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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFAD45 it is the complementary color #5052BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFAD45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFAD45 shade: #B4AD40, #C5BF53, #D6D166, #E7E379 and #F8F58C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFAD45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFAD45 shade: #AFAD45, #9E9B32, #8D891F, #7C770C and #6B6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFAD45 shade: #AFAD45, #AF9045, #AF7445, #AF5745 and #AF4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFAD45 shade: #AFAD45, #94AF45, #78AF45, #5BAF45 and #45AF4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFAD45 shade matches the following richer shades: #AFAD45, #C2C031, #D6D31E and #EAE60A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFAD45 shade: #AFAD45, #9B9959, #87866D, #737381 and #5F6094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFAD45 shade: #AF7345, #AF8F45, #AFAB45, #96AF45 and #7AAF45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFAD45 shade: #74722E, #918F3A, #AFAD45, #BFBD5E and #CAC97C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFAD45 shade: #AFAD45, #45AF57 and #8145AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFAD45 shade: #AFAD45, #45AFAB and #AB45AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFAD45 shade: #AFAD45, #45AF57, #4549AF and #AF459D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFAD45 shade: #AFAD45, #45AF76, #4549AF and #AF457D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 61 / 31

HEX #AFAD45

RGB 175 173 69

HSL 58.87, 0.43%, 0.48%

LAB 69.06, -12.77, 52.22

 

Complementary color

CMYK 57 / 56 / 0 / 27

HEX #5052BA

RGB 80 82 186

HSL 238.87, 0.43%, 0.52%

LAB 40.06, 29.7, -55.39

 

CMYK 0 / 4 / 64 / 29

HEX #B4AD40

RGB 180 173 64

HSL 56.38, 0.48%, 0.48%

LAB 69.44, -10.96, 54.92

 

CMYK 0 / 3 / 58 / 23

HEX #C5BF53

RGB 197 191 83

HSL 56.84, 0.5%, 0.55%

LAB 75.92, -11.72, 54.03

 

CMYK 0 / 2 / 52 / 16

HEX #D6D166

RGB 214 209 102

HSL 57.32, 0.58%, 0.62%

LAB 82.3, -12.35, 52.97

 

CMYK 0 / 2 / 48 / 9

HEX #E7E379

RGB 231 227 121

HSL 57.82, 0.7%, 0.69%

LAB 88.59, -12.88, 51.84

 

CMYK 0 / 1 / 44 / 3

HEX #F8F58C

RGB 248 245 140

HSL 58.33, 0.89%, 0.76%

LAB 94.8, -13.32, 50.7

 

CMYK 0 / 1 / 61 / 31

HEX #AFAD45

RGB 175 173 69

HSL 58.87, 0.43%, 0.48%

LAB 69.06, -12.77, 52.22

 

CMYK 0 / 2 / 68 / 38

HEX #9E9B32

RGB 158 155 50

HSL 58.33, 0.52%, 0.41%

LAB 62.46, -11.96, 52.93

 

CMYK 0 / 3 / 78 / 45

HEX #8D891F

RGB 141 137 31

HSL 57.82, 0.64%, 0.34%

LAB 55.74, -10.95, 53.04

 

CMYK 0 / 4 / 90 / 51

HEX #7C770C

RGB 124 119 12

HSL 57.32, 0.82%, 0.27%

LAB 48.89, -9.65, 51.9

 

CMYK 0 / 6 / 100 / 58

HEX #6B6500

RGB 107 101 0

HSL 56.64, 1%, 0.21%

LAB 41.9, -8, 48.54

 

CMYK 0 / 1 / 61 / 31

HEX #AFAD45

RGB 175 173 69

HSL 58.87, 0.43%, 0.48%

LAB 69.06, -12.77, 52.22

 

CMYK 0 / 18 / 61 / 31

HEX #AF9045

RGB 175 144 69

HSL 42.45, 0.43%, 0.48%

LAB 61.21, 2.74, 43.47

 

CMYK 0 / 34 / 61 / 31

HEX #AF7445

RGB 175 116 69

HSL 26.6, 0.43%, 0.48%

LAB 54.06, 18.36, 35.1

 

CMYK 0 / 50 / 61 / 31

HEX #AF5745

RGB 175 87 69

HSL 10.19, 0.43%, 0.48%

LAB 47.44, 34.28, 26.97

 

CMYK 0 / 61 / 61 / 31

HEX #AF4545

RGB 175 69 69

HSL 0, 0.43%, 0.48%

LAB 43.94, 43.32, 22.5

 

CMYK 0 / 1 / 61 / 31

HEX #AFAD45

RGB 175 173 69

HSL 58.87, 0.43%, 0.48%

LAB 69.06, -12.77, 52.22

 

CMYK 15 / 0 / 61 / 31

HEX #94AF45

RGB 148 175 69

HSL 75.28, 0.43%, 0.48%

LAB 67.57, -25.08, 49.99

 

CMYK 31 / 0 / 61 / 31

HEX #78AF45

RGB 120 175 69

HSL 91.13, 0.43%, 0.48%

LAB 65.81, -35.96, 47.55

 

CMYK 48 / 0 / 61 / 31

HEX #5BAF45

RGB 91 175 69

HSL 107.55, 0.43%, 0.48%

LAB 64.41, -45.7, 45.59

 

CMYK 61 / 0 / 57 / 31

HEX #45AF4C

RGB 69 175 76

HSL 123.96, 0.43%, 0.48%

LAB 63.71, -50.77, 41.29

 

CMYK 0 / 1 / 61 / 31

HEX #AFAD45

RGB 175 173 69

HSL 58.87, 0.43%, 0.48%

LAB 69.06, -12.77, 52.22

 

CMYK 0 / 1 / 75 / 24

HEX #C2C031

RGB 194 192 49

HSL 59.17, 0.6%, 0.48%

LAB 75.69, -15.45, 67.13

 

CMYK 0 / 1 / 86 / 16

HEX #D6D31E

RGB 214 211 30

HSL 59.02, 0.75%, 0.48%

LAB 82.37, -17.01, 78.48

 

CMYK 0 / 2 / 96 / 8

HEX #EAE60A

RGB 234 230 10

HSL 58.93, 0.92%, 0.48%

LAB 88.97, -18.18, 86.98

 

CMYK 0 / 1 / 61 / 31

HEX #AFAD45

RGB 175 173 69

HSL 58.87, 0.43%, 0.48%

LAB 69.06, -12.77, 52.22

 

CMYK 0 / 1 / 43 / 39

HEX #9B9959

RGB 155 153 89

HSL 58.18, 0.27%, 0.48%

LAB 62.06, -8.95, 33.82

 

CMYK 0 / 1 / 19 / 47

HEX #87866D

RGB 135 134 109

HSL 57.69, 0.11%, 0.48%

LAB 55.39, -4.1, 13.63

 

CMYK 11 / 11 / 0 / 49

HEX #737381

RGB 115 115 129

HSL 240, 0.06%, 0.48%

LAB 48.87, 2.99, -7.67

 

CMYK 36 / 35 / 0 / 42

HEX #5F6094

RGB 95 96 148

HSL 238.87, 0.22%, 0.48%

LAB 42.67, 12.73, -28.65

 

CMYK 0 / 34 / 61 / 31

HEX #AF7345

RGB 175 115 69

HSL 26.04, 0.43%, 0.48%

LAB 53.82, 18.92, 34.81

 

CMYK 0 / 18 / 61 / 31

HEX #AF8F45

RGB 175 143 69

HSL 41.89, 0.43%, 0.48%

LAB 60.95, 3.29, 43.17

 

CMYK 0 / 2 / 61 / 31

HEX #AFAB45

RGB 175 171 69

HSL 57.74, 0.43%, 0.48%

LAB 68.51, -11.73, 51.62

 

CMYK 14 / 0 / 61 / 31

HEX #96AF45

RGB 150 175 69

HSL 74.15, 0.43%, 0.48%

LAB 67.71, -24.26, 50.18

 

CMYK 30 / 0 / 61 / 31

HEX #7AAF45

RGB 122 175 69

HSL 90, 0.43%, 0.48%

LAB 65.93, -35.22, 47.7

 

CMYK 0 / 2 / 60 / 55

HEX #74722E

RGB 116 114 46

HSL 58.29, 0.43%, 0.32%

LAB 46.9, -8.89, 37.12

 

CMYK 0 / 1 / 60 / 43

HEX #918F3A

RGB 145 143 58

HSL 58.62, 0.43%, 0.4%

LAB 58.01, -10.79, 44.39

 

CMYK 0 / 1 / 61 / 31

HEX #AFAD45

RGB 175 173 69

HSL 58.87, 0.43%, 0.48%

LAB 69.06, -12.77, 52.22

 

CMYK 0 / 1 / 51 / 25

HEX #BFBD5E

RGB 191 189 94

HSL 58.76, 0.43%, 0.56%

LAB 75, -12.3, 47.72

 

CMYK 0 / 0 / 39 / 21

HEX #CAC97C

RGB 202 201 124

HSL 59.23, 0.42%, 0.64%

LAB 79.49, -11, 38.59

 

CMYK 0 / 1 / 61 / 31

HEX #AFAD45

RGB 175 173 69

HSL 58.87, 0.43%, 0.48%

LAB 69.06, -12.77, 52.22

 

CMYK 61 / 0 / 50 / 31

HEX #45AF57

RGB 69 175 87

HSL 130.19, 0.43%, 0.48%

LAB 63.85, -49.25, 36.04

 

CMYK 26 / 61 / 0 / 31

HEX #8145AF

RGB 129 69 175

HSL 273.96, 0.43%, 0.48%

LAB 41.25, 45.19, -46.75

 

CMYK 0 / 1 / 61 / 31

HEX #AFAD45

RGB 175 173 69

HSL 58.87, 0.43%, 0.48%

LAB 69.06, -12.77, 52.22

 

CMYK 61 / 0 / 2 / 31

HEX #45AFAB

RGB 69 175 171

HSL 177.74, 0.43%, 0.48%

LAB 65.64, -30.98, -7.02

 

CMYK 2 / 61 / 0 / 31

HEX #AB45AF

RGB 171 69 175

HSL 297.74, 0.43%, 0.48%

LAB 46.99, 55.81, -37.27

 

CMYK 0 / 1 / 61 / 31

HEX #AFAD45

RGB 175 173 69

HSL 58.87, 0.43%, 0.48%

LAB 69.06, -12.77, 52.22

 

CMYK 61 / 0 / 50 / 31

HEX #45AF57

RGB 69 175 87

HSL 130.19, 0.43%, 0.48%

LAB 63.85, -49.25, 36.04

 

CMYK 61 / 58 / 0 / 31

HEX #4549AF

RGB 69 73 175

HSL 237.74, 0.43%, 0.48%

LAB 36.22, 29.67, -55.15

 

CMYK 0 / 61 / 10 / 31

HEX #AF459D

RGB 175 69 157

HSL 310.19, 0.43%, 0.48%

LAB 46.72, 53.8, -27

 

CMYK 0 / 1 / 61 / 31

HEX #AFAD45

RGB 175 173 69

HSL 58.87, 0.43%, 0.48%

LAB 69.06, -12.77, 52.22

 

CMYK 61 / 0 / 33 / 31

HEX #45AF76

RGB 69 175 118

HSL 147.74, 0.43%, 0.48%

LAB 64.35, -43.8, 20.39

 

CMYK 61 / 58 / 0 / 31

HEX #4549AF

RGB 69 73 175

HSL 237.74, 0.43%, 0.48%

LAB 36.22, 29.67, -55.15

 

CMYK 0 / 61 / 29 / 31

HEX #AF457D

RGB 175 69 125

HSL 328.3, 0.43%, 0.48%

LAB 45.43, 49.08, -9.7

 

Description

Color code: HEX #AFAD45 | qconv.com Color code: HEX #AFAD45 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 173 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 173 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 61 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 61% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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