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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFEE9F it is the complementary color #501160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFEE9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFEE9F shade: #B4EE9A, #C5FFAD, #D6FFC0, #E7FFD3 and #F8FFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFEE9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFEE9F shade: #AFEE9F, #9EDC8C, #8DCA79, #7CB866 and #6BA653

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFEE9F shade: #AFEE9F, #C4EE9F, #D9EE9F, #EEED9F and #EED89F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFEE9F shade: #AFEE9F, #9FEEA4, #9FEEBA, #9FEECF and #9FEEE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFEE9F shade matches the following richer shades: #AFEE9F and #AAF796

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFEE9F shade: #AFEE9F, #B4E5A8, #BADCB1, #BFD2BA and #C5C9C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFEE9F shade: #DAEE9F, #C5EE9F, #B0EE9F, #9FEEA3 and #9FEEB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFEE9F shade: #75E159, #92E77C, #AFEE9F, #CCF4C2 and #E9FAE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFEE9F shade: #AFEE9F, #9FEEEC and #EE9FD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFEE9F shade: #AFEE9F, #9FB0EE and #EE9FB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFEE9F shade: #AFEE9F, #9FEEEC, #DD9FEE and #EE9FA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFEE9F shade: #AFEE9F, #9FD7EE, #DD9FEE and #EEB59F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 33 / 7

HEX #AFEE9F

RGB 175 238 159

HSL 107.85, 0.7%, 0.78%

LAB 88.34, -34.3, 32.06

 

Complementary color

CMYK 17 / 82 / 0 / 62

HEX #501160

RGB 80 17 96

HSL 287.85, 0.7%, 0.22%

LAB 19.85, 40.28, -32.29

 

CMYK 24 / 0 / 35 / 7

HEX #B4EE9A

RGB 180 238 154

HSL 101.43, 0.71%, 0.77%

LAB 88.54, -33.35, 34.89

 

CMYK 23 / 0 / 32 / 0

HEX #C5FFAD

RGB 197 255 173

HSL 102.44, 1%, 0.84%

LAB 94.49, -32.74, 33.45

 

CMYK 16 / 0 / 25 / 0

HEX #D6FFC0

RGB 214 255 192

HSL 99.05, 1%, 0.88%

LAB 95.84, -24.16, 25.89

 

CMYK 9 / 0 / 17 / 0

HEX #E7FFD3

RGB 231 255 211

HSL 92.73, 1%, 0.91%

LAB 97.31, -15.41, 18.44

 

CMYK 3 / 0 / 10 / 0

HEX #F8FFE6

RGB 248 255 230

HSL 76.8, 1%, 0.95%

LAB 98.9, -6.56, 11.15

 

CMYK 26 / 0 / 33 / 7

HEX #AFEE9F

RGB 175 238 159

HSL 107.85, 0.7%, 0.78%

LAB 88.34, -34.3, 32.06

 

CMYK 28 / 0 / 36 / 14

HEX #9EDC8C

RGB 158 220 140

HSL 106.5, 0.53%, 0.71%

LAB 82.03, -34.49, 33.17

 

CMYK 30 / 0 / 40 / 21

HEX #8DCA79

RGB 141 202 121

HSL 105.19, 0.43%, 0.63%

LAB 75.63, -34.68, 34.33

 

CMYK 33 / 0 / 45 / 28

HEX #7CB866

RGB 124 184 102

HSL 103.9, 0.37%, 0.56%

LAB 69.13, -34.84, 35.54

 

CMYK 36 / 0 / 50 / 35

HEX #6BA653

RGB 107 166 83

HSL 102.65, 0.33%, 0.49%

LAB 62.53, -34.96, 36.78

 

CMYK 26 / 0 / 33 / 7

HEX #AFEE9F

RGB 175 238 159

HSL 107.85, 0.7%, 0.78%

LAB 88.34, -34.3, 32.06

 

CMYK 18 / 0 / 33 / 7

HEX #C4EE9F

RGB 196 238 159

HSL 91.9, 0.7%, 0.78%

LAB 89.57, -27.11, 33.93

 

CMYK 9 / 0 / 33 / 7

HEX #D9EE9F

RGB 217 238 159

HSL 75.95, 0.7%, 0.78%

LAB 90.96, -19.53, 36.02

 

CMYK 0 / 0 / 33 / 7

HEX #EEED9F

RGB 238 237 159

HSL 59.24, 0.7%, 0.78%

LAB 92.24, -11.19, 37.98

 

CMYK 0 / 9 / 33 / 7

HEX #EED89F

RGB 238 216 159

HSL 43.29, 0.7%, 0.78%

LAB 86.89, -0.58, 30.91

 

CMYK 26 / 0 / 33 / 7

HEX #AFEE9F

RGB 175 238 159

HSL 107.85, 0.7%, 0.78%

LAB 88.34, -34.3, 32.06

 

CMYK 33 / 0 / 31 / 7

HEX #9FEEA4

RGB 159 238 164

HSL 123.8, 0.7%, 0.78%

LAB 87.58, -38.66, 28.36

 

CMYK 33 / 0 / 22 / 7

HEX #9FEEBA

RGB 159 238 186

HSL 140.51, 0.7%, 0.78%

LAB 88, -34.84, 17.62

 

CMYK 33 / 0 / 13 / 7

HEX #9FEECF

RGB 159 238 207

HSL 156.46, 0.7%, 0.78%

LAB 88.46, -30.75, 7.35

 

CMYK 33 / 0 / 4 / 7

HEX #9FEEE4

RGB 159 238 228

HSL 172.41, 0.7%, 0.78%

LAB 88.98, -26.28, -2.87

 

CMYK 26 / 0 / 33 / 7

HEX #AFEE9F

RGB 175 238 159

HSL 107.85, 0.7%, 0.78%

LAB 88.34, -34.3, 32.06

 

CMYK 31 / 0 / 39 / 3

HEX #AAF796

RGB 170 247 150

HSL 107.63, 0.86%, 0.78%

LAB 90.45, -41.3, 39.28

 

CMYK 26 / 0 / 33 / 7

HEX #AFEE9F

RGB 175 238 159

HSL 107.85, 0.7%, 0.78%

LAB 88.34, -34.3, 32.06

 

CMYK 21 / 0 / 27 / 10

HEX #B4E5A8

RGB 180 229 168

HSL 108.2, 0.54%, 0.78%

LAB 86.29, -27.02, 24.74

 

CMYK 15 / 0 / 20 / 14

HEX #BADCB1

RGB 186 220 177

HSL 107.44, 0.38%, 0.78%

LAB 84.38, -19.13, 17.48

 

CMYK 9 / 0 / 11 / 18

HEX #BFD2BA

RGB 191 210 186

HSL 107.5, 0.21%, 0.78%

LAB 82.23, -10.82, 9.73

 

CMYK 2 / 0 / 3 / 21

HEX #C5C9C3

RGB 197 201 195

HSL 100, 0.05%, 0.78%

LAB 80.51, -2.47, 2.5

 

CMYK 8 / 0 / 33 / 7

HEX #DAEE9F

RGB 218 238 159

HSL 75.19, 0.7%, 0.78%

LAB 91.03, -19.16, 36.12

 

CMYK 17 / 0 / 33 / 7

HEX #C5EE9F

RGB 197 238 159

HSL 91.14, 0.7%, 0.78%

LAB 89.64, -26.75, 34.02

 

CMYK 26 / 0 / 33 / 7

HEX #B0EE9F

RGB 176 238 159

HSL 107.09, 0.7%, 0.78%

LAB 88.39, -33.97, 32.14

 

CMYK 33 / 0 / 32 / 7

HEX #9FEEA3

RGB 159 238 163

HSL 123.04, 0.7%, 0.78%

LAB 87.56, -38.82, 28.85

 

CMYK 33 / 0 / 23 / 7

HEX #9FEEB8

RGB 159 238 184

HSL 138.99, 0.7%, 0.78%

LAB 87.96, -35.2, 18.6

 

CMYK 48 / 0 / 60 / 12

HEX #75E159

RGB 117 225 89

HSL 107.65, 0.69%, 0.62%

LAB 80.93, -55.84, 55.73

 

CMYK 37 / 0 / 46 / 9

HEX #92E77C

RGB 146 231 124

HSL 107.66, 0.69%, 0.7%

LAB 84.34, -45.5, 43.97

 

CMYK 26 / 0 / 33 / 7

HEX #AFEE9F

RGB 175 238 159

HSL 107.85, 0.7%, 0.78%

LAB 88.34, -34.3, 32.06

 

CMYK 16 / 0 / 20 / 4

HEX #CCF4C2

RGB 204 244 194

HSL 108, 0.69%, 0.86%

LAB 92.32, -21.95, 19.91

 

CMYK 7 / 0 / 8 / 2

HEX #E9FAE5

RGB 233 250 229

HSL 108.57, 0.68%, 0.94%

LAB 96.55, -9.29, 8.16

 

CMYK 26 / 0 / 33 / 7

HEX #AFEE9F

RGB 175 238 159

HSL 107.85, 0.7%, 0.78%

LAB 88.34, -34.3, 32.06

 

CMYK 33 / 0 / 1 / 7

HEX #9FEEEC

RGB 159 238 236

HSL 178.48, 0.7%, 0.78%

LAB 89.19, -24.47, -6.74

 

CMYK 0 / 33 / 13 / 7

HEX #EE9FD0

RGB 238 159 208

HSL 322.78, 0.7%, 0.78%

LAB 74.53, 36.43, -12.96

 

CMYK 26 / 0 / 33 / 7

HEX #AFEE9F

RGB 175 238 159

HSL 107.85, 0.7%, 0.78%

LAB 88.34, -34.3, 32.06

 

CMYK 33 / 26 / 0 / 7

HEX #9FB0EE

RGB 159 176 238

HSL 227.09, 0.7%, 0.78%

LAB 72.62, 8.43, -32.87

 

CMYK 0 / 33 / 26 / 7

HEX #EE9FB0

RGB 238 159 176

HSL 347.09, 0.7%, 0.78%

LAB 73.62, 31.63, 3.31

 

CMYK 26 / 0 / 33 / 7

HEX #AFEE9F

RGB 175 238 159

HSL 107.85, 0.7%, 0.78%

LAB 88.34, -34.3, 32.06

 

CMYK 33 / 0 / 1 / 7

HEX #9FEEEC

RGB 159 238 236

HSL 178.48, 0.7%, 0.78%

LAB 89.19, -24.47, -6.74

 

CMYK 7 / 33 / 0 / 7

HEX #DD9FEE

RGB 221 159 238

HSL 287.09, 0.7%, 0.78%

LAB 73.77, 36.32, -30.67

 

CMYK 0 / 33 / 33 / 7

HEX #EE9FA0

RGB 238 159 160

HSL 359.24, 0.7%, 0.78%

LAB 73.23, 29.52, 11.57

 

CMYK 26 / 0 / 33 / 7

HEX #AFEE9F

RGB 175 238 159

HSL 107.85, 0.7%, 0.78%

LAB 88.34, -34.3, 32.06

 

CMYK 33 / 10 / 0 / 7

HEX #9FD7EE

RGB 159 215 238

HSL 197.47, 0.7%, 0.78%

LAB 82.99, -12.49, -17.05

 

CMYK 7 / 33 / 0 / 7

HEX #DD9FEE

RGB 221 159 238

HSL 287.09, 0.7%, 0.78%

LAB 73.77, 36.32, -30.67

 

CMYK 0 / 24 / 33 / 7

HEX #EEB59F

RGB 238 181 159

HSL 16.71, 0.7%, 0.78%

LAB 78.3, 17.72, 19.22

 

Description

Color code: HEX #AFEE9F | qconv.com Color code: HEX #AFEE9F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 238 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 238 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 33 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 33% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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