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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8781 it is the complementary color #50787E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8781. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8781 shade: #B4877C, #C5998F, #D6ABA2, #E7BDB5 and #F8CFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8781. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8781 shade: #AF8781, #9E756E, #8D635B, #7C5148 and #6B3F35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8781 shade: #AF8882 and #AF8282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8781 shade: #AF8882, #AF9482, #AFA082, #AFAC82 and #A6AF82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8781 shade matches the following richer shades: #AF8882, #BF7C72, #D07061, #E06351 and #F15740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8781 shade: #AF8882, #9E9493, #8EA0A3, #7DADB4 and #6DB9C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8781 shade: #AF8295, #AF8289, #AF8782, #AF9382 and #AF9F82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8781 shade: #885D57, #9F7069, #AF8882, #BFA09B and #CFB8B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8781 shade: #AF8781, #A1AF82 and #828FAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8781 shade: #AF8781, #82AF87 and #8782AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8781 shade: #AF8781, #A1AF82, #82AAAF and #9082AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8781 shade: #AF8781, #93AF82, #82AAAF and #9E82AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 26 / 31

HEX #AF8781

RGB 175 135 129

HSL 7.83, 0.22%, 0.6%

LAB 59.91, 14.37, 9.1

 

Complementary color

CMYK 37 / 5 / 0 / 51

HEX #50787E

RGB 80 120 126

HSL 187.83, 0.22%, 0.4%

LAB 47.81, -12.3, -7.74

 

CMYK 0 / 25 / 31 / 29

HEX #B4877C

RGB 180 135 124

HSL 11.79, 0.27%, 0.6%

LAB 60.33, 15.64, 12.61

 

CMYK 0 / 22 / 27 / 23

HEX #C5998F

RGB 197 153 143

HSL 11.11, 0.32%, 0.67%

LAB 67, 14.96, 11.56

 

CMYK 0 / 20 / 24 / 16

HEX #D6ABA2

RGB 214 171 162

HSL 10.38, 0.39%, 0.74%

LAB 73.57, 14.36, 10.6

 

CMYK 0 / 18 / 22 / 9

HEX #E7BDB5

RGB 231 189 181

HSL 9.6, 0.51%, 0.81%

LAB 80.02, 13.82, 9.7

 

CMYK 0 / 17 / 19 / 3

HEX #F8CFC8

RGB 248 207 200

HSL 8.75, 0.77%, 0.88%

LAB 86.38, 13.33, 8.86

 

CMYK 0 / 23 / 26 / 31

HEX #AF8781

RGB 175 135 129

HSL 7.83, 0.22%, 0.6%

LAB 59.91, 14.37, 9.1

 

CMYK 0 / 26 / 30 / 38

HEX #9E756E

RGB 158 117 110

HSL 8.75, 0.2%, 0.53%

LAB 53.08, 15.07, 10.15

 

CMYK 0 / 30 / 35 / 45

HEX #8D635B

RGB 141 99 91

HSL 9.6, 0.22%, 0.45%

LAB 46.1, 15.88, 11.32

 

CMYK 0 / 35 / 42 / 51

HEX #7C5148

RGB 124 81 72

HSL 10.38, 0.27%, 0.38%

LAB 38.96, 16.84, 12.67

 

CMYK 0 / 41 / 50 / 58

HEX #6B3F35

RGB 107 63 53

HSL 11.11, 0.34%, 0.31%

LAB 31.67, 18, 14.28

 

CMYK 0 / 22 / 26 / 31

HEX #AF8882

RGB 175 136 130

HSL 8, 0.22%, 0.6%

LAB 60.19, 13.96, 8.93

 

CMYK 0 / 26 / 26 / 31

HEX #AF8282

RGB 175 130 130

HSL 0, 0.22%, 0.6%

LAB 58.69, 17.33, 6.78

 

CMYK 0 / 22 / 26 / 31

HEX #AF8882

RGB 175 136 130

HSL 8, 0.22%, 0.6%

LAB 60.19, 13.96, 8.93

 

CMYK 0 / 15 / 26 / 31

HEX #AF9482

RGB 175 148 130

HSL 24, 0.22%, 0.6%

LAB 63.26, 7.26, 13.26

 

CMYK 0 / 9 / 26 / 31

HEX #AFA082

RGB 175 160 130

HSL 40, 0.22%, 0.6%

LAB 66.42, 0.65, 17.65

 

CMYK 0 / 2 / 26 / 31

HEX #AFAC82

RGB 175 172 130

HSL 56, 0.22%, 0.6%

LAB 69.63, -5.81, 22.05

 

CMYK 5 / 0 / 26 / 31

HEX #A6AF82

RGB 166 175 130

HSL 72, 0.22%, 0.6%

LAB 69.74, -10.89, 22.08

 

CMYK 0 / 22 / 26 / 31

HEX #AF8882

RGB 175 136 130

HSL 8, 0.22%, 0.6%

LAB 60.19, 13.96, 8.93

 

CMYK 0 / 35 / 40 / 25

HEX #BF7C72

RGB 191 124 114

HSL 7.79, 0.38%, 0.6%

LAB 58.7, 24.87, 16.25

 

CMYK 0 / 46 / 53 / 18

HEX #D07061

RGB 208 112 97

HSL 8.11, 0.54%, 0.6%

LAB 57.91, 36.25, 25.26

 

CMYK 0 / 56 / 64 / 12

HEX #E06351

RGB 224 99 81

HSL 7.55, 0.7%, 0.6%

LAB 57.43, 47.55, 34.17

 

CMYK 0 / 64 / 73 / 5

HEX #F15740

RGB 241 87 64

HSL 7.8, 0.86%, 0.6%

LAB 57.93, 57.92, 44.73

 

CMYK 0 / 22 / 26 / 31

HEX #AF8882

RGB 175 136 130

HSL 8, 0.22%, 0.6%

LAB 60.19, 13.96, 8.93

 

CMYK 0 / 6 / 7 / 38

HEX #9E9493

RGB 158 148 147

HSL 5.45, 0.05%, 0.6%

LAB 62.13, 3.5, 1.84

 

CMYK 13 / 2 / 0 / 36

HEX #8EA0A3

RGB 142 160 163

HSL 188.57, 0.1%, 0.6%

LAB 64.59, -5.68, -3.72

 

CMYK 31 / 4 / 0 / 29

HEX #7DADB4

RGB 125 173 180

HSL 187.64, 0.27%, 0.6%

LAB 67.68, -14.17, -8.73

 

CMYK 44 / 6 / 0 / 23

HEX #6DB9C4

RGB 109 185 196

HSL 187.59, 0.42%, 0.6%

LAB 70.83, -20.64, -12.93

 

CMYK 0 / 26 / 15 / 31

HEX #AF8295

RGB 175 130 149

HSL 334.67, 0.22%, 0.6%

LAB 59.2, 20.34, -3.39

 

CMYK 0 / 26 / 22 / 31

HEX #AF8289

RGB 175 130 137

HSL 350.67, 0.22%, 0.6%

LAB 58.87, 18.39, 3.02

 

CMYK 0 / 23 / 26 / 31

HEX #AF8782

RGB 175 135 130

HSL 6.67, 0.22%, 0.6%

LAB 59.94, 14.52, 8.57

 

CMYK 0 / 16 / 26 / 31

HEX #AF9382

RGB 175 147 130

HSL 22.67, 0.22%, 0.6%

LAB 63.01, 7.81, 12.9

 

CMYK 0 / 9 / 26 / 31

HEX #AF9F82

RGB 175 159 130

HSL 38.67, 0.22%, 0.6%

LAB 66.15, 1.2, 17.28

 

CMYK 0 / 32 / 36 / 47

HEX #885D57

RGB 136 93 87

HSL 7.35, 0.22%, 0.44%

LAB 43.87, 16.78, 10.54

 

CMYK 0 / 30 / 34 / 38

HEX #9F7069

RGB 159 112 105

HSL 7.78, 0.22%, 0.52%

LAB 51.81, 17.65, 11.32

 

CMYK 0 / 22 / 26 / 31

HEX #AF8882

RGB 175 136 130

HSL 8, 0.22%, 0.6%

LAB 60.19, 13.96, 8.93

 

CMYK 0 / 16 / 19 / 25

HEX #BFA09B

RGB 191 160 155

HSL 8.33, 0.22%, 0.68%

LAB 68.45, 10.6, 6.86

 

CMYK 0 / 11 / 13 / 19

HEX #CFB8B4

RGB 207 184 180

HSL 8.89, 0.22%, 0.76%

LAB 76.58, 7.53, 5.02

 

CMYK 0 / 23 / 26 / 31

HEX #AF8781

RGB 175 135 129

HSL 7.83, 0.22%, 0.6%

LAB 59.91, 14.37, 9.1

 

CMYK 8 / 0 / 26 / 31

HEX #A1AF82

RGB 161 175 130

HSL 78.67, 0.22%, 0.6%

LAB 69.36, -12.8, 21.5

 

CMYK 26 / 18 / 0 / 31

HEX #828FAF

RGB 130 143 175

HSL 222.67, 0.22%, 0.6%

LAB 59.42, 2.64, -18.33

 

CMYK 0 / 23 / 26 / 31

HEX #AF8781

RGB 175 135 129

HSL 7.83, 0.22%, 0.6%

LAB 59.91, 14.37, 9.1

 

CMYK 26 / 0 / 23 / 31

HEX #82AF87

RGB 130 175 135

HSL 126.67, 0.22%, 0.6%

LAB 67.39, -23.2, 15.74

 

CMYK 23 / 26 / 0 / 31

HEX #8782AF

RGB 135 130 175

HSL 246.67, 0.22%, 0.6%

LAB 56.3, 11.74, -23.07

 

CMYK 0 / 23 / 26 / 31

HEX #AF8781

RGB 175 135 129

HSL 7.83, 0.22%, 0.6%

LAB 59.91, 14.37, 9.1

 

CMYK 8 / 0 / 26 / 31

HEX #A1AF82

RGB 161 175 130

HSL 78.67, 0.22%, 0.6%

LAB 69.36, -12.8, 21.5

 

CMYK 26 / 3 / 0 / 31

HEX #82AAAF

RGB 130 170 175

HSL 186.67, 0.22%, 0.6%

LAB 66.97, -12.27, -6.99

 

CMYK 18 / 26 / 0 / 31

HEX #9082AF

RGB 144 130 175

HSL 258.67, 0.22%, 0.6%

LAB 57.07, 14.65, -21.83

 

CMYK 0 / 23 / 26 / 31

HEX #AF8781

RGB 175 135 129

HSL 7.83, 0.22%, 0.6%

LAB 59.91, 14.37, 9.1

 

CMYK 16 / 0 / 26 / 31

HEX #93AF82

RGB 147 175 130

HSL 97.33, 0.22%, 0.6%

LAB 68.37, -18.04, 19.98

 

CMYK 26 / 3 / 0 / 31

HEX #82AAAF

RGB 130 170 175

HSL 186.67, 0.22%, 0.6%

LAB 66.97, -12.27, -6.99

 

CMYK 10 / 26 / 0 / 31

HEX #9E82AF

RGB 158 130 175

HSL 277.33, 0.22%, 0.6%

LAB 58.35, 19.29, -19.75

 

Description

Color code: HEX #AF8781 | qconv.com Color code: HEX #AF8781 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 135 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 135 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 26 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 26% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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