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Color name
HEX #AFE150

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFE150 it is the complementary color #501EAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFE150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFE150 shade: #B4E14B, #C5F35E, #D6FF71, #E7FF84 and #F8FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFE150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFE150 shade: #AFE150, #9ECF3D, #8DBD2A, #7CAB17 and #6B9904

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFE150 shade: #AFE150, #D6E150, #E1C550, #E19E50 and #E17750

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFE150 shade: #AFE150, #88E150, #61E150, #50E166 and #50E18D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFE150 shade matches the following richer shades: #AFE150 and #B4F140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFE150 shade: #AFE150, #AAD061, #A5C071, #A0AF82 and #9A9F92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFE150 shade: #E1C450, #D7E150, #B1E150, #8AE150 and #63E150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFE150 shade: #88BF20, #9FDB2D, #AFE150, #BFE773 and #CFED97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFE150 shade: #AFE150, #50E19D and #D750E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFE150 shade: #AFE150, #50B1E1 and #E150B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFE150 shade: #AFE150, #50E19D, #8050E1 and #E15094

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFE150 shade: #AFE150, #50E1C9, #8050E1 and #E15068

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 64 / 12

HEX #AFE150

RGB 175 225 80

HSL 80.69, 0.71%, 0.6%

LAB 83.73, -37.15, 63.35

 

Complementary color

CMYK 54 / 83 / 0 / 31

HEX #501EAF

RGB 80 30 175

HSL 260.69, 0.71%, 0.4%

LAB 28.72, 54.62, -67.39

 

CMYK 20 / 0 / 67 / 12

HEX #B4E14B

RGB 180 225 75

HSL 78, 0.71%, 0.59%

LAB 84, -35.59, 65.69

 

CMYK 19 / 0 / 61 / 5

HEX #C5F35E

RGB 197 243 94

HSL 78.52, 0.86%, 0.66%

LAB 90.22, -35.96, 65.07

 

CMYK 16 / 0 / 56 / 0

HEX #D6FF71

RGB 214 255 113

HSL 77.32, 1%, 0.72%

LAB 94.74, -33.52, 62.38

 

CMYK 9 / 0 / 48 / 0

HEX #E7FF84

RGB 231 255 132

HSL 71.71, 1%, 0.76%

LAB 96.07, -25.41, 55.71

 

CMYK 3 / 0 / 41 / 0

HEX #F8FF97

RGB 248 255 151

HSL 64.04, 1%, 0.8%

LAB 97.52, -17.09, 48.81

 

CMYK 22 / 0 / 64 / 12

HEX #AFE150

RGB 175 225 80

HSL 80.69, 0.71%, 0.6%

LAB 83.73, -37.15, 63.35

 

CMYK 24 / 0 / 71 / 19

HEX #9ECF3D

RGB 158 207 61

HSL 80.14, 0.6%, 0.53%

LAB 77.42, -36.75, 63.78

 

CMYK 25 / 0 / 78 / 26

HEX #8DBD2A

RGB 141 189 42

HSL 79.59, 0.64%, 0.45%

LAB 71.03, -36.2, 63.64

 

CMYK 27 / 0 / 87 / 33

HEX #7CAB17

RGB 124 171 23

HSL 79.05, 0.76%, 0.38%

LAB 64.54, -35.45, 62.51

 

CMYK 30 / 0 / 97 / 40

HEX #6B9904

RGB 107 153 4

HSL 78.52, 0.95%, 0.31%

LAB 57.96, -34.46, 59.96

 

CMYK 22 / 0 / 64 / 12

HEX #AFE150

RGB 175 225 80

HSL 80.69, 0.71%, 0.6%

LAB 83.73, -37.15, 63.35

 

CMYK 5 / 0 / 64 / 12

HEX #D6E150

RGB 214 225 80

HSL 64.55, 0.71%, 0.6%

LAB 86.37, -21.81, 66.94

 

CMYK 0 / 12 / 64 / 12

HEX #E1C550

RGB 225 197 80

HSL 48.41, 0.71%, 0.6%

LAB 79.91, -3.24, 60.41

 

CMYK 0 / 30 / 64 / 12

HEX #E19E50

RGB 225 158 80

HSL 32.28, 0.71%, 0.6%

LAB 70.2, 17.34, 49.76

 

CMYK 0 / 47 / 64 / 12

HEX #E17750

RGB 225 119 80

HSL 16.14, 0.71%, 0.6%

LAB 61.46, 37.95, 39.64

 

CMYK 22 / 0 / 64 / 12

HEX #AFE150

RGB 175 225 80

HSL 80.69, 0.71%, 0.6%

LAB 83.73, -37.15, 63.35

 

CMYK 40 / 0 / 64 / 12

HEX #88E150

RGB 136 225 80

HSL 96.83, 0.71%, 0.6%

LAB 81.66, -50.89, 60.52

 

CMYK 57 / 0 / 64 / 12

HEX #61E150

RGB 97 225 80

HSL 112.97, 0.71%, 0.6%

LAB 80.16, -62, 58.46

 

CMYK 64 / 0 / 55 / 12

HEX #50E166

RGB 80 225 102

HSL 129.1, 0.71%, 0.6%

LAB 79.91, -63.28, 48.43

 

CMYK 64 / 0 / 37 / 12

HEX #50E18D

RGB 80 225 141

HSL 145.24, 0.71%, 0.6%

LAB 80.45, -57.2, 30.01

 

CMYK 22 / 0 / 64 / 12

HEX #AFE150

RGB 175 225 80

HSL 80.69, 0.71%, 0.6%

LAB 83.73, -37.15, 63.35

 

CMYK 25 / 0 / 73 / 5

HEX #B4F140

RGB 180 241 64

HSL 80.68, 0.86%, 0.6%

LAB 88.44, -43.33, 74.01

 

CMYK 22 / 0 / 64 / 12

HEX #AFE150

RGB 175 225 80

HSL 80.69, 0.71%, 0.6%

LAB 83.73, -37.15, 63.35

 

CMYK 18 / 0 / 53 / 18

HEX #AAD061

RGB 170 208 97

HSL 80.54, 0.54%, 0.6%

LAB 78.76, -29.78, 50.35

 

CMYK 14 / 0 / 41 / 25

HEX #A5C071

RGB 165 192 113

HSL 80.51, 0.39%, 0.6%

LAB 74.12, -22.23, 36.78

 

CMYK 9 / 0 / 26 / 31

HEX #A0AF82

RGB 160 175 130

HSL 80, 0.22%, 0.6%

LAB 69.29, -13.18, 21.39

 

CMYK 3 / 0 / 8 / 38

HEX #9A9F92

RGB 154 159 146

HSL 83.08, 0.06%, 0.6%

LAB 64.76, -4.24, 6.16

 

CMYK 0 / 13 / 64 / 12

HEX #E1C450

RGB 225 196 80

HSL 48, 0.71%, 0.6%

LAB 79.65, -2.73, 60.13

 

CMYK 4 / 0 / 64 / 12

HEX #D7E150

RGB 215 225 80

HSL 64.14, 0.71%, 0.6%

LAB 86.44, -21.41, 67.04

 

CMYK 21 / 0 / 64 / 12

HEX #B1E150

RGB 177 225 80

HSL 79.86, 0.71%, 0.6%

LAB 83.85, -36.39, 63.52

 

CMYK 39 / 0 / 64 / 12

HEX #8AE150

RGB 138 225 80

HSL 96, 0.71%, 0.6%

LAB 81.75, -50.24, 60.64

 

CMYK 56 / 0 / 64 / 12

HEX #63E150

RGB 99 225 80

HSL 112.14, 0.71%, 0.6%

LAB 80.23, -61.51, 58.55

 

CMYK 29 / 0 / 83 / 25

HEX #88BF20

RGB 136 191 32

HSL 80.75, 0.71%, 0.44%

LAB 71.28, -39.44, 66.52

 

CMYK 27 / 0 / 79 / 14

HEX #9FDB2D

RGB 159 219 45

HSL 80.69, 0.71%, 0.52%

LAB 80.86, -42.5, 72.17

 

CMYK 22 / 0 / 64 / 12

HEX #AFE150

RGB 175 225 80

HSL 80.69, 0.71%, 0.6%

LAB 83.73, -37.15, 63.35

 

CMYK 17 / 0 / 50 / 9

HEX #BFE773

RGB 191 231 115

HSL 80.69, 0.71%, 0.68%

LAB 86.73, -30.87, 51.75

 

CMYK 13 / 0 / 36 / 7

HEX #CFED97

RGB 207 237 151

HSL 80.93, 0.7%, 0.76%

LAB 89.89, -23.72, 38.48

 

CMYK 22 / 0 / 64 / 12

HEX #AFE150

RGB 175 225 80

HSL 80.69, 0.71%, 0.6%

LAB 83.73, -37.15, 63.35

 

CMYK 64 / 0 / 30 / 12

HEX #50E19D

RGB 80 225 157

HSL 151.86, 0.71%, 0.6%

LAB 80.73, -54.12, 22.15

 

CMYK 4 / 64 / 0 / 12

HEX #D750E1

RGB 215 80 225

HSL 295.86, 0.71%, 0.6%

LAB 57.68, 70.64, -48.68

 

CMYK 22 / 0 / 64 / 12

HEX #AFE150

RGB 175 225 80

HSL 80.69, 0.71%, 0.6%

LAB 83.73, -37.15, 63.35

 

CMYK 64 / 21 / 0 / 12

HEX #50B1E1

RGB 80 177 225

HSL 199.86, 0.71%, 0.6%

LAB 68.45, -13.94, -32.55

 

CMYK 0 / 64 / 21 / 12

HEX #E150B1

RGB 225 80 177

HSL 319.86, 0.71%, 0.6%

LAB 57, 65.76, -22.23

 

CMYK 22 / 0 / 64 / 12

HEX #AFE150

RGB 175 225 80

HSL 80.69, 0.71%, 0.6%

LAB 83.73, -37.15, 63.35

 

CMYK 64 / 0 / 30 / 12

HEX #50E19D

RGB 80 225 157

HSL 151.86, 0.71%, 0.6%

LAB 80.73, -54.12, 22.15

 

CMYK 43 / 64 / 0 / 12

HEX #8050E1

RGB 128 80 225

HSL 259.86, 0.71%, 0.6%

LAB 46.66, 51.8, -66.96

 

CMYK 0 / 64 / 34 / 12

HEX #E15094

RGB 225 80 148

HSL 331.86, 0.71%, 0.6%

LAB 55.97, 62.17, -6.86

 

CMYK 22 / 0 / 64 / 12

HEX #AFE150

RGB 175 225 80

HSL 80.69, 0.71%, 0.6%

LAB 83.73, -37.15, 63.35

 

CMYK 64 / 0 / 11 / 12

HEX #50E1C9

RGB 80 225 201

HSL 170.07, 0.71%, 0.6%

LAB 81.71, -44.08, 0.38

 

CMYK 43 / 64 / 0 / 12

HEX #8050E1

RGB 128 80 225

HSL 259.86, 0.71%, 0.6%

LAB 46.66, 51.8, -66.96

 

CMYK 0 / 64 / 54 / 12

HEX #E15068

RGB 225 80 104

HSL 350.07, 0.71%, 0.6%

LAB 54.81, 57.95, 17.5

 

Description

Color code: HEX #AFE150 | qconv.com Color code: HEX #AFE150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 225 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 225 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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