 5

HEX #BFF3AF

RGB 191 243 175

HSL 105.88, 0.74%, 0.82%

LAB 90.9, -28.86, 27.55

 

CMYK 14 / 0 / 28 / 5

HEX #D1F3AF

RGB 209 243 175

HSL 90, 0.74%, 0.82%

LAB 92.02, -22.66, 29.25

 

CMYK 28 / 0 / 12 / 5

HEX #AFF3D6

RGB 175 243 214

HSL 154.41, 0.74%, 0.82%

LAB 90.81, -27.07, 7.19

 

CMYK 28 / 0 / 5 / 5

HEX #AFF3E8

RGB 175 243 232

HSL 170.29, 0.74%, 0.82%

LAB 91.25, -23.38, -1.53

 

CMYK 28 / 3 / 0 / 5

HEX #AFEBF3

RGB 175 235 243

HSL 187.06, 0.74%, 0.82%

LAB 89.39, -17.03, -10.01

 

CMYK 28 / 11 / 0 / 5

HEX #AFD9F3

RGB 175 217 243

HSL 202.94, 0.74%, 0.82%

LAB 84.59, -7.86, -17.2

 

CMYK 28 / 19 / 0 / 5

HEX #AFC6F3

RGB 175 198 243

HSL 219.71, 0.74%, 0.82%

LAB 79.6, 2.18, -24.76

 

CMYK 28 / 0 / 12 / 5

HEX #AFF3D6

RGB 175 243 214

HSL 154.41, 0.74%, 0.82%

LAB 90.81, -27.07, 7.19

 

CMYK 33 / 0 / 14 / 2

HEX #A7FAD7

RGB 167 250 215

HSL 154.7, 0.89%, 0.82%

LAB 92.35, -32.49, 8.83

 

CMYK 28 / 0 / 12 / 5

HEX #AFF3D6

RGB 175 243 214

HSL 154.41, 0.74%, 0.82%

LAB 90.81, -27.07, 7.19

 

CMYK 23 / 0 / 9 / 8

HEX #B6EBD5

RGB 182 235 213

HSL 155.09, 0.57%, 0.82%

LAB 89, -21.28, 5.15

 

CMYK 17 / 0 / 7 / 11

HEX #BDE4D3

RGB 189 228 211

HSL 153.85, 0.42%, 0.82%

LAB 87.49, -16, 4.07

 

CMYK 10 / 0 / 5 / 14

HEX #C5DCD2

RGB 197 220 210

HSL 153.91, 0.25%, 0.82%

LAB 85.86, -9.54, 2.3

 

CMYK 4 / 0 / 2 / 16

HEX #CCD5D1

RGB 204 213 209

HSL 153.33, 0.1%, 0.82%

LAB 84.5, -3.78, 0.91

 

CMYK 28 / 0 / 27 / 5

HEX #AFF3B1

RGB 175 243 177

HSL 121.76, 0.74%, 0.82%

LAB 90.04, -33.79, 25.2

 

CMYK 28 / 0 / 20 / 5

HEX #AFF3C3

RGB 175 243 195

HSL 137.65, 0.74%, 0.82%

LAB 90.39, -30.68, 16.44

 

CMYK 28 / 0 / 12 / 5

HEX #AFF3D5

RGB 175 243 213

HSL 153.53, 0.74%, 0.82%

LAB 90.79, -27.27, 7.68

 

CMYK 28 / 0 / 5 / 5

HEX #AFF3E7

RGB 175 243 231

HSL 169.41, 0.74%, 0.82%

LAB 91.23, -23.59, -1.04

 

CMYK 28 / 3 / 0 / 5

HEX #AFECF3

RGB 175 236 243

HSL 186.18, 0.74%, 0.82%

LAB 89.66, -17.53, -9.61

 

CMYK 56 / 0 / 24 / 9

HEX #67E8B1

RGB 103 232 177

HSL 154.42, 0.74%, 0.66%

LAB 83.85, -48.37, 16.15

 

CMYK 41 / 0 / 18 / 7

HEX #8BEDC3

RGB 139 237 195

HSL 154.29, 0.73%, 0.74%

LAB 87, -38.23, 11.4

 

CMYK 28 / 0 / 12 / 5

HEX #AFF3D6

RGB 175 243 214

HSL 154.41, 0.74%, 0.82%

LAB 90.81, -27.07, 7.19

 

CMYK 15 / 0 / 6 / 3

HEX #D3F8E8

RGB 211 248 232

HSL 154.05, 0.73%, 0.9%

LAB 94.66, -14.94, 3.69

 

CMYK 3 / 0 / 1 / 1

HEX #F6FDFA

RGB 246 253 250

HSL 154.29, 0.64%, 0.98%

LAB 98.73, -2.83, 0.62

 

CMYK 28 / 0 / 12 / 5

HEX #AFF3D6

RGB 175 243 214

HSL 154.41, 0.74%, 0.82%

LAB 90.81, -27.07, 7.19

 

CMYK 28 / 22 / 0 / 5

HEX #AFBEF3

RGB 175 190 243

HSL 226.76, 0.74%, 0.82%

LAB 77.53, 6.51, -27.93

 

CMYK 0 / 23 / 28 / 5

HEX #F3BAAF

RGB 243 186 175

HSL 9.71, 0.74%, 0.82%

LAB 80.33, 19.02, 13.52

 

CMYK 28 / 0 / 12 / 5

HEX #AFF3D6

RGB 175 243 214

HSL 154.41, 0.74%, 0.82%

LAB 90.81, -27.07, 7.19

 

CMYK 12 / 28 / 0 / 5

HEX #D5AFF3

RGB 213 175 243

HSL 273.53, 0.74%, 0.82%

LAB 76.85, 26.2, -28.71

 

CMYK 0 / 12 / 28 / 5

HEX #F3D5AF

RGB 243 213 175

HSL 33.53, 0.74%, 0.82%

LAB 86.87, 4.87, 22.64

 

CMYK 28 / 0 / 12 / 5

HEX #AFF3D6

RGB 175 243 214

HSL 154.41, 0.74%, 0.82%

LAB 90.81, -27.07, 7.19

 

CMYK 28 / 22 / 0 / 5

HEX #AFBEF3

RGB 175 190 243

HSL 226.76, 0.74%, 0.82%

LAB 77.53, 6.51, -27.93

 

CMYK 0 / 28 / 16 / 5

HEX #F3AFCC

RGB 243 175 204

HSL 334.41, 0.74%, 0.82%

LAB 78.51, 29.04, -4.8

 

CMYK 0 / 7 / 28 / 5

HEX #F3E3AF

RGB 243 227 175

HSL 45.88, 0.74%, 0.82%

LAB 90.36, -2.31, 27.42

 

CMYK 28 / 0 / 12 / 5

HEX #AFF3D6

RGB 175 243 214

HSL 154.41, 0.74%, 0.82%

LAB 90.81, -27.07, 7.19

 

CMYK 26 / 28 / 0 / 5

HEX #B3AFF3

RGB 179 175 243

HSL 243.53, 0.74%, 0.82%

LAB 74.01, 15.93, -33.32

 

CMYK 0 / 28 / 16 / 5

HEX #F3AFCC

RGB 243 175 204

HSL 334.41, 0.74%, 0.82%

LAB 78.51, 29.04, -4.8

 

CMYK 2 / 0 / 28 / 5

HEX #EEF3AF

RGB 238 243 175

HSL 64.41, 0.74%, 0.82%

LAB 94.04, -12.19, 32.32

 

Description

Color code: HEX #AFF3D6 | qconv.com Color code: HEX #AFF3D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 243 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 243 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 12 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 12% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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