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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFE7CB it is the complementary color #501834. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFE7CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFE7CB shade: #B4E7C6, #C5F9D9, #D6FFEC, #E7FFFF and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFE7CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFE7CB shade: #AFE7CB, #9ED5B8, #8DC3A5, #7CB192 and #6B9F7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFE7CB shade: #B0E7CC, #B0E7BD, #B2E7B0, #C1E7B0 and #D0E7B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFE7CB shade: #B0E7CC, #B0E7DA, #B0E5E7, #B0D6E7 and #B0C7E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFE7CB shade matches the following richer shades: #B0E7CC, #A8EFCC and #9FF8CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFE7CB shade: #B0E7CC, #B8DFCC, #C0D7CC, #C9CECC and #D1C6CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFE7CB shade: #B2E7B0, #B0E7BD, #B0E7CC, #B0E7DA and #B0E5E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFE7CB shade: #70D4A2, #90DEB7, #B0E7CC, #D0F1E0 and #EFFAF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFE7CB shade: #AFE7CB, #B0C0E7 and #E7B5B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFE7CB shade: #AFE7CB, #CCB0E7 and #E7CCB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFE7CB shade: #AFE7CB, #B0C0E7, #E7B0CC and #E7D7B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFE7CB shade: #AFE7CB, #B0B0E7, #E7B0CC and #E7E7B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 12 / 9

HEX #AFE7CB

RGB 175 231 203

HSL 150, 0.54%, 0.8%

LAB 87.28, -23.44, 7.86

 

Complementary color

CMYK 0 / 70 / 35 / 69

HEX #501834

RGB 80 24 52

HSL 330, 0.54%, 0.2%

LAB 18.39, 29.28, -4.46

 

CMYK 22 / 0 / 14 / 9

HEX #B4E7C6

RGB 180 231 198

HSL 141.18, 0.52%, 0.81%

LAB 87.45, -22.81, 10.76

 

CMYK 21 / 0 / 13 / 2

HEX #C5F9D9

RGB 197 249 217

HSL 143.08, 0.81%, 0.87%

LAB 93.72, -22.65, 9.98

 

CMYK 16 / 0 / 7 / 0

HEX #D6FFEC

RGB 214 255 236

HSL 152.2, 1%, 0.92%

LAB 96.77, -16.69, 4.7

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 24 / 0 / 12 / 9

HEX #AFE7CB

RGB 175 231 203

HSL 150, 0.54%, 0.8%

LAB 87.28, -23.44, 7.86

 

CMYK 26 / 0 / 14 / 16

HEX #9ED5B8

RGB 158 213 184

HSL 148.36, 0.4%, 0.73%

LAB 80.92, -23.63, 8.64

 

CMYK 28 / 0 / 15 / 24

HEX #8DC3A5

RGB 141 195 165

HSL 146.67, 0.31%, 0.66%

LAB 74.45, -23.84, 9.46

 

CMYK 30 / 0 / 18 / 31

HEX #7CB192

RGB 124 177 146

HSL 144.91, 0.25%, 0.59%

LAB 67.88, -24.07, 10.34

 

CMYK 33 / 0 / 20 / 38

HEX #6B9F7F

RGB 107 159 127

HSL 143.08, 0.21%, 0.52%

LAB 61.18, -24.33, 11.28

 

CMYK 24 / 0 / 12 / 9

HEX #B0E7CC

RGB 176 231 204

HSL 150.55, 0.53%, 0.8%

LAB 87.36, -22.93, 7.46

 

CMYK 24 / 0 / 18 / 9

HEX #B0E7BD

RGB 176 231 189

HSL 134.18, 0.53%, 0.8%

LAB 87.02, -25.74, 14.82

 

CMYK 23 / 0 / 24 / 9

HEX #B2E7B0

RGB 178 231 176

HSL 117.82, 0.53%, 0.8%

LAB 86.87, -27.34, 21.39

 

CMYK 16 / 0 / 24 / 9

HEX #C1E7B0

RGB 193 231 176

HSL 101.45, 0.53%, 0.8%

LAB 87.79, -22.28, 22.79

 

CMYK 10 / 0 / 24 / 9

HEX #D0E7B0

RGB 208 231 176

HSL 85.09, 0.53%, 0.8%

LAB 88.78, -17.01, 24.31

 

CMYK 24 / 0 / 12 / 9

HEX #B0E7CC

RGB 176 231 204

HSL 150.55, 0.53%, 0.8%

LAB 87.36, -22.93, 7.46

 

CMYK 24 / 0 / 6 / 9

HEX #B0E7DA

RGB 176 231 218

HSL 165.82, 0.53%, 0.8%

LAB 87.7, -20.14, 0.61

 

CMYK 24 / 1 / 0 / 9

HEX #B0E5E7

RGB 176 229 231

HSL 182.18, 0.53%, 0.8%

LAB 87.5, -16.39, -6.51

 

CMYK 24 / 7 / 0 / 9

HEX #B0D6E7

RGB 176 214 231

HSL 198.55, 0.53%, 0.8%

LAB 83.49, -8.74, -12.48

 

CMYK 24 / 14 / 0 / 9

HEX #B0C7E7

RGB 176 199 231

HSL 214.91, 0.53%, 0.8%

LAB 79.53, -0.85, -18.44

 

CMYK 24 / 0 / 12 / 9

HEX #B0E7CC

RGB 176 231 204

HSL 150.55, 0.53%, 0.8%

LAB 87.36, -22.93, 7.46

 

CMYK 30 / 0 / 15 / 6

HEX #A8EFCC

RGB 168 239 204

HSL 150.42, 0.69%, 0.8%

LAB 89.12, -29.21, 9.92

 

CMYK 36 / 0 / 18 / 3

HEX #9FF8CC

RGB 159 248 204

HSL 150.34, 0.86%, 0.8%

LAB 91.17, -36, 12.78

 

CMYK 24 / 0 / 12 / 9

HEX #B0E7CC

RGB 176 231 204

HSL 150.55, 0.53%, 0.8%

LAB 87.36, -22.93, 7.46

 

CMYK 17 / 0 / 9 / 13

HEX #B8DFCC

RGB 184 223 204

HSL 150.77, 0.38%, 0.8%

LAB 85.67, -16.44, 5.08

 

CMYK 11 / 0 / 5 / 16

HEX #C0D7CC

RGB 192 215 204

HSL 151.3, 0.22%, 0.8%

LAB 84.05, -9.77, 2.81

 

CMYK 2 / 0 / 1 / 19

HEX #C9CECC

RGB 201 206 204

HSL 156, 0.05%, 0.8%

LAB 82.34, -2.07, 0.39

 

CMYK 0 / 5 / 2 / 18

HEX #D1C6CC

RGB 209 198 204

HSL 327.27, 0.11%, 0.8%

LAB 80.91, 4.9, -1.63

 

CMYK 23 / 0 / 24 / 9

HEX #B2E7B0

RGB 178 231 176

HSL 117.82, 0.53%, 0.8%

LAB 86.87, -27.34, 21.39

 

CMYK 24 / 0 / 18 / 9

HEX #B0E7BD

RGB 176 231 189

HSL 134.18, 0.53%, 0.8%

LAB 87.02, -25.74, 14.82

 

CMYK 24 / 0 / 12 / 9

HEX #B0E7CC

RGB 176 231 204

HSL 150.55, 0.53%, 0.8%

LAB 87.36, -22.93, 7.46

 

CMYK 24 / 0 / 6 / 9

HEX #B0E7DA

RGB 176 231 218

HSL 165.82, 0.53%, 0.8%

LAB 87.7, -20.14, 0.61

 

CMYK 24 / 1 / 0 / 9

HEX #B0E5E7

RGB 176 229 231

HSL 182.18, 0.53%, 0.8%

LAB 87.5, -16.39, -6.51

 

CMYK 47 / 0 / 24 / 17

HEX #70D4A2

RGB 112 212 162

HSL 150, 0.54%, 0.64%

LAB 77.96, -40.74, 15.83

 

CMYK 35 / 0 / 18 / 13

HEX #90DEB7

RGB 144 222 183

HSL 150, 0.54%, 0.72%

LAB 82.7, -32.36, 11.61

 

CMYK 24 / 0 / 12 / 9

HEX #B0E7CC

RGB 176 231 204

HSL 150.55, 0.53%, 0.8%

LAB 87.36, -22.93, 7.46

 

CMYK 14 / 0 / 7 / 5

HEX #D0F1E0

RGB 208 241 224

HSL 149.09, 0.54%, 0.88%

LAB 92.44, -13.92, 4.6

 

CMYK 4 / 0 / 2 / 2

HEX #EFFAF5

RGB 239 250 245

HSL 152.73, 0.52%, 0.96%

LAB 97.36, -4.5, 1.13

 

CMYK 24 / 0 / 12 / 9

HEX #AFE7CB

RGB 175 231 203

HSL 150, 0.54%, 0.8%

LAB 87.28, -23.44, 7.86

 

CMYK 24 / 17 / 0 / 9

HEX #B0C0E7

RGB 176 192 231

HSL 222.55, 0.53%, 0.8%

LAB 77.7, 2.91, -21.21

 

CMYK 0 / 22 / 24 / 9

HEX #E7B5B0

RGB 231 181 176

HSL 5.45, 0.53%, 0.8%

LAB 77.98, 17.35, 9.48

 

CMYK 24 / 0 / 12 / 9

HEX #AFE7CB

RGB 175 231 203

HSL 150, 0.54%, 0.8%

LAB 87.28, -23.44, 7.86

 

CMYK 12 / 24 / 0 / 9

HEX #CCB0E7

RGB 204 176 231

HSL 270.55, 0.53%, 0.8%

LAB 75.86, 20.34, -23.8

 

CMYK 0 / 12 / 24 / 9

HEX #E7CCB0

RGB 231 204 176

HSL 30.55, 0.53%, 0.8%

LAB 83.6, 5.19, 17.43

 

CMYK 24 / 0 / 12 / 9

HEX #AFE7CB

RGB 175 231 203

HSL 150, 0.54%, 0.8%

LAB 87.28, -23.44, 7.86

 

CMYK 24 / 17 / 0 / 9

HEX #B0C0E7

RGB 176 192 231

HSL 222.55, 0.53%, 0.8%

LAB 77.7, 2.91, -21.21

 

CMYK 0 / 24 / 12 / 9

HEX #E7B0CC

RGB 231 176 204

HSL 329.45, 0.53%, 0.8%

LAB 77.52, 24.34, -6.39

 

CMYK 0 / 7 / 24 / 9

HEX #E7D7B0

RGB 231 215 176

HSL 42.55, 0.53%, 0.8%

LAB 86.37, -0.52, 21.27

 

CMYK 24 / 0 / 12 / 9

HEX #AFE7CB

RGB 175 231 203

HSL 150, 0.54%, 0.8%

LAB 87.28, -23.44, 7.86

 

CMYK 24 / 24 / 0 / 9

HEX #B0B0E7

RGB 176 176 231

HSL 240, 0.53%, 0.8%

LAB 73.58, 11.65, -27.49

 

CMYK 0 / 24 / 12 / 9

HEX #E7B0CC

RGB 231 176 204

HSL 329.45, 0.53%, 0.8%

LAB 77.52, 24.34, -6.39

 

CMYK 0 / 0 / 24 / 9

HEX #E7E7B0

RGB 231 231 176

HSL 60, 0.53%, 0.8%

LAB 90.45, -8.66, 26.87

 

Description

Color code: HEX #AFE7CB | qconv.com Color code: HEX #AFE7CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 231 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 231 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 12 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 12% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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