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Color name
HEX #AF83E2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF83E2 it is the complementary color #507C1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF83E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF83E2 shade: #B483DD, #C595F0, #D6A7FF, #E7B9FF and #F8CBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF83E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF83E2 shade: #AF83E2, #9E71CF, #8D5FBC, #7C4DA9 and #6B3B96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF83E2 shade: #AF83E1, #C883E1, #E183E1, #E183C8 and #E183AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF83E2 shade: #AF83E1, #9583E1 and #8383E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF83E2 shade matches the following richer shades: #AF83E1, #AE76EE and #AD6AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF83E2 shade: #AF83E1, #AF8FD5, #B09BC9, #B1A8BC and #B2B4B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF83E2 shade: #838AE1, #9483E1, #AD83E1, #C783E1 and #E083E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF83E2 shade: #8340D2, #9961DA, #AF83E1, #C4A4E9 and #DAC5F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF83E2 shade: #AF83E2, #E183A4 and #83E187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF83E2 shade: #AF83E2, #E1AD83 and #83E1AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF83E2 shade: #AF83E2, #E183A4, #B7E183 and #83E1C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF83E2 shade: #AF83E2, #E18387, #B7E183 and #83E1DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 42 / 0 / 11

HEX #AF83E2

RGB 175 131 226

HSL 267.79, 0.62%, 0.7%

LAB 62.37, 35.4, -42.15

 

Complementary color

CMYK 35 / 0 / 77 / 51

HEX #507C1D

RGB 80 124 29

HSL 87.79, 0.62%, 0.3%

LAB 47.25, -30.91, 44.12

 

CMYK 19 / 41 / 0 / 13

HEX #B483DD

RGB 180 131 221

HSL 272.67, 0.57%, 0.69%

LAB 62.64, 35.7, -38.91

 

CMYK 18 / 38 / 0 / 6

HEX #C595F0

RGB 197 149 240

HSL 271.65, 0.75%, 0.76%

LAB 69.22, 34.94, -38.99

 

CMYK 16 / 35 / 0 / 0

HEX #D6A7FF

RGB 214 167 255

HSL 272.05, 1%, 0.83%

LAB 75.55, 33.37, -37.18

 

CMYK 9 / 27 / 0 / 0

HEX #E7B9FF

RGB 231 185 255

HSL 279.43, 1%, 0.86%

LAB 81.24, 28.83, -28.28

 

CMYK 3 / 20 / 0 / 0

HEX #F8CBFF

RGB 248 203 255

HSL 291.92, 1%, 0.9%

LAB 86.94, 24.64, -19.47

 

CMYK 23 / 42 / 0 / 11

HEX #AF83E2

RGB 175 131 226

HSL 267.79, 0.62%, 0.7%

LAB 62.37, 35.4, -42.15

 

CMYK 24 / 45 / 0 / 19

HEX #9E71CF

RGB 158 113 207

HSL 268.72, 0.49%, 0.63%

LAB 55.67, 36.24, -42.15

 

CMYK 25 / 49 / 0 / 26

HEX #8D5FBC

RGB 141 95 188

HSL 269.68, 0.41%, 0.55%

LAB 48.86, 37.15, -42.15

 

CMYK 27 / 54 / 0 / 34

HEX #7C4DA9

RGB 124 77 169

HSL 270.65, 0.37%, 0.48%

LAB 41.93, 38.09, -42.13

 

CMYK 29 / 61 / 0 / 41

HEX #6B3B96

RGB 107 59 150

HSL 271.65, 0.44%, 0.41%

LAB 34.91, 39.03, -42.06

 

CMYK 22 / 42 / 0 / 12

HEX #AF83E1

RGB 175 131 225

HSL 268.09, 0.61%, 0.7%

LAB 62.32, 35.16, -41.67

 

CMYK 11 / 42 / 0 / 12

HEX #C883E1

RGB 200 131 225

HSL 284.04, 0.61%, 0.7%

LAB 64.92, 42.41, -37.41

 

CMYK 0 / 42 / 0 / 12

HEX #E183E1

RGB 225 131 225

HSL 300, 0.61%, 0.7%

LAB 67.78, 49.79, -32.75

 

CMYK 0 / 42 / 11 / 12

HEX #E183C8

RGB 225 131 200

HSL 315.96, 0.61%, 0.7%

LAB 66.83, 45.49, -20.29

 

CMYK 0 / 42 / 23 / 12

HEX #E183AE

RGB 225 131 174

HSL 332.55, 0.61%, 0.7%

LAB 65.98, 41.49, -6.96

 

CMYK 22 / 42 / 0 / 12

HEX #AF83E1

RGB 175 131 225

HSL 268.09, 0.61%, 0.7%

LAB 62.32, 35.16, -41.67

 

CMYK 34 / 42 / 0 / 12

HEX #9583E1

RGB 149 131 225

HSL 251.49, 0.61%, 0.7%

LAB 59.94, 27.95, -45.58

 

CMYK 42 / 42 / 0 / 12

HEX #8383E1

RGB 131 131 225

HSL 240, 0.61%, 0.7%

LAB 58.5, 23.29, -47.95

 

CMYK 22 / 42 / 0 / 12

HEX #AF83E1

RGB 175 131 225

HSL 268.09, 0.61%, 0.7%

LAB 62.32, 35.16, -41.67

 

CMYK 27 / 50 / 0 / 7

HEX #AE76EE

RGB 174 118 238

HSL 268, 0.78%, 0.7%

LAB 60, 45.1, -52.56

 

CMYK 31 / 58 / 0 / 2

HEX #AD6AFA

RGB 173 106 250

HSL 267.92, 0.94%, 0.7%

LAB 58.13, 54.07, -62.22

 

CMYK 22 / 42 / 0 / 12

HEX #AF83E1

RGB 175 131 225

HSL 268.09, 0.61%, 0.7%

LAB 62.32, 35.16, -41.67

 

CMYK 18 / 33 / 0 / 16

HEX #AF8FD5

RGB 175 143 213

HSL 267.43, 0.45%, 0.7%

LAB 64.61, 25.69, -31.41

 

CMYK 12 / 23 / 0 / 21

HEX #B09BC9

RGB 176 155 201

HSL 267.39, 0.3%, 0.7%

LAB 67.19, 16.62, -20.77

 

CMYK 6 / 11 / 0 / 26

HEX #B1A8BC

RGB 177 168 188

HSL 267, 0.13%, 0.7%

LAB 70.16, 7.04, -9.08

 

CMYK 1 / 0 / 2 / 29

HEX #B2B4B0

RGB 178 180 176

HSL 90, 0.03%, 0.7%

LAB 73.05, -1.44, 1.78

 

CMYK 42 / 39 / 0 / 12

HEX #838AE1

RGB 131 138 225

HSL 235.53, 0.61%, 0.7%

LAB 60.28, 19.17, -45.13

 

CMYK 34 / 42 / 0 / 12

HEX #9483E1

RGB 148 131 225

HSL 250.85, 0.61%, 0.7%

LAB 59.86, 27.69, -45.72

 

CMYK 23 / 42 / 0 / 12

HEX #AD83E1

RGB 173 131 225

HSL 266.81, 0.61%, 0.7%

LAB 62.13, 34.6, -41.99

 

CMYK 12 / 42 / 0 / 12

HEX #C783E1

RGB 199 131 225

HSL 283.4, 0.61%, 0.7%

LAB 64.81, 42.12, -37.59

 

CMYK 0 / 42 / 0 / 12

HEX #E083E1

RGB 224 131 225

HSL 299.36, 0.61%, 0.7%

LAB 67.66, 49.49, -32.94

 

CMYK 38 / 70 / 0 / 18

HEX #8340D2

RGB 131 64 210

HSL 267.53, 0.62%, 0.54%

LAB 42.98, 56.56, -64.35

 

CMYK 30 / 56 / 0 / 15

HEX #9961DA

RGB 153 97 218

HSL 267.77, 0.62%, 0.62%

LAB 52.27, 46.42, -53.82

 

CMYK 22 / 42 / 0 / 12

HEX #AF83E1

RGB 175 131 225

HSL 268.09, 0.61%, 0.7%

LAB 62.32, 35.16, -41.67

 

CMYK 16 / 30 / 0 / 9

HEX #C4A4E9

RGB 196 164 233

HSL 267.83, 0.61%, 0.78%

LAB 72.34, 24.85, -30.34

 

CMYK 10 / 18 / 0 / 5

HEX #DAC5F1

RGB 218 197 241

HSL 268.64, 0.61%, 0.86%

LAB 82.48, 15.48, -19.02

 

CMYK 23 / 42 / 0 / 11

HEX #AF83E2

RGB 175 131 226

HSL 267.79, 0.62%, 0.7%

LAB 62.37, 35.4, -42.15

 

CMYK 0 / 42 / 27 / 12

HEX #E183A4

RGB 225 131 164

HSL 338.94, 0.61%, 0.7%

LAB 65.69, 40.09, -1.73

 

CMYK 42 / 0 / 40 / 12

HEX #83E187

RGB 131 225 135

HSL 122.55, 0.61%, 0.7%

LAB 82.07, -45.97, 35.5

 

CMYK 23 / 42 / 0 / 11

HEX #AF83E2

RGB 175 131 226

HSL 267.79, 0.62%, 0.7%

LAB 62.37, 35.4, -42.15

 

CMYK 0 / 23 / 42 / 12

HEX #E1AD83

RGB 225 173 131

HSL 26.81, 0.61%, 0.7%

LAB 74.53, 13.66, 28.89

 

CMYK 42 / 0 / 23 / 12

HEX #83E1AD

RGB 131 225 173

HSL 146.81, 0.61%, 0.7%

LAB 82.75, -39.36, 16.86

 

CMYK 23 / 42 / 0 / 11

HEX #AF83E2

RGB 175 131 226

HSL 267.79, 0.62%, 0.7%

LAB 62.37, 35.4, -42.15

 

CMYK 0 / 42 / 27 / 12

HEX #E183A4

RGB 225 131 164

HSL 338.94, 0.61%, 0.7%

LAB 65.69, 40.09, -1.73

 

CMYK 19 / 0 / 42 / 12

HEX #B7E183

RGB 183 225 131

HSL 86.81, 0.61%, 0.7%

LAB 84.77, -29.25, 41.52

 

CMYK 42 / 0 / 15 / 12

HEX #83E1C0

RGB 131 225 192

HSL 158.94, 0.61%, 0.7%

LAB 83.17, -35.46, 7.45

 

CMYK 23 / 42 / 0 / 11

HEX #AF83E2

RGB 175 131 226

HSL 267.79, 0.62%, 0.7%

LAB 62.37, 35.4, -42.15

 

CMYK 0 / 42 / 40 / 12

HEX #E18387

RGB 225 131 135

HSL 357.45, 0.61%, 0.7%

LAB 64.95, 36.5, 13.64

 

CMYK 19 / 0 / 42 / 12

HEX #B7E183

RGB 183 225 131

HSL 86.81, 0.61%, 0.7%

LAB 84.77, -29.25, 41.52

 

CMYK 42 / 0 / 2 / 12

HEX #83E1DD

RGB 131 225 221

HSL 177.45, 0.61%, 0.7%

LAB 83.91, -28.82, -6.8

 

Description

Color code: HEX #AF83E2 | qconv.com Color code: HEX #AF83E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 131 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 131 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 42 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 42% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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