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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFC367 it is the complementary color #503C98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFC367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFC367 shade: #B4C362, #C5D575, #D6E788, #E7F99B and #F8FFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFC367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFC367 shade: #AFC367, #9EB154, #8D9F41, #7C8D2E and #6B7B1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFC367 shade: #ADC165, #C1BD65, #C1A465, #C18B65 and #C17265

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFC367 shade: #ADC165, #95C165, #7CC165, #65C168 and #65C181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFC367 shade matches the following richer shades: #ADC165, #B7D354, #C1E443 and #CBF531

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFC367 shade: #ADC165, #A4B077, #9A9F88, #908D99 and #867CAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFC367 shade: #C1A465, #C1BD65, #ADC165, #95C165 and #7CC165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFC367 shade: #84983C, #9EB548, #ADC165, #BDCD83 and #CDD9A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFC367 shade: #AFC367, #65C18C and #B165C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFC367 shade: #AFC367, #65ADC1 and #C165AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFC367 shade: #AFC367, #65C18C, #7965C1 and #C1659B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFC367 shade: #AFC367, #65C1A7, #7965C1 and #C1657F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 47 / 24

HEX #AFC367

RGB 175 195 103

HSL 73.04, 0.43%, 0.58%

LAB 75.53, -20.94, 43.69

 

Complementary color

CMYK 47 / 61 / 0 / 40

HEX #503C98

RGB 80 60 152

HSL 253.04, 0.43%, 0.42%

LAB 32.27, 32.56, -47.7

 

CMYK 8 / 0 / 50 / 24

HEX #B4C362

RGB 180 195 98

HSL 69.28, 0.45%, 0.57%

LAB 75.83, -19.45, 46.58

 

CMYK 8 / 0 / 45 / 16

HEX #C5D575

RGB 197 213 117

HSL 70, 0.53%, 0.65%

LAB 82.24, -19.74, 45.43

 

CMYK 7 / 0 / 41 / 9

HEX #D6E788

RGB 214 231 136

HSL 70.74, 0.66%, 0.72%

LAB 88.56, -19.97, 44.28

 

CMYK 7 / 0 / 38 / 2

HEX #E7F99B

RGB 231 249 155

HSL 71.49, 0.89%, 0.79%

LAB 94.78, -20.15, 43.15

 

CMYK 3 / 0 / 32 / 0

HEX #F8FFAE

RGB 248 255 174

HSL 65.19, 1%, 0.84%

LAB 97.85, -14.51, 38.01

 

CMYK 10 / 0 / 47 / 24

HEX #AFC367

RGB 175 195 103

HSL 73.04, 0.43%, 0.58%

LAB 75.53, -20.94, 43.69

 

CMYK 11 / 0 / 53 / 31

HEX #9EB154

RGB 158 177 84

HSL 72.26, 0.37%, 0.51%

LAB 69.01, -20.68, 44.84

 

CMYK 11 / 0 / 59 / 38

HEX #8D9F41

RGB 141 159 65

HSL 71.49, 0.42%, 0.44%

LAB 62.37, -20.31, 45.89

 

CMYK 12 / 0 / 67 / 45

HEX #7C8D2E

RGB 124 141 46

HSL 70.74, 0.51%, 0.37%

LAB 55.62, -19.81, 46.69

 

CMYK 13 / 0 / 78 / 52

HEX #6B7B1B

RGB 107 123 27

HSL 70, 0.64%, 0.29%

LAB 48.72, -19.11, 46.89

 

CMYK 10 / 0 / 48 / 24

HEX #ADC165

RGB 173 193 101

HSL 73.04, 0.43%, 0.58%

LAB 74.8, -20.95, 43.76

 

CMYK 0 / 2 / 48 / 24

HEX #C1BD65

RGB 193 189 101

HSL 57.39, 0.43%, 0.58%

LAB 75.25, -10.85, 44.66

 

CMYK 0 / 15 / 48 / 24

HEX #C1A465

RGB 193 164 101

HSL 41.09, 0.43%, 0.58%

LAB 68.63, 2.33, 36.5

 

CMYK 0 / 28 / 48 / 24

HEX #C18B65

RGB 193 139 101

HSL 24.78, 0.43%, 0.58%

LAB 62.29, 15.99, 28.41

 

CMYK 0 / 41 / 48 / 24

HEX #C17265

RGB 193 114 101

HSL 8.48, 0.43%, 0.58%

LAB 56.4, 29.72, 20.61

 

CMYK 10 / 0 / 48 / 24

HEX #ADC165

RGB 173 193 101

HSL 73.04, 0.43%, 0.58%

LAB 74.8, -20.95, 43.76

 

CMYK 23 / 0 / 48 / 24

HEX #95C165

RGB 149 193 101

HSL 88.7, 0.43%, 0.58%

LAB 73.2, -30.2, 41.43

 

CMYK 36 / 0 / 48 / 24

HEX #7CC165

RGB 124 193 101

HSL 105, 0.43%, 0.58%

LAB 71.8, -39.04, 39.39

 

CMYK 48 / 0 / 46 / 24

HEX #65C168

RGB 101 193 104

HSL 121.96, 0.43%, 0.58%

LAB 70.81, -45.74, 36.42

 

CMYK 48 / 0 / 33 / 24

HEX #65C181

RGB 101 193 129

HSL 138.26, 0.43%, 0.58%

LAB 71.21, -41.63, 23.98

 

CMYK 10 / 0 / 48 / 24

HEX #ADC165

RGB 173 193 101

HSL 73.04, 0.43%, 0.58%

LAB 74.8, -20.95, 43.76

 

CMYK 13 / 0 / 60 / 17

HEX #B7D354

RGB 183 211 84

HSL 73.23, 0.59%, 0.58%

LAB 80.35, -27.26, 58.2

 

CMYK 15 / 0 / 71 / 11

HEX #C1E443

RGB 193 228 67

HSL 73.04, 0.75%, 0.58%

LAB 85.62, -32.38, 70.53

 

CMYK 17 / 0 / 80 / 4

HEX #CBF531

RGB 203 245 49

HSL 72.86, 0.91%, 0.58%

LAB 90.88, -37, 81.09

 

CMYK 10 / 0 / 48 / 24

HEX #ADC165

RGB 173 193 101

HSL 73.04, 0.43%, 0.58%

LAB 74.8, -20.95, 43.76

 

CMYK 7 / 0 / 32 / 31

HEX #A4B077

RGB 164 176 119

HSL 72.63, 0.27%, 0.58%

LAB 69.67, -13.74, 27.86

 

CMYK 3 / 0 / 14 / 38

HEX #9A9F88

RGB 154 159 136

HSL 73.04, 0.11%, 0.58%

LAB 64.52, -5.99, 11.4

 

CMYK 6 / 8 / 0 / 40

HEX #908D99

RGB 144 141 153

HSL 255, 0.06%, 0.58%

LAB 59.23, 3.5, -5.96

 

CMYK 22 / 27 / 0 / 33

HEX #867CAB

RGB 134 124 171

HSL 252.77, 0.22%, 0.58%

LAB 54.47, 13.96, -23.58

 

CMYK 0 / 15 / 48 / 24

HEX #C1A465

RGB 193 164 101

HSL 41.09, 0.43%, 0.58%

LAB 68.63, 2.33, 36.5

 

CMYK 0 / 2 / 48 / 24

HEX #C1BD65

RGB 193 189 101

HSL 57.39, 0.43%, 0.58%

LAB 75.25, -10.85, 44.66

 

CMYK 10 / 0 / 48 / 24

HEX #ADC165

RGB 173 193 101

HSL 73.04, 0.43%, 0.58%

LAB 74.8, -20.95, 43.76

 

CMYK 23 / 0 / 48 / 24

HEX #95C165

RGB 149 193 101

HSL 88.7, 0.43%, 0.58%

LAB 73.2, -30.2, 41.43

 

CMYK 36 / 0 / 48 / 24

HEX #7CC165

RGB 124 193 101

HSL 105, 0.43%, 0.58%

LAB 71.8, -39.04, 39.39

 

CMYK 13 / 0 / 61 / 40

HEX #84983C

RGB 132 152 60

HSL 73.04, 0.43%, 0.42%

LAB 59.61, -20.96, 44.94

 

CMYK 13 / 0 / 60 / 29

HEX #9EB548

RGB 158 181 72

HSL 72.66, 0.43%, 0.5%

LAB 70.02, -23.71, 51.57

 

CMYK 10 / 0 / 48 / 24

HEX #ADC165

RGB 173 193 101

HSL 73.04, 0.43%, 0.58%

LAB 74.8, -20.95, 43.76

 

CMYK 8 / 0 / 36 / 20

HEX #BDCD83

RGB 189 205 131

HSL 72.97, 0.43%, 0.66%

LAB 79.68, -17.28, 35.07

 

CMYK 6 / 0 / 26 / 15

HEX #CDD9A0

RGB 205 217 160

HSL 72.63, 0.43%, 0.74%

LAB 84.56, -13.44, 26.8

 

CMYK 10 / 0 / 47 / 24

HEX #AFC367

RGB 175 195 103

HSL 73.04, 0.43%, 0.58%

LAB 75.53, -20.94, 43.69

 

CMYK 48 / 0 / 27 / 24

HEX #65C18C

RGB 101 193 140

HSL 145.43, 0.43%, 0.58%

LAB 71.42, -39.54, 18.4

 

CMYK 8 / 48 / 0 / 24

HEX #B165C1

RGB 177 101 193

HSL 289.57, 0.43%, 0.58%

LAB 54.56, 45.19, -35.76

 

CMYK 10 / 0 / 47 / 24

HEX #AFC367

RGB 175 195 103

HSL 73.04, 0.43%, 0.58%

LAB 75.53, -20.94, 43.69

 

CMYK 48 / 10 / 0 / 24

HEX #65ADC1

RGB 101 173 193

HSL 193.04, 0.43%, 0.58%

LAB 66.9, -17.15, -17.23

 

CMYK 0 / 48 / 10 / 24

HEX #C165AD

RGB 193 101 173

HSL 313.04, 0.43%, 0.58%

LAB 55.75, 46.33, -22.23

 

CMYK 10 / 0 / 47 / 24

HEX #AFC367

RGB 175 195 103

HSL 73.04, 0.43%, 0.58%

LAB 75.53, -20.94, 43.69

 

CMYK 48 / 0 / 27 / 24

HEX #65C18C

RGB 101 193 140

HSL 145.43, 0.43%, 0.58%

LAB 71.42, -39.54, 18.4

 

CMYK 37 / 48 / 0 / 24

HEX #7965C1

RGB 121 101 193

HSL 253.04, 0.43%, 0.58%

LAB 48.54, 29.57, -45.66

 

CMYK 0 / 48 / 20 / 24

HEX #C1659B

RGB 193 101 155

HSL 324.78, 0.43%, 0.58%

LAB 55.08, 43.46, -12.78

 

CMYK 10 / 0 / 47 / 24

HEX #AFC367

RGB 175 195 103

HSL 73.04, 0.43%, 0.58%

LAB 75.53, -20.94, 43.69

 

CMYK 48 / 0 / 13 / 24

HEX #65C1A7

RGB 101 193 167

HSL 163.04, 0.43%, 0.58%

LAB 72.03, -33.73, 4.65

 

CMYK 37 / 48 / 0 / 24

HEX #7965C1

RGB 121 101 193

HSL 253.04, 0.43%, 0.58%

LAB 48.54, 29.57, -45.66

 

CMYK 0 / 48 / 34 / 24

HEX #C1657F

RGB 193 101 127

HSL 343.04, 0.43%, 0.58%

LAB 54.21, 39.58, 2.38

 

Description

Color code: HEX #AFC367 | qconv.com Color code: HEX #AFC367 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 195 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 195 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 47 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 47% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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