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Color name
HEX #AF7F51

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7F51 it is the complementary color #5080AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7F51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7F51 shade: #B47F4C, #C5915F, #D6A372, #E7B585 and #F8C798

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7F51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7F51 shade: #AF7F51, #9E6D3E, #8D5B2B, #7C4918 and #6B3705

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7F51 shade: #AE7E50, #AE6550 and #AE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7F51 shade: #AE7E50, #AE9750, #ABAE50, #92AE50 and #79AE50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7F51 shade matches the following richer shades: #AE7E50, #C37E3B, #D77D27 and #EC7D12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7F51 shade: #AE7E50, #9A7E64, #857F79, #707F8E and #5C80A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7F51 shade: #AE5055, #AE6450, #AE7D50, #AE9750 and #ADAE50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7F51 shade: #765536, #926A43, #AE7E50, #BB936C and #C8A888

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7F51 shade: #AF7F51, #6EAE50 and #5850AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7F51 shade: #AF7F51, #50AE7D and #7D50AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7F51 shade: #AF7F51, #6EAE50, #5081AE and #9050AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7F51 shade: #AF7F51, #51AE50, #5081AE and #AD50AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 54 / 31

HEX #AF7F51

RGB 175 127 81

HSL 29.36, 0.37%, 0.5%

LAB 56.96, 13.18, 32.15

 

Complementary color

CMYK 54 / 26 / 0 / 32

HEX #5080AE

RGB 80 128 174

HSL 209.36, 0.37%, 0.5%

LAB 52.06, -2.73, -29.34

 

CMYK 0 / 29 / 58 / 29

HEX #B47F4C

RGB 180 127 76

HSL 29.42, 0.41%, 0.5%

LAB 57.47, 14.9, 35.6

 

CMYK 0 / 26 / 52 / 23

HEX #C5915F

RGB 197 145 95

HSL 29.41, 0.47%, 0.57%

LAB 64.12, 13.78, 34.09

 

CMYK 0 / 24 / 47 / 16

HEX #D6A372

RGB 214 163 114

HSL 29.4, 0.55%, 0.64%

LAB 70.67, 12.83, 32.68

 

CMYK 0 / 22 / 42 / 9

HEX #E7B585

RGB 231 181 133

HSL 29.39, 0.67%, 0.71%

LAB 77.12, 12, 31.36

 

CMYK 0 / 20 / 39 / 3

HEX #F8C798

RGB 248 199 152

HSL 29.38, 0.87%, 0.78%

LAB 83.48, 11.28, 30.13

 

CMYK 0 / 27 / 54 / 31

HEX #AF7F51

RGB 175 127 81

HSL 29.36, 0.37%, 0.5%

LAB 56.96, 13.18, 32.15

 

CMYK 0 / 31 / 61 / 38

HEX #9E6D3E

RGB 158 109 62

HSL 29.38, 0.44%, 0.43%

LAB 50.16, 14.38, 33.72

 

CMYK 0 / 35 / 70 / 45

HEX #8D5B2B

RGB 141 91 43

HSL 29.39, 0.53%, 0.36%

LAB 43.24, 15.82, 35.34

 

CMYK 0 / 41 / 81 / 51

HEX #7C4918

RGB 124 73 24

HSL 29.4, 0.68%, 0.29%

LAB 36.21, 17.59, 36.79

 

CMYK 0 / 49 / 95 / 58

HEX #6B3705

RGB 107 55 5

HSL 29.41, 0.91%, 0.22%

LAB 29.08, 19.74, 37.5

 

CMYK 0 / 28 / 54 / 32

HEX #AE7E50

RGB 174 126 80

HSL 29.36, 0.37%, 0.5%

LAB 56.58, 13.22, 32.2

 

CMYK 0 / 42 / 54 / 32

HEX #AE6550

RGB 174 101 80

HSL 13.4, 0.37%, 0.5%

LAB 50.55, 27.21, 24.53

 

CMYK 0 / 54 / 54 / 32

HEX #AE5050

RGB 174 80 80

HSL 0, 0.37%, 0.5%

LAB 46.06, 38.42, 18.62

 

CMYK 0 / 28 / 54 / 32

HEX #AE7E50

RGB 174 126 80

HSL 29.36, 0.37%, 0.5%

LAB 56.58, 13.22, 32.2

 

CMYK 0 / 13 / 54 / 32

HEX #AE9750

RGB 174 151 80

HSL 45.32, 0.37%, 0.5%

LAB 63.1, -0.64, 40.15

 

CMYK 2 / 0 / 54 / 32

HEX #ABAE50

RGB 171 174 80

HSL 61.91, 0.37%, 0.5%

LAB 69.12, -14.13, 47.14

 

CMYK 16 / 0 / 54 / 32

HEX #92AE50

RGB 146 174 80

HSL 77.87, 0.37%, 0.5%

LAB 67.25, -24.41, 44.49

 

CMYK 30 / 0 / 54 / 32

HEX #79AE50

RGB 121 174 80

HSL 93.83, 0.37%, 0.5%

LAB 65.68, -34.01, 42.25

 

CMYK 0 / 28 / 54 / 32

HEX #AE7E50

RGB 174 126 80

HSL 29.36, 0.37%, 0.5%

LAB 56.58, 13.22, 32.2

 

CMYK 0 / 35 / 70 / 24

HEX #C37E3B

RGB 195 126 59

HSL 29.56, 0.54%, 0.5%

LAB 58.83, 20.74, 46.31

 

CMYK 0 / 42 / 82 / 16

HEX #D77D27

RGB 215 125 39

HSL 29.32, 0.69%, 0.5%

LAB 61.01, 28.89, 58.03

 

CMYK 0 / 47 / 92 / 7

HEX #EC7D12

RGB 236 125 18

HSL 29.45, 0.86%, 0.5%

LAB 63.79, 37.02, 67.72

 

CMYK 0 / 28 / 54 / 32

HEX #AE7E50

RGB 174 126 80

HSL 29.36, 0.37%, 0.5%

LAB 56.58, 13.22, 32.2

 

CMYK 0 / 18 / 35 / 40

HEX #9A7E64

RGB 154 126 100

HSL 28.89, 0.21%, 0.5%

LAB 54.77, 6.91, 18.22

HEX #9A7E64

CMYK 0 / 5 / 9 / 48

HEX #857F79

RGB 133 127 121

HSL 30, 0.05%, 0.5%

LAB 53.54, 1.14, 4.06

HEX #857F79

CMYK 21 / 11 / 0 / 44

HEX #707F8E

RGB 112 127 142

HSL 210, 0.12%, 0.5%

LAB 52.48, -2.04, -9.94

HEX #707F8E

CMYK 43 / 21 / 0 / 36

HEX #5C80A2

RGB 92 128 162

HSL 209.14, 0.28%, 0.5%

LAB 52.2, -3.39, -22.13

HEX #5C80A2

CMYK 0 / 54 / 51 / 32

HEX #AE5055

RGB 174 80 85

HSL 356.81, 0.37%, 0.5%

LAB 46.17, 38.87, 15.74

 

CMYK 0 / 43 / 54 / 32

HEX #AE6450

RGB 174 100 80

HSL 12.77, 0.37%, 0.5%

LAB 50.33, 27.76, 24.24

 

CMYK 0 / 28 / 54 / 32

HEX #AE7D50

RGB 174 125 80

HSL 28.72, 0.37%, 0.5%

LAB 56.33, 13.78, 31.88

 

CMYK 0 / 13 / 54 / 32

HEX #AE9750

RGB 174 151 80

HSL 45.32, 0.37%, 0.5%

LAB 63.1, -0.64, 40.15

 

CMYK 1 / 0 / 54 / 32

HEX #ADAE50

RGB 173 174 80

HSL 60.64, 0.37%, 0.5%

LAB 69.28, -13.29, 47.36

 

CMYK 0 / 28 / 54 / 54

HEX #765536

RGB 118 85 54

HSL 29.06, 0.37%, 0.34%

LAB 38.92, 9.73, 23.37

 

CMYK 0 / 27 / 54 / 43

HEX #926A43

RGB 146 106 67

HSL 29.62, 0.37%, 0.42%

LAB 48.04, 11.22, 28.04

 

CMYK 0 / 28 / 54 / 32

HEX #AE7E50

RGB 174 126 80

HSL 29.36, 0.37%, 0.5%

LAB 56.58, 13.22, 32.2

 

CMYK 0 / 21 / 42 / 27

HEX #BB936C

RGB 187 147 108

HSL 29.62, 0.37%, 0.58%

LAB 63.77, 9.84, 26.38

 

CMYK 0 / 16 / 32 / 22

HEX #C8A888

RGB 200 168 136

HSL 30, 0.37%, 0.66%

LAB 70.91, 7.01, 20.9

 

CMYK 0 / 27 / 54 / 31

HEX #AF7F51

RGB 175 127 81

HSL 29.36, 0.37%, 0.5%

LAB 56.96, 13.18, 32.15

 

CMYK 37 / 0 / 54 / 32

HEX #6EAE50

RGB 110 174 80

HSL 100.85, 0.37%, 0.5%

LAB 65.09, -37.9, 41.41

 

CMYK 49 / 54 / 0 / 32

HEX #5850AE

RGB 88 80 174

HSL 245.11, 0.37%, 0.5%

LAB 39.36, 28.76, -49.42

 

CMYK 0 / 27 / 54 / 31

HEX #AF7F51

RGB 175 127 81

HSL 29.36, 0.37%, 0.5%

LAB 56.96, 13.18, 32.15

 

CMYK 54 / 0 / 28 / 32

HEX #50AE7D

RGB 80 174 125

HSL 148.72, 0.37%, 0.5%

LAB 64.53, -39.44, 16.88

 

CMYK 28 / 54 / 0 / 32

HEX #7D50AE

RGB 125 80 174

HSL 268.72, 0.37%, 0.5%

LAB 42.99, 37.9, -43.39

 

CMYK 0 / 27 / 54 / 31

HEX #AF7F51

RGB 175 127 81

HSL 29.36, 0.37%, 0.5%

LAB 56.96, 13.18, 32.15

 

CMYK 37 / 0 / 54 / 32

HEX #6EAE50

RGB 110 174 80

HSL 100.85, 0.37%, 0.5%

LAB 65.09, -37.9, 41.41

 

CMYK 54 / 26 / 0 / 32

HEX #5081AE

RGB 80 129 174

HSL 208.72, 0.37%, 0.5%

LAB 52.36, -3.32, -28.88

 

CMYK 17 / 54 / 0 / 32

HEX #9050AE

RGB 144 80 174

HSL 280.85, 0.37%, 0.5%

LAB 45.25, 43.03, -39.66

 

CMYK 0 / 27 / 54 / 31

HEX #AF7F51

RGB 175 127 81

HSL 29.36, 0.37%, 0.5%

LAB 56.96, 13.18, 32.15

 

CMYK 53 / 0 / 54 / 32

HEX #51AE50

RGB 81 174 80

HSL 119.36, 0.37%, 0.5%

LAB 63.84, -46.84, 39.6

 

CMYK 54 / 26 / 0 / 32

HEX #5081AE

RGB 80 129 174

HSL 208.72, 0.37%, 0.5%

LAB 52.36, -3.32, -28.88

 

CMYK 1 / 54 / 0 / 32

HEX #AD50AE

RGB 173 80 174

HSL 299.36, 0.37%, 0.5%

LAB 49.1, 51.05, -33.34

 

Description

Color code: HEX #AF7F51 | qconv.com Color code: HEX #AF7F51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 127 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 127 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 54 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 54% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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