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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFC543 it is the complementary color #503ABC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFC543. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFC543 shade: #B4C53E, #C5D751, #D6E964, #E7FB77 and #F8FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFC543. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFC543 shade: #AFC543, #9EB330, #8DA11D, #7C8F0A and #6B7D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFC543 shade: #AFC543, #C5B843, #C59543, #C57243 and #C54F43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFC543 shade: #AFC543, #8CC543, #69C543, #46C543 and #43C563

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFC543 shade matches the following richer shades: #AFC543, #BCD92F and #C9ED1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFC543 shade: #AFC543, #A2B157, #959D6B, #888A7F and #7B7692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFC543 shade: #C59543, #C5B843, #AFC543, #8DC543 and #6AC543

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFC543 shade: #7B8B2A, #97AB34, #AFC543, #BCCF63 and #CAD882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFC543 shade: #AFC543, #43C573 and #A743C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFC543 shade: #AFC543, #43AFC5 and #C543AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFC543 shade: #AFC543, #43C573, #5943C5 and #C54395

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFC543 shade: #AFC543, #43C59A, #5943C5 and #C5436E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 66 / 23

HEX #AFC543

RGB 175 197 67

HSL 70.15, 0.53%, 0.52%

LAB 75.73, -24.94, 60.14

 

Complementary color

CMYK 57 / 69 / 0 / 26

HEX #503ABC

RGB 80 58 188

HSL 250.15, 0.53%, 0.48%

LAB 34.73, 44.77, -65.24

 

CMYK 9 / 0 / 69 / 23

HEX #B4C53E

RGB 180 197 62

HSL 67.56, 0.54%, 0.51%

LAB 76.06, -23.18, 62.53

 

CMYK 8 / 0 / 62 / 16

HEX #C5D751

RGB 197 215 81

HSL 68.06, 0.63%, 0.58%

LAB 82.41, -23.79, 61.99

 

CMYK 8 / 0 / 57 / 9

HEX #D6E964

RGB 214 233 100

HSL 68.57, 0.75%, 0.65%

LAB 88.68, -24.29, 61.16

 

CMYK 8 / 0 / 53 / 2

HEX #E7FB77

RGB 231 251 119

HSL 69.09, 0.94%, 0.73%

LAB 94.87, -24.69, 60.19

 

CMYK 3 / 0 / 46 / 0

HEX #F8FF8A

RGB 248 255 138

HSL 63.59, 1%, 0.77%

LAB 97.35, -18.37, 54.76

 

CMYK 11 / 0 / 66 / 23

HEX #AFC543

RGB 175 197 67

HSL 70.15, 0.53%, 0.52%

LAB 75.73, -24.94, 60.14

 

CMYK 12 / 0 / 73 / 30

HEX #9EB330

RGB 158 179 48

HSL 69.62, 0.58%, 0.45%

LAB 69.27, -24.29, 60.41

 

CMYK 12 / 0 / 82 / 37

HEX #8DA11D

RGB 141 161 29

HSL 69.09, 0.69%, 0.37%

LAB 62.71, -23.46, 59.9

 

CMYK 13 / 0 / 93 / 44

HEX #7C8F0A

RGB 124 143 10

HSL 68.57, 0.87%, 0.3%

LAB 56.04, -22.38, 57.99

 

CMYK 14 / 0 / 100 / 51

HEX #6B7D00

RGB 107 125 0

HSL 68.64, 1%, 0.25%

LAB 49.24, -21.01, 53.96

 

CMYK 11 / 0 / 66 / 23

HEX #AFC543

RGB 175 197 67

HSL 70.15, 0.53%, 0.52%

LAB 75.73, -24.94, 60.14

 

CMYK 0 / 7 / 66 / 23

HEX #C5B843

RGB 197 184 67

HSL 54, 0.53%, 0.52%

LAB 73.91, -9.18, 58.78

 

CMYK 0 / 24 / 66 / 23

HEX #C59543

RGB 197 149 67

HSL 37.85, 0.53%, 0.52%

LAB 64.78, 9.46, 49.06

 

CMYK 0 / 42 / 66 / 23

HEX #C57243

RGB 197 114 67

HSL 21.69, 0.53%, 0.52%

LAB 56.4, 28.59, 39.62

 

CMYK 0 / 60 / 66 / 23

HEX #C54F43

RGB 197 79 67

HSL 5.54, 0.53%, 0.52%

LAB 49.34, 46.4, 31.23

 

CMYK 11 / 0 / 66 / 23

HEX #AFC543

RGB 175 197 67

HSL 70.15, 0.53%, 0.52%

LAB 75.73, -24.94, 60.14

 

CMYK 29 / 0 / 66 / 23

HEX #8CC543

RGB 140 197 67

HSL 86.31, 0.53%, 0.52%

LAB 73.49, -38.64, 57.1

 

CMYK 47 / 0 / 66 / 23

HEX #69C543

RGB 105 197 67

HSL 102.46, 0.53%, 0.52%

LAB 71.79, -50.5, 54.77

 

CMYK 64 / 0 / 66 / 23

HEX #46C543

RGB 70 197 67

HSL 118.62, 0.53%, 0.52%

LAB 70.62, -59.53, 53.17

 

CMYK 66 / 0 / 50 / 23

HEX #43C563

RGB 67 197 99

HSL 134.77, 0.53%, 0.52%

LAB 70.89, -56.17, 38.79

 

CMYK 11 / 0 / 66 / 23

HEX #AFC543

RGB 175 197 67

HSL 70.15, 0.53%, 0.52%

LAB 75.73, -24.94, 60.14

 

CMYK 13 / 0 / 78 / 15

HEX #BCD92F

RGB 188 217 47

HSL 70.24, 0.69%, 0.52%

LAB 82.12, -30.19, 73.44

 

CMYK 15 / 0 / 88 / 7

HEX #C9ED1C

RGB 201 237 28

HSL 70.33, 0.85%, 0.52%

LAB 88.48, -34.75, 83.39

 

CMYK 11 / 0 / 66 / 23

HEX #AFC543

RGB 175 197 67

HSL 70.15, 0.53%, 0.52%

LAB 75.73, -24.94, 60.14

 

CMYK 8 / 0 / 51 / 31

HEX #A2B157

RGB 162 177 87

HSL 70, 0.37%, 0.52%

LAB 69.34, -18.76, 43.85

 

CMYK 5 / 0 / 32 / 38

HEX #959D6B

RGB 149 157 107

HSL 69.6, 0.2%, 0.52%

LAB 62.98, -11.33, 25.25

 

CMYK 1 / 0 / 8 / 46

HEX #888A7F

RGB 136 138 127

HSL 70.91, 0.04%, 0.52%

LAB 57.02, -2.84, 5.63

 

CMYK 16 / 19 / 0 / 43

HEX #7B7692

RGB 123 118 146

HSL 250.71, 0.11%, 0.52%

LAB 50.97, 7.91, -14.48

 

CMYK 0 / 24 / 66 / 23

HEX #C59543

RGB 197 149 67

HSL 37.85, 0.53%, 0.52%

LAB 64.78, 9.46, 49.06

 

CMYK 0 / 7 / 66 / 23

HEX #C5B843

RGB 197 184 67

HSL 54, 0.53%, 0.52%

LAB 73.91, -9.18, 58.78

 

CMYK 11 / 0 / 66 / 23

HEX #AFC543

RGB 175 197 67

HSL 70.15, 0.53%, 0.52%

LAB 75.73, -24.94, 60.14

 

CMYK 28 / 0 / 66 / 23

HEX #8DC543

RGB 141 197 67

HSL 85.85, 0.53%, 0.52%

LAB 73.55, -38.27, 57.17

 

CMYK 46 / 0 / 66 / 23

HEX #6AC543

RGB 106 197 67

HSL 102, 0.53%, 0.52%

LAB 71.83, -50.19, 54.83

 

CMYK 12 / 0 / 70 / 45

HEX #7B8B2A

RGB 123 139 42

HSL 69.9, 0.54%, 0.35%

LAB 54.91, -19.48, 47.62

 

CMYK 12 / 0 / 70 / 33

HEX #97AB34

RGB 151 171 52

HSL 70.08, 0.53%, 0.44%

LAB 66.48, -23.06, 56.02

 

CMYK 11 / 0 / 66 / 23

HEX #AFC543

RGB 175 197 67

HSL 70.15, 0.53%, 0.52%

LAB 75.73, -24.94, 60.14

 

CMYK 9 / 0 / 52 / 19

HEX #BCCF63

RGB 188 207 99

HSL 70.56, 0.53%, 0.6%

LAB 79.74, -22.09, 50.87

 

CMYK 6 / 0 / 40 / 15

HEX #CAD882

RGB 202 216 130

HSL 69.77, 0.52%, 0.68%

LAB 83.59, -17.87, 40.78

 

CMYK 11 / 0 / 66 / 23

HEX #AFC543

RGB 175 197 67

HSL 70.15, 0.53%, 0.52%

LAB 75.73, -24.94, 60.14

 

CMYK 66 / 0 / 42 / 23

HEX #43C573

RGB 67 197 115

HSL 142.15, 0.53%, 0.52%

LAB 71.12, -53.57, 31

 

CMYK 15 / 66 / 0 / 23

HEX #A743C5

RGB 167 67 197

HSL 286.15, 0.53%, 0.52%

LAB 47.32, 59.87, -49.62

 

CMYK 11 / 0 / 66 / 23

HEX #AFC543

RGB 175 197 67

HSL 70.15, 0.53%, 0.52%

LAB 75.73, -24.94, 60.14

 

CMYK 66 / 11 / 0 / 23

HEX #43AFC5

RGB 67 175 197

HSL 190.15, 0.53%, 0.52%

LAB 66.43, -23.72, -20.27

 

CMYK 0 / 66 / 11 / 23

HEX #C543AF

RGB 197 67 175

HSL 310.15, 0.53%, 0.52%

LAB 50.66, 63.26, -31.22

 

CMYK 11 / 0 / 66 / 23

HEX #AFC543

RGB 175 197 67

HSL 70.15, 0.53%, 0.52%

LAB 75.73, -24.94, 60.14

 

CMYK 66 / 0 / 42 / 23

HEX #43C573

RGB 67 197 115

HSL 142.15, 0.53%, 0.52%

LAB 71.12, -53.57, 31

 

CMYK 55 / 66 / 0 / 23

HEX #5943C5

RGB 89 67 197

HSL 250.15, 0.53%, 0.52%

LAB 38.14, 43.87, -64.89

 

CMYK 0 / 66 / 24 / 23

HEX #C54395

RGB 197 67 149

HSL 322.15, 0.53%, 0.52%

LAB 49.56, 59.56, -17.56

 

CMYK 11 / 0 / 66 / 23

HEX #AFC543

RGB 175 197 67

HSL 70.15, 0.53%, 0.52%

LAB 75.73, -24.94, 60.14

 

CMYK 66 / 0 / 22 / 23

HEX #43C59A

RGB 67 197 154

HSL 160.15, 0.53%, 0.52%

LAB 71.87, -45.59, 11.33

 

CMYK 55 / 66 / 0 / 23

HEX #5943C5

RGB 89 67 197

HSL 250.15, 0.53%, 0.52%

LAB 38.14, 43.87, -64.89

 

CMYK 0 / 66 / 44 / 23

HEX #C5436E

RGB 197 67 110

HSL 340.15, 0.53%, 0.52%

LAB 48.27, 55.05, 4.04

 

Description

Color code: HEX #AFC543 | qconv.com Color code: HEX #AFC543 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 197 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 197 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 66 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 66% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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