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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF956C it is the complementary color #506A93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF956C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF956C shade: #B49567, #C5A77A, #D6B98D, #E7CBA0 and #F8DDB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF956C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF956C shade: #AF956C, #9E8359, #8D7146, #7C5F33 and #6B4D20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF956C shade: #AE9369, #AE8169, #AE6E69 and #AE6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF956C shade: #AE9369, #AEA669, #A4AE69, #91AE69 and #7FAE69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF956C shade matches the following richer shades: #AE9369, #C19857, #D39C44, #E6A032 and #F8A41F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF956C shade: #AE9369, #9C8F7C, #898B8E, #7687A1 and #6483B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF956C shade: #AE6E69, #AE8069, #AE9369, #AEA569 and #A5AE69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF956C shade: #806945, #9B7F53, #AE9369, #BDA784 and #CBBA9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF956C shade: #AF956C, #77AE69 and #7769AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF956C shade: #AF956C, #69AE93 and #9369AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF956C shade: #AF956C, #77AE69, #6985AE and #A069AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF956C shade: #AF956C, #69AE70, #6985AE and #AE69A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 38 / 31

HEX #AF956C

RGB 175 149 108

HSL 36.72, 0.3%, 0.55%

LAB 63.09, 3.77, 25.26

 

Complementary color

CMYK 46 / 28 / 0 / 42

HEX #506A93

RGB 80 106 147

HSL 216.72, 0.3%, 0.45%

LAB 44.4, 1.98, -25.42

 

CMYK 0 / 17 / 43 / 29

HEX #B49567

RGB 180 149 103

HSL 35.84, 0.34%, 0.55%

LAB 63.49, 5.27, 28.61

 

CMYK 0 / 15 / 38 / 23

HEX #C5A77A

RGB 197 167 122

HSL 36, 0.39%, 0.63%

LAB 70.11, 4.62, 27.36

 

CMYK 0 / 14 / 34 / 16

HEX #D6B98D

RGB 214 185 141

HSL 36.16, 0.47%, 0.7%

LAB 76.63, 4.06, 26.18

 

CMYK 0 / 12 / 31 / 9

HEX #E7CBA0

RGB 231 203 160

HSL 36.34, 0.6%, 0.77%

LAB 83.04, 3.58, 25.09

 

CMYK 0 / 11 / 28 / 3

HEX #F8DDB3

RGB 248 221 179

HSL 36.52, 0.83%, 0.84%

LAB 89.36, 3.15, 24.05

 

CMYK 0 / 15 / 38 / 31

HEX #AF956C

RGB 175 149 108

HSL 36.72, 0.3%, 0.55%

LAB 63.09, 3.77, 25.26

 

CMYK 0 / 17 / 44 / 38

HEX #9E8359

RGB 158 131 89

HSL 36.52, 0.28%, 0.48%

LAB 56.31, 4.43, 26.54

 

CMYK 0 / 20 / 50 / 45

HEX #8D7146

RGB 141 113 70

HSL 36.34, 0.34%, 0.41%

LAB 49.39, 5.24, 27.93

 

CMYK 0 / 23 / 59 / 51

HEX #7C5F33

RGB 124 95 51

HSL 36.16, 0.42%, 0.34%

LAB 42.32, 6.25, 29.42

 

CMYK 0 / 28 / 70 / 58

HEX #6B4D20

RGB 107 77 32

HSL 36, 0.54%, 0.27%

LAB 35.08, 7.54, 30.91

 

CMYK 0 / 16 / 40 / 32

HEX #AE9369

RGB 174 147 105

HSL 36.52, 0.3%, 0.55%

LAB 62.41, 4.11, 25.99

 

CMYK 0 / 26 / 40 / 32

HEX #AE8169

RGB 174 129 105

HSL 20.87, 0.3%, 0.55%

LAB 57.77, 14.15, 19.79

 

CMYK 0 / 37 / 40 / 32

HEX #AE6E69

RGB 174 110 105

HSL 4.35, 0.3%, 0.55%

LAB 53.14, 24.83, 13.43

 

CMYK 0 / 40 / 40 / 32

HEX #AE6969

RGB 174 105 105

HSL 0, 0.3%, 0.55%

LAB 51.97, 27.61, 11.82

 

CMYK 0 / 16 / 40 / 32

HEX #AE9369

RGB 174 147 105

HSL 36.52, 0.3%, 0.55%

LAB 62.41, 4.11, 25.99

 

CMYK 0 / 5 / 40 / 32

HEX #AEA669

RGB 174 166 105

HSL 53.04, 0.3%, 0.55%

LAB 67.49, -6.21, 32.61

 

CMYK 6 / 0 / 40 / 32

HEX #A4AE69

RGB 164 174 105

HSL 68.7, 0.3%, 0.55%

LAB 68.88, -14.48, 34.22

 

CMYK 17 / 0 / 40 / 32

HEX #91AE69

RGB 145 174 105

HSL 85.22, 0.3%, 0.55%

LAB 67.51, -21.95, 32.18

 

CMYK 27 / 0 / 40 / 32

HEX #7FAE69

RGB 127 174 105

HSL 100.87, 0.3%, 0.55%

LAB 66.37, -28.65, 30.49

 

CMYK 0 / 16 / 40 / 32

HEX #AE9369

RGB 174 147 105

HSL 36.52, 0.3%, 0.55%

LAB 62.41, 4.11, 25.99

 

CMYK 0 / 21 / 55 / 24

HEX #C19857

RGB 193 152 87

HSL 36.79, 0.46%, 0.55%

LAB 65.34, 7.56, 39.71

 

CMYK 0 / 26 / 68 / 17

HEX #D39C44

RGB 211 156 68

HSL 36.92, 0.62%, 0.55%

LAB 68.05, 11.76, 52.58

 

CMYK 0 / 30 / 78 / 10

HEX #E6A032

RGB 230 160 50

HSL 36.67, 0.78%, 0.55%

LAB 71.01, 16.91, 63.7

 

CMYK 0 / 34 / 88 / 3

HEX #F8A41F

RGB 248 164 31

HSL 36.77, 0.94%, 0.55%

LAB 73.94, 21.89, 72.94

 

CMYK 0 / 16 / 40 / 32

HEX #AE9369

RGB 174 147 105

HSL 36.52, 0.3%, 0.55%

LAB 62.41, 4.11, 25.99

 

CMYK 0 / 8 / 21 / 39

HEX #9C8F7C

RGB 156 143 124

HSL 35.63, 0.14%, 0.55%

LAB 60.04, 1.62, 11.87

 

CMYK 4 / 2 / 0 / 44

HEX #898B8E

RGB 137 139 142

HSL 216, 0.02%, 0.55%

LAB 57.79, -0.13, -1.86

 

CMYK 27 / 16 / 0 / 37

HEX #7687A1

RGB 118 135 161

HSL 216.28, 0.19%, 0.55%

LAB 55.84, -0.04, -15.85

 

CMYK 44 / 27 / 0 / 29

HEX #6483B4

RGB 100 131 180

HSL 216.75, 0.35%, 0.55%

LAB 54.28, 2.25, -29.26

 

CMYK 0 / 37 / 40 / 32

HEX #AE6E69

RGB 174 110 105

HSL 4.35, 0.3%, 0.55%

LAB 53.14, 24.83, 13.43

 

CMYK 0 / 26 / 40 / 32

HEX #AE8069

RGB 174 128 105

HSL 20, 0.3%, 0.55%

LAB 57.52, 14.71, 19.45

 

CMYK 0 / 16 / 40 / 32

HEX #AE9369

RGB 174 147 105

HSL 36.52, 0.3%, 0.55%

LAB 62.41, 4.11, 25.99

 

CMYK 0 / 5 / 40 / 32

HEX #AEA569

RGB 174 165 105

HSL 52.17, 0.3%, 0.55%

LAB 67.22, -5.67, 32.26

 

CMYK 5 / 0 / 40 / 32

HEX #A5AE69

RGB 165 174 105

HSL 67.83, 0.3%, 0.55%

LAB 68.96, -14.07, 34.34

 

CMYK 0 / 18 / 46 / 50

HEX #806945

RGB 128 105 69

HSL 36.61, 0.3%, 0.39%

LAB 45.8, 3.99, 23.64

 

CMYK 0 / 18 / 46 / 39

HEX #9B7F53

RGB 155 127 83

HSL 36.67, 0.3%, 0.47%

LAB 54.84, 4.74, 27.91

 

CMYK 0 / 16 / 40 / 32

HEX #AE9369

RGB 174 147 105

HSL 36.52, 0.3%, 0.55%

LAB 62.41, 4.11, 25.99

 

CMYK 0 / 12 / 30 / 26

HEX #BDA784

RGB 189 167 132

HSL 36.84, 0.3%, 0.63%

LAB 69.56, 2.67, 21.06

 

CMYK 0 / 8 / 22 / 20

HEX #CBBA9F

RGB 203 186 159

HSL 36.82, 0.3%, 0.71%

LAB 76.26, 1.71, 15.88

 

CMYK 0 / 15 / 38 / 31

HEX #AF956C

RGB 175 149 108

HSL 36.72, 0.3%, 0.55%

LAB 63.09, 3.77, 25.26

 

CMYK 32 / 0 / 40 / 32

HEX #77AE69

RGB 119 174 105

HSL 107.83, 0.3%, 0.55%

LAB 65.91, -31.47, 29.81

 

CMYK 32 / 40 / 0 / 32

HEX #7769AE

RGB 119 105 174

HSL 252.17, 0.3%, 0.55%

LAB 48.36, 21.45, -34.93

 

CMYK 0 / 15 / 38 / 31

HEX #AF956C

RGB 175 149 108

HSL 36.72, 0.3%, 0.55%

LAB 63.09, 3.77, 25.26

 

CMYK 40 / 0 / 16 / 32

HEX #69AE93

RGB 105 174 147

HSL 156.52, 0.3%, 0.55%

LAB 66.04, -28.12, 7.05

 

CMYK 16 / 40 / 0 / 32

HEX #9369AE

RGB 147 105 174

HSL 276.52, 0.3%, 0.55%

LAB 51.11, 29.92, -30.44

 

CMYK 0 / 15 / 38 / 31

HEX #AF956C

RGB 175 149 108

HSL 36.72, 0.3%, 0.55%

LAB 63.09, 3.77, 25.26

 

CMYK 32 / 0 / 40 / 32

HEX #77AE69

RGB 119 174 105

HSL 107.83, 0.3%, 0.55%

LAB 65.91, -31.47, 29.81

 

CMYK 40 / 24 / 0 / 32

HEX #6985AE

RGB 105 133 174

HSL 215.65, 0.3%, 0.55%

LAB 54.9, 0.7, -24.83

 

CMYK 8 / 40 / 0 / 32

HEX #A069AE

RGB 160 105 174

HSL 287.83, 0.3%, 0.55%

LAB 52.55, 33.99, -28.09

 

CMYK 0 / 15 / 38 / 31

HEX #AF956C

RGB 175 149 108

HSL 36.72, 0.3%, 0.55%

LAB 63.09, 3.77, 25.26

 

CMYK 40 / 0 / 36 / 32

HEX #69AE70

RGB 105 174 112

HSL 126.09, 0.3%, 0.55%

LAB 65.31, -34.96, 25.16

 

CMYK 40 / 24 / 0 / 32

HEX #6985AE

RGB 105 133 174

HSL 215.65, 0.3%, 0.55%

LAB 54.9, 0.7, -24.83

 

CMYK 0 / 40 / 4 / 32

HEX #AE69A7

RGB 174 105 167

HSL 306.09, 0.3%, 0.55%

LAB 53.91, 37.12, -21.78

 

Description

Color code: HEX #AF956C | qconv.com Color code: HEX #AF956C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 149 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 149 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 38 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 38% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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