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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF62EB it is the complementary color #509D14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF62EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF62EB shade: #B462E6, #C574F9, #D686FF, #E798FF and #F8AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF62EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF62EB shade: #AF62EB, #9E50D8, #8D3EC5, #7C2CB2 and #6B1A9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF62EB shade: #AE61EA, #D361EA, #EA61DC, #EA61B7 and #EA6192

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF62EB shade: #AE61EA, #8961EA, #6461EA and #6161EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF62EB shade matches the following richer shades: #AE61EA and #B052F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF62EB shade: #AE61EA, #AC6FDC, #AA7DCD, #A88CBF and #A79AB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF62EB shade: #6361EA, #8761EA, #AC61EA, #D161EA and #EA61DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF62EB shade: #881CDC, #9B3CE5, #AE61EA, #C085EF and #D3AAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF62EB shade: #AF62EB, #EA6183 and #61EA75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF62EB shade: #AF62EB, #EAAC61 and #61EAAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF62EB shade: #AF62EB, #EA6183, #9EEA61 and #61EAC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF62EB shade: #AF62EB, #EA6761, #9EEA61 and #61E3EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 58 / 0 / 8

HEX #AF62EB

RGB 175 98 235

HSL 273.72, 0.77%, 0.65%

LAB 55.93, 55.16, -57.38

 

Complementary color

CMYK 49 / 0 / 87 / 38

HEX #509D14

RGB 80 157 20

HSL 93.72, 0.77%, 0.35%

LAB 57.91, -45.47, 56.6

 

CMYK 22 / 57 / 0 / 10

HEX #B462E6

RGB 180 98 230

HSL 277.27, 0.73%, 0.64%

LAB 56.24, 55.25, -54.06

 

CMYK 21 / 53 / 0 / 2

HEX #C574F9

RGB 197 116 249

HSL 276.54, 0.92%, 0.72%

LAB 62.68, 54.49, -54.25

 

CMYK 16 / 47 / 0 / 0

HEX #D686FF

RGB 214 134 255

HSL 279.67, 1%, 0.76%

LAB 68.44, 50.95, -48.3

 

CMYK 9 / 40 / 0 / 0

HEX #E798FF

RGB 231 152 255

HSL 286.02, 1%, 0.8%

LAB 73.98, 46.35, -39.49

 

CMYK 3 / 33 / 0 / 0

HEX #F8AAFF

RGB 248 170 255

HSL 295.06, 1%, 0.83%

LAB 79.57, 42.02, -30.69

 

CMYK 26 / 58 / 0 / 8

HEX #AF62EB

RGB 175 98 235

HSL 273.72, 0.77%, 0.65%

LAB 55.93, 55.16, -57.38

 

CMYK 27 / 63 / 0 / 15

HEX #9E50D8

RGB 158 80 216

HSL 274.41, 0.64%, 0.58%

LAB 49.45, 55.89, -57.17

 

CMYK 28 / 69 / 0 / 23

HEX #8D3EC5

RGB 141 62 197

HSL 275.11, 0.54%, 0.51%

LAB 42.97, 56.41, -56.79

 

CMYK 30 / 75 / 0 / 30

HEX #7C2CB2

RGB 124 44 178

HSL 275.82, 0.6%, 0.44%

LAB 36.56, 56.54, -56.13

 

CMYK 33 / 84 / 0 / 38

HEX #6B1A9F

RGB 107 26 159

HSL 276.54, 0.72%, 0.36%

LAB 30.32, 55.89, -54.97

 

CMYK 26 / 59 / 0 / 8

HEX #AE61EA

RGB 174 97 234

HSL 273.72, 0.77%, 0.65%

LAB 55.57, 55.2, -57.41

 

CMYK 10 / 59 / 0 / 8

HEX #D361EA

RGB 211 97 234

HSL 289.93, 0.77%, 0.65%

LAB 60.19, 64.11, -49.77

 

CMYK 0 / 59 / 6 / 8

HEX #EA61DC

RGB 234 97 220

HSL 306.13, 0.77%, 0.65%

LAB 62.68, 67.48, -37.8

 

CMYK 0 / 59 / 22 / 8

HEX #EA61B7

RGB 234 97 183

HSL 322.34, 0.77%, 0.65%

LAB 61.19, 62, -19.16

 

CMYK 0 / 59 / 38 / 8

HEX #EA6192

RGB 234 97 146

HSL 338.54, 0.77%, 0.65%

LAB 59.99, 57.45, 0.4

 

CMYK 26 / 59 / 0 / 8

HEX #AE61EA

RGB 174 97 234

HSL 273.72, 0.77%, 0.65%

LAB 55.57, 55.2, -57.41

 

CMYK 41 / 59 / 0 / 8

HEX #8961EA

RGB 137 97 234

HSL 257.52, 0.77%, 0.65%

LAB 51.62, 46.85, -63.97

 

CMYK 57 / 59 / 0 / 8

HEX #6461EA

RGB 100 97 234

HSL 241.31, 0.77%, 0.65%

LAB 48.51, 39.63, -69.15

 

CMYK 59 / 59 / 0 / 8

HEX #6161EA

RGB 97 97 234

HSL 240, 0.77%, 0.65%

LAB 48.3, 39.12, -69.51

 

CMYK 26 / 59 / 0 / 8

HEX #AE61EA

RGB 174 97 234

HSL 273.72, 0.77%, 0.65%

LAB 55.57, 55.2, -57.41

 

CMYK 29 / 67 / 0 / 3

HEX #B052F8

RGB 176 82 248

HSL 273.98, 0.92%, 0.65%

LAB 54.07, 65.87, -67.62

 

CMYK 26 / 59 / 0 / 8

HEX #AE61EA

RGB 174 97 234

HSL 273.72, 0.77%, 0.65%

LAB 55.57, 55.2, -57.41

 

CMYK 22 / 50 / 0 / 14

HEX #AC6FDC

RGB 172 111 220

HSL 273.58, 0.61%, 0.65%

LAB 57.37, 44.21, -46.7

 

CMYK 17 / 39 / 0 / 20

HEX #AA7DCD

RGB 170 125 205

HSL 273.75, 0.44%, 0.65%

LAB 59.54, 32.52, -34.85

 

CMYK 12 / 27 / 0 / 25

HEX #A88CBF

RGB 168 140 191

HSL 272.94, 0.28%, 0.65%

LAB 62.37, 20.32, -22.6

 

CMYK 5 / 13 / 0 / 31

HEX #A79AB0

RGB 167 154 176

HSL 275.45, 0.12%, 0.65%

LAB 65.33, 8.95, -9.7

 

CMYK 58 / 59 / 0 / 8

HEX #6361EA

RGB 99 97 234

HSL 240.88, 0.77%, 0.65%

LAB 48.44, 39.46, -69.27

 

CMYK 42 / 59 / 0 / 8

HEX #8761EA

RGB 135 97 234

HSL 256.64, 0.77%, 0.65%

LAB 51.43, 46.42, -64.29

 

CMYK 26 / 59 / 0 / 8

HEX #AC61EA

RGB 172 97 234

HSL 272.85, 0.77%, 0.65%

LAB 55.34, 54.73, -57.79

 

CMYK 11 / 59 / 0 / 8

HEX #D161EA

RGB 209 97 234

HSL 289.05, 0.77%, 0.65%

LAB 59.93, 63.63, -50.2

 

CMYK 0 / 59 / 5 / 8

HEX #EA61DF

RGB 234 97 223

HSL 304.82, 0.77%, 0.65%

LAB 62.82, 67.96, -39.27

 

CMYK 38 / 87 / 0 / 14

HEX #881CDC

RGB 136 28 220

HSL 273.75, 0.77%, 0.49%

LAB 39.97, 72.52, -74.99

 

CMYK 32 / 74 / 0 / 10

HEX #9B3CE5

RGB 155 60 229

HSL 273.73, 0.76%, 0.57%

LAB 46.79, 67.04, -68.88

 

CMYK 26 / 59 / 0 / 8

HEX #AE61EA

RGB 174 97 234

HSL 273.72, 0.77%, 0.65%

LAB 55.57, 55.2, -57.41

 

CMYK 20 / 44 / 0 / 6

HEX #C085EF

RGB 192 133 239

HSL 273.4, 0.77%, 0.73%

LAB 65.13, 42.02, -44.89

 

CMYK 13 / 30 / 0 / 5

HEX #D3AAF3

RGB 211 170 243

HSL 273.7, 0.75%, 0.81%

LAB 75.49, 28.3, -30.81

 

CMYK 26 / 58 / 0 / 8

HEX #AF62EB

RGB 175 98 235

HSL 273.72, 0.77%, 0.65%

LAB 55.93, 55.16, -57.38

 

CMYK 0 / 59 / 44 / 8

HEX #EA6183

RGB 234 97 131

HSL 345.11, 0.77%, 0.65%

LAB 59.6, 55.89, 8.55

 

CMYK 59 / 0 / 50 / 8

HEX #61EA75

RGB 97 234 117

HSL 128.76, 0.77%, 0.65%

LAB 83.27, -60.96, 45.59

 

CMYK 26 / 58 / 0 / 8

HEX #AF62EB

RGB 175 98 235

HSL 273.72, 0.77%, 0.65%

LAB 55.93, 55.16, -57.38

 

CMYK 0 / 26 / 59 / 8

HEX #EAAC61

RGB 234 172 97

HSL 32.85, 0.77%, 0.65%

LAB 74.74, 14.77, 46.95

 

CMYK 59 / 0 / 26 / 8

HEX #61EAAC

RGB 97 234 172

HSL 152.85, 0.77%, 0.65%

LAB 84.16, -51.48, 19.16

 

CMYK 26 / 58 / 0 / 8

HEX #AF62EB

RGB 175 98 235

HSL 273.72, 0.77%, 0.65%

LAB 55.93, 55.16, -57.38

 

CMYK 0 / 59 / 44 / 8

HEX #EA6183

RGB 234 97 131

HSL 345.11, 0.77%, 0.65%

LAB 59.6, 55.89, 8.55

 

CMYK 32 / 0 / 59 / 8

HEX #9EEA61

RGB 158 234 97

HSL 93.28, 0.77%, 0.65%

LAB 85.49, -45.81, 57.93

 

CMYK 59 / 0 / 15 / 8

HEX #61EAC8

RGB 97 234 200

HSL 165.11, 0.77%, 0.65%

LAB 84.77, -45.3, 5.39

 

CMYK 26 / 58 / 0 / 8

HEX #AF62EB

RGB 175 98 235

HSL 273.72, 0.77%, 0.65%

LAB 55.93, 55.16, -57.38

 

CMYK 0 / 56 / 59 / 8

HEX #EA6761

RGB 234 103 97

HSL 2.63, 0.77%, 0.65%

LAB 59.94, 50.28, 28.64

 

CMYK 32 / 0 / 59 / 8

HEX #9EEA61

RGB 158 234 97

HSL 93.28, 0.77%, 0.65%

LAB 85.49, -45.81, 57.93

 

CMYK 59 / 3 / 0 / 8

HEX #61E3EA

RGB 97 227 234

HSL 183.07, 0.77%, 0.65%

LAB 83.66, -33.49, -14.18

 

Description

Color code: HEX #AF62EB | qconv.com Color code: HEX #AF62EB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 98 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 98 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 58 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 58% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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