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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFD969 it is the complementary color #502696. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFD969. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFD969 shade: #B4D964, #C5EB77, #D6FD8A, #E7FF9D and #F8FFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFD969. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFD969 shade: #AFD969, #9EC756, #8DB543, #7CA330 and #6B911D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFD969 shade: #AED968, #CDD968, #D9C668, #D9A868 and #D98968

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFD969 shade: #AED968, #90D968, #71D968, #68D97C and #68D99B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFD969 shade matches the following richer shades: #AED968, #B2E858 and #B6F749

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFD969 shade: #AED968, #AAC977, #A7BA86, #A3AB95 and #9F9CA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFD969 shade: #D9C668, #CDD968, #AFD968, #91D968 and #73D968

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFD969 shade: #89BF2F, #9DD147, #AED968, #C0E189 and #D1E9AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFD969 shade: #AFD969, #68D9A8 and #D568D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFD969 shade: #AFD969, #68AFD9 and #D968AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFD969 shade: #AFD969, #68D9A8, #9168D9 and #D96899

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFD969 shade: #AFD969, #68D9CA, #9168D9 and #D96877

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 52 / 15

HEX #AFD969

RGB 175 217 105

HSL 82.5, 0.6%, 0.63%

LAB 81.71, -31.33, 50.17

 

Complementary color

CMYK 47 / 75 / 0 / 41

HEX #502696

RGB 80 38 150

HSL 262.5, 0.6%, 0.37%

LAB 27.56, 44.35, -54.14

 

CMYK 17 / 0 / 54 / 15

HEX #B4D964

RGB 180 217 100

HSL 78.97, 0.61%, 0.62%

LAB 81.97, -29.92, 52.88

 

CMYK 16 / 0 / 49 / 8

HEX #C5EB77

RGB 197 235 119

HSL 79.66, 0.74%, 0.69%

LAB 88.27, -30.09, 51.81

 

CMYK 15 / 0 / 45 / 1

HEX #D6FD8A

RGB 214 253 138

HSL 80.35, 0.97%, 0.77%

LAB 94.48, -30.22, 50.7

 

CMYK 9 / 0 / 38 / 0

HEX #E7FF9D

RGB 231 255 157

HSL 74.69, 1%, 0.81%

LAB 96.39, -22.8, 44.23

 

CMYK 3 / 0 / 31 / 0

HEX #F8FFB0

RGB 248 255 176

HSL 65.32, 1%, 0.85%

LAB 97.88, -14.27, 37.06

 

CMYK 19 / 0 / 52 / 15

HEX #AFD969

RGB 175 217 105

HSL 82.5, 0.6%, 0.63%

LAB 81.71, -31.33, 50.17

 

CMYK 21 / 0 / 57 / 22

HEX #9EC756

RGB 158 199 86

HSL 81.77, 0.5%, 0.56%

LAB 75.32, -31.17, 51.22

 

CMYK 22 / 0 / 63 / 29

HEX #8DB543

RGB 141 181 67

HSL 81.05, 0.46%, 0.49%

LAB 68.84, -30.92, 52.12

 

CMYK 24 / 0 / 71 / 36

HEX #7CA330

RGB 124 163 48

HSL 80.35, 0.55%, 0.41%

LAB 62.25, -30.54, 52.69

 

CMYK 26 / 0 / 80 / 43

HEX #6B911D

RGB 107 145 29

HSL 79.66, 0.67%, 0.34%

LAB 55.55, -29.98, 52.58

 

CMYK 20 / 0 / 52 / 15

HEX #AED968

RGB 174 217 104

HSL 82.83, 0.6%, 0.63%

LAB 81.63, -31.81, 50.54

 

CMYK 6 / 0 / 52 / 15

HEX #CDD968

RGB 205 217 104

HSL 66.37, 0.6%, 0.63%

LAB 83.76, -19.78, 53.57

 

CMYK 0 / 9 / 52 / 15

HEX #D9C668

RGB 217 198 104

HSL 49.91, 0.6%, 0.63%

LAB 79.69, -5.35, 49.02

 

CMYK 0 / 23 / 52 / 15

HEX #D9A868

RGB 217 168 104

HSL 33.98, 0.6%, 0.63%

LAB 72.07, 10.44, 39.75

 

CMYK 0 / 37 / 52 / 15

HEX #D98968

RGB 217 137 104

HSL 17.52, 0.6%, 0.63%

LAB 64.68, 27.13, 30.4

 

CMYK 20 / 0 / 52 / 15

HEX #AED968

RGB 174 217 104

HSL 82.83, 0.6%, 0.63%

LAB 81.63, -31.81, 50.54

 

CMYK 34 / 0 / 52 / 15

HEX #90D968

RGB 144 217 104

HSL 98.76, 0.6%, 0.63%

LAB 79.93, -42.53, 48.09

 

CMYK 48 / 0 / 52 / 15

HEX #71D968

RGB 113 217 104

HSL 115.22, 0.6%, 0.63%

LAB 78.54, -52.15, 46.09

 

CMYK 52 / 0 / 43 / 15

HEX #68D97C

RGB 104 217 124

HSL 130.62, 0.6%, 0.63%

LAB 78.48, -51.73, 36.17

 

CMYK 52 / 0 / 29 / 15

HEX #68D99B

RGB 104 217 155

HSL 147.08, 0.6%, 0.63%

LAB 79, -46.27, 20.93

 

CMYK 20 / 0 / 52 / 15

HEX #AED968

RGB 174 217 104

HSL 82.83, 0.6%, 0.63%

LAB 81.63, -31.81, 50.54

 

CMYK 23 / 0 / 62 / 9

HEX #B2E858

RGB 178 232 88

HSL 82.5, 0.76%, 0.63%

LAB 85.95, -38.57, 62.55

 

CMYK 26 / 0 / 70 / 3

HEX #B6F749

RGB 182 247 73

HSL 82.41, 0.92%, 0.63%

LAB 90.3, -44.69, 72.85

 

CMYK 20 / 0 / 52 / 15

HEX #AED968

RGB 174 217 104

HSL 82.83, 0.6%, 0.63%

LAB 81.63, -31.81, 50.54

 

CMYK 15 / 0 / 41 / 21

HEX #AAC977

RGB 170 201 119

HSL 82.68, 0.43%, 0.63%

LAB 77.07, -24.01, 37.56

 

CMYK 10 / 0 / 28 / 27

HEX #A7BA86

RGB 167 186 134

HSL 81.92, 0.27%, 0.63%

LAB 72.93, -15.62, 24.26

 

CMYK 5 / 0 / 13 / 33

HEX #A3AB95

RGB 163 171 149

HSL 81.82, 0.12%, 0.63%

LAB 68.81, -6.87, 10.37

 

CMYK 4 / 5 / 0 / 35

HEX #9F9CA5

RGB 159 156 165

HSL 260, 0.05%, 0.63%

LAB 64.85, 2.83, -4.31

 

CMYK 0 / 9 / 52 / 15

HEX #D9C668

RGB 217 198 104

HSL 49.91, 0.6%, 0.63%

LAB 79.69, -5.35, 49.02

 

CMYK 6 / 0 / 52 / 15

HEX #CDD968

RGB 205 217 104

HSL 66.37, 0.6%, 0.63%

LAB 83.76, -19.78, 53.57

 

CMYK 19 / 0 / 52 / 15

HEX #AFD968

RGB 175 217 104

HSL 82.3, 0.6%, 0.63%

LAB 81.7, -31.43, 50.63

 

CMYK 33 / 0 / 52 / 15

HEX #91D968

RGB 145 217 104

HSL 98.23, 0.6%, 0.63%

LAB 79.98, -42.2, 48.17

 

CMYK 47 / 0 / 52 / 15

HEX #73D968

RGB 115 217 104

HSL 114.16, 0.6%, 0.63%

LAB 78.62, -51.58, 46.21

 

CMYK 28 / 0 / 75 / 25

HEX #89BF2F

RGB 137 191 47

HSL 82.5, 0.61%, 0.47%

LAB 71.41, -38.38, 62.33

 

CMYK 25 / 0 / 66 / 18

HEX #9DD147

RGB 157 209 71

HSL 82.61, 0.6%, 0.55%

LAB 78.01, -37.37, 60.56

 

CMYK 20 / 0 / 52 / 15

HEX #AED968

RGB 174 217 104

HSL 82.83, 0.6%, 0.63%

LAB 81.63, -31.81, 50.54

 

CMYK 15 / 0 / 39 / 12

HEX #C0E189

RGB 192 225 137

HSL 82.5, 0.59%, 0.71%

LAB 85.43, -25.21, 39.51

 

CMYK 10 / 0 / 27 / 9

HEX #D1E9AA

RGB 209 233 170

HSL 82.86, 0.59%, 0.79%

LAB 89.27, -18.51, 28.08

 

CMYK 19 / 0 / 52 / 15

HEX #AFD969

RGB 175 217 105

HSL 82.5, 0.6%, 0.63%

LAB 81.71, -31.33, 50.17

 

CMYK 52 / 0 / 23 / 15

HEX #68D9A8

RGB 104 217 168

HSL 153.98, 0.6%, 0.63%

LAB 79.27, -43.63, 14.45

 

CMYK 2 / 52 / 0 / 15

HEX #D568D9

RGB 213 104 217

HSL 297.88, 0.6%, 0.63%

LAB 60.83, 58.28, -39.23

 

CMYK 19 / 0 / 52 / 15

HEX #AFD969

RGB 175 217 105

HSL 82.5, 0.6%, 0.63%

LAB 81.71, -31.33, 50.17

 

CMYK 52 / 19 / 0 / 15

HEX #68AFD9

RGB 104 175 217

HSL 202.3, 0.6%, 0.63%

LAB 68.47, -10.68, -28.06

 

CMYK 0 / 52 / 19 / 15

HEX #D968AF

RGB 217 104 175

HSL 322.3, 0.6%, 0.63%

LAB 59.66, 52.6, -17.12

 

CMYK 19 / 0 / 52 / 15

HEX #AFD969

RGB 175 217 105

HSL 82.5, 0.6%, 0.63%

LAB 81.71, -31.33, 50.17

 

CMYK 52 / 0 / 23 / 15

HEX #68D9A8

RGB 104 217 168

HSL 153.98, 0.6%, 0.63%

LAB 79.27, -43.63, 14.45

 

CMYK 33 / 52 / 0 / 15

HEX #9168D9

RGB 145 104 217

HSL 261.77, 0.6%, 0.63%

LAB 52.87, 40.33, -52.33

 

CMYK 0 / 52 / 29 / 15

HEX #D96899

RGB 217 104 153

HSL 333.98, 0.6%, 0.63%

LAB 58.93, 49.57, -5.51

 

CMYK 19 / 0 / 52 / 15

HEX #AFD969

RGB 175 217 105

HSL 82.5, 0.6%, 0.63%

LAB 81.71, -31.33, 50.17

 

CMYK 52 / 0 / 7 / 15

HEX #68D9CA

RGB 104 217 202

HSL 172.04, 0.6%, 0.63%

LAB 80.09, -35.81, -2.46

 

CMYK 33 / 52 / 0 / 15

HEX #9168D9

RGB 145 104 217

HSL 261.77, 0.6%, 0.63%

LAB 52.87, 40.33, -52.33

 

CMYK 0 / 52 / 45 / 15

HEX #D96877

RGB 217 104 119

HSL 352.04, 0.6%, 0.63%

LAB 58.02, 45.68, 12.95

 

Description

Color code: HEX #AFD969 | qconv.com Color code: HEX #AFD969 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 217 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 217 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 52 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 52% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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