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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF714A it is the complementary color #508EB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF714A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF714A shade: #B47145, #C58358, #D6956B, #E7A77E and #F8B991

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF714A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF714A shade: #AF714A, #9E5F37, #8D4D24, #7C3B11 and #6B2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF714A shade: #B07149, #B05549 and #B04949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF714A shade: #B07149, #B08C49, #B0A849, #9CB049 and #80B049

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF714A shade matches the following richer shades: #B07149, #C46C35, #D86821 and #EC630D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF714A shade: #B07149, #9B755D, #877A72, #737F86 and #5F839A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF714A shade: #B04959, #B05549, #B07049, #B08C49 and #B0A749

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF714A shade: #764B31, #935E3D, #B07149, #BE8764 and #CA9D81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF714A shade: #AF714A, #74B049 and #494BB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF714A shade: #AF714A, #49B070 and #7049B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF714A shade: #AF714A, #74B049, #4988B0 and #8549B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF714A shade: #AF714A, #55B049, #4988B0 and #A449B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 58 / 31

HEX #AF714A

RGB 175 113 74

HSL 23.17, 0.41%, 0.49%

LAB 53.4, 20.43, 31.57

 

Complementary color

CMYK 56 / 22 / 0 / 29

HEX #508EB5

RGB 80 142 181

HSL 203.17, 0.41%, 0.51%

LAB 56.47, -8.58, -26.52

 

CMYK 0 / 37 / 62 / 29

HEX #B47145

RGB 180 113 69

HSL 23.78, 0.45%, 0.49%

LAB 53.97, 22.17, 35.14

 

CMYK 0 / 34 / 55 / 23

HEX #C58358

RGB 197 131 88

HSL 23.67, 0.48%, 0.56%

LAB 60.61, 20.86, 33.46

 

CMYK 0 / 30 / 50 / 16

HEX #D6956B

RGB 214 149 107

HSL 23.55, 0.57%, 0.63%

LAB 67.17, 19.72, 31.91

 

CMYK 0 / 28 / 45 / 9

HEX #E7A77E

RGB 231 167 126

HSL 23.43, 0.69%, 0.7%

LAB 73.63, 18.73, 30.49

 

CMYK 0 / 25 / 42 / 3

HEX #F8B991

RGB 248 185 145

HSL 23.3, 0.88%, 0.77%

LAB 80.01, 17.86, 29.18

 

CMYK 0 / 35 / 58 / 31

HEX #AF714A

RGB 175 113 74

HSL 23.17, 0.41%, 0.49%

LAB 53.4, 20.43, 31.57

 

CMYK 0 / 40 / 65 / 38

HEX #9E5F37

RGB 158 95 55

HSL 23.3, 0.48%, 0.42%

LAB 46.62, 21.85, 33.34

 

CMYK 0 / 45 / 74 / 45

HEX #8D4D24

RGB 141 77 36

HSL 23.43, 0.59%, 0.35%

LAB 39.74, 23.51, 35.2

 

CMYK 0 / 52 / 86 / 51

HEX #7C3B11

RGB 124 59 17

HSL 23.55, 0.76%, 0.28%

LAB 32.82, 25.44, 36.84

 

CMYK 0 / 62 / 100 / 58

HEX #6B2900

RGB 107 41 0

HSL 22.99, 1%, 0.21%

LAB 25.9, 27.55, 36.81

 

CMYK 0 / 36 / 59 / 31

HEX #B07149

RGB 176 113 73

HSL 23.3, 0.41%, 0.49%

LAB 53.52, 20.78, 32.29

 

CMYK 0 / 52 / 59 / 31

HEX #B05549

RGB 176 85 73

HSL 6.99, 0.41%, 0.49%

LAB 47.25, 36.03, 24.4

 

CMYK 0 / 59 / 59 / 31

HEX #B04949

RGB 176 73 73

HSL 0, 0.41%, 0.49%

LAB 44.91, 42.07, 21.37

 

CMYK 0 / 36 / 59 / 31

HEX #B07149

RGB 176 113 73

HSL 23.3, 0.41%, 0.49%

LAB 53.52, 20.78, 32.29

 

CMYK 0 / 20 / 59 / 31

HEX #B08C49

RGB 176 140 73

HSL 39.03, 0.41%, 0.49%

LAB 60.31, 5.69, 40.45

 

CMYK 0 / 5 / 59 / 31

HEX #B0A849

RGB 176 168 73

HSL 55.34, 0.41%, 0.49%

LAB 67.81, -9.44, 49.05

 

CMYK 11 / 0 / 59 / 31

HEX #9CB049

RGB 156 176 73

HSL 71.65, 0.41%, 0.49%

LAB 68.46, -21.97, 49.34

 

CMYK 27 / 0 / 59 / 31

HEX #80B049

RGB 128 176 73

HSL 87.96, 0.41%, 0.49%

LAB 66.61, -33.06, 46.75

 

CMYK 0 / 36 / 59 / 31

HEX #B07149

RGB 176 113 73

HSL 23.3, 0.41%, 0.49%

LAB 53.52, 20.78, 32.29

 

CMYK 0 / 45 / 73 / 23

HEX #C46C35

RGB 196 108 53

HSL 23.08, 0.57%, 0.49%

LAB 54.78, 30.63, 44.94

 

CMYK 0 / 52 / 85 / 15

HEX #D86821

RGB 216 104 33

HSL 23.28, 0.73%, 0.49%

LAB 56.69, 40.01, 56.59

 

CMYK 0 / 58 / 94 / 7

HEX #EC630D

RGB 236 99 13

HSL 23.14, 0.9%, 0.49%

LAB 58.78, 49.64, 65.4

 

CMYK 0 / 36 / 59 / 31

HEX #B07149

RGB 176 113 73

HSL 23.3, 0.41%, 0.49%

LAB 53.52, 20.78, 32.29

 

CMYK 0 / 25 / 40 / 39

HEX #9B755D

RGB 155 117 93

HSL 23.23, 0.25%, 0.49%

LAB 52.38, 11.59, 19.01

 

CMYK 0 / 10 / 16 / 47

HEX #877A72

RGB 135 122 114

HSL 22.86, 0.08%, 0.49%

LAB 52.16, 3.55, 6.18

 

CMYK 14 / 5 / 0 / 47

HEX #737F86

RGB 115 127 134

HSL 202.11, 0.08%, 0.49%

LAB 52.45, -2.87, -5.3

 

CMYK 38 / 15 / 0 / 40

HEX #5F839A

RGB 95 131 154

HSL 203.39, 0.24%, 0.49%

LAB 52.95, -6.55, -16.33

 

CMYK 0 / 59 / 49 / 31

HEX #B04959

RGB 176 73 89

HSL 350.68, 0.41%, 0.49%

LAB 45.24, 43.43, 12.09

 

CMYK 0 / 52 / 59 / 31

HEX #B05549

RGB 176 85 73

HSL 6.99, 0.41%, 0.49%

LAB 47.25, 36.03, 24.4

 

CMYK 0 / 36 / 59 / 31

HEX #B07049

RGB 176 112 73

HSL 22.72, 0.41%, 0.49%

LAB 53.28, 21.33, 31.99

 

CMYK 0 / 20 / 59 / 31

HEX #B08C49

RGB 176 140 73

HSL 39.03, 0.41%, 0.49%

LAB 60.31, 5.69, 40.45

 

CMYK 0 / 5 / 59 / 31

HEX #B0A749

RGB 176 167 73

HSL 54.76, 0.41%, 0.49%

LAB 67.54, -8.92, 48.74

 

CMYK 0 / 36 / 58 / 54

HEX #764B31

RGB 118 75 49

HSL 22.61, 0.41%, 0.33%

LAB 36.19, 15.29, 22.9

 

CMYK 0 / 36 / 59 / 42

HEX #935E3D

RGB 147 94 61

HSL 23.02, 0.41%, 0.41%

LAB 45.01, 18.08, 27.69

 

CMYK 0 / 36 / 59 / 31

HEX #B07149

RGB 176 113 73

HSL 23.3, 0.41%, 0.49%

LAB 53.52, 20.78, 32.29

 

CMYK 0 / 29 / 47 / 25

HEX #BE8764

RGB 190 135 100

HSL 23.33, 0.41%, 0.57%

LAB 60.95, 16.86, 27.15

 

CMYK 0 / 22 / 36 / 21

HEX #CA9D81

RGB 202 157 129

HSL 23.01, 0.41%, 0.65%

LAB 68.21, 12.9, 21.07

 

CMYK 0 / 35 / 58 / 31

HEX #AF714A

RGB 175 113 74

HSL 23.17, 0.41%, 0.49%

LAB 53.4, 20.43, 31.57

 

CMYK 34 / 0 / 59 / 31

HEX #74B049

RGB 116 176 73

HSL 94.95, 0.41%, 0.49%

LAB 65.94, -37.46, 45.8

 

CMYK 59 / 57 / 0 / 31

HEX #494BB0

RGB 73 75 176

HSL 238.83, 0.41%, 0.49%

LAB 37.08, 29.47, -54.33

 

CMYK 0 / 35 / 58 / 31

HEX #AF714A

RGB 175 113 74

HSL 23.17, 0.41%, 0.49%

LAB 53.4, 20.43, 31.57

 

CMYK 59 / 0 / 36 / 31

HEX #49B070

RGB 73 176 112

HSL 142.72, 0.41%, 0.49%

LAB 64.67, -44.51, 24.08

 

CMYK 36 / 59 / 0 / 31

HEX #7049B0

RGB 112 73 176

HSL 262.72, 0.41%, 0.49%

LAB 40.15, 39.12, -49.2

 

CMYK 0 / 35 / 58 / 31

HEX #AF714A

RGB 175 113 74

HSL 23.17, 0.41%, 0.49%

LAB 53.4, 20.43, 31.57

 

CMYK 34 / 0 / 59 / 31

HEX #74B049

RGB 116 176 73

HSL 94.95, 0.41%, 0.49%

LAB 65.94, -37.46, 45.8

 

CMYK 59 / 23 / 0 / 31

HEX #4988B0

RGB 73 136 176

HSL 203.3, 0.41%, 0.49%

LAB 54.2, -8.24, -27.2

 

CMYK 24 / 59 / 0 / 31

HEX #8549B0

RGB 133 73 176

HSL 274.95, 0.41%, 0.49%

LAB 42.59, 44.31, -45.16

 

CMYK 0 / 35 / 58 / 31

HEX #AF714A

RGB 175 113 74

HSL 23.17, 0.41%, 0.49%

LAB 53.4, 20.43, 31.57

 

CMYK 52 / 0 / 59 / 31

HEX #55B049

RGB 85 176 73

HSL 113.01, 0.41%, 0.49%

LAB 64.53, -47.4, 43.81

 

CMYK 59 / 23 / 0 / 31

HEX #4988B0

RGB 73 136 176

HSL 203.3, 0.41%, 0.49%

LAB 54.2, -8.24, -27.2

 

CMYK 7 / 59 / 0 / 31

HEX #A449B0

RGB 164 73 176

HSL 293.01, 0.41%, 0.49%

LAB 46.7, 52.34, -38.38

 

Description

Color code: HEX #AF714A | qconv.com Color code: HEX #AF714A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 113 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 113 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 58 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 58% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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