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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB016 it is the complementary color #504FE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB016. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB016 shade: #B4B011, #C5C224, #D6D437, #E7E64A and #F8F85D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB016. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB016 shade: #AFB016, #9E9E03, #8D8C00, #7C7A00 and #6B6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB016 shade: #B0B115, #B18815, #B15E15, #B13415 and #B11515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB016 shade: #B0B115, #86B115, #5CB115, #32B115 and #15B123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB016 shade matches the following richer shades: #B0B115 and #BFC105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB016 shade: #B0B115, #A0A025, #909036, #808046 and #707056

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB016 shade: #B15E15, #B18715, #B1B115, #87B115 and #5EB115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB016 shade: #66670C, #8B8C11, #B0B115, #D4D51A and #E4E533

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB016 shade: #AFB016, #15B134 and #7215B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB016 shade: #AFB016, #15B1B1 and #B115B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB016 shade: #AFB016, #15B134, #1515B1 and #B11591

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB016 shade: #AFB016, #15B163, #1515B1 and #B11563

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 88 / 31

HEX #AFB016

RGB 175 176 22

HSL 60.39, 0.78%, 0.39%

LAB 69.63, -16.43, 68.42

 

Complementary color

CMYK 66 / 66 / 0 / 9

HEX #504FE9

RGB 80 79 233

HSL 240.39, 0.78%, 0.61%

LAB 43.03, 46.91, -77.58

 

CMYK 0 / 2 / 91 / 29

HEX #B4B011

RGB 180 176 17

HSL 58.53, 0.83%, 0.39%

LAB 70.03, -14.33, 69.81

 

CMYK 0 / 2 / 82 / 23

HEX #C5C224

RGB 197 194 36

HSL 58.88, 0.69%, 0.46%

LAB 76.42, -15.63, 71.64

 

CMYK 0 / 1 / 74 / 16

HEX #D6D437

RGB 214 212 55

HSL 59.25, 0.66%, 0.53%

LAB 82.73, -16.72, 72.31

 

CMYK 0 / 0 / 68 / 9

HEX #E7E64A

RGB 231 230 74

HSL 59.62, 0.77%, 0.6%

LAB 88.96, -17.64, 72.26

 

CMYK 0 / 0 / 63 / 3

HEX #F8F85D

RGB 248 248 93

HSL 60, 0.92%, 0.67%

LAB 95.11, -18.42, 71.76

 

CMYK 1 / 0 / 88 / 31

HEX #AFB016

RGB 175 176 22

HSL 60.39, 0.78%, 0.39%

LAB 69.63, -16.43, 68.42

 

CMYK 0 / 0 / 98 / 38

HEX #9E9E03

RGB 158 158 3

HSL 60, 0.96%, 0.32%

LAB 63.12, -15.03, 65.65

 

CMYK 0 / 1 / 100 / 45

HEX #8D8C00

RGB 141 140 0

HSL 59.57, 1%, 0.28%

LAB 56.5, -13.34, 60.58

 

CMYK 0 / 2 / 100 / 51

HEX #7C7A00

RGB 124 122 0

HSL 59.03, 1%, 0.24%

LAB 49.74, -11.55, 54.96

 

CMYK 0 / 3 / 100 / 58

HEX #6B6800

RGB 107 104 0

HSL 58.32, 1%, 0.21%

LAB 42.8, -9.7, 49.2

 

CMYK 1 / 0 / 88 / 31

HEX #B0B115

RGB 176 177 21

HSL 60.38, 0.79%, 0.39%

LAB 69.99, -16.52, 68.93

 

CMYK 0 / 23 / 88 / 31

HEX #B18815

RGB 177 136 21

HSL 44.23, 0.79%, 0.39%

LAB 58.98, 5.77, 60.15

 

CMYK 0 / 47 / 88 / 31

HEX #B15E15

RGB 177 94 21

HSL 28.08, 0.79%, 0.39%

LAB 48.77, 29.07, 51.97

 

CMYK 0 / 71 / 88 / 31

HEX #B13415

RGB 177 52 21

HSL 11.92, 0.79%, 0.39%

LAB 40.99, 49.23, 45.75

 

CMYK 0 / 88 / 88 / 31

HEX #B11515

RGB 177 21 21

HSL 0, 0.79%, 0.39%

LAB 37.73, 58.35, 43.14

 

CMYK 1 / 0 / 88 / 31

HEX #B0B115

RGB 176 177 21

HSL 60.38, 0.79%, 0.39%

LAB 69.99, -16.52, 68.93

 

CMYK 24 / 0 / 88 / 31

HEX #86B115

RGB 134 177 21

HSL 76.54, 0.79%, 0.39%

LAB 66.95, -34.27, 65.2

 

CMYK 48 / 0 / 88 / 31

HEX #5CB115

RGB 92 177 21

HSL 92.69, 0.79%, 0.39%

LAB 64.78, -49.47, 62.5

 

CMYK 72 / 0 / 88 / 31

HEX #32B115

RGB 50 177 21

HSL 108.85, 0.79%, 0.39%

LAB 63.49, -59.96, 60.88

 

CMYK 88 / 0 / 80 / 31

HEX #15B123

RGB 21 177 35

HSL 125.38, 0.79%, 0.39%

LAB 63.11, -63.02, 56.85

 

CMYK 1 / 0 / 88 / 31

HEX #B0B115

RGB 176 177 21

HSL 60.38, 0.79%, 0.39%

LAB 69.99, -16.52, 68.93

 

CMYK 1 / 0 / 97 / 24

HEX #BFC105

RGB 191 193 5

HSL 60.64, 0.95%, 0.39%

LAB 75.59, -18.29, 75.91

 

CMYK 1 / 0 / 88 / 31

HEX #B0B115

RGB 176 177 21

HSL 60.38, 0.79%, 0.39%

LAB 69.99, -16.52, 68.93

 

CMYK 0 / 0 / 77 / 37

HEX #A0A025

RGB 160 160 37

HSL 60, 0.62%, 0.39%

LAB 63.96, -14.34, 59.18

 

CMYK 0 / 0 / 63 / 44

HEX #909036

RGB 144 144 54

HSL 60, 0.45%, 0.39%

LAB 58.17, -12.06, 46.38

 

CMYK 0 / 0 / 45 / 50

HEX #808046

RGB 128 128 70

HSL 60, 0.29%, 0.39%

LAB 52.36, -9, 31.36

 

CMYK 0 / 0 / 23 / 56

HEX #707056

RGB 112 112 86

HSL 60, 0.13%, 0.39%

LAB 46.59, -4.73, 14.51

 

CMYK 0 / 47 / 88 / 31

HEX #B15E15

RGB 177 94 21

HSL 28.08, 0.79%, 0.39%

LAB 48.77, 29.07, 51.97

 

CMYK 0 / 24 / 88 / 31

HEX #B18715

RGB 177 135 21

HSL 43.85, 0.79%, 0.39%

LAB 58.72, 6.32, 59.94

 

CMYK 0 / 0 / 88 / 31

HEX #B1B115

RGB 177 177 21

HSL 60, 0.79%, 0.39%

LAB 70.07, -16.08, 69.03

 

CMYK 24 / 0 / 88 / 31

HEX #87B115

RGB 135 177 21

HSL 76.15, 0.79%, 0.39%

LAB 67.01, -33.87, 65.28

 

CMYK 47 / 0 / 88 / 31

HEX #5EB115

RGB 94 177 21

HSL 91.92, 0.79%, 0.39%

LAB 64.87, -48.83, 62.61

 

CMYK 1 / 0 / 88 / 60

HEX #66670C

RGB 102 103 12

HSL 60.66, 0.79%, 0.23%

LAB 42.08, -11.23, 45.48

 

CMYK 1 / 0 / 88 / 45

HEX #8B8C11

RGB 139 140 17

HSL 60.49, 0.78%, 0.31%

LAB 56.37, -13.93, 57.44

 

CMYK 1 / 0 / 88 / 31

HEX #B0B115

RGB 176 177 21

HSL 60.38, 0.79%, 0.39%

LAB 69.99, -16.52, 68.93

 

CMYK 0 / 0 / 88 / 16

HEX #D4D51A

RGB 212 213 26

HSL 60.32, 0.78%, 0.47%

LAB 82.73, -18.92, 79.44

 

CMYK 0 / 0 / 78 / 10

HEX #E4E533

RGB 228 229 51

HSL 60.34, 0.77%, 0.55%

LAB 88.34, -19.36, 78.99

 

CMYK 1 / 0 / 88 / 31

HEX #AFB016

RGB 175 176 22

HSL 60.39, 0.78%, 0.39%

LAB 69.63, -16.43, 68.42

 

CMYK 88 / 0 / 71 / 31

HEX #15B134

RGB 21 177 52

HSL 131.92, 0.79%, 0.39%

LAB 63.22, -61.69, 51.05

 

CMYK 36 / 88 / 0 / 31

HEX #7215B1

RGB 114 21 177

HSL 275.77, 0.79%, 0.39%

LAB 32.45, 62.21, -62.28

 

CMYK 1 / 0 / 88 / 31

HEX #AFB016

RGB 175 176 22

HSL 60.39, 0.78%, 0.39%

LAB 69.63, -16.43, 68.42

 

CMYK 88 / 0 / 0 / 31

HEX #15B1B1

RGB 21 177 177

HSL 180, 0.79%, 0.39%

LAB 65.58, -35.73, -10.55

 

CMYK 0 / 88 / 0 / 31

HEX #B115B1

RGB 177 21 177

HSL 300, 0.79%, 0.39%

LAB 42.85, 72.3, -44.96

 

CMYK 1 / 0 / 88 / 31

HEX #AFB016

RGB 175 176 22

HSL 60.39, 0.78%, 0.39%

LAB 69.63, -16.43, 68.42

 

CMYK 88 / 0 / 71 / 31

HEX #15B134

RGB 21 177 52

HSL 131.92, 0.79%, 0.39%

LAB 63.22, -61.69, 51.05

 

CMYK 88 / 88 / 0 / 31

HEX #1515B1

RGB 21 21 177

HSL 240, 0.79%, 0.39%

LAB 23.24, 54.59, -77.81

 

CMYK 0 / 88 / 18 / 31

HEX #B11591

RGB 177 21 145

HSL 312.31, 0.79%, 0.39%

LAB 41.1, 67.74, -28.51

 

CMYK 1 / 0 / 88 / 31

HEX #AFB016

RGB 175 176 22

HSL 60.39, 0.78%, 0.39%

LAB 69.63, -16.43, 68.42

 

CMYK 88 / 0 / 44 / 31

HEX #15B163

RGB 21 177 99

HSL 150, 0.79%, 0.39%

LAB 63.76, -55.15, 29.58

 

CMYK 88 / 88 / 0 / 31

HEX #1515B1

RGB 21 21 177

HSL 240, 0.79%, 0.39%

LAB 23.24, 54.59, -77.81

 

CMYK 0 / 88 / 44 / 31

HEX #B11563

RGB 177 21 99

HSL 330, 0.79%, 0.39%

LAB 39.21, 62.6, -2.77

 

Description

Color code: HEX #AFB016 | qconv.com Color code: HEX #AFB016 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 176 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 176 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 88 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 88% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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