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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFCB2E it is the complementary color #5034D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFCB2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFCB2E shade: #B4CB29, #C5DD3C, #D6EF4F, #E7FF62 and #F8FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFCB2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFCB2E shade: #AFCB2E, #9EB91B, #8DA708, #7C9500 and #6B8300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFCB2E shade: #AFCB2E, #CBBD2E, #CB922E, #CB682E and #CB3D2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFCB2E shade: #AFCB2E, #85CB2E, #5ACB2E, #30CB2E and #2ECB56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFCB2E shade matches the following richer shades: #AFCB2E, #BCDF1A and #C9F405

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFCB2E shade: #AFCB2E, #A2B742, #95A356, #888F6A and #7B7A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFCB2E shade: #CB912E, #CBBB2E, #B1CB2E, #87CB2E and #5DCB2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFCB2E shade: #75881E, #92AA26, #AFCB2E, #BDD64C and #CADE6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFCB2E shade: #AFCB2E, #2ECB67 and #A62ECB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFCB2E shade: #AFCB2E, #2EB1CB and #CB2EB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFCB2E shade: #AFCB2E, #2ECB67, #482ECB and #CB2E91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFCB2E shade: #AFCB2E, #2ECB97, #482ECB and #CB2E62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 77 / 20

HEX #AFCB2E

RGB 175 203 46

HSL 70.7, 0.63%, 0.49%

LAB 77.29, -28.92, 69.01

 

Complementary color

CMYK 62 / 75 / 0 / 18

HEX #5034D1

RGB 80 52 209

HSL 250.7, 0.63%, 0.51%

LAB 35.53, 54.23, -76.18

 

CMYK 11 / 0 / 80 / 20

HEX #B4CB29

RGB 180 203 41

HSL 68.52, 0.66%, 0.48%

LAB 77.62, -27.06, 70.86

 

CMYK 11 / 0 / 73 / 13

HEX #C5DD3C

RGB 197 221 60

HSL 68.94, 0.7%, 0.55%

LAB 83.92, -27.87, 71.35

 

CMYK 10 / 0 / 67 / 6

HEX #D6EF4F

RGB 214 239 79

HSL 69.38, 0.83%, 0.62%

LAB 90.13, -28.53, 71.19

 

CMYK 9 / 0 / 62 / 0

HEX #E7FF62

RGB 231 255 98

HSL 69.17, 1%, 0.69%

LAB 95.74, -28.15, 70.08

 

CMYK 3 / 0 / 54 / 0

HEX #F8FF75

RGB 248 255 117

HSL 63.04, 1%, 0.73%

LAB 97.13, -20.15, 63.99

 

CMYK 14 / 0 / 77 / 20

HEX #AFCB2E

RGB 175 203 46

HSL 70.7, 0.63%, 0.49%

LAB 77.29, -28.92, 69.01

 

CMYK 15 / 0 / 85 / 27

HEX #9EB91B

RGB 158 185 27

HSL 70.25, 0.75%, 0.42%

LAB 70.9, -28.03, 67.9

 

CMYK 16 / 0 / 95 / 35

HEX #8DA708

RGB 141 167 8

HSL 69.81, 0.91%, 0.34%

LAB 64.42, -26.92, 65.39

 

CMYK 17 / 0 / 100 / 42

HEX #7C9500

RGB 124 149 0

HSL 70.07, 1%, 0.29%

LAB 57.83, -25.56, 60.96

 

CMYK 18 / 0 / 100 / 49

HEX #6B8300

RGB 107 131 0

HSL 70.99, 1%, 0.26%

LAB 51.1, -24.06, 55.36

 

CMYK 14 / 0 / 77 / 20

HEX #AFCB2E

RGB 175 203 46

HSL 70.7, 0.63%, 0.49%

LAB 77.29, -28.92, 69.01

 

CMYK 0 / 7 / 77 / 20

HEX #CBBD2E

RGB 203 189 46

HSL 54.65, 0.63%, 0.49%

LAB 75.63, -10.18, 68.31

 

CMYK 0 / 28 / 77 / 20

HEX #CB922E

RGB 203 146 46

HSL 38.22, 0.63%, 0.49%

LAB 64.52, 12.65, 58.05

 

CMYK 0 / 49 / 77 / 20

HEX #CB682E

RGB 203 104 46

HSL 22.17, 0.63%, 0.49%

LAB 54.86, 35.27, 48.69

 

CMYK 0 / 70 / 77 / 20

HEX #CB3D2E

RGB 203 61 46

HSL 5.73, 0.63%, 0.49%

LAB 47.28, 55.09, 40.96

 

CMYK 14 / 0 / 77 / 20

HEX #AFCB2E

RGB 175 203 46

HSL 70.7, 0.63%, 0.49%

LAB 77.29, -28.92, 69.01

 

CMYK 34 / 0 / 77 / 20

HEX #85CB2E

RGB 133 203 46

HSL 86.75, 0.63%, 0.49%

LAB 74.76, -45.11, 65.74

 

CMYK 56 / 0 / 77 / 20

HEX #5ACB2E

RGB 90 203 46

HSL 103.18, 0.63%, 0.49%

LAB 72.95, -58.54, 63.38

 

CMYK 76 / 0 / 77 / 20

HEX #30CB2E

RGB 48 203 46

HSL 119.24, 0.63%, 0.49%

LAB 71.92, -67.07, 62.04

 

CMYK 77 / 0 / 58 / 20

HEX #2ECB56

RGB 46 203 86

HSL 135.29, 0.63%, 0.49%

LAB 72.2, -63.45, 46.5

 

CMYK 14 / 0 / 77 / 20

HEX #AFCB2E

RGB 175 203 46

HSL 70.7, 0.63%, 0.49%

LAB 77.29, -28.92, 69.01

 

CMYK 16 / 0 / 88 / 13

HEX #BCDF1A

RGB 188 223 26

HSL 70.66, 0.79%, 0.49%

LAB 83.73, -33.59, 79.51

 

CMYK 18 / 0 / 98 / 4

HEX #C9F405

RGB 201 244 5

HSL 70.79, 0.96%, 0.49%

LAB 90.38, -38.22, 87.38

 

CMYK 14 / 0 / 77 / 20

HEX #AFCB2E

RGB 175 203 46

HSL 70.7, 0.63%, 0.49%

LAB 77.29, -28.92, 69.01

 

CMYK 11 / 0 / 64 / 28

HEX #A2B742

RGB 162 183 66

HSL 70.77, 0.47%, 0.49%

LAB 70.83, -23.5, 55.11

 

CMYK 9 / 0 / 47 / 36

HEX #95A356

RGB 149 163 86

HSL 70.91, 0.31%, 0.49%

LAB 64.37, -17.03, 38.12

 

CMYK 5 / 0 / 26 / 44

HEX #888F6A

RGB 136 143 106

HSL 71.35, 0.15%, 0.49%

LAB 57.96, -9.14, 18.88

 

CMYK 3 / 4 / 0 / 50

HEX #7B7A7F

RGB 123 122 127

HSL 252, 0.02%, 0.49%

LAB 51.45, 1.39, -2.6

 

CMYK 0 / 29 / 77 / 20

HEX #CB912E

RGB 203 145 46

HSL 37.83, 0.63%, 0.49%

LAB 64.28, 13.2, 57.82

 

CMYK 0 / 8 / 77 / 20

HEX #CBBB2E

RGB 203 187 46

HSL 53.89, 0.63%, 0.49%

LAB 75.1, -9.15, 67.83

 

CMYK 13 / 0 / 77 / 20

HEX #B1CB2E

RGB 177 203 46

HSL 69.94, 0.63%, 0.49%

LAB 77.43, -28.1, 69.19

 

CMYK 33 / 0 / 77 / 20

HEX #87CB2E

RGB 135 203 46

HSL 85.99, 0.63%, 0.49%

LAB 74.86, -44.39, 65.88

 

CMYK 54 / 0 / 77 / 20

HEX #5DCB2E

RGB 93 203 46

HSL 102.04, 0.63%, 0.49%

LAB 73.05, -57.74, 63.52

 

CMYK 14 / 0 / 78 / 47

HEX #75881E

RGB 117 136 30

HSL 70.75, 0.64%, 0.33%

LAB 53.48, -21.25, 50.57

 

CMYK 14 / 0 / 78 / 33

HEX #92AA26

RGB 146 170 38

HSL 70.91, 0.63%, 0.41%

LAB 65.75, -25.4, 60.11

 

CMYK 14 / 0 / 77 / 20

HEX #AFCB2E

RGB 175 203 46

HSL 70.7, 0.63%, 0.49%

LAB 77.29, -28.92, 69.01

 

CMYK 12 / 0 / 64 / 16

HEX #BDD64C

RGB 189 214 76

HSL 70.87, 0.63%, 0.57%

LAB 81.53, -26.86, 62.91

 

CMYK 9 / 0 / 50 / 13

HEX #CADE6E

RGB 202 222 110

HSL 70.71, 0.63%, 0.65%

LAB 84.96, -22.86, 52.14

 

CMYK 14 / 0 / 77 / 20

HEX #AFCB2E

RGB 175 203 46

HSL 70.7, 0.63%, 0.49%

LAB 77.29, -28.92, 69.01

 

CMYK 77 / 0 / 49 / 20

HEX #2ECB67

RGB 46 203 103

HSL 141.78, 0.63%, 0.49%

LAB 72.41, -61.01, 38.62

 

CMYK 18 / 77 / 0 / 20

HEX #A62ECB

RGB 166 46 203

HSL 285.86, 0.63%, 0.49%

LAB 44.76, 68.72, -57.2

 

CMYK 14 / 0 / 77 / 20

HEX #AFCB2E

RGB 175 203 46

HSL 70.7, 0.63%, 0.49%

LAB 77.29, -28.92, 69.01

 

CMYK 77 / 13 / 0 / 20

HEX #2EB1CB

RGB 46 177 203

HSL 189.94, 0.63%, 0.49%

LAB 66.78, -25.58, -23.1

 

CMYK 0 / 77 / 13 / 20

HEX #CB2EB1

RGB 203 46 177

HSL 309.94, 0.63%, 0.49%

LAB 49.28, 71.94, -34.48

 

CMYK 14 / 0 / 77 / 20

HEX #AFCB2E

RGB 175 203 46

HSL 70.7, 0.63%, 0.49%

LAB 77.29, -28.92, 69.01

 

CMYK 77 / 0 / 49 / 20

HEX #2ECB67

RGB 46 203 103

HSL 141.78, 0.63%, 0.49%

LAB 72.41, -61.01, 38.62

 

CMYK 65 / 77 / 0 / 20

HEX #482ECB

RGB 72 46 203

HSL 249.94, 0.63%, 0.49%

LAB 33.23, 54.53, -76.51

 

CMYK 0 / 77 / 29 / 20

HEX #CB2E91

RGB 203 46 145

HSL 322.17, 0.63%, 0.49%

LAB 47.87, 67.81, -17.65

 

CMYK 14 / 0 / 77 / 20

HEX #AFCB2E

RGB 175 203 46

HSL 70.7, 0.63%, 0.49%

LAB 77.29, -28.92, 69.01

 

CMYK 77 / 0 / 26 / 20

HEX #2ECB97

RGB 46 203 151

HSL 160.13, 0.63%, 0.49%

LAB 73.24, -51.68, 14.81

 

CMYK 65 / 77 / 0 / 20

HEX #482ECB

RGB 72 46 203

HSL 249.94, 0.63%, 0.49%

LAB 33.23, 54.53, -76.51

 

CMYK 0 / 77 / 52 / 20

HEX #CB2E62

RGB 203 46 98

HSL 340.13, 0.63%, 0.49%

LAB 46.35, 63.17, 8.81

 

Description

Color code: HEX #AFCB2E | qconv.com Color code: HEX #AFCB2E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 203 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 203 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 77 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 77% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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