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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFD1C5 it is the complementary color #502E3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFD1C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFD1C5 shade: #B4D1C0, #C5E3D3, #D6F5E6, #E7FFF9 and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFD1C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFD1C5 shade: #AFD1C5, #9EBFB2, #8DAD9F, #7C9B8C and #6B8979

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFD1C5 shade: #AED0C4, #AED0BB, #AED0B1, #B3D0AE and #BCD0AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFD1C5 shade: #AED0C4, #AED0CD, #AECAD0, #AEC0D0 and #AEB7D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFD1C5 shade matches the following richer shades: #AED0C4, #A3DAC7, #99E5CA, #8FEFCD and #84F9D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFD1C5 shade: #AED0C4, #B8C6C1, #C2BBBE, #CCB1BB and #D7A7B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFD1C5 shade: #AED0B1, #AED0BA, #AED0C3, #AED0CD and #AECAD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFD1C5 shade: #79B29E, #93C1B1, #AED0C4, #C8DFD7 and #E2EEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFD1C5 shade: #AFD1C5, #AEB3D0 and #D0B6AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFD1C5 shade: #AFD1C5, #C3AED0 and #D0C3AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFD1C5 shade: #AFD1C5, #AEB3D0, #D0AEBA and #D0CAAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFD1C5 shade: #AFD1C5, #B2AED0, #D0AEBA and #CBD0AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 6 / 18

HEX #AFD1C5

RGB 175 209 197

HSL 158.82, 0.27%, 0.75%

LAB 81.15, -13.64, 2.18

 

Complementary color

CMYK 0 / 43 / 28 / 69

HEX #502E3A

RGB 80 46 58

HSL 338.82, 0.27%, 0.25%

LAB 23.56, 17.46, -0.96

 

CMYK 14 / 0 / 8 / 18

HEX #B4D1C0

RGB 180 209 192

HSL 144.83, 0.24%, 0.76%

LAB 81.35, -12.96, 5.18

 

CMYK 13 / 0 / 7 / 11

HEX #C5E3D3

RGB 197 227 211

HSL 148, 0.35%, 0.83%

LAB 87.73, -12.9, 4.49

 

CMYK 13 / 0 / 6 / 4

HEX #D6F5E6

RGB 214 245 230

HSL 150.97, 0.61%, 0.9%

LAB 94.02, -12.86, 3.82

 

CMYK 9 / 0 / 2 / 0

HEX #E7FFF9

RGB 231 255 249

HSL 165, 1%, 0.95%

LAB 98.17, -8.87, 0.2

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 16 / 0 / 6 / 18

HEX #AFD1C5

RGB 175 209 197

HSL 158.82, 0.27%, 0.75%

LAB 81.15, -13.64, 2.18

 

CMYK 17 / 0 / 7 / 25

HEX #9EBFB2

RGB 158 191 178

HSL 156.36, 0.2%, 0.68%

LAB 74.66, -13.72, 2.86

 

CMYK 18 / 0 / 8 / 32

HEX #8DAD9F

RGB 141 173 159

HSL 153.75, 0.16%, 0.62%

LAB 68.06, -13.82, 3.57

 

CMYK 20 / 0 / 10 / 39

HEX #7C9B8C

RGB 124 155 140

HSL 150.97, 0.13%, 0.55%

LAB 61.33, -13.94, 4.31

 

CMYK 22 / 0 / 12 / 46

HEX #6B8979

RGB 107 137 121

HSL 148, 0.12%, 0.48%

LAB 54.45, -14.09, 5.11

 

CMYK 16 / 0 / 6 / 18

HEX #AED0C4

RGB 174 208 196

HSL 158.82, 0.27%, 0.75%

LAB 80.79, -13.65, 2.19

 

CMYK 16 / 0 / 10 / 18

HEX #AED0BB

RGB 174 208 187

HSL 142.94, 0.27%, 0.75%

LAB 80.57, -15.39, 6.67

 

CMYK 16 / 0 / 15 / 18

HEX #AED0B1

RGB 174 208 177

HSL 125.29, 0.27%, 0.75%

LAB 80.34, -17.23, 11.67

 

CMYK 14 / 0 / 16 / 18

HEX #B3D0AE

RGB 179 208 174

HSL 111.18, 0.27%, 0.75%

LAB 80.6, -16.05, 13.68

 

CMYK 10 / 0 / 16 / 18

HEX #BCD0AE

RGB 188 208 174

HSL 95.29, 0.27%, 0.75%

LAB 81.21, -12.9, 14.64

 

CMYK 16 / 0 / 6 / 18

HEX #AED0C4

RGB 174 208 196

HSL 158.82, 0.27%, 0.75%

LAB 80.79, -13.65, 2.19

 

CMYK 16 / 0 / 1 / 18

HEX #AED0CD

RGB 174 208 205

HSL 174.71, 0.27%, 0.75%

LAB 81.03, -11.83, -2.28

 

CMYK 16 / 3 / 0 / 18

HEX #AECAD0

RGB 174 202 208

HSL 190.59, 0.27%, 0.75%

LAB 79.5, -8.1, -6.15

 

CMYK 16 / 8 / 0 / 18

HEX #AEC0D0

RGB 174 192 208

HSL 208.24, 0.27%, 0.75%

LAB 76.83, -2.82, -10.1

 

CMYK 16 / 12 / 0 / 18

HEX #AEB7D0

RGB 174 183 208

HSL 224.12, 0.27%, 0.75%

LAB 74.46, 2.02, -13.65

 

CMYK 16 / 0 / 6 / 18

HEX #AED0C4

RGB 174 208 196

HSL 158.82, 0.27%, 0.75%

LAB 80.79, -13.65, 2.19

 

CMYK 25 / 0 / 9 / 15

HEX #A3DAC7

RGB 163 218 199

HSL 159.27, 0.43%, 0.75%

LAB 82.94, -21.55, 3.62

 

CMYK 33 / 0 / 12 / 10

HEX #99E5CA

RGB 153 229 202

HSL 158.68, 0.59%, 0.75%

LAB 85.54, -29.22, 5.73

 

CMYK 40 / 0 / 14 / 6

HEX #8FEFCD

RGB 143 239 205

HSL 158.75, 0.75%, 0.75%

LAB 87.96, -36, 7.58

 

CMYK 47 / 0 / 16 / 2

HEX #84F9D0

RGB 132 249 208

HSL 158.97, 0.91%, 0.75%

LAB 90.42, -42.61, 9.49

 

CMYK 16 / 0 / 6 / 18

HEX #AED0C4

RGB 174 208 196

HSL 158.82, 0.27%, 0.75%

LAB 80.79, -13.65, 2.19

 

CMYK 7 / 0 / 3 / 22

HEX #B8C6C1

RGB 184 198 193

HSL 158.57, 0.11%, 0.75%

LAB 78.71, -5.72, 0.85

 

CMYK 0 / 4 / 2 / 24

HEX #C2BBBE

RGB 194 187 190

HSL 334.29, 0.05%, 0.75%

LAB 76.51, 3, -0.65

 

CMYK 0 / 13 / 8 / 20

HEX #CCB1BB

RGB 204 177 187

HSL 337.78, 0.21%, 0.75%

LAB 74.74, 11.4, -1.5

 

CMYK 0 / 22 / 14 / 16

HEX #D7A7B8

RGB 215 167 184

HSL 338.75, 0.38%, 0.75%

LAB 73.25, 20.26, -1.93

 

CMYK 16 / 0 / 15 / 18

HEX #AED0B1

RGB 174 208 177

HSL 125.29, 0.27%, 0.75%

LAB 80.34, -17.23, 11.67

 

CMYK 16 / 0 / 11 / 18

HEX #AED0BA

RGB 174 208 186

HSL 141.18, 0.27%, 0.75%

LAB 80.55, -15.58, 7.17

 

CMYK 16 / 0 / 6 / 18

HEX #AED0C3

RGB 174 208 195

HSL 157.06, 0.27%, 0.75%

LAB 80.77, -13.84, 2.68

 

CMYK 16 / 0 / 1 / 18

HEX #AED0CD

RGB 174 208 205

HSL 174.71, 0.27%, 0.75%

LAB 81.03, -11.83, -2.28

 

CMYK 16 / 3 / 0 / 18

HEX #AECAD0

RGB 174 202 208

HSL 190.59, 0.27%, 0.75%

LAB 79.5, -8.1, -6.15

 

CMYK 32 / 0 / 11 / 30

HEX #79B29E

RGB 121 178 158

HSL 158.95, 0.27%, 0.59%

LAB 68.3, -23, 4.31

 

CMYK 24 / 0 / 8 / 24

HEX #93C1B1

RGB 147 193 177

HSL 159.13, 0.27%, 0.67%

LAB 74.52, -18.5, 3.11

 

CMYK 16 / 0 / 6 / 18

HEX #AED0C4

RGB 174 208 196

HSL 158.82, 0.27%, 0.75%

LAB 80.79, -13.65, 2.19

 

CMYK 10 / 0 / 4 / 13

HEX #C8DFD7

RGB 200 223 215

HSL 159.13, 0.26%, 0.83%

LAB 86.98, -9.14, 1.31

 

CMYK 5 / 0 / 2 / 7

HEX #E2EEEA

RGB 226 238 234

HSL 160, 0.26%, 0.91%

LAB 93.13, -4.69, 0.55

 

CMYK 16 / 0 / 6 / 18

HEX #AFD1C5

RGB 175 209 197

HSL 158.82, 0.27%, 0.75%

LAB 81.15, -13.64, 2.18

 

CMYK 16 / 14 / 0 / 18

HEX #AEB3D0

RGB 174 179 208

HSL 231.18, 0.27%, 0.75%

LAB 73.41, 4.19, -15.23

 

CMYK 0 / 13 / 16 / 18

HEX #D0B6AE

RGB 208 182 174

HSL 14.12, 0.27%, 0.75%

LAB 76.02, 8, 7.48

 

CMYK 16 / 0 / 6 / 18

HEX #AFD1C5

RGB 175 209 197

HSL 158.82, 0.27%, 0.75%

LAB 81.15, -13.64, 2.18

 

CMYK 6 / 16 / 0 / 18

HEX #C3AED0

RGB 195 174 208

HSL 277.06, 0.27%, 0.75%

LAB 73.82, 13.83, -14.44

 

CMYK 0 / 6 / 16 / 18

HEX #D0C3AE

RGB 208 195 174

HSL 37.06, 0.27%, 0.75%

LAB 79.33, 1.09, 12.19

 

CMYK 16 / 0 / 6 / 18

HEX #AFD1C5

RGB 175 209 197

HSL 158.82, 0.27%, 0.75%

LAB 81.15, -13.64, 2.18

 

CMYK 16 / 14 / 0 / 18

HEX #AEB3D0

RGB 174 179 208

HSL 231.18, 0.27%, 0.75%

LAB 73.41, 4.19, -15.23

 

CMYK 0 / 16 / 11 / 18

HEX #D0AEBA

RGB 208 174 186

HSL 338.82, 0.27%, 0.75%

LAB 74.33, 14.28, -1.51

 

CMYK 0 / 3 / 16 / 18

HEX #D0CAAE

RGB 208 202 174

HSL 49.41, 0.27%, 0.75%

LAB 81.13, -2.58, 14.74

 

CMYK 16 / 0 / 6 / 18

HEX #AFD1C5

RGB 175 209 197

HSL 158.82, 0.27%, 0.75%

LAB 81.15, -13.64, 2.18

 

CMYK 14 / 16 / 0 / 18

HEX #B2AED0

RGB 178 174 208

HSL 247.06, 0.27%, 0.75%

LAB 72.42, 8.22, -16.69

 

CMYK 0 / 16 / 11 / 18

HEX #D0AEBA

RGB 208 174 186

HSL 338.82, 0.27%, 0.75%

LAB 74.33, 14.28, -1.51

 

CMYK 2 / 0 / 16 / 18

HEX #CBD0AE

RGB 203 208 174

HSL 68.82, 0.27%, 0.75%

LAB 82.31, -7.52, 16.33

 

Description

Color code: HEX #AFD1C5 | qconv.com Color code: HEX #AFD1C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 209 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 209 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 6 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 6% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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