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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF762B it is the complementary color #5089D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF762B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF762B shade: #B47626, #C58839, #D69A4C, #E7AC5F and #F8BE72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF762B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF762B shade: #AF762B, #9E6418, #8D5205, #7C4000 and #6B2E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF762B shade: #B0762A, #B0522A, #B02E2A and #B02A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF762B shade: #B0762A, #B09A2A, #A2B02A, #7EB02A and #5AB02A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF762B shade matches the following richer shades: #B0762A, #C27919 and #D47B07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF762B shade: #B0762A, #9E743C, #8D714E, #7B6F5F and #696D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF762B shade: #B02F2A, #B0522A, #B0762A, #B09A2A and #A3B02A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF762B shade: #6E4A1A, #8F6022, #B0762A, #CE8C36 and #D69F57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF762B shade: #AF762B, #49B02A and #412AB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF762B shade: #AF762B, #2AB076 and #762AB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF762B shade: #AF762B, #49B02A, #2A64B0 and #912AB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF762B shade: #AF762B, #2AB033, #2A64B0 and #B02AA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 75 / 31

HEX #AF762B

RGB 175 118 43

HSL 34.09, 0.61%, 0.43%

LAB 54.29, 15.66, 48.24

 

Complementary color

CMYK 62 / 35 / 0 / 17

HEX #5089D4

RGB 80 137 212

HSL 214.09, 0.61%, 0.57%

LAB 56.44, 4.4, -44.13

 

CMYK 0 / 34 / 79 / 29

HEX #B47626

RGB 180 118 38

HSL 33.8, 0.65%, 0.43%

LAB 54.87, 17.66, 51.13

 

CMYK 0 / 31 / 71 / 23

HEX #C58839

RGB 197 136 57

HSL 33.86, 0.55%, 0.5%

LAB 61.46, 16.01, 50.13

 

CMYK 0 / 28 / 64 / 16

HEX #D69A4C

RGB 214 154 76

HSL 33.91, 0.63%, 0.57%

LAB 67.97, 14.6, 48.83

 

CMYK 0 / 26 / 59 / 9

HEX #E7AC5F

RGB 231 172 95

HSL 33.97, 0.74%, 0.64%

LAB 74.39, 13.39, 47.45

 

CMYK 0 / 23 / 54 / 3

HEX #F8BE72

RGB 248 190 114

HSL 34.03, 0.91%, 0.71%

LAB 80.74, 12.33, 46.07

 

CMYK 0 / 33 / 75 / 31

HEX #AF762B

RGB 175 118 43

HSL 34.09, 0.61%, 0.43%

LAB 54.29, 15.66, 48.24

 

CMYK 0 / 37 / 85 / 38

HEX #9E6418

RGB 158 100 24

HSL 34.03, 0.74%, 0.36%

LAB 47.56, 17.48, 48.86

 

CMYK 0 / 42 / 96 / 45

HEX #8D5205

RGB 141 82 5

HSL 33.97, 0.93%, 0.29%

LAB 40.75, 19.64, 48.21

 

CMYK 0 / 48 / 100 / 51

HEX #7C4000

RGB 124 64 0

HSL 30.97, 1%, 0.24%

LAB 33.88, 22.17, 44.12

 

CMYK 0 / 57 / 100 / 58

HEX #6B2E00

RGB 107 46 0

HSL 25.79, 1%, 0.21%

LAB 26.96, 24.81, 37.77

 

CMYK 0 / 33 / 76 / 31

HEX #B0762A

RGB 176 118 42

HSL 34.03, 0.61%, 0.43%

LAB 54.4, 16.05, 48.83

 

CMYK 0 / 53 / 76 / 31

HEX #B0522A

RGB 176 82 42

HSL 17.91, 0.61%, 0.43%

LAB 46.22, 35.7, 40.54

 

CMYK 0 / 74 / 76 / 31

HEX #B02E2A

RGB 176 46 42

HSL 1.79, 0.61%, 0.43%

LAB 40.17, 51.79, 34.08

 

CMYK 0 / 76 / 76 / 31

HEX #B02A2A

RGB 176 42 42

HSL 0, 0.61%, 0.43%

LAB 39.67, 53.17, 33.53

 

CMYK 0 / 33 / 76 / 31

HEX #B0762A

RGB 176 118 42

HSL 34.03, 0.61%, 0.43%

LAB 54.4, 16.05, 48.83

 

CMYK 0 / 13 / 76 / 31

HEX #B09A2A

RGB 176 154 42

HSL 50.15, 0.61%, 0.43%

LAB 63.76, -3.83, 57.82

 

CMYK 8 / 0 / 76 / 31

HEX #A2B02A

RGB 162 176 42

HSL 66.27, 0.61%, 0.43%

LAB 68.68, -21.4, 61.98

 

CMYK 28 / 0 / 76 / 31

HEX #7EB02A

RGB 126 176 42

HSL 82.39, 0.61%, 0.43%

LAB 66.25, -36.13, 58.83

 

CMYK 49 / 0 / 76 / 31

HEX #5AB02A

RGB 90 176 42

HSL 98.51, 0.61%, 0.43%

LAB 64.48, -48.7, 56.5

 

CMYK 0 / 33 / 76 / 31

HEX #B0762A

RGB 176 118 42

HSL 34.03, 0.61%, 0.43%

LAB 54.4, 16.05, 48.83

 

CMYK 0 / 38 / 87 / 24

HEX #C27919

RGB 194 121 25

HSL 34.08, 0.77%, 0.43%

LAB 57.28, 21.74, 58.54

 

CMYK 0 / 42 / 97 / 17

HEX #D47B07

RGB 212 123 7

HSL 33.95, 0.94%, 0.43%

LAB 60.05, 28.08, 65.57

 

CMYK 0 / 33 / 76 / 31

HEX #B0762A

RGB 176 118 42

HSL 34.03, 0.61%, 0.43%

LAB 54.4, 16.05, 48.83

 

CMYK 0 / 27 / 62 / 38

HEX #9E743C

RGB 158 116 60

HSL 34.29, 0.45%, 0.43%

LAB 51.93, 10.22, 36.87

 

CMYK 0 / 20 / 45 / 45

HEX #8D714E

RGB 141 113 78

HSL 33.33, 0.29%, 0.43%

LAB 49.52, 6.1, 23.58

 

CMYK 0 / 10 / 23 / 52

HEX #7B6F5F

RGB 123 111 95

HSL 34.29, 0.13%, 0.43%

LAB 47.5, 1.89, 10.62

 

CMYK 7 / 4 / 0 / 56

HEX #696D71

RGB 105 109 113

HSL 210, 0.04%, 0.43%

LAB 45.82, -0.67, -2.76

 

CMYK 0 / 73 / 76 / 31

HEX #B02F2A

RGB 176 47 42

HSL 2.24, 0.61%, 0.43%

LAB 40.3, 51.43, 34.22

 

CMYK 0 / 53 / 76 / 31

HEX #B0522A

RGB 176 82 42

HSL 17.91, 0.61%, 0.43%

LAB 46.22, 35.7, 40.54

 

CMYK 0 / 33 / 76 / 31

HEX #B0762A

RGB 176 118 42

HSL 34.03, 0.61%, 0.43%

LAB 54.4, 16.05, 48.83

 

CMYK 0 / 13 / 76 / 31

HEX #B09A2A

RGB 176 154 42

HSL 50.15, 0.61%, 0.43%

LAB 63.76, -3.83, 57.82

 

CMYK 7 / 0 / 76 / 31

HEX #A3B02A

RGB 163 176 42

HSL 65.82, 0.61%, 0.43%

LAB 68.75, -20.97, 62.07

 

CMYK 0 / 33 / 76 / 57

HEX #6E4A1A

RGB 110 74 26

HSL 34.29, 0.62%, 0.27%

LAB 34.57, 10.46, 33.57

 

CMYK 0 / 33 / 76 / 44

HEX #8F6022

RGB 143 96 34

HSL 34.13, 0.62%, 0.35%

LAB 44.69, 13.32, 41.38

 

CMYK 0 / 33 / 76 / 31

HEX #B0762A

RGB 176 118 42

HSL 34.03, 0.61%, 0.43%

LAB 54.4, 16.05, 48.83

 

CMYK 0 / 32 / 74 / 19

HEX #CE8C36

RGB 206 140 54

HSL 33.95, 0.61%, 0.51%

LAB 63.46, 17.56, 53.86

 

CMYK 0 / 26 / 59 / 16

HEX #D69F57

RGB 214 159 87

HSL 34.02, 0.61%, 0.59%

LAB 69.31, 12.66, 44.98

 

CMYK 0 / 33 / 75 / 31

HEX #AF762B

RGB 175 118 43

HSL 34.09, 0.61%, 0.43%

LAB 54.29, 15.66, 48.24

 

CMYK 59 / 0 / 76 / 31

HEX #49B02A

RGB 73 176 42

HSL 106.12, 0.61%, 0.43%

LAB 63.86, -53.48, 55.7

 

CMYK 63 / 76 / 0 / 31

HEX #412AB0

RGB 65 42 176

HSL 250.3, 0.61%, 0.43%

LAB 29.2, 47.7, -67.25

 

CMYK 0 / 33 / 75 / 31

HEX #AF762B

RGB 175 118 43

HSL 34.09, 0.61%, 0.43%

LAB 54.29, 15.66, 48.24

 

CMYK 76 / 0 / 33 / 31

HEX #2AB076

RGB 42 176 118

HSL 154.03, 0.61%, 0.43%

LAB 64.04, -48.85, 19.86

 

CMYK 33 / 76 / 0 / 31

HEX #762AB0

RGB 118 42 176

HSL 274.03, 0.61%, 0.43%

LAB 35.29, 55.8, -57.04

 

CMYK 0 / 33 / 75 / 31

HEX #AF762B

RGB 175 118 43

HSL 34.09, 0.61%, 0.43%

LAB 54.29, 15.66, 48.24

 

CMYK 59 / 0 / 76 / 31

HEX #49B02A

RGB 73 176 42

HSL 106.12, 0.61%, 0.43%

LAB 63.86, -53.48, 55.7

 

CMYK 76 / 43 / 0 / 31

HEX #2A64B0

RGB 42 100 176

HSL 214.03, 0.61%, 0.43%

LAB 42.37, 8.3, -45.9

 

CMYK 18 / 76 / 0 / 31

HEX #912AB0

RGB 145 42 176

HSL 286.12, 0.61%, 0.43%

LAB 39.26, 60.89, -50.42

 

CMYK 0 / 33 / 75 / 31

HEX #AF762B

RGB 175 118 43

HSL 34.09, 0.61%, 0.43%

LAB 54.29, 15.66, 48.24

 

CMYK 76 / 0 / 71 / 31

HEX #2AB033

RGB 42 176 51

HSL 124.03, 0.61%, 0.43%

LAB 63.16, -59.07, 51.46

 

CMYK 76 / 43 / 0 / 31

HEX #2A64B0

RGB 42 100 176

HSL 214.03, 0.61%, 0.43%

LAB 42.37, 8.3, -45.9

 

CMYK 0 / 76 / 5 / 31

HEX #B02AA7

RGB 176 42 167

HSL 304.03, 0.61%, 0.43%

LAB 43.76, 65.75, -37.58

 

Description

Color code: HEX #AF762B | qconv.com Color code: HEX #AF762B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 118 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 118 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 75 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 75% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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