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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFCDA4 it is the complementary color #50325B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFCDA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFCDA4 shade: #B4CD9F, #C5DFB2, #D6F1C5, #E7FFD8 and #F8FFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFCDA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFCDA4 shade: #AFCDA4, #9EBB91, #8DA97E, #7C976B and #6B8558

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFCDA4 shade: #AECCA2, #B9CCA2, #C4CCA2, #CCC9A2 and #CCBDA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFCDA4 shade: #AECCA2, #A2CCA2, #A2CCAE, #A2CCB9 and #A2CCC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFCDA4 shade matches the following richer shades: #AECCA2, #A8D797, #A3E38B, #9DEE80 and #98FA74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFCDA4 shade: #AECCA2, #B3C0AE, #B8B5B9, #BEA9C5 and #C39ED1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFCDA4 shade: #C4CCA2, #B9CCA2, #AECCA2, #A3CCA2 and #A2CCAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFCDA4 shade: #7FAF6D, #96BD88, #AECCA2, #C5DABD and #DCE9D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFCDA4 shade: #AFCDA4, #A2CCC8 and #CCA2BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFCDA4 shade: #AFCDA4, #A2AECC and #CCA2AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFCDA4 shade: #AFCDA4, #A2CCC8, #C0A2CC and #CCA2A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFCDA4 shade: #AFCDA4, #A2C3CC, #C0A2CC and #CCABA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 20 / 20

HEX #AFCDA4

RGB 175 205 164

HSL 103.9, 0.29%, 0.72%

LAB 79.3, -17.63, 17.14

 

Complementary color

CMYK 12 / 45 / 0 / 64

HEX #50325B

RGB 80 50 91

HSL 283.9, 0.29%, 0.28%

LAB 25.99, 21.77, -19.26

 

CMYK 12 / 0 / 22 / 20

HEX #B4CD9F

RGB 180 205 159

HSL 92.61, 0.32%, 0.71%

LAB 79.54, -16.67, 20.17

 

CMYK 12 / 0 / 20 / 13

HEX #C5DFB2

RGB 197 223 178

HSL 94.67, 0.41%, 0.79%

LAB 85.94, -16.63, 19.23

 

CMYK 11 / 0 / 18 / 5

HEX #D6F1C5

RGB 214 241 197

HSL 96.82, 0.61%, 0.86%

LAB 92.24, -16.59, 18.34

 

CMYK 9 / 0 / 15 / 0

HEX #E7FFD8

RGB 231 255 216

HSL 96.92, 1%, 0.92%

LAB 97.42, -14.61, 16.03

 

CMYK 3 / 0 / 8 / 0

HEX #F8FFEB

RGB 248 255 235

HSL 81, 1%, 0.96%

LAB 99.02, -5.74, 8.75

 

CMYK 15 / 0 / 20 / 20

HEX #AFCDA4

RGB 175 205 164

HSL 103.9, 0.29%, 0.72%

LAB 79.3, -17.63, 17.14

 

CMYK 16 / 0 / 22 / 27

HEX #9EBB91

RGB 158 187 145

HSL 101.43, 0.24%, 0.65%

LAB 72.8, -17.72, 18.08

 

CMYK 17 / 0 / 25 / 34

HEX #8DA97E

RGB 141 169 126

HSL 99.07, 0.2%, 0.58%

LAB 66.17, -17.82, 19.08

 

CMYK 18 / 0 / 29 / 41

HEX #7C976B

RGB 124 151 107

HSL 96.82, 0.17%, 0.51%

LAB 59.42, -17.92, 20.15

 

CMYK 20 / 0 / 34 / 48

HEX #6B8558

RGB 107 133 88

HSL 94.67, 0.2%, 0.43%

LAB 52.51, -18.03, 21.3

 

CMYK 15 / 0 / 21 / 20

HEX #AECCA2

RGB 174 204 162

HSL 102.86, 0.29%, 0.72%

LAB 78.92, -17.81, 17.66

 

CMYK 9 / 0 / 21 / 20

HEX #B9CCA2

RGB 185 204 162

HSL 87.14, 0.29%, 0.72%

LAB 79.68, -13.89, 18.82

 

CMYK 4 / 0 / 21 / 20

HEX #C4CCA2

RGB 196 204 162

HSL 71.43, 0.29%, 0.72%

LAB 80.48, -9.87, 20.06

 

CMYK 0 / 1 / 21 / 20

HEX #CCC9A2

RGB 204 201 162

HSL 55.71, 0.29%, 0.72%

LAB 80.3, -5.35, 19.91

 

CMYK 0 / 7 / 21 / 20

HEX #CCBDA2

RGB 204 189 162

HSL 38.57, 0.29%, 0.72%

LAB 77.19, 0.94, 15.57

 

CMYK 15 / 0 / 21 / 20

HEX #AECCA2

RGB 174 204 162

HSL 102.86, 0.29%, 0.72%

LAB 78.92, -17.81, 17.66

 

CMYK 21 / 0 / 21 / 20

HEX #A2CCA2

RGB 162 204 162

HSL 120, 0.29%, 0.72%

LAB 78.16, -21.96, 16.47

 

CMYK 21 / 0 / 15 / 20

HEX #A2CCAE

RGB 162 204 174

HSL 137.14, 0.29%, 0.72%

LAB 78.42, -19.79, 10.44

 

CMYK 21 / 0 / 9 / 20

HEX #A2CCB9

RGB 162 204 185

HSL 152.86, 0.29%, 0.72%

LAB 78.68, -17.67, 4.92

 

CMYK 21 / 0 / 4 / 20

HEX #A2CCC4

RGB 162 204 196

HSL 168.57, 0.29%, 0.72%

LAB 78.96, -15.44, -0.58

 

CMYK 15 / 0 / 21 / 20

HEX #AECCA2

RGB 174 204 162

HSL 102.86, 0.29%, 0.72%

LAB 78.92, -17.81, 17.66

 

CMYK 22 / 0 / 30 / 16

HEX #A8D797

RGB 168 215 151

HSL 104.06, 0.44%, 0.72%

LAB 81.38, -27.08, 26.75

 

CMYK 28 / 0 / 39 / 11

HEX #A3E38B

RGB 163 227 139

HSL 103.64, 0.61%, 0.72%

LAB 84.27, -36.16, 36.66

 

CMYK 34 / 0 / 46 / 7

HEX #9DEE80

RGB 157 238 128

HSL 104.18, 0.76%, 0.72%

LAB 86.94, -44.48, 45.4

 

CMYK 39 / 0 / 54 / 2

HEX #98FA74

RGB 152 250 116

HSL 103.88, 0.93%, 0.72%

LAB 90, -52.51, 54.67

 

CMYK 15 / 0 / 21 / 20

HEX #AECCA2

RGB 174 204 162

HSL 102.86, 0.29%, 0.72%

LAB 78.92, -17.81, 17.66

 

CMYK 7 / 0 / 9 / 25

HEX #B3C0AE

RGB 179 192 174

HSL 103.33, 0.13%, 0.72%

LAB 76.28, -7.82, 7.54

 

CMYK 1 / 2 / 0 / 27

HEX #B8B5B9

RGB 184 181 185

HSL 285, 0.03%, 0.72%

LAB 74.02, 1.8, -1.66

 

CMYK 4 / 14 / 0 / 23

HEX #BEA9C5

RGB 190 169 197

HSL 285, 0.19%, 0.72%

LAB 71.79, 12.71, -11.49

 

CMYK 7 / 24 / 0 / 18

HEX #C39ED1

RGB 195 158 209

HSL 283.53, 0.36%, 0.72%

LAB 69.94, 22.83, -20.87

 

CMYK 4 / 0 / 21 / 20

HEX #C4CCA2

RGB 196 204 162

HSL 71.43, 0.29%, 0.72%

LAB 80.48, -9.87, 20.06

 

CMYK 9 / 0 / 21 / 20

HEX #B9CCA2

RGB 185 204 162

HSL 87.14, 0.29%, 0.72%

LAB 79.68, -13.89, 18.82

 

CMYK 15 / 0 / 21 / 20

HEX #AECCA2

RGB 174 204 162

HSL 102.86, 0.29%, 0.72%

LAB 78.92, -17.81, 17.66

 

CMYK 20 / 0 / 21 / 20

HEX #A3CCA2

RGB 163 204 162

HSL 118.57, 0.29%, 0.72%

LAB 78.22, -21.62, 16.57

 

CMYK 21 / 0 / 15 / 20

HEX #A2CCAD

RGB 162 204 173

HSL 135.71, 0.29%, 0.72%

LAB 78.39, -19.98, 10.94

 

CMYK 27 / 0 / 38 / 31

HEX #7FAF6D

RGB 127 175 109

HSL 103.64, 0.29%, 0.56%

LAB 66.73, -28.55, 28.84

 

CMYK 21 / 0 / 28 / 26

HEX #96BD88

RGB 150 189 136

HSL 104.15, 0.29%, 0.64%

LAB 72.67, -23.05, 22.65

 

CMYK 15 / 0 / 21 / 20

HEX #AECCA2

RGB 174 204 162

HSL 102.86, 0.29%, 0.72%

LAB 78.92, -17.81, 17.66

 

CMYK 10 / 0 / 13 / 15

HEX #C5DABD

RGB 197 218 189

HSL 103.45, 0.28%, 0.8%

LAB 84.84, -12.3, 11.91

 

CMYK 6 / 0 / 7 / 9

HEX #DCE9D8

RGB 220 233 216

HSL 105.88, 0.28%, 0.88%

LAB 90.99, -7.37, 6.76

 

CMYK 15 / 0 / 20 / 20

HEX #AFCDA4

RGB 175 205 164

HSL 103.9, 0.29%, 0.72%

LAB 79.3, -17.63, 17.14

 

CMYK 21 / 0 / 2 / 20

HEX #A2CCC8

RGB 162 204 200

HSL 174.29, 0.29%, 0.72%

LAB 79.06, -14.59, -2.57

 

CMYK 0 / 21 / 6 / 20

HEX #CCA2BF

RGB 204 162 191

HSL 318.57, 0.29%, 0.72%

LAB 71.17, 20.28, -8.98

 

CMYK 15 / 0 / 20 / 20

HEX #AFCDA4

RGB 175 205 164

HSL 103.9, 0.29%, 0.72%

LAB 79.3, -17.63, 17.14

 

CMYK 21 / 15 / 0 / 20

HEX #A2AECC

RGB 162 174 204

HSL 222.86, 0.29%, 0.72%

LAB 71.09, 2.22, -16.63

 

CMYK 0 / 21 / 15 / 20

HEX #CCA2AE

RGB 204 162 174

HSL 342.86, 0.29%, 0.72%

LAB 70.69, 17.38, -0.29

 

CMYK 15 / 0 / 20 / 20

HEX #AFCDA4

RGB 175 205 164

HSL 103.9, 0.29%, 0.72%

LAB 79.3, -17.63, 17.14

 

CMYK 21 / 0 / 2 / 20

HEX #A2CCC8

RGB 162 204 200

HSL 174.29, 0.29%, 0.72%

LAB 79.06, -14.59, -2.57

 

CMYK 6 / 21 / 0 / 20

HEX #C0A2CC

RGB 192 162 204

HSL 282.86, 0.29%, 0.72%

LAB 70.46, 18.63, -17.34

 

CMYK 0 / 21 / 19 / 20

HEX #CCA2A6

RGB 204 162 166

HSL 354.29, 0.29%, 0.72%

LAB 70.48, 16.1, 3.84

 

CMYK 15 / 0 / 20 / 20

HEX #AFCDA4

RGB 175 205 164

HSL 103.9, 0.29%, 0.72%

LAB 79.3, -17.63, 17.14

 

CMYK 21 / 4 / 0 / 20

HEX #A2C3CC

RGB 162 195 204

HSL 192.86, 0.29%, 0.72%

LAB 76.72, -9.06, -8.19

 

CMYK 6 / 21 / 0 / 20

HEX #C0A2CC

RGB 192 162 204

HSL 282.86, 0.29%, 0.72%

LAB 70.46, 18.63, -17.34

 

CMYK 0 / 16 / 21 / 20

HEX #CCABA2

RGB 204 171 162

HSL 12.86, 0.29%, 0.72%

LAB 72.61, 10.59, 9.1

 

Description

Color code: HEX #AFCDA4 | qconv.com Color code: HEX #AFCDA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 205 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 205 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 20 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 20% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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