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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF90EE it is the complementary color #506F11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF90EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF90EE shade: #B490E9, #C5A2FC, #D6B4FF, #E7C6FF and #F8D8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF90EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF90EE shade: #AF90EE, #9E7EDB, #8D6CC8, #7C5AB5 and #6B48A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF90EE shade: #AF90ED, #C890ED, #E190ED, #ED90E0 and #ED90C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF90EE shade: #AF90ED, #9690ED and #9090ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF90EE shade matches the following richer shades: #AF90ED and #AB86F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF90EE shade: #AF90ED, #B29BE3, #B6A5D9, #B9AFCE and #BDB9C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF90EE shade: #90A4ED, #9590ED, #AE90ED, #C790ED and #DF90ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF90EE shade: #7B49E2, #956DE8, #AF90ED, #C9B4F3 and #E2D8F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF90EE shade: #AF90EE, #ED90BD and #98ED90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF90EE shade: #AF90EE, #EDAE90 and #90EDAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF90EE shade: #AF90EE, #ED90BD, #D0ED90 and #90EDC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF90EE shade: #AF90EE, #ED90A1, #D0ED90 and #90EDDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 39 / 0 / 7

HEX #AF90EE

RGB 175 144 238

HSL 259.79, 0.73%, 0.75%

LAB 65.93, 30.94, -43.2

 

Complementary color

CMYK 28 / 0 / 85 / 56

HEX #506F11

RGB 80 111 17

HSL 79.79, 0.73%, 0.25%

LAB 42.94, -25.35, 44.15

 

CMYK 23 / 38 / 0 / 9

HEX #B490E9

RGB 180 144 233

HSL 264.27, 0.67%, 0.74%

LAB 66.16, 31.18, -40.05

 

CMYK 22 / 36 / 0 / 1

HEX #C5A2FC

RGB 197 162 252

HSL 263.33, 0.94%, 0.81%

LAB 72.72, 30.46, -40.08

 

CMYK 16 / 29 / 0 / 0

HEX #D6B4FF

RGB 214 180 255

HSL 267.2, 1%, 0.85%

LAB 78.55, 26.31, -32.53

 

CMYK 9 / 22 / 0 / 0

HEX #E7C6FF

RGB 231 198 255

HSL 274.74, 1%, 0.89%

LAB 84.28, 21.87, -23.65

 

CMYK 3 / 15 / 0 / 0

HEX #F8D8FF

RGB 248 216 255

HSL 289.23, 1%, 0.92%

LAB 89.99, 17.8, -14.88

 

CMYK 26 / 39 / 0 / 7

HEX #AF90EE

RGB 175 144 238

HSL 259.79, 0.73%, 0.75%

LAB 65.93, 30.94, -43.2

 

CMYK 28 / 42 / 0 / 14

HEX #9E7EDB

RGB 158 126 219

HSL 260.65, 0.56%, 0.68%

LAB 59.26, 31.76, -43.25

 

CMYK 30 / 46 / 0 / 22

HEX #8D6CC8

RGB 141 108 200

HSL 261.52, 0.46%, 0.6%

LAB 52.46, 32.66, -43.34

 

CMYK 31 / 50 / 0 / 29

HEX #7C5AB5

RGB 124 90 181

HSL 262.42, 0.38%, 0.53%

LAB 45.54, 33.65, -43.45

 

CMYK 34 / 56 / 0 / 36

HEX #6B48A2

RGB 107 72 162

HSL 263.33, 0.38%, 0.46%

LAB 38.5, 34.71, -43.56

 

CMYK 26 / 39 / 0 / 7

HEX #AF90ED

RGB 175 144 237

HSL 260, 0.72%, 0.75%

LAB 65.88, 30.7, -42.72

 

CMYK 16 / 39 / 0 / 7

HEX #C890ED

RGB 200 144 237

HSL 276.13, 0.72%, 0.75%

LAB 68.27, 37.9, -38.81

 

CMYK 5 / 39 / 0 / 7

HEX #E190ED

RGB 225 144 237

HSL 292.26, 0.72%, 0.75%

LAB 70.92, 45.29, -34.49

 

CMYK 0 / 39 / 5 / 7

HEX #ED90E0

RGB 237 144 224

HSL 308.39, 0.72%, 0.75%

LAB 71.78, 46.59, -25.92

 

CMYK 0 / 39 / 16 / 7

HEX #ED90C7

RGB 237 144 199

HSL 324.52, 0.72%, 0.75%

LAB 70.92, 42.51, -13.41

 

CMYK 26 / 39 / 0 / 7

HEX #AF90ED

RGB 175 144 237

HSL 260, 0.72%, 0.75%

LAB 65.88, 30.7, -42.72

 

CMYK 37 / 39 / 0 / 7

HEX #9690ED

RGB 150 144 237

HSL 243.87, 0.72%, 0.75%

LAB 63.79, 23.89, -46.16

 

CMYK 39 / 39 / 0 / 7

HEX #9090ED

RGB 144 144 237

HSL 240, 0.72%, 0.75%

LAB 63.33, 22.33, -46.91

 

CMYK 26 / 39 / 0 / 7

HEX #AF90ED

RGB 175 144 237

HSL 260, 0.72%, 0.75%

LAB 65.88, 30.7, -42.72

 

CMYK 31 / 46 / 0 / 3

HEX #AB86F8

RGB 171 134 248

HSL 259.47, 0.89%, 0.75%

LAB 63.74, 37.92, -52.17

 

CMYK 26 / 39 / 0 / 7

HEX #AF90ED

RGB 175 144 237

HSL 260, 0.72%, 0.75%

LAB 65.88, 30.7, -42.72

 

CMYK 22 / 32 / 0 / 11

HEX #B29BE3

RGB 178 155 227

HSL 259.17, 0.56%, 0.75%

LAB 68.35, 23.04, -33.35

 

CMYK 16 / 24 / 0 / 15

HEX #B6A5D9

RGB 182 165 217

HSL 259.62, 0.41%, 0.75%

LAB 70.78, 16.44, -24.09

 

CMYK 10 / 15 / 0 / 19

HEX #B9AFCE

RGB 185 175 206

HSL 259.35, 0.24%, 0.75%

LAB 73.17, 9.55, -14.4

 

CMYK 4 / 6 / 0 / 23

HEX #BDB9C4

RGB 189 185 196

HSL 261.82, 0.09%, 0.75%

LAB 75.76, 3.47, -5.06

 

CMYK 39 / 31 / 0 / 7

HEX #90A4ED

RGB 144 164 237

HSL 227.1, 0.72%, 0.75%

LAB 68.46, 10.85, -38.87

 

CMYK 37 / 39 / 0 / 7

HEX #9590ED

RGB 149 144 237

HSL 243.23, 0.72%, 0.75%

LAB 63.71, 23.63, -46.28

 

CMYK 27 / 39 / 0 / 7

HEX #AE90ED

RGB 174 144 237

HSL 259.35, 0.72%, 0.75%

LAB 65.8, 30.42, -42.87

 

CMYK 16 / 39 / 0 / 7

HEX #C790ED

RGB 199 144 237

HSL 275.48, 0.72%, 0.75%

LAB 68.17, 37.6, -38.98

 

CMYK 6 / 39 / 0 / 7

HEX #DF90ED

RGB 223 144 237

HSL 290.97, 0.72%, 0.75%

LAB 70.7, 44.7, -34.85

 

CMYK 46 / 68 / 0 / 11

HEX #7B49E2

RGB 123 73 226

HSL 259.61, 0.73%, 0.59%

LAB 44.9, 54.77, -70.42

 

CMYK 36 / 53 / 0 / 9

HEX #956DE8

RGB 149 109 232

HSL 259.51, 0.73%, 0.67%

LAB 55.23, 42.36, -56.98

 

CMYK 26 / 39 / 0 / 7

HEX #AF90ED

RGB 175 144 237

HSL 260, 0.72%, 0.75%

LAB 65.88, 30.7, -42.72

 

CMYK 17 / 26 / 0 / 5

HEX #C9B4F3

RGB 201 180 243

HSL 260, 0.72%, 0.83%

LAB 77, 19.76, -28.57

 

CMYK 9 / 13 / 0 / 3

HEX #E2D8F8

RGB 226 216 248

HSL 258.75, 0.7%, 0.91%

LAB 88, 9.35, -14.37

 

CMYK 26 / 39 / 0 / 7

HEX #AF90EE

RGB 175 144 238

HSL 259.79, 0.73%, 0.75%

LAB 65.93, 30.94, -43.2

 

CMYK 0 / 39 / 20 / 7

HEX #ED90BD

RGB 237 144 189

HSL 330.97, 0.72%, 0.75%

LAB 70.61, 41, -8.32

 

CMYK 36 / 0 / 39 / 7

HEX #98ED90

RGB 152 237 144

HSL 114.84, 0.72%, 0.75%

LAB 86.63, -43.47, 37.12

 

CMYK 26 / 39 / 0 / 7

HEX #AF90EE

RGB 175 144 238

HSL 259.79, 0.73%, 0.75%

LAB 65.93, 30.94, -43.2

 

CMYK 0 / 27 / 39 / 7

HEX #EDAE90

RGB 237 174 144

HSL 19.35, 0.72%, 0.75%

LAB 76.25, 19.28, 24.45

 

CMYK 39 / 0 / 27 / 7

HEX #90EDAE

RGB 144 237 174

HSL 139.35, 0.72%, 0.75%

LAB 86.78, -40.93, 22.02

 

CMYK 26 / 39 / 0 / 7

HEX #AF90EE

RGB 175 144 238

HSL 259.79, 0.73%, 0.75%

LAB 65.93, 30.94, -43.2

 

CMYK 0 / 39 / 20 / 7

HEX #ED90BD

RGB 237 144 189

HSL 330.97, 0.72%, 0.75%

LAB 70.61, 41, -8.32

 

CMYK 12 / 0 / 39 / 7

HEX #D0ED90

RGB 208 237 144

HSL 78.71, 0.72%, 0.75%

LAB 89.86, -24.21, 41.92

 

CMYK 39 / 0 / 19 / 7

HEX #90EDC0

RGB 144 237 192

HSL 150.97, 0.72%, 0.75%

LAB 87.15, -37.5, 13.2

 

CMYK 26 / 39 / 0 / 7

HEX #AF90EE

RGB 175 144 238

HSL 259.79, 0.73%, 0.75%

LAB 65.93, 30.94, -43.2

 

CMYK 0 / 39 / 32 / 7

HEX #ED90A1

RGB 237 144 161

HSL 349.03, 0.72%, 0.75%

LAB 69.84, 37.17, 6.17

 

CMYK 12 / 0 / 39 / 7

HEX #D0ED90

RGB 208 237 144

HSL 78.71, 0.72%, 0.75%

LAB 89.86, -24.21, 41.92

 

CMYK 39 / 0 / 7 / 7

HEX #90EDDC

RGB 144 237 220

HSL 169.03, 0.72%, 0.75%

LAB 87.81, -31.54, -0.48

 

Description

Color code: HEX #AF90EE | qconv.com Color code: HEX #AF90EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 144 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 144 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 39 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 39% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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