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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB727 it is the complementary color #5048D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB727. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB727 shade: #B4B722, #C5C935, #D6DB48, #E7ED5B and #F8FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB727. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB727 shade: #AFB727, #9EA514, #8D9301, #7C8100 and #6B6F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB727 shade: #B1B927, #B99927, #B97227, #B94B27 and #B92727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB727 shade: #B1B927, #89B927, #62B927, #3BB927 and #27B93A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB727 shade matches the following richer shades: #B1B927, #C1CB15 and #D1DD02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB727 shade: #B1B927, #A0A639, #90944B, #80825D and #70706F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB727 shade: #B97227, #B99927, #B1B927, #8AB927 and #64B927

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB727 shade: #6F7518, #909720, #B1B927, #CBD435 and #D4DB57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB727 shade: #AFB727, #27B94B and #8627B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB727 shade: #AFB727, #27B1B9 and #B927B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB727 shade: #AFB727, #27B94B, #2E27B9 and #B92794

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB727 shade: #AFB727, #27B977, #2E27B9 and #B92768

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 79 / 28

HEX #AFB727

RGB 175 183 39

HSL 63.33, 0.65%, 0.44%

LAB 71.64, -19.45, 65.96

 

Complementary color

CMYK 63 / 67 / 0 / 15

HEX #5048D8

RGB 80 72 216

HSL 243.33, 0.65%, 0.56%

LAB 40.08, 45.52, -72.74

 

CMYK 2 / 0 / 81 / 28

HEX #B4B722

RGB 180 183 34

HSL 61.21, 0.69%, 0.43%

LAB 72.02, -17.47, 67.83

 

CMYK 2 / 0 / 74 / 21

HEX #C5C935

RGB 197 201 53

HSL 61.62, 0.58%, 0.5%

LAB 78.4, -18.5, 68.44

 

CMYK 2 / 0 / 67 / 14

HEX #D6DB48

RGB 214 219 72

HSL 62.04, 0.67%, 0.57%

LAB 84.7, -19.36, 68.3

 

CMYK 3 / 0 / 62 / 7

HEX #E7ED5B

RGB 231 237 91

HSL 62.47, 0.8%, 0.64%

LAB 90.92, -20.07, 67.74

 

CMYK 3 / 0 / 57 / 0

HEX #F8FF6E

RGB 248 255 110

HSL 62.9, 1%, 0.72%

LAB 97.07, -20.67, 66.93

 

CMYK 4 / 0 / 79 / 28

HEX #AFB727

RGB 175 183 39

HSL 63.33, 0.65%, 0.44%

LAB 71.64, -19.45, 65.96

 

CMYK 4 / 0 / 88 / 35

HEX #9EA514

RGB 158 165 20

HSL 62.9, 0.78%, 0.36%

LAB 65.14, -18.33, 64.61

 

CMYK 4 / 0 / 99 / 42

HEX #8D9301

RGB 141 147 1

HSL 62.47, 0.99%, 0.29%

LAB 58.54, -17, 61.91

 

CMYK 4 / 0 / 100 / 49

HEX #7C8100

RGB 124 129 0

HSL 62.33, 1%, 0.25%

LAB 51.82, -15.32, 56.49

 

CMYK 4 / 0 / 100 / 56

HEX #6B6F00

RGB 107 111 0

HSL 62.16, 1%, 0.22%

LAB 44.93, -13.58, 50.76

 

CMYK 4 / 0 / 79 / 27

HEX #B1B927

RGB 177 185 39

HSL 63.29, 0.65%, 0.44%

LAB 72.36, -19.6, 66.66

 

CMYK 0 / 17 / 79 / 27

HEX #B99927

RGB 185 153 39

HSL 46.85, 0.65%, 0.44%

LAB 64.36, 0.61, 59.74

 

CMYK 0 / 38 / 79 / 27

HEX #B97227

RGB 185 114 39

HSL 30.82, 0.65%, 0.44%

LAB 54.55, 22.1, 50.64

 

CMYK 0 / 59 / 79 / 27

HEX #B94B27

RGB 185 75 39

HSL 14.79, 0.65%, 0.44%

LAB 46.3, 42.54, 42.62

 

CMYK 0 / 79 / 79 / 27

HEX #B92727

RGB 185 39 39

HSL 0, 0.65%, 0.44%

LAB 41.08, 56.73, 37.29

 

CMYK 4 / 0 / 79 / 27

HEX #B1B927

RGB 177 185 39

HSL 63.29, 0.65%, 0.44%

LAB 72.36, -19.6, 66.66

 

CMYK 26 / 0 / 79 / 27

HEX #89B927

RGB 137 185 39

HSL 79.73, 0.65%, 0.44%

LAB 69.59, -36.08, 63.12

 

CMYK 47 / 0 / 79 / 27

HEX #62B927

RGB 98 185 39

HSL 95.75, 0.65%, 0.44%

LAB 67.61, -49.92, 60.57

 

CMYK 68 / 0 / 79 / 27

HEX #3BB927

RGB 59 185 39

HSL 111.78, 0.65%, 0.44%

LAB 66.35, -59.95, 58.93

 

CMYK 79 / 0 / 69 / 27

HEX #27B93A

RGB 39 185 58

HSL 127.81, 0.65%, 0.44%

LAB 66.09, -61.72, 51.76

 

CMYK 4 / 0 / 79 / 27

HEX #B1B927

RGB 177 185 39

HSL 63.29, 0.65%, 0.44%

LAB 72.36, -19.6, 66.66

 

CMYK 5 / 0 / 90 / 20

HEX #C1CB15

RGB 193 203 21

HSL 63.3, 0.81%, 0.44%

LAB 78.52, -22.15, 76.3

 

CMYK 5 / 0 / 99 / 13

HEX #D1DD02

RGB 209 221 2

HSL 63.29, 0.98%, 0.44%

LAB 84.62, -24.36, 83.53

 

CMYK 4 / 0 / 79 / 27

HEX #B1B927

RGB 177 185 39

HSL 63.29, 0.65%, 0.44%

LAB 72.36, -19.6, 66.66

 

CMYK 4 / 0 / 66 / 35

HEX #A0A639

RGB 160 166 57

HSL 63.3, 0.49%, 0.44%

LAB 65.78, -16.39, 53.52

 

CMYK 3 / 0 / 49 / 42

HEX #90944B

RGB 144 148 75

HSL 63.29, 0.33%, 0.44%

LAB 59.54, -12.41, 37.79

 

CMYK 2 / 0 / 28 / 49

HEX #80825D

RGB 128 130 93

HSL 63.24, 0.17%, 0.44%

LAB 53.32, -7.18, 19.84

 

CMYK 0 / 0 / 1 / 56

HEX #70706F

RGB 112 112 111

HSL 60, 0%, 0.44%

LAB 47.21, -0.2, 0.55

 

CMYK 0 / 38 / 79 / 27

HEX #B97227

RGB 185 114 39

HSL 30.82, 0.65%, 0.44%

LAB 54.55, 22.1, 50.64

 

CMYK 0 / 17 / 79 / 27

HEX #B99927

RGB 185 153 39

HSL 46.85, 0.65%, 0.44%

LAB 64.36, 0.61, 59.74

 

CMYK 4 / 0 / 79 / 27

HEX #B1B927

RGB 177 185 39

HSL 63.29, 0.65%, 0.44%

LAB 72.36, -19.6, 66.66

 

CMYK 25 / 0 / 79 / 27

HEX #8AB927

RGB 138 185 39

HSL 79.32, 0.65%, 0.44%

LAB 69.65, -35.69, 63.2

 

CMYK 46 / 0 / 79 / 27

HEX #64B927

RGB 100 185 39

HSL 94.93, 0.65%, 0.44%

LAB 67.69, -49.29, 60.68

 

CMYK 5 / 0 / 79 / 54

HEX #6F7518

RGB 111 117 24

HSL 63.87, 0.66%, 0.28%

LAB 47.19, -14.23, 46.63

 

CMYK 5 / 0 / 79 / 41

HEX #909720

RGB 144 151 32

HSL 63.53, 0.65%, 0.36%

LAB 60.04, -16.95, 56.72

 

CMYK 4 / 0 / 79 / 27

HEX #B1B927

RGB 177 185 39

HSL 63.29, 0.65%, 0.44%

LAB 72.36, -19.6, 66.66

 

CMYK 4 / 0 / 75 / 17

HEX #CBD435

RGB 203 212 53

HSL 63.4, 0.65%, 0.52%

LAB 81.86, -21.4, 71.82

 

CMYK 3 / 0 / 60 / 14

HEX #D4DB57

RGB 212 219 87

HSL 63.18, 0.65%, 0.6%

LAB 84.66, -19.26, 62.24

 

CMYK 4 / 0 / 79 / 28

HEX #AFB727

RGB 175 183 39

HSL 63.33, 0.65%, 0.44%

LAB 71.64, -19.45, 65.96

 

CMYK 79 / 0 / 59 / 27

HEX #27B94B

RGB 39 185 75

HSL 134.79, 0.65%, 0.44%

LAB 66.24, -59.82, 44.57

 

CMYK 28 / 79 / 0 / 27

HEX #8627B9

RGB 134 39 185

HSL 279.04, 0.65%, 0.44%

LAB 37.88, 61.7, -58.05

 

CMYK 4 / 0 / 79 / 28

HEX #AFB727

RGB 175 183 39

HSL 63.33, 0.65%, 0.44%

LAB 71.64, -19.45, 65.96

 

CMYK 79 / 4 / 0 / 27

HEX #27B1B9

RGB 39 177 185

HSL 183.29, 0.65%, 0.44%

LAB 66.04, -31.93, -14.27

 

CMYK 0 / 79 / 4 / 27

HEX #B927B1

RGB 185 39 177

HSL 303.29, 0.65%, 0.44%

LAB 45.55, 70.01, -40.57

 

CMYK 4 / 0 / 79 / 28

HEX #AFB727

RGB 175 183 39

HSL 63.33, 0.65%, 0.44%

LAB 71.64, -19.45, 65.96

 

CMYK 79 / 0 / 59 / 27

HEX #27B94B

RGB 39 185 75

HSL 134.79, 0.65%, 0.44%

LAB 66.24, -59.82, 44.57

 

CMYK 75 / 79 / 0 / 27

HEX #2E27B9

RGB 46 39 185

HSL 242.88, 0.65%, 0.44%

LAB 28.21, 50.2, -74.29

 

CMYK 0 / 79 / 20 / 27

HEX #B92794

RGB 185 39 148

HSL 315.21, 0.65%, 0.44%

LAB 44.09, 65.87, -25.55

 

CMYK 4 / 0 / 79 / 28

HEX #AFB727

RGB 175 183 39

HSL 63.33, 0.65%, 0.44%

LAB 71.64, -19.45, 65.96

 

CMYK 79 / 0 / 36 / 27

HEX #27B977

RGB 39 185 119

HSL 152.88, 0.65%, 0.44%

LAB 66.87, -52.48, 23.16

 

CMYK 75 / 79 / 0 / 27

HEX #2E27B9

RGB 46 39 185

HSL 242.88, 0.65%, 0.44%

LAB 28.21, 50.2, -74.29

 

CMYK 0 / 79 / 44 / 27

HEX #B92768

RGB 185 39 104

HSL 333.29, 0.65%, 0.44%

LAB 42.41, 60.87, -1.05

 

Description

Color code: HEX #AFB727 | qconv.com Color code: HEX #AFB727 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 183 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 183 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 79 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 79% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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