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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF9087 it is the complementary color #506F78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF9087. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF9087 shade: #B49082, #C5A295, #D6B4A8, #E7C6BB and #F8D8CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF9087. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF9087 shade: #AF9087, #9E7E74, #8D6C61, #7C5A4E and #6B483B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF9087 shade: #AF9087 and #AF8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF9087 shade: #AF9087, #AF9B87, #AFA687, #AEAF87 and #A3AF87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF9087 shade matches the following richer shades: #AF9087, #BF8777, #CF7E67, #DF7657 and #EF6D47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF9087 shade: #AF9087, #9F9997, #8FA2A7, #7FABB7 and #6FB4C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF9087 shade: #AF8794, #AF8789, #AF9087, #AF9A87 and #AFA587

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF9087 shade: #89655B, #9E796E, #AF9087, #BFA7A0 and #D0BEB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF9087 shade: #AF9087, #9EAF87 and #878EAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF9087 shade: #AF9087, #87AF90 and #9087AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF9087 shade: #AF9087, #9EAF87, #87A6AF and #9887AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF9087 shade: #AF9087, #92AF87, #87A6AF and #A487AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 23 / 31

HEX #AF9087

RGB 175 144 135

HSL 13.5, 0.2%, 0.61%

LAB 62.35, 10.23, 9.15

 

Complementary color

CMYK 33 / 8 / 0 / 53

HEX #506F78

RGB 80 111 120

HSL 193.5, 0.2%, 0.39%

LAB 44.84, -8.79, -8.6

 

CMYK 0 / 20 / 28 / 29

HEX #B49082

RGB 180 144 130

HSL 16.8, 0.25%, 0.61%

LAB 62.73, 11.46, 12.58

 

CMYK 0 / 18 / 24 / 23

HEX #C5A295

RGB 197 162 149

HSL 16.25, 0.29%, 0.68%

LAB 69.38, 10.89, 11.59

 

CMYK 0 / 16 / 21 / 16

HEX #D6B4A8

RGB 214 180 168

HSL 15.65, 0.36%, 0.75%

LAB 75.93, 10.39, 10.68

 

CMYK 0 / 14 / 19 / 9

HEX #E7C6BB

RGB 231 198 187

HSL 15, 0.48%, 0.82%

LAB 82.36, 9.94, 9.82

 

CMYK 0 / 13 / 17 / 3

HEX #F8D8CE

RGB 248 216 206

HSL 14.29, 0.75%, 0.89%

LAB 88.7, 9.54, 9

 

CMYK 0 / 18 / 23 / 31

HEX #AF9087

RGB 175 144 135

HSL 13.5, 0.2%, 0.61%

LAB 62.35, 10.23, 9.15

 

CMYK 0 / 20 / 27 / 38

HEX #9E7E74

RGB 158 126 116

HSL 14.29, 0.18%, 0.54%

LAB 55.53, 10.79, 10.13

 

CMYK 0 / 23 / 31 / 45

HEX #8D6C61

RGB 141 108 97

HSL 15, 0.18%, 0.47%

LAB 48.57, 11.45, 11.21

 

CMYK 0 / 27 / 37 / 51

HEX #7C5A4E

RGB 124 90 78

HSL 15.65, 0.23%, 0.4%

LAB 41.45, 12.24, 12.42

 

CMYK 0 / 33 / 45 / 58

HEX #6B483B

RGB 107 72 59

HSL 16.25, 0.29%, 0.33%

LAB 34.14, 13.2, 13.83

 

CMYK 0 / 18 / 23 / 31

HEX #AF9087

RGB 175 144 135

HSL 13.5, 0.2%, 0.61%

LAB 62.35, 10.23, 9.15

 

CMYK 0 / 23 / 23 / 31

HEX #AF8787

RGB 175 135 135

HSL 0, 0.2%, 0.61%

LAB 60.06, 15.27, 5.89

 

CMYK 0 / 18 / 23 / 31

HEX #AF9087

RGB 175 144 135

HSL 13.5, 0.2%, 0.61%

LAB 62.35, 10.23, 9.15

 

CMYK 0 / 11 / 23 / 31

HEX #AF9B87

RGB 175 155 135

HSL 30, 0.2%, 0.61%

LAB 65.2, 4.13, 13.18

 

CMYK 0 / 5 / 23 / 31

HEX #AFA687

RGB 175 166 135

HSL 46.5, 0.2%, 0.61%

LAB 68.12, -1.87, 17.25

 

CMYK 1 / 0 / 23 / 31

HEX #AEAF87

RGB 174 175 135

HSL 61.5, 0.2%, 0.61%

LAB 70.46, -7.07, 20.46

 

CMYK 7 / 0 / 23 / 31

HEX #A3AF87

RGB 163 175 135

HSL 78, 0.2%, 0.61%

LAB 69.61, -11.28, 19.15

 

CMYK 0 / 18 / 23 / 31

HEX #AF9087

RGB 175 144 135

HSL 13.5, 0.2%, 0.61%

LAB 62.35, 10.23, 9.15

 

CMYK 0 / 29 / 38 / 25

HEX #BF8777

RGB 191 135 119

HSL 13.33, 0.36%, 0.61%

LAB 61.43, 19.38, 17.16

 

CMYK 0 / 39 / 50 / 19

HEX #CF7E67

RGB 207 126 103

HSL 13.27, 0.52%, 0.61%

LAB 60.93, 28.97, 25.83

 

CMYK 0 / 47 / 61 / 13

HEX #DF7657

RGB 223 118 87

HSL 13.68, 0.68%, 0.61%

LAB 61.07, 38.15, 35.32

 

CMYK 0 / 54 / 70 / 6

HEX #EF6D47

RGB 239 109 71

HSL 13.57, 0.84%, 0.61%

LAB 61.43, 47.69, 44.87

 

CMYK 0 / 18 / 23 / 31

HEX #AF9087

RGB 175 144 135

HSL 13.5, 0.2%, 0.61%

LAB 62.35, 10.23, 9.15

 

CMYK 0 / 4 / 5 / 38

HEX #9F9997

RGB 159 153 151

HSL 15, 0.04%, 0.61%

LAB 63.66, 1.82, 1.82

 

CMYK 14 / 3 / 0 / 35

HEX #8FA2A7

RGB 143 162 167

HSL 192.5, 0.12%, 0.61%

LAB 65.33, -5.58, -4.85

 

CMYK 31 / 7 / 0 / 28

HEX #7FABB7

RGB 127 171 183

HSL 192.86, 0.28%, 0.61%

LAB 67.32, -11.8, -10.93

 

CMYK 45 / 10 / 0 / 22

HEX #6FB4C8

RGB 111 180 200

HSL 193.48, 0.45%, 0.61%

LAB 69.61, -16.5, -16.96

 

CMYK 0 / 23 / 15 / 31

HEX #AF8794

RGB 175 135 148

HSL 340.5, 0.2%, 0.61%

LAB 60.41, 17.35, -1.04

 

CMYK 0 / 23 / 22 / 31

HEX #AF8789

RGB 175 135 137

HSL 357, 0.2%, 0.61%

LAB 60.11, 15.58, 4.82

 

CMYK 0 / 18 / 23 / 31

HEX #AF9087

RGB 175 144 135

HSL 13.5, 0.2%, 0.61%

LAB 62.35, 10.23, 9.15

 

CMYK 0 / 12 / 23 / 31

HEX #AF9A87

RGB 175 154 135

HSL 28.5, 0.2%, 0.61%

LAB 64.94, 4.68, 12.82

 

CMYK 0 / 6 / 23 / 31

HEX #AFA587

RGB 175 165 135

HSL 45, 0.2%, 0.61%

LAB 67.85, -1.33, 16.88

 

CMYK 0 / 26 / 34 / 46

HEX #89655B

RGB 137 101 91

HSL 13.04, 0.2%, 0.45%

LAB 46.15, 13.03, 11.33

 

CMYK 0 / 23 / 30 / 38

HEX #9E796E

RGB 158 121 110

HSL 13.75, 0.2%, 0.53%

LAB 54.1, 12.78, 11.59

 

CMYK 0 / 18 / 23 / 31

HEX #AF9087

RGB 175 144 135

HSL 13.5, 0.2%, 0.61%

LAB 62.35, 10.23, 9.15

 

CMYK 0 / 13 / 16 / 25

HEX #BFA7A0

RGB 191 167 160

HSL 13.55, 0.19%, 0.69%

LAB 70.35, 7.57, 6.82

 

CMYK 0 / 9 / 11 / 18

HEX #D0BEB9

RGB 208 190 185

HSL 13.04, 0.2%, 0.77%

LAB 78.31, 5.51, 4.81

 

CMYK 0 / 18 / 23 / 31

HEX #AF9087

RGB 175 144 135

HSL 13.5, 0.2%, 0.61%

LAB 62.35, 10.23, 9.15

 

CMYK 10 / 0 / 23 / 31

HEX #9EAF87

RGB 158 175 135

HSL 85.5, 0.2%, 0.61%

LAB 69.24, -13.16, 18.58

 

CMYK 23 / 19 / 0 / 31

HEX #878EAF

RGB 135 142 175

HSL 229.5, 0.2%, 0.61%

LAB 59.52, 4.8, -18.15

 

CMYK 0 / 18 / 23 / 31

HEX #AF9087

RGB 175 144 135

HSL 13.5, 0.2%, 0.61%

LAB 62.35, 10.23, 9.15

 

CMYK 23 / 0 / 18 / 31

HEX #87AF90

RGB 135 175 144

HSL 133.5, 0.2%, 0.61%

LAB 67.89, -19.83, 11.55

 

CMYK 18 / 23 / 0 / 31

HEX #9087AF

RGB 144 135 175

HSL 253.5, 0.2%, 0.61%

LAB 58.37, 11.75, -19.83

 

CMYK 0 / 18 / 23 / 31

HEX #AF9087

RGB 175 144 135

HSL 13.5, 0.2%, 0.61%

LAB 62.35, 10.23, 9.15

 

CMYK 10 / 0 / 23 / 31

HEX #9EAF87

RGB 158 175 135

HSL 85.5, 0.2%, 0.61%

LAB 69.24, -13.16, 18.58

 

CMYK 23 / 5 / 0 / 31

HEX #87A6AF

RGB 135 166 175

HSL 193.5, 0.2%, 0.61%

LAB 66.15, -8.57, -8.17

 

CMYK 13 / 23 / 0 / 31

HEX #9887AF

RGB 152 135 175

HSL 265.5, 0.2%, 0.61%

LAB 59.07, 14.4, -18.71

 

CMYK 0 / 18 / 23 / 31

HEX #AF9087

RGB 175 144 135

HSL 13.5, 0.2%, 0.61%

LAB 62.35, 10.23, 9.15

 

CMYK 17 / 0 / 23 / 31

HEX #92AF87

RGB 146 175 135

HSL 103.5, 0.2%, 0.61%

LAB 68.4, -17.58, 17.3

 

CMYK 23 / 5 / 0 / 31

HEX #87A6AF

RGB 135 166 175

HSL 193.5, 0.2%, 0.61%

LAB 66.15, -8.57, -8.17

 

CMYK 6 / 23 / 0 / 31

HEX #A487AF

RGB 164 135 175

HSL 283.5, 0.2%, 0.61%

LAB 60.17, 18.46, -16.92

 

Description

Color code: HEX #AF9087 | qconv.com Color code: HEX #AF9087 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 144 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 144 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 23 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 23% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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